Jbl free by

Descripción Los auriculares JBL Free II ofrecen la firma del característico sonido JBL en un formato intuitivo e inteligente. Totalmente libres de cables y fáciles de usar, los JBL Free II son tu versátil compañero para llamadas, música y un modo de vida activo. Consigue un día entero (24 horas) de reproducción combinada: 6 horas de escucha continua en los auriculares más 18 horas de copia de seguridad desde el estuche de carga. Pareados al instante nada más sacarlos de su estuche, cada auricular JBL Free II se puede utilizar independientemente en modo mono o estéreo, ahorrando consumo de batería. Sonido JBL Signature Sonido envolvente con la firma JBL ofrecido en un formato intuitivo e inteligente. Doble conexión que lo hace todo más fácil Los JBL Free II se emparejan al instante con tu dispositivo Android nada más sacarlos del estuche. Haz llamadas de teléfono claras, habla con el asistente de voz y escucha tu música favorita, en cualquier momento, con cualquiera de ambos auriculares o con los dos. Bluetooth 5.0 garantiza una transmisión de alta calidad. 24 horas de reproducción combinada Disfruta de un día entero de audio inalámbrico, con 6 horas de reproducción continua y 18 horas de energía suplementaria del estuche de carga. Recarga fácilmente con un estuche de carga tipo C. Características Audio Alimentación eléctrica 5 V, 1 A Respuesta de frecuencia 20 Hz - 20 kHz Impedancia: 16 ohmios Sí Sensibilidad 100 dB SPL a 1 kHz/1 mW SPL máxima 95 dB Sensibilidad del micrófono-38 dBV/Pa a 1 kHz Temperatura máxima de funcionamiento 45 °C Medidas Tamaño del driver tipo dinámico de 5,6 mm/0,022 in Peso 61,6 g/0,135 lb Audífono 4,8 g/0,011 lb/unidad (9,6 g/0,021 lb combinados) Estuche de carga 52 g/0,114 lb Características de control y conexión Versión de Bluetooth 5 Versión del perfil Bluetooth A2DP 1.3, AVRCP 1.5, HFP 1.7 Rango de frecuencia del transmisor Bluetooth 2,4 GHz - 2,48 GHz Potencia del transmisor Bluetooth Modulación del transmisor Bluetooth GFSK, π/4 DQPSK, 8 DPSK Batería Tipo de batería de los auriculares Batería de iones de litio (55 mA/3,7 V) Tipo de batería del estuche de carga Batería de iones de litio (650 mA/3,8 V) Tiempo de carga Tiempo de reproducción con BT hasta 6 h Contenido de la caja 1 juego de auriculares JBL Free II 3 tamaños de almohadillas 1 estuche de carga 1 cable de carga tipo C 1 guía de inicio rápido 1 hoja de seguridad 1 tarjeta de advertencias Ficha técnica Color Negro Conectividad Bluetooth Microfono Con Microfono Tipo de Auricular Intrauditivos

Ficha técnica in ear jbl free marca: jbl modelo: free recambio almohadilla: Sí tipo: inalambrico cable carga: Sí informacion adicional: revisar el estado de uso en las imágenes.signos de uso muy evidentes, con rasguños, roces, incluso golpes. revisar imágenes Descripción in ear jbl free in ear jbl free es un objeto de Segunda Mano que se ofrece en estado Buen estado.

Ficha técnica in ear jbl free x marca: jbl recambio almohadilla: No enganches: simple tipo microfono: integrado microfono: Sí control volumen: No tipo: inalambrico modelo: free x informacion adicional: revisar el estado de uso en las imágenes Descripción in ear jbl free x in ear jbl free x es un objeto de Segunda Mano que se ofrece en estado Usado.

Ficha técnica in ear jbl free ii marca: jbl tipo conexion inalambrica: bluetooth enganches: simple tipo microfono: integrado responder llamada: Sí microfono: Sí control volumen: No tipo: inalambrico modelo: free ii informacion adicional: signos de uso no apreciable en las imágenes Descripción in ear jbl free ii in ear jbl free ii es un objeto de Segunda Mano que se ofrece en estado Buen estado.

