As can

The murder plan seems so neat, so clever. How can it possibly fail? And when Sonia's stupid, boring little husband is dead, she will be free to marry her handsome lover.. OUP Oxford. UK. Año 2008. 1ª edición

The murder plan seems so neat, so clever. How can it possibly fail? And when Sonia's stupid, boring little husband is dead, she will be free to marry her handsome lover. But perhaps the boring little husband is not so stupid after all.. OUP Oxford. UK. Año 2008. 1ª edición

C15- PAU SASTRE AS GOOD AS WE CAN BE CD / DISCO ESTADO NUEVO C15- PAU SASTRE AS GOOD AS WE CAN BE CD / DISCO ESTADO NUEVO CONDICIONES DE ENVIO: LOS GASTOS DE ENVIO SIEMPRE SERAN ABONADOS POR EL COMPRADOR ENVIO NACIONAL CERTIFICADO INCLUYENDO GASTOS ENVIO,MANIPULACION Y TRASLADO A AGENCIA: 0-500 GRAMOS: 6.90 EUROS 501-1000 GRAMOS: 8,90 EUROS 1001-2000 GRAMOS: 11,90 EUROS 2KGS-5 KGS: 15,90 EUROS !!!!!!!!!!!!!!! NO ACEPTAMOS OTRAS CONDICIONES DE ENVIO,SINO SE ESTA DE ACUERDO NO COMPRAR!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! PAGOS: TRANSFERENCIA BANCARIA-PAYPAL- TRANSFERENCIA: DEBERA DE PONER EL NOMBRE COMPLETO DEL TITULAR DEL PEDIDO PAYPAL: SE REALIZARA EL PAGO COMO FAMILIAR O AMIGO (SINO SE SUMARA UN 5% DEL TOTAL DE LA COMPRA POR LAS COMISIONES PAYPAL) ENVIO INTERNACIONAL CERTIFICADO COMUNIDAD EUROPEA: 0-100 GRAMOS: 7,50 EUROS 100-500 GRAMOS: 12,70 EUROS 500-1000 GRAMOS: 18,20 EUROS 1000-2000 GRAMOS: 27,10 EUROS ENVIO INTERNACIONAL RESTO DEL MUNDO; 0-100 GRAMOS: 8,50 EUROS 100-500 GRAMOS: 15,65 EUROS 500-1000 GRAMOS: 26,55 EUROS 1000-2000 GRAMOS: 42,60 EUROS

CONJUNTO WOODY WALTER (LOS PAJAROS LOCOS) / CATCH AS CATCH CAN (1959) EP 4 TEMAS-VINILO NARANJA- CONJUNTO WOODY WALTER (LOS PAJAROS LOCOS) / CATCH AS CATCH CAN (1959) EP 4 TEMAS-VINILO NARANJA- EP SAEF (1959) SP 1017 VINILO COLOR NARANJA  PRIMER TROFEO CETRA. COMPARTIDO POR LOS GRUPOS: CARA A)   CONJUNTO CATCH AS CATCH CAN (canta Arthur Fernandez) ----   YES SIR, THA´SMY BABY    ---    SEND FOR ME CARA B)   CONJUNTO WOODY WALTER  (LOS PAJAROS LOCOS)  (canta Piero Carando)  luego formaria parte de LOS GATOS NEGROS ----   CAN ANYONE EXPLAIN   --   PASCUALINO MARAJA VINILO EXCELENTE -SONIDO PERFECTO-        PORTADA BUENA  (VER FOTOS) *******TODO UNA JOYA,  HOY DIA INCONTRABLE EN ESTE ESTADO*****  FUE EDITADO EN 1959  PROBABLEMENTE EL PRIMER DISCO MODERNO DEL PAIS GRABADO POR CONJUNTOS BARCELONESES  UNIVERSITARIOS DE AQUELLA EPOCA*****  

Kim Wilde ‎– Catch As Catch Can, Holanda 1983 RAK Kim Wilde ‎– Catch As Catch Can, Holanda 1983 RAK Lista de pistas A1 House Of Salome 3:30 A2 Back Street Joe 4:24 A3 Stay Awhile 3:37 A4 Love Blonde 3:55 A5 Dream Sequence 6:02 B1 Dancing In The Dark 4:05 B2 Shoot To Disable 3:30 B3 Can You Hear It 4:49 B4 Sparks 4:04 B5 Sing It Out For Love 3:31

YO LA TENGO - I CAN HEAR THE HEART BEATING AS ONE (1997) - LP DOBLE REEDICIÓN MATADOR NUEVO YO LA TENGO - I CAN HEAR THE HEART BEATING AS ONE (1997) - LP DOBLE REEDICIÓN MATADOR NUEVO

Conjunto Catch as catch can y Conjunto Woody Walter (Los Pájaros Locos) - SAEF 1017 - 1959 Conjunto Catch as catch can y Conjunto Woody Walter (Los Pájaros Locos) - SAEF 1017 - 1959

PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP Pablo Cruise   "Part Of The Game"  LP (A&M)  1979  made in Canada cat. num.  SP-3712 #rock   Part Of The Game 3:36 I Want You Tonight 5:29 When Love Is At Your Door 4:35 Givin' It Away 5:16 Tell Me That You Love Me 4:50 Lonely Nights 5:09 How Many Tears? 6:05 For Another Town 4:25   Pablo Cruise  achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of  Stoneground  and  It's a Beautiful Day: guitarist  Dave Jenkins, keyboardist  Cory Lerios, bassist  Bud Cockrell, and drummer  Steve Price. The group was praised for its compositional and instrumental skill on the albums  Pablo Cruise  and  Lifeline, and was rewarded with the Top Ten hit "Whatcha Gonna Do?" in 1977 from  A Place in the Sun.  Cockrell  left and was replaced by former  Santana  bassist  Bruce Day.  Worlds Away  went platinum, as did its predecessor, and produced three hit singles, including the Top Ten "Love Will Find a Way." By the time the '80s rolled around, the new wave movement was in full swing on the pop charts, and the group fell out of favor with the record-buying public. Several  Pablo Cruise  songs were used as soundtrack material for sports programs on ABC, CBS, and NBC, and the band's work also appeared in the films Free Ride, An Unmarried Woman, and Dreamer.

David Bowie Lyrics Come As Pems 2-CD David Bowie Lyrics Come As Pems 2-CD DAVID BOWIE Lyrics Come As Poems " 2-CD  del sello "The Golden Eggs".   Notas: All different bits and pieces CD1 1-1 I Never Dreamed 0:14 1-2 Interview 11:49 1-3 The Jean Genie 4:40 1-4 My Death 1:17 1-5 Cab You Hear Me 6:55 1-6 Heroes 3:28 1-7 Joe the Lion 2:36 1-8 Moon of Alabama 3:55 1-9 Station to Station 13:53 1-10 The Elephant Man Radio Spot 1:02 1-11 Look Back in Anger 7:31 1-12 David's X-mas and New Years Message 0:09 1-13 Queen Bitch 2:12 1-14 Warchild Radio Commercial 0:46 1-15 Life On Mars 6:21 CD2 2-1 David's Brthday Message 0:18 2-2 American Landfill 4:56 2-3 Heroes 5:55 2-4 Arnold Layne 2-5 Comfortably Numb 2-6 Corri Uomo Corri 2-7 Can't Help Thinking About Me 2-8 Suffragette City 2-9 John, I'm Only Dancing 2-10 Repetition 2-11 Ziggy Stardust 2-12 Heroes 2-13 Passing announcement from BBC6 0:52 2-14 Instr. Medley / Life On Mars 2-15 I Never Dreamed En caja de cartón trifold desplegable, funda de PVC. EGG 146/147

RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE Ry Cooder   "Bop Till You Bop"  LP (Warner)  1984  made in Spain cat. num.  LB 56691 #rock  #blues rock  #rock&roll   Little Sister 3:49 Go Home, Girl 5:10 The Very Thing That Makes Your Rich 5:32 I Think It's Going To Work Out Fine 4:43 Down In Hollywood 4:14 Look At Granny Run Run 3:09 Trouble You Can't Fool Me 4:55 Don't You Mess Me Up A Good Thing 4:08 I Can't Win 4:16   Following his conceptual 1978 release,  Jazz,  Ry Cooder  returned the next year with the R&B/soul-based  Bop Till You Drop. The first major-label, digitally recorded album,  Bop  is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a  Cooder / Tim Drummond  original) that doesn't always live up to its promise.  Cooder  and his excellent band, which includes the rhythm section of  Tim Drummond  and  Jim Keltner  along with guitarist  David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to  Cooder  is due to the digital recording. If you check out the live version of  Bop Till You Drop 's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still,  Bop  is worthwhile given  Cooder 's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including  Chaka Khan). A few of the highlights include his arrangement of the early-'60s  Elvis  hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on  Ike & Tina Turner 's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring  Cooder 's longtime cohort  Bobby King  on lead vocal.

BUGERA Amplificador Guitarra 6262 INFINIUM Amplific Valvulas 120 W The gain structure and tonal character of the 6262 / 6262-212 are built on the same fundamentals as the 6260—but more midrange, making them perfect for 80’s rock and metal. You also get fully independent control of EQ, Presence and Reverb on both channels. Ultimate Tone Mastery A lot of amp manufacturers call their Treble/Mid/Bass knobs “tone” controls. We call ours EQ because we spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear. The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments. INFINIUM Valve Life Multiplier Technology Our revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed. If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy! CARACTERISTICAS BUGERA 6262 INFINIUM -  Hand-built 120-Watt amplifier driven by 4 x 6L6 valves (convertible to EL34) -  2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 valves for thick and screaming hi-gain -  Revolutionary INFINIUM Valve Life Multiplier technology: – Extends the life of your amplifier’s expensive power valves up to 20 times. – Provides incredible reliability and consistent tone over the complete lifespan of your valves – No need for expensive matched valve sets – Allows you to mix and match any combination of compatible valve types and brands – Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacement -  Integrated high-class reverb with dedicated Reverb control for each channel -  Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls -  Classic Presence control per channel for efficient midrange sound shaping -  Heavy-duty footswitch for Channel selection and FX Loop function included -  Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet -  High-quality components and exceptionally rugged construction ensure long life   

