Additions as free

The murder plan seems so neat, so clever. How can it possibly fail? And when Sonia's stupid, boring little husband is dead, she will be free to marry her handsome lover.. OUP Oxford. UK. Año 2008. 1ª edición

The murder plan seems so neat, so clever. How can it possibly fail? And when Sonia's stupid, boring little husband is dead, she will be free to marry her handsome lover. But perhaps the boring little husband is not so stupid after all.. OUP Oxford. UK. Año 2008. 1ª edición

SUPERTRAMP. FREE AS BIRD. LP. AM RECORDS 1987. SUPERTRAMP. FREE AS BIRD. LP. AM RECORDS 1987. SUPERTRAMP. FREE AS BIRD. LP. AM RECORDS 1987. ENVIO ORDINARIO 2,50 € ENVIO CERTIFICADO 4 €

Doble Cassette de Supertramp ” Free As A Bird”,muy buen estado Doble Cassette de Supertramp ” Free As A Bird”,muy buen estado Doble Cassette de Supertramp " Free As A Bird",muy buen estado

CD - SUPERTRAMP - FREE AS A BIRD CD - SUPERTRAMP - FREE AS A BIRD Portes gratis a partir de 30 € de compra (acumulables).  

CD - SUPERTRAMP - FREE AS A BIRD - CD - SUPERTRAMP - FREE AS A BIRD - Carpeta y disco en muy buen estado

THE CRUSADERS. FREE AS THE WIND. THE WAY WE WAS. THE CRUSADERS. FREE AS THE WIND. THE WAY WE WAS. FUNDA  Y VINILO BIEN..    GTOS DE ENVIO DESDE 500 GRAMOS HASTA 3 KG. 6 €   DESDE 3 KG. HASTA 10 KG. 8 € EN CORREO URGENTE 24 HORAS. HASTA 3 KG. PUEDEN SER UNOS 60 SINGLES Y HASTA 10 KG. ASI POR ENCIMA PUEDEN SER 190 SINGLES- UN SINGLE EN ORDINARIO 2 € EN CERTIFICADO 4 € DESDE 100 GRAMOS HASTA 500 EN ORDINARIO 3 € EN CERTIFICADO 5 €

SUPERTRAMP. FREE AS A BIRD. 1987. ESP SUPERTRAMP. FREE AS A BIRD. 1987. ESP

The Crusaders. Free as the wind. The Crusaders. Free as the wind. MCA Records. 250 776-1. Año 1984.

THE BEATLES --- FREE AS A BIRD & CHRISTMAS TIME ---- VINILO/FUNDA MINT M+ THE BEATLES --- FREE AS A BIRD & CHRISTMAS TIME ---- VINILO/FUNDA MINT M+ Calidad poco usual e impresionante en un disco de casi treinta  años Vinilo Mint M+ 0 rayaduras, 0 marcas superficiales. Muy buen sonido Portada/ contraportada. Mint M+ Si ninguna señal de uso.  

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

GLOBE UNITY: COMPOSITIONS [DEU 1979] LP GLOBE UNITY: COMPOSITIONS [DEU 1979] LP Globe Unity   "Compositions"  LP (Japo-ECM) 1979  made in Germany cat. num.  JAPO60027 #jazz  #free jazz Nodagoo 6:59 Boa 5:43 Trom-bone-it 5:03 Flat Fleet 7:48 Reflections 8:46 Worms (Dedicated To Ezra Pound) 10:25 The Forge 5:22   One of the earliest large-group endeavors attempted in the European free jazz movement,  the Globe Unity Orchestra  was founded by German pianist  Alexander Von Schlippenbach  in 1966, at first for the specific purpose of performing his composition "Globe Unity," which was commissioned for the Berliner Jazztage. Initially, the 19-piece orchestra combined saxophonist  Peter Brotzmann 's trio and trumpeter  Manfred Schoof 's quintet with a phalanx of other early giants of European free jazz (mostly from Germany); they included, among many others, trombonist  Albert Mangelsdorff, woodwind players  Gunter Hampel  and  Willem Breuker, vibist  Karl Berger, bassists  Buschi Niebergall  and  Peter Kowald, and drummers  Jaki Liebezeit  (of the rock group  Can) and  Sven-Åke Johansson. The initial performance was a historic and rousingly cacophonous success, and  Von Schlippenbach  kept the group going, serving as its musical director for most of the next two decades. Naturally, the membership fluctuated quite a bit; by the early '70s, the group had more of a British presence, with players like guitarist  Derek Bailey, saxophonist  Evan Parker, and trombonists  Malcolm Griffiths  and  Paul Rutherford, plus trumpeter  Kenny Wheeler  and drummer  Han Bennink.  Von Schlippenbach  left for a bit in 1971, but returned the following year, and the group began playing outside of Germany more often beginning in 1974, which also marked the point at which more of their music was preserved on record (much of it on FMP). As the orchestra evolved, it relied less and less on structured arrangements, eventually becoming completely free. However, since a 20th-anniversary celebration and recording session, the group has mostly been silent.