Cascos Bluetooth JBL free originales Casi sin uso Se venden por haber recibido otros de regalo

JBL FREE. Tipo de producto: Auriculares, Estilo de uso: Dentro de oído, Color del producto: Negro. Tecnología de conectividad: Inalámbrico, Perfiles de Bluetooth: A2DP,AVRCP,HFP,HSP. Audifonos: Intraaural, Frecuencia de auricular: 10 - 22000 Hz, Unidad de disco: 5,6 mm. Autonomía: 4 h, Tecnología de batería: Polímero de litio, Capacidad de batería: 1500 mAh. Peso: 99 g Marca: JBL Gastos de envío: 4.99

JBL Free X - Auriculares inalámbricos con Bluetooth y cancelación de ruido, JBL Signature Sound, 24 h de música continua y estuche de carga inteligente, blanco

Pink Floyd ‎– Obscured By Clouds, USA 1972 Harvest Pink Floyd ‎– Obscured By Clouds, USA 1972 Harvest Lista de pistas A1 Obscured By Clouds   A2 When Your'e In   A3 Burning Bridges   A4 The Gold It's In The   A5 Wots... Uh The Deal   A6 Mudmen   B1 Childhoods End   B2 Free Four   B3 Stay   B4 Absolutely Curtains

Marc Bolan & T-Rex ‎* 2LP * Stand By Me * Gatefold * UK Marc Bolan & T-Rex ‎* 2LP * Stand By Me * Gatefold * UK Edición exclusiva inglesa en doble vinilo con grandes temas de Marc Bolan y T-Rex.  Editado en 1987.   CARA A 1 The Groover 3:18 2 Think Zinc 3:22 3 Tenement Lady 2:54 4 Rock On 3:26 5 Free Angel 2:12 6 Telegram Sam 3:45 CARA B 1 Stand By Me 3:00 2 Country Honey 1:46 3 Teenage Riot Structure 3:33 4 Solid Gold Easy Action 2:15 5 Truck On (Tyke) 3:04 6 Pain And Love 3:41 CARA C 1 Children Of The Revolution 2:26 2 Solid Baby 2:36 3 20th Century Boy 3:35 4 I Really Love You Baby 3:32 5 Visions Of Domnino 2:24 6 Teenage Dream 4:55 CARA D 1 Metal Guru 2:26 2 Casual Agent 2:55 3 Tame My Tiger 2:29 4 Precious Star 2:50 5 Chariot Choogle 2:44 6 The Leopards Featuring Gardina & The Mighty Slug 3:35

GLOBE UNITY: COMPOSITIONS [DEU 1979] LP GLOBE UNITY: COMPOSITIONS [DEU 1979] LP Globe Unity   "Compositions"  LP (Japo-ECM) 1979  made in Germany cat. num.  JAPO60027 #jazz  #free jazz Nodagoo 6:59 Boa 5:43 Trom-bone-it 5:03 Flat Fleet 7:48 Reflections 8:46 Worms (Dedicated To Ezra Pound) 10:25 The Forge 5:22   One of the earliest large-group endeavors attempted in the European free jazz movement,  the Globe Unity Orchestra  was founded by German pianist  Alexander Von Schlippenbach  in 1966, at first for the specific purpose of performing his composition "Globe Unity," which was commissioned for the Berliner Jazztage. Initially, the 19-piece orchestra combined saxophonist  Peter Brotzmann 's trio and trumpeter  Manfred Schoof 's quintet with a phalanx of other early giants of European free jazz (mostly from Germany); they included, among many others, trombonist  Albert Mangelsdorff, woodwind players  Gunter Hampel  and  Willem Breuker, vibist  Karl Berger, bassists  Buschi Niebergall  and  Peter Kowald, and drummers  Jaki Liebezeit  (of the rock group  Can) and  Sven-Åke Johansson. The initial performance was a historic and rousingly cacophonous success, and  Von Schlippenbach  kept the group going, serving as its musical director for most of the next two decades. Naturally, the membership fluctuated quite a bit; by the early '70s, the group had more of a British presence, with players like guitarist  Derek Bailey, saxophonist  Evan Parker, and trombonists  Malcolm Griffiths  and  Paul Rutherford, plus trumpeter  Kenny Wheeler  and drummer  Han Bennink.  Von Schlippenbach  left for a bit in 1971, but returned the following year, and the group began playing outside of Germany more often beginning in 1974, which also marked the point at which more of their music was preserved on record (much of it on FMP). As the orchestra evolved, it relied less and less on structured arrangements, eventually becoming completely free. However, since a 20th-anniversary celebration and recording session, the group has mostly been silent.