BUGERA Amplificador Guitarra 6262 INFINIUM Amplific Valvulas 120 W The gain structure and tonal character of the 6262 / 6262-212 are built on the same fundamentals as the 6260b'/xe2/x80/x94'but more midrange, making them perfect for 80b'/xe2/x80/x99's rock and metal. You also get fully independent control of EQ, Presence and Reverb on both channels. Ultimate Tone Mastery A lot of amp manufacturers call their Treble/Mid/Bass knobs b'/xe2/x80/x9c'toneb'/xe2/x80/x9d' controls. We call ours EQ because we spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear. The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments. INFINIUM Valve Life Multiplier Technology Our revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed. If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy! CARACTERISTICAS BUGERA 6262 INFINIUM - b'/xc2/xa0'Hand-built 120-Watt amplifier driven by 4 x 6L6 valves (convertible to EL34) - b'/xc2/xa0'2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 valves for thick and screaming hi-gain - b'/xc2/xa0'Revolutionary INFINIUM Valve Life Multiplier technology: b'/xe2/x80/x93' Extends the life of your amplifierb'/xe2/x80/x99's expensive power valves up to 20 times. b'/xe2/x80/x93' Provides incredible reliability and consistent tone over the complete lifespan of your valves b'/xe2/x80/x93' No need for expensive matched valve sets b'/xe2/x80/x93' Allows you to mix and match any combination of compatible valve types and brands b'/xe2/x80/x93' Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacement - b'/xc2/xa0'Integrated high-class reverb with dedicated Reverb control for each channel - b'/xc2/xa0'Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls - b'/xc2/xa0'Classic Presence control per channel for efficient midrange sound shaping - b'/xc2/xa0'Heavy-duty footswitch for Channel selection and FX Loop function included - b'/xc2/xa0'Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet - b'/xc2/xa0'High-quality components and exceptionally rugged construction ensure long lifeb'/xc2/xa0' b'/xc2/xa0'

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

VINILO LP - WISH - THE CURE VINILO LP - WISH - THE CURE  ¡¡¡ CONSIGUE ACABAR TUS COLECCIONES CON NUESTRAS IRREPETIBLES OFERTAS¡¡ Nuestros artículos por lo general son muy difíciles de conseguir y no solemos volver a tenerlos en venta ya que son ediciones descatalogadas o que ya no se imprimen o fabrican, os aconsejamos que si os gusta un artículo de nuestra tienda lo compréis lo antes posible ya que lo más probable es que no lo podamos tener nunca más en venta. Si quieres mejorar el precio del envío lo puedes conseguir comprando más de un artículo. Por ejemplo en cromos sueltos normalmente sólo pagarás el primer pago hasta los 40 artículos añadidos, con lo que te interesa comprar más de un artículo de golpe. Si el pedido se realiza en USA, América Latina, Asía o Oceanía el precio por el envío puede ser muy superior al que está indicado rogamos pues por favor nos preguntéis por el envío en caso de estar fuera de Europa. Hablamos en Inglés por si tienes alguna duda en castellano puedes contactar con nosotros sin problema ninguno. GET FINISH YOUR COLLECTIONS WITH OUR IRREPETIBLE OFFERS! Our items are usually very difficult to obtain and we do not usually have them for sale since they are discontinued editions or that are no longer printed or manufactured, we recommend that if you like an item from our store you buy it as soon as possible since Most likely, we can never have it for sale again. If you want to improve the shipping price you can get it by buying more than one item. For example, in single cards you will usually only pay the first payment up to 40 items added, so you are interested in buying more than one item at once