THE YOUNG RASCALS / freedom suite 1969 !! DOBLE LP, SUPER CARPETA PLATEADA + encartes,ORIG USA, exc THE YOUNG RASCALS / freedom suite 1969 !! DOBLE LP, SUPER CARPETA PLATEADA + encartes,ORIG USA, exc RARA Y COMPLETA 1ª EDIC ORG USA CON LA  FANTASTICA DOBLE CARPETA PLATEADA CON LA FOTOGRAFIA TEXTURADA EN EL CENTRO.. UNA LUJOSA EDIC QUE TAMBIEN CONTIENE LAS 3 LAMINAS INDIVIDUALES, ES MUY RARO DE ENCONTRARLAS EN OTRAS EDICIONES, SOLO APARECIERON EN LOS PRIMEROS PRENSAJES UNA DE LAS MEJORES BANDAS QUE AS ESCUCHADO,FORMADA EN N.Y. BAJO EL MOVIMIENTO blue-eyed soul..HAY QUE DESCUBRIRSE ANTE ESTAS BANDAS QUE ERAN INFALIBLES EN CADA COMPOSICION..LO COMPONIAN.. Felix Cavaliere, el guitarrista Gene Cornish, el vocalista Eddie Brigati y el batería Dino Danelli. obra maestra..!!!...."People Got to Be Free,".!!!!..SENSACIONAL PRESENTACION CON LA DOBLE CARPETA PLATEADA.. + King Curtis..ETC. Al lanzar Freedom Suite, los Rascals declararon que no realizarían actuaciones en las cuales no hubiese un 50% de presencia de gente de color. La intención del grupo era conseguir que sus fans se integrasen unos con otros. Esto les ocasiono problemas para actuar en el sur de Estados Unidos. El grupo también decidido no actuar en televisión. America the Beautiful Me and My Friends Any Dance'll Do Look Around Ray of Hope Island of Love Of Course Love Was So Easy to Give People Got to Be Free Baby I'm Blue Heaven Adrian's Birthday Boom Cute

THE YOUNG RASCALS / freedom suite 1969 !! DOBLE LP, SUPER CARPETA PLATEADA + encartes,ORIG USA, exc THE YOUNG RASCALS / freedom suite 1969 !! DOBLE LP, SUPER CARPETA PLATEADA + encartes,ORIG USA, exc ** PODEMOS ENVIAR TU COMPRA HASTA TU DOMICILIO DEL MODO MAS ECONOMICO* doble lp !! 25 AÑOS VENDIENDO MATERIAL IMPORTADO ORIGINAL PARA COLECCIONISTAS DE TODO EL MUNDO !!!! * TE VENDEMOS MARCOS DE ALTA CALIDAD PARA ENMARCAR TUS DISCOS, PIDENOS INFORMACION AQUI. RARA EDIC USA CON LA  FANTASTICA DOBLE CARPETA PLATEADA Y FOTOGRAFIA TEXTURADA EN EL CENTRO.. la edicion tambien contiene los dos encartes interiores originales con los textos etc... UNA DE LAS MEJORES BANDAS QUE AS ESCUCHADO,FORMADA EN N.Y. BAJO EL MOVIMIENTO blue-eyed soul..HAY QUE DESCUBRIRSE ANTE ESTAS BANDAS QUE ERAN INFALIBLES EN CADA COMPOSICION..LO COMPONIAN.. Felix Cavaliere, el guitarrista Gene Cornish, el vocalista Eddie Brigati y el batería Dino Danelli. obra maestra..!!!...."People Got to Be Free,".!!!!..SENSACIONAL PRESENTACION CON LA DOBLE CARPETA PLATEADA.. + King Curtis..ETC. Al lanzar Freedom Suite, los Rascals declararon que no realizarían actuaciones en las cuales no hubiese un 50% de presencia de gente de color. La intención del grupo era conseguir que sus fans se integrasen unos con otros. Esto les ocasiono problemas para actuar en el sur de Estados Unidos. El grupo también decidido no actuar en televisión. TRACKS: America the Beautiful Me and My Friends Any Dance'll Do Look Around Ray of Hope Island of Love Of Course Love Was So Easy to Give People Got to Be Free Baby I'm Blue Heaven Adrian's Birthday Boom Cute

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.