Lana Del Rey – Chemtrails Over The Country Club -CD- Lana Del Rey – Chemtrails Over The Country Club -CD- Lana Del Rey  – Chemtrails Over The Country Club Label: Polydor  – 3549781,  Interscope Records  – 3549781 Format: CD, Album Country: Europe Released: Mar 19, 2021 Genre: Rock,  Pop,  Folk, World, & Country Style: Alternative Rock,  Indie Rock,  Indie Pop,  Folk Tracklist Hide Credits 1   White Dress 5:33 2   Chemtrails Over The Country Club 4:31 3   Tulsa Jesus Freak 3:35 4   Let Me Love You Like A Woman 3:20 5   Wild At Heart 4:06 6   Dark But Just A Game 3:55 7   Not All Who Wander Are Lost 4:07 8   Yosemite Drums, Percussion –  Aaron Sterling Mixed By –  Dean Reid,  Kieron Menzies Sounds –  Trevor Yasuda Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Producer, Acoustic Guitar, Keyboards, Mellotron, Bass –  Rick Nowels Drums, Percussion –  Aaron Sterling Mixed By –  Dean Reid,  Kieron Menzies Sounds –  Trevor Yasuda Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Producer, Acoustic Guitar, Keyboards, Mellotron, Bass –  Rick Nowels 5:04 9   Breaking Up Slowly Pedal Steel Guitar –  Mikey Freedom Hart Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Vocals [Additional] –  Nikki Lane Pedal Steel Guitar –  Mikey Freedom Hart Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Vocals [Additional] –  Nikki Lane 2:57 10   Dance Till We Die Accordion –  Evan Smith (2) Accordion –  Evan Smith (2) 4:03 11   For Free Piano, Guitar, Mellotron –  Mikey Freedom Hart Vocals [Additional] –  Weyes Blood,  Zella Day Written-By –  Joni Mitchell Piano, Guitar, Mellotron –  Mikey Freedom Hart Vocals [Additional] –  Weyes Blood,  Zella Day Written-By –  Joni Mitchell 4:11   Companies, etc. Record Company  –  Universal International Music B.V. Licensed To  –  Universal Music Operations Ltd. Phonographic Copyright ℗  –  Lana Del Rey Copyright ©  –  Lana Del Rey Published By  –  Sony/ATV Songs LLC Published By  –  Ducky Donath Music Published By  –  Sony / ATV Music Publishing Published By  –  Apricot Bonfire Music Published By  –  Crazy Crow Music Recorded At  –  Conway Studios Recorded At  –  The Green Building, Santa Monica Recorded At  –  Hampstead Studios, London Mastered At  –  Sterling Sound Glass Mastered at  –  Sony DADC  – A0103302074-0101 Credits Engineer, Mixed By  –  Laura Sisk Horns  –  Evan Smith (2)  (tracks: 2, 5, 10, 11) Mastered By  –  Chris Gehringer Strings  –  Daniel Heath *  (tracks: 2) Written-By, Composed By, Author, Producer, Piano, Guitar, Bass, Drums, Mixed By, Mellotron, Keyboards, Twelve-String Guitar, Synth, Percussion, Slide Guitar, Organ  –  Jack Antonoff Written-By, Composed By, Author, Producer, Vocals  –  Lana Del Rey Notes A limited amount of copies sold through Lana Del Rey's various online stores came with a signed art card. A Polydor Records release / An Interscope Records release in the USA. Rick Nowels published by Apricot Bonfire Music; Joni Mitchell by Crazy Crow Music. Track 4 recorded & mixed at Conway Recording, Los Angeles, CA-USA; track 8 recorded at The Green Building, LA and Hampstead Studios, London. ℗ & © 2021 Lana Del Rey, under exclusive licence to Universal Music Operations Limited Made in the EU Barcode and Other Identifiers Barcode (Scanned): 602435497815 Barcode (Printed): 6 02435 49781 5 Barcode (Stickered Signed Art Card): 0 602435 713373 Matrix / Runout (Variant 1): [Universal logo] 00602435497815 A0103302074-0101 24 A00 Mastering SID Code (Variant 1): IFPI L554 Mould SID Code (Variant 1): IFPI 944P Matrix / Runout (Variant 2): [Universal logo] 00602435497815 A0103302074-0101 24 A00 Mastering SID Code (Variant 2): IFPI L554 Mould SID Code (Variant 2): IFPI 94V6 Rights Society: BIEM/SDRM Rights Society: BMI Rights Society: ASCAP  