ZZ TOP / AFTERBURNER 1985 !! ORG USA EDIT, CONTIENE ENCARTE + 1ª LABEL ORIGINAL !! TODO EXC ZZ TOP / AFTERBURNER 1985 !! ORG USA EDIT, CONTIENE ENCARTE + 1ª LABEL ORIGINAL !! TODO EXC BUEN ESTADO, ESTA EDICION CONTIENE EL ENCARTE INTERIOR Y TAMBIEN EL BONITO LABEL CON EXCLUSIVO DISEÑO El productor Bill Ham, que se había encargado de esa tarea con Zz Top desde su primer trabajo fué el elegido también de orientar el sonido del trio tejano hacía derroteros desconocidos para cualquier fan de la banda a comienzos de los ochenta. La unión del Blues- Hard- Rock Sureño añejo con las nuevas tecnologías musicales, parecía utópico tratandose de una banda como esta, pero "Eliminator", publicado en 1983, demostraria lo contrario. Después de semejante éxito la banda y su sequito decidieron dejarse llevar y explotar el filón al máximo, "Afterburner", que salió al mercado el 28 de Octubre de 1985, ahondará aun más en los terrenos electrónicos tan de moda en aquella época y que tan buenos resultados les habian dado. Para ello cuentan nuevamente con temas muy comerciales, en "Sleeping Bag" se covijan guitarras y rítmos sintetizados, baterías electrónicas, los excesos de "Eliminator" elevados al cubo. Un año antes de que saliese este disco, Eddie Van Halen, quizás animado por el resultado satisfatorio del disco de Zz Top, banda por la que sentía una admiración total, graba "Jump". "Stages", tiene bastante en común con el tema estrella de "1984", pero sus melodías son incluso más aoreras. De todas formas, que nadie piense que Billy Gibbons se ha quedado dormido, a lo largo de la canción sus riffs están bien presentes. Como en la siguiente "Woke Up With Wood", entre la inicial "Sleeping Bag" (Otra vez esos sintetizadores) y el sonido global de "Eliminator". En este nuevo trabajo descubrimos algo inédito en Zz Top, las "Power Ballads". Ciertamente, "Rough Boy" es empalagosa y Aor hasta decir basta. El tema, tubo su repercusión mediatica sobre todo en el canal televisivo de moda "Mtv". Pero no debemos encender las alarmas, Dusty Hill recupera el encanto nuevamente con la roquera y efectiva "Can't Stop Rockin'", cargada de topicazos pero con una garra descomunal. "Plantet Of Woman", es uno de los temas a los que mejor le ha sentado el nuevo diseño sonoro de Zz Top. Las poderosas guitarras son las acompañantes ideales de una estrofa y estribillo con muchísimo gancho y comercialidad. Quizás el mejor tema de "Afterburner" con el permiso de "Dipping Low (In The Lap Of Luxuri)", otra canción super "Cool" calcada al mejor repertorio de "Eliminator". El no va más de los rejuvenecios barbudos, para bien o para mal, según se mire las componen "I Got The Message" y "Velcro Fly". En ellas, los sintetizadores ya han tomado el control total. Para los puristas fans de "Fandango" o "Tres Hombres", esto quizás pueda ser la gota que colma el vaso. La despedida con la potente "Delirious", seguro que dejará un buen sabor de boca para todo tipo de seguidores de la banda, los antiguos y los que les descubrimos con este disco. Autor: Caído En Little Big Horn ZZ Top, cariñosamente conocido por sus fans como "The Little Ol' Band from Texas", es un grupo estadounidense de southern rock y hard rock formado en 1969 en Houston, Texas. Los miembros del grupo son Billy Gibbons (voz y guitarra), Dusty Hill (bajo y voz) y Frank Beard (batería). Tienen el mérito de ser uno de los pocos grupos de rock que todavía conserva sus miembros originales después de 40 años, además de haber mantenido al mismo manager y productor, Bill Ham. Alcanzaron la cima de su éxito comercial en los 70 y los 80, pero todavía hoy continúan girando y lanzando discos. ZZ Top entró en el Rock and Roll Hall of Fame el 15 de marzo de 2004. Gibbons y Hill también son famosos por las peculiares guitarras que utilizan, muchas de ellas codiseñadas con el maestro luthier John Bolin. Gibbons y Hill siempre son retratados llevando gafas de sol (un gesto a su canción de 1979 Cheap Sunglasses), ropa parecida (o en ocasiones idéntica), y sus larguísimas barbas. En 1984 la firma Gillette ofreció a Gibbons y a Hill un millón de dólares por afeitarse en un anuncio de televisión. Declinaron la oferta Tracks: -- 1: Sleeping Bag -- 2: Stages -- 3: Woke Up With Wood -- 4: Rough Boy -- 5: Can't Stop Rockin' -- 6: Planet Of Women -- 7: I Got The Message -- 8: Velcro Fly -- 9: Dipping Low (In The Lap Of Luxury) -- 10: Delirious Notes: ZZ Top: Billy Gibbons (vocals, guitar); Dusty Hill (vocals, bass); Frank Beard (drums). After scoring its biggest hit ever with its eighth release, 1983's polished ELIMINATOR, ZZ Top decided to continue in the same mainstream direction for its next release two years later, AFTERBURNER. Another big hit for the band, the album did spawn several hits, yet wasn't as strong overall as its predecessor. It was impossible to avoid the following ZZ hits on either MTV or radio between 1985-'86--the ballad "Rough Boy" (which innovative video was based on AFTERBURNER's space-age cover art), the synth stomper "Velcro Fly," the melodic "Sleeping Bag," or the rocking "Stages." 15 years after the band's debut release, AFTERBURNER found ZZ Top more popular than ever. Engineer: Bob Ludwig; Joe Hardy Producer: Bill Ham

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

SUPERMAN BANDA SONORA ORIGINAL de JOHN WILLIAMS DISCO VINILO 2 LP COMO NUEVO SUPERMAN BANDA SONORA ORIGINAL de JOHN WILLIAMS DISCO VINILO 2 LP COMO NUEVO ENVIO PENINSULA: 7,95.-€ A PAGAR POR PAYPAL (COMO AMIGO) o TRANSFERENCIA “ DISCOS COMO NUEVOS. INCLUYE PEGATINA ORIGINAL DE SUPERMAN !!!!!!!!!! ” SUPERMAN BANDA SONORA ORIGINAL EN DISCO VINILO MUSICA de JOHN WILLIAMS, 1978 2 DISCOS COMO NUEVOS. INCLUYE PEGATINA ORIGINAL DE SUPERMAN. DIFICIL ENCONTRAR UNA BANDA SONORA TAN FAMOSA Y EN ESTE ESTADO TAN EXCELENTE   Los discos de vinilo pueden presentar imperfecciones y rayadas típicas, que no impide su reproducción. Vinyl records may have typical imperfections and scratches, which does not prevent their reproduction.   SUPERMAN SONORA ORIGINAL IN DISCO VINYL MUSICA BY JOHN WILLIAMS, 1978 2 DISCS LIKE NEW. INCLUDES ORIGINAL SUPERMAN STICKER. IT IS DIFFICULT TO FIND A SOUND BAND SO FAMOUS AND IN THIS STATE AS EXCELLENT More Images John Williams (4)  ‎– Superman - El Film (Banda Sonora Original) Label: Warner Bros. Records  ‎– S 96.006 Format: 2 ×  Vinyl, LP, Album  Country: Spain Released: 1978 Genre: Classical,  Stage & Screen Style: Soundtrack,  Neo-Romantic,  Score   Tracklist Hide Credits A1 Theme From Superman (Main Title) «Tema De Superman» / (Tema Principal) 4:24 A2 The Planet Krypton «El Planeta Krypton» 4:45 A3 Destruction Of Krypton «La Destrucción De Krypton» 5:58 A4 The Trip To Earth «El Viaje A La Tierra» 2:23 A5 Growing Up «Creciendo» 1:52 B1 Love Theme From Superman «Tema De Amor De Superman» 5:00 B2 Leaving Home «Adiós Al Hogar» 4:48 B3 The Fortress Of Solitude «La Fortaleza De La Soledad» 8:29 C1 The Flying Sequence «Secuencia Del Vuelo» Can You Read My Mind «¿Puedes Leer Mis Pensamientos?» Vocals [Can You Read My Mind] –  Margot Kidder Written-by [Can You Read My Mind] –  J. Williams *,  L. Bricusse * 8:08 C2 Super Rescues «Super Rescates» 3:24 C3 Lex Luthor's Lair «La Guarida De Lex Luthoor» 2:33 C4 Superfeats «Super Hazañas» 5:00 D1 The March Of The Villains «La Marcha De Los Villanos» 3:33 D2 Chasing Rockets «Cazando Cohetes» 7:33 D3 Turning Back The World «Dándole La Vuelta Al Mundo» 2:01 D4 End Title «Tema Final» 6:24

David Bowie – Toy - Box 6 LP- David Bowie – Toy - Box 6 LP- David Bowie  – Toy Label: ISO Records  – ISOL 2001,  ISO Records  – 0190296773259,  ISO Records  – LPTOYBOX 1,  Parlophone  – 0190296773259,  Parlophone  – LPTOYBOX 1 Format: 2 x  Vinyl, LP, 10", Album, Reissue 2 x  Vinyl, LP, 10" 2 x  Vinyl, LP, 10" Box Set, Special Edition Country:   Released: Jan 7, 2022 Genre: Rock Style:   Tracklist Hide Credits     Toy   A1   I Dig Everything Acoustic Guitar, Electric Guitar –  Earl Slick,  Mark Plati Backing Vocals –  Emm Gryner,  Holly Palmer Bass, Backing Vocals –  Gail Ann Dorsey Drums, Handclaps [Claps] –  Sterling Campbell Lead Vocals, Backing Vocals, Handclaps [Claps] –  David Bowie Piano, Organ –  Mike Garson Violin, Recorder, Backing Vocals –  Lisa Germano Acoustic Guitar, Electric Guitar –  Earl Slick,  Mark Plati Backing Vocals –  Emm Gryner,  Holly Palmer Bass, Backing Vocals –  Gail Ann Dorsey Drums, Handclaps [Claps] –  Sterling Campbell Lead Vocals, Backing Vocals, Handclaps [Claps] –  David Bowie Piano, Organ –  Mike Garson Violin, Recorder, Backing Vocals –  Lisa Germano A2   You've Got A Habit Of Leaving Acoustic Guitar, Electric Guitar –  Earl Slick,  Mark Plati Backing Vocals –  Emm Gryner Backing Vocals, Percussion –  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Lead Vocals, Backing Vocals –  David Bowie Piano, Keyboards –  Mike Garson Violin, Backing Vocals –  Lisa Germano Acoustic Guitar, Electric Guitar –  Earl Slick,  Mark Plati Backing Vocals –  Emm Gryner Backing Vocals, Percussion –  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Lead Vocals, Backing Vocals –  David Bowie Piano, Keyboards –  Mike Garson Violin, Backing Vocals –  Lisa Germano A3   The London Boys Bass, Acoustic Guitar –  Mark Plati Clarinet –  Emm Gryner,  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick Lead Vocals –  David Bowie Organ –  Mike Garson Trumpet –  Cuong Vu Violin –  Lisa Germano Bass, Acoustic Guitar –  Mark Plati Clarinet –  Emm Gryner,  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick Lead Vocals –  David Bowie Organ –  Mike Garson Trumpet –  Cuong Vu Violin –  Lisa Germano B1   Karma Man 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar], Mellotron, Backing Vocals –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Backing Vocals –  Emm Gryner,  Lisa Germano Backing Vocals, Percussion –  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Harpsichord, Synthesizer [Synth Strings] –  Mike Garson Lead Vocals, Backing Vocals –  David Bowie Trumpet –  Cuong Vu 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar], Mellotron, Backing Vocals –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Backing Vocals –  Emm Gryner,  Lisa Germano Backing Vocals, Percussion –  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Harpsichord, Synthesizer [Synth Strings] –  Mike Garson Lead Vocals, Backing Vocals –  David Bowie Trumpet –  Cuong Vu B2   Conversation Piece 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Accordion, Mandolin, Backing Vocals –  Lisa Germano Arranged By [String Arrangement] –  Tony Visconti Backing Vocals –  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick Lead Vocals, Backing Vocals –  David Bowie Piano –  Mike Garson 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Accordion, Mandolin, Backing Vocals –  Lisa Germano Arranged By [String Arrangement] –  Tony Visconti Backing Vocals –  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick Lead Vocals, Backing Vocals –  David Bowie Piano –  Mike Garson B3   Shadow Man Acoustic Guitar –  Earl Slick,  Mark Plati Bass –  Gail Ann Dorsey Electric Guitar –  Gerry Leonard Lead Vocals –  David Bowie Piano –  Mike Garson Trumpet –  Cuong Vu Violin –  Lisa Germano Acoustic Guitar –  Earl Slick,  Mark Plati Bass –  Gail Ann Dorsey Electric Guitar –  Gerry Leonard Lead Vocals –  David Bowie Piano –  Mike Garson Trumpet –  Cuong Vu Violin –  Lisa Germano C1   Let Me Sleep Beside You 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Piano [Fender Rhodes] –  Mike Garson Lead Vocals, Backing Vocals –  David Bowie Violin –  Lisa Germano 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Piano [Fender Rhodes] –  Mike Garson Lead Vocals, Backing Vocals –  David Bowie Violin –  Lisa Germano C2   Hole In The Ground Accordion, Recorder –  Lisa Germano Acoustic Guitar, Electric Guitar –  Earl Slick Acoustic Guitar, Slide Guitar, Handclaps [Claps] –  Mark Plati Bass –  Gail Ann Dorsey Drums, Handclaps [Claps] –  Sterling Campbell Lead Vocals, Backing Vocals, Keyboards, Tambourine, Handclaps [Claps] –  David Bowie Accordion, Recorder –  Lisa Germano Acoustic Guitar, Electric Guitar –  Earl Slick Acoustic Guitar, Slide Guitar, Handclaps [Claps] –  Mark Plati Bass –  Gail Ann Dorsey Drums, Handclaps [Claps] –  Sterling Campbell Lead Vocals, Backing Vocals, Keyboards, Tambourine, Handclaps [Claps] –  David Bowie C3   Baby Loves That Way 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Lead Vocals, Backing Vocals –  David Bowie Piano –  Mike Garson Violin, Accordion, Recorder, Backing Vocals –  Lisa Germano 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Lead Vocals, Backing Vocals –  David Bowie Piano –  Mike Garson Violin, Accordion, Recorder, Backing Vocals –  Lisa Germano D1   Can't Help Thinking About Me 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Gerry Leonard Lead Vocals, Backing Vocals –  David Bowie Piano –  Mike Garson 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Gerry Leonard Lead Vocals, Backing Vocals –  David Bowie Piano –  Mike Garson D2   Silly Boy Blue Acoustic Guitar –  Mark Plati Arranged By [String Arrangement] –  Tony Visconti Backing Vocals –  Emm Gryner Backing Vocals, Finger Cymbals –  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick Lead Vocals, Backing Vocals, Keyboards –  David Bowie Piano –  Mike Garson Violin [Violin Drone], Recorder –  Lisa Germano Acoustic Guitar –  Mark Plati Arranged By [String Arrangement] –  Tony Visconti Backing Vocals –  Emm Gryner Backing Vocals, Finger Cymbals –  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick Lead Vocals, Backing Vocals, Keyboards –  David Bowie Piano –  Mike Garson Violin [Violin Drone], Recorder –  Lisa Germano D3   Toy (Your Turn To Drive) Acoustic Guitar, Electric Guitar –  Mark Plati Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick Lead Vocals, Backing Vocals, Stylophone –  David Bowie Piano –  Mike Garson Trumpet –  Cuong Vu Violin –  Lisa Germano Acoustic Guitar, Electric Guitar –  Mark Plati Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick Lead Vocals, Backing Vocals, Stylophone –  David Bowie Piano –  Mike Garson Trumpet –  Cuong Vu Violin –  Lisa Germano     Alternatives & Extras   E1   Liza Jane Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick,  Mark Plati Lead Vocals, Stylophone, Acoustic Guitar –  David Bowie Synthesizer –  Mike Garson Trumpet –  Cuong Vu Violin –  Lisa Germano Backing Vocals –  Emm Gryner,  Holly Palmer Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Electric Guitar –  Earl Slick,  Mark Plati Lead Vocals, Stylophone, Acoustic Guitar –  David Bowie Synthesizer –  Mike Garson Trumpet –  Cuong Vu Violin –  Lisa Germano E2   You've Got A Habit Of Leaving E3   Baby Loves That Way F1   Can't Help Thinking About Me F2   I Dig Everything F3   The London Boys Acoustic Guitar, Electric Guitar –  Mark Plati Bass, Arranged By [String Arrngement] –  Tony Visconti Drums –  Sterling Campbell Lead Vocals, Synthesizer [Korg Triton] –  David Bowie Organ –  Mike Garson Strings –  The Scorchio Quartet Acoustic Guitar, Electric Guitar –  Mark Plati Bass, Arranged By [String Arrngement] –  Tony Visconti Drums –  Sterling Campbell Lead Vocals, Synthesizer [Korg Triton] –  David Bowie Organ –  Mike Garson Strings –  The Scorchio Quartet G1   Silly Boy Blue (Tibet Version) Bass –  Tony Visconti Drums –  Sterling Campbell Electric Guitar –  Moby Lead Vocals –  David Bowie Piano –  Philip Glass Strings –  The Scorchio Quartet Bass –  Tony Visconti Drums –  Sterling Campbell Electric Guitar –  Moby Lead Vocals –  David Bowie Piano –  Philip Glass Strings –  The Scorchio Quartet G2   Let Me Sleep Beside You G3   In The Heat Of The Morning 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Lead Vocals, Backing Vocals, Harmonica, Electric Guitar –  David Bowie Organ –  Mike Garson Trumpet –  Cuong Vu 12-String Acoustic Guitar, Electric Guitar [Electric 12 String Guitar] –  Mark Plati Acoustic Guitar, Electric Guitar –  Earl Slick Bass –  Gail Ann Dorsey Drums –  Sterling Campbell Lead Vocals, Backing Vocals, Harmonica, Electric Guitar –  David Bowie Organ –  Mike Garson Trumpet –  Cuong Vu G4   Conversation Piece H1   Hole In The Ground H2   Shadow Man H3   Toy (Your Turn To Drive)     Unplugged & Somewhat Slightly Electric   I1   In The Heat Of The Morning I2   I Dig Everything I3   You've Got A Habit Of Leaving J1   The London Boys J2   Karma Man J3   Conversation Piece K1   Shadow Man K2   Let Me Sleep Beside You K3   Hole In The Ground K4   Baby Loves That Way L1   Can't Help Thinking About Me L2   Silly Boy Blue L3   Toy (Your Turn To Drive)   Companies, etc. Phonographic Copyright ℗  –  Jones/Tintoretto Entertainment Co., LLC Licensed To  –  Parlophone Records Ltd. Copyright ©  –  Jones/Tintoretto Entertainment Co., LLC Copyright ©  –  Parlophone Records Ltd. Record Company  –  Warner Music Group Recorded At  –  Sear Sound Recorded At  –  The Looking Glass Studios Recorded At  –  Alice's Restaurant Mixed At  –  The Looking Glass Studios Mixed At  –  Alice's Restaurant Engineered At  –  Alice's Restaurant Mastered At  –  Air Mastering Pressed By  –  Optimal Media GmbH  – BL34970 Pressed By  –  Optimal Media GmbH  – BL38890 Pressed By  –  Optimal Media GmbH  – BL42007 Credits Concept By, Cover, Graphics [Band Graphics]  –  DB * Design  –  Scott Minshall Engineer [Assisted By]  –  Todd Parker (2)  (tracks: E1 to H3) Engineer [Engineered By]  –  Mark Plati  (tracks: E1 to H3),  Pete Keppler * Mastered By  –  John Webber,  Mark Plati Mixed By  –  Mark Plati  (tracks: A1 to D3, E1, G3, I1 to L3),  Tony Visconti  (tracks: E2 to G2, G4 to H3) Mixed By [Assisted By]  –  Darren S. Moore  (tracks: E2 to G2, G4 to H3),  Hector Castillo  (tracks: A1 to D3, E1, G3, I1 to L3),  Steve Mazur (2)  (tracks: A1 to D3, I1 to L3),  Todd Parker (2)  (tracks: A1 to D3, I1 to L3) Photography By [Inner Photography By]  –  Frank Ockenfels 3 * Producer [Additional Production By]  –  Tony Visconti  (tracks: F3) Producer [Produced By]  –  David Bowie,  Mark Plati  (tracks: A1 to F3, G2 to L3),  Tony Visconti  (tracks: G1) Producer [Project Produced For Reease In 2021 By]  –  Aisha Cohen Producer [Project Produced For Release In 2021 By]  –  Nigel Reeve Written-By  –  David Bowie  (tracks: A1 to D3, E2 to L3),  Leslie Conn  (tracks: E1) Notes Issued in a thick cardboard box, containing six 10" records, two LPs each housed in individual sleeves 16-page booklet A1 to D3 First issued as disc 8 of  Brilliant Adventure [1992-2001] Runouts on side A to L are etched ℗ 2021 © 2021 Made in Germany Barcode and Other Identifiers Barcode (Text): 0 190296 773259 Barcode (Scanned UPC-A): 0190296773259 Rights Society: GEMA/MCPS Matrix / Runout (Runout side A): BL34970-01 A1 0190296773259 VΛ Matrix / Runout (Runout side B): BL34970-01 B1 0190296773259 VΛ Matrix / Runout (Runout side C): BL34970-02 C1 0190296773259 Iᛚ Matrix / Runout (Runout side D): BL34970-02 D1 V= 0190296773259 Matrix / Runout (Runout side E): BL34970-03 E1 0190296773259 Matrix / Runout (Runout side F): BL38890-01 F1 =ᛚ 0190296773259 Matrix / Runout (Runout side G): BL38890-01 G1 0190296773259 +ᛚ Matrix / Runout (Runout side H): BL34970-04 H1 0190296773259 ΛΛ Matrix / Runout (Runout side I): BL34970-05 I2 0190296773259 ΛΛ Matrix / Runout (Runout side J): BL34970-05 J1 0190296773259 ΛΛ Matrix / Runout (Runout side K): BL42007-01 K1 0190296773259 xᛚ Matrix / Runout (Runout side L): BL34970-06 L1 0190296773259 xᛚ  

Enjoy the content without reflections Display Mate Forget reflections, light will no longer be an impediment to enjoy every detail clearly. You will be able to appreciate the details of each painting. It's time to enjoy art and your TV as it should be. Designed to look like a true work of art The minimalist design of The Frame blends with your decoration. Its slimmer profile, multiple frame options, and single nearly invisible cable offer a sophisticated look from any angle. Your frame, your style Customizable Frame With The Frame TV you have the power to decide. Choose the frame color that best suits your space and your tastes. Thanks to its magnetic mounting you can customize your TV in the blink of an eye. Colors available in white, brown and teak. Frame your favorite moments My collection Upload and display your photos or family portraits easily. You just have to send them to The Frame through your phone or via USB. The Frame detects your presence Motion sensor The TV automatically turns on its screen to show your works of art when it detects your entry into the room. Also, when you leave it, it will turn off to save energy. Horizontal or vertical? It's up to you! Rotating studio stand Joining your Studio base together with the Rotating Wallmount will allow you to choose the position of your screen, put it in a horizontal or vertical position in a single turn. So you can enjoy your favorite content your way. Experience more at the same time Multi View Want to catch up on last week's episode while you work out? There is no need to stop seeing one for the other. Set up two channels on the screen so you can watch or even hear both at the same time, and adjust the size to help you focus. The Frame gives you the freedom to see everything your way. TV and sound bar in perfect harmony Q-Symphony Combine the audio from your TV with that from your sound bar, creating an immersive atmosphere around you. Enjoy multi-dimensional sound without the need to connect additional speakers to your TV.

DAVE MASON / alone together 70 !! 1º LP !! L RUSSELL, DELANEY & BONNIE, J CAPALDI / ORIG EDIT USA,EX DAVE MASON / alone together 70 !! 1º LP !! L RUSSELL, DELANEY & BONNIE, J CAPALDI / ORIG EDIT USA,EX SU GRAN 1º LP EN SOLITARIO..ABSOLUTA OBRA MAESTRA..UNO DE LOS MEJORES DEBUTS DE LOS 70 quien podria perderse este disco que fue su debut en solitario donde el bueno de dave mason esta rodeado de buenos amigos como su ex compañero en traffic jim capaldi, tambien leon russell, don preston, delaney & bonnie,Rita Coolidge, Claudia Lennear, Chris Ethridge (ISB & Flying Burrito Brothers) y muchos otros...quien no quiere amigos como estos ROBUSTA DOBLE CARPETA, prsenta pequeño resto de pegatina en la trasera, 1º press y LABEL ALBUN....RECOMENDADO !!.UN MUSICO AL QUE ADMIRO DESDE SIEMPRE Y QUE A OFRECIO ALBNE SMARAVILLOSO QUE SEGURO AUN MUCHA GENTE NO CONOCE....EL ES UNO DE LOS MIOS...!!! Alone Together, disco con el que debutó en solitario el músico británico Dave Mason (Traffic). Publicado en octubre de 1970, el disco lanzó el exitoso single "Only you know and I know" que alcanzó el Top 40 de las listas de éxitos pop del Reino Unido Dave Mason grabó su primer disco en solitario junto a una troup de músicos que reunía a lