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In person Tony Bennett Count Basie and his orchestra In person Tony Bennett Count Basie and his orchestra

In Love with the Mystery is a stunning and captivating photo-illustrated book of inspirational writings. Every passage in this book is testimony to Ann's commitment to this deep listening. Eskova Publishing. Canadá. Año 2010. 1ª edición

I am most grateful for two things- that I was born in North Korea, and that I escaped from North Korea.' Yeonmi Park grew up thinking it was normal to see dead bodies on your walk to school; to be so hungry that you ate wild plants. Penguin Press.. Año 2015. 1ª edición

An Amazon Charts and Wall Street Journal bestselling series. What family secrets are behind two disappearances? Seattle detective Tracy Crosswhite is determined to uncover the truth in the latest installment of New York Times. Thomas b'&' Mercer. UK. Año 2021.

- MARY O´HARA - IN HARMONY - CHRYSALIS INGLATERRA 1979 - VER NOTA ADJUNTA - MARY O´HARA - IN HARMONY - CHRYSALIS INGLATERRA 1979 - VER NOTA ADJUNTA MARY O´HARA IN HARMONI CHYSALIS INGLATERRA 1979 ESTADO DEL DISCO: EX, CUBIERTA: EX ANTE CUALQUIER DUDA, RESPONDERÉ GUSTOSAMENTE *SE COMBINAN GASTOS DE ENVIO, POR LA COMPRA DE VARIOS ARTÍCULOS* POR FAVOR LEE DETENIDAMENTE EL ANUNCIO Y PUJA Ó COMPRA SOLAMENTE SI ESTAS INTERESADO POR EL ARTICULO Y VAS A LLEGAR HASTA EL FINAL DE LA TRANSACIÓN. NO SE ACEPTA EL PAGO CONTRAREEMBOLSO. GASTOS DE ENVÍO: SE BUSCARÁ LA OPCIÓN MÁS ECONÓMICA (consultar PARA CONSULTAR SIGNIFICADO DE LAS LETRAS DEL ESTADO. MINT (M): Vinilo y portada están nuevos, sin usar y en perfecto estado. NEAR MINT (NM): Como nuevo, en muy buenas condiciones, casi perfecto. EXCELLENT (EX): Está usado, pero no hay prácticamente marcas superficiales en el vinilo, ni rozaduras ni desgastes en la portada. VERY GOOD (VG): Vinilo bastante usado, pero el estado es bueno. Algunas marcas superficiales en el vinilo y en la portada puede haber roces, restos de etiquetas adhesivas, algunas señales o alguna mancha. GOOD (G): Muy usado y con bastantes marcas superficiales en el vinilo, que no suelen afectar al sonido. En la portada suele haber roces, restos de etiquetas adhesivas, marcas ó algunas manchas. MINT (M): The record and the sleeve are new, and in perfect conditions. Sealed or unplayed. NEAR MINT (NM): The record and the sleeve as new, are almost in perfect conditions. EXCELLENT (EX): The record shows some signs of having been played. The lessening there is very little in the sound quality. The sleeve might have slight wear. VERY GOOD (VG): Vinyl widely used, but the state is good. Some marks on the vinyl surface. In the cover may have remains of stickers, signs or stain. Displays no major deterioration in sound quality. Surface marks and is posible light scratch. GOOD (G): The record has been very used and, the sound quality is so much deteriorated, perhaps with some distortion and mild scratches. In the cover have remains of stickers, signs or stains and may have discoloured.

Simple Minds ‎– Someone Somewhere (In Summertime) / King Is White And In The Crowd UK,1982 Simple Minds ‎– Someone Somewhere (In Summertime) / King Is White And In The Crowd UK,1982

In this amusing fantasy, the Republican Party wins the elections in Britain. The monarchy is finished and the Royal Family is sent to live in an area of cheap housing.. Burlington Books.. Año 2004. 1ª edición

In this story we follow Atonio on some of his journeys and visit many of his favourite places in Englang, Scotland and Wales. Burlington Books. Cyprus. Año 1997. 1ª edición

In Morality, Mortality, Volume II, Kamm continues to explore questions of life and death as illustrations of general issues in moral theory.. Oxford University Press. España. Año 2001. 1ª edición

In my humble opinion Green Eggs and Ham is the ultimate prize jewel in the crown of the good Dr's work.. Collins. UK. Año 1980. 1ª edición

In 1942, Leo Marks left his father's famous bookshop, 84 Charing Cross Road, and went off to fight the war. He was twenty-two. Soon recognized as a cryptographer of genius, he became head of communications at the Special Operations Executive (SOE), where he revolutionized the codemaking techniques of the Allies and trained some of the most famous agents dropped into occupied Europe, including the White Rabbit and Violette Szabo.. Harper Collins. UK. Año 1998. 1ª edición

In Senor Mundo and Me, renowned Spanish artist Javier Mariscal and poet Kim Summers combine their talents to create a fantastical tale of a unique birthday celebration.. Harry N. Abrams. UK. Año 1998. 1ª edición

In a house in Oxford three people are having breakfast - Carol, her husband Jan, and his father Josef. They are talking about Prague, because Carol wants them all to go there for Christmas.. OUP Oxford. Oxford. Año 2007. 1ª edición

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.