Seal -- soul, temas en la descripción. Seal -- soul, temas en la descripción. 1 A Change Is Gonna Come Written-By – Sam Cooke 3:54 2 I Can't Stand The Rain Written-By – Ann Peebles, Bernard Miller, Don Bryant 3:34 3 It's A Man's Man's Man's World Arranged By [Horns And Strings] – Don Sebesky Written-By – Betty Newsome*, James Brown 3:53 4 Here I Am (Come And Take Me) Backing Vocals – Angela Fisher, Nita Hutton*, Toyia Barnes Written-By – A. Green*, M. Hodges* 4:09 5 I've Been Loving You Too Long Backing Vocals – Angela Fisher, Nita Hutton*, Toyia Barnes Written-By – Jerry Butler, Otis Redding 3:08 6 It's Alright Arranged By [Background Vocal] – Jochem Van Der Saag Written-By – Curtis Mayfield 3:46 7 If You Don't Know Me By Now Written-By – Kenneth Gamble And Leon Huff* 3:50 8 Knock On Wood Arranged By [Horns And Strings] – Don Sebesky Drums – Teddy Campbell Written-By – Eddie Floyd, Steve Cropper 3:22 9 I'm Still In Love With You Arranged By [Horns And Strings] – Brad Dechtor* Written-By – Al Green, Al Jackson Jr., Willie Mitchell 4:36 10 Free Arranged By – David Foster, Jochem Van Der Saag Written-By – Deniece Williams, Henry Redd*, Nathan Watts, Susaye Greene 3:26 11 Stand By Me Drums – John Robinson (2) Written-By – Ben E. King, Jerry Lieber, Mike Stoller* 4:06 12 People Get Ready Vocals [Choir] – Angie Fisher, Brandon Winbush, David Daughtry, Dameka Jackson*, Jason Moralis, Keith Allen (3), Koko Barnes, Lawrence Dotson, Nita Hutton*, Sharon Bryant, Tony Wilkins, Toyia Barnes Written-By – Curtis Mayfield

Manual de usuario de equipos de sonido profesional EON de JBL. En inglés. Manual de usuario de equipos de sonido profesional EON de JBL. En inglés. Manual de usuario de equipos de sonido profesional EON de JBL. En inglés. Altavoces autoamplificados, mesas de mezclas, conexiones, etc. 26 páginas. Tamaño A-3. Con muchas fotografías, esquemas, gráficos e ilustraciones.     User manual of professional sound equipment EON by JBL. In English language. Autoamplified loudspeakers, mixing consoles, conections, etc. 26 pages. A-3 size. With a lot of photographs, schemas, graphics & illustrations.

Rossington Collins Band ‎– This Is The Way -LP / Spain- Rossington Collins Band ‎– This Is The Way -LP / Spain-   More images Rossington Collins Band  – This Is The Way Label: MCA Records  – I-204.189 Format: Vinyl, LP, Album,  Gatefold Country: Spain Released: 1981 Genre: Rock Style: Southern Rock Tracklist Hide Credits A1   Gotta Get It Straight Written-By –  Billy Powell,  Dale Krantz,  Gary Rossington Written-By –  Billy Powell,  Dale Krantz,  Gary Rossington 4:42 A2   Tashauna Written-By –  Dale Krantz,  Gary Rossington Written-By –  Dale Krantz,  Gary Rossington 4:58 A3   Gonna Miss It When It's Gone Written-By –  Allen Collins,  Dale Krantz,  Gary Rossington Written-By –  Allen Collins,  Dale Krantz,  Gary Rossington 3:55 A4   Pine Box Written-By –  Barry Harwood Written-By –  Barry Harwood 3:04 A5   Fancy Ideas Written-By –  Barry Harwood,  Derek Hess,  Leon Wilkeson Written-By –  Barry Harwood,  Derek Hess,  Leon Wilkeson 4:44 B1   Don't Stop Me Now Written-By –  Dale Krantz,  Gary Rossington Written-By –  Dale Krantz,  Gary Rossington 3:40 B2   Seems Like Every Day Written-By –  Dale Krantz,  Gary Rossington Written-By –  Dale Krantz,  Gary Rossington 4:33 B3   I'm Free Today Written-By –  Barry Harwood Written-By –  Barry Harwood 3:26 B4   Next Phone Call Written-By –  Dale Krantz,  Gary Rossington Written-By –  Dale Krantz,  Gary Rossington 3:40 B5   Means Nothing To You Written-By –  Barry Harwood Written-By –  Barry Harwood 4:57   Companies, etc. Recorded At  –  El Adobe Mixed At  –  Criteria Recording Studios Record Company  –  Ariola Eurodisc S.A. Manufactured By  –  Sonic, S.A. Printed By  –  T.G. Hostench, S.A. Credits Art Direction, Design [Back Cover Design]  –  George Osaki Bass  –  Leon Wilkeson Design [Front Cover Design]  –  John Dunivent Design [Inside Graphic Design]  –  Ann Thompson Drums  –  Derek Hess Engineer  –  Steve Klein Engineer [Assistant]  –  Patrice Carroll Guitar  –  Barry Harwood Mastered By  –  Steve Kimball Photography By  –  Gordon Pynn Piano  –  Billy Powell Producer  –  Rossington Collins Band Producer, Guitar  –  Allen Collins,  Gary Rossington Vocals  –  Dale Krantz Notes Recorded at El Adobe (El Paso, Texas) Mixed at Criteria Studios (Miami, Florida) Barcode and Other Identifiers Rights Society: BIEM Depósito Legal: B.40 970 1981

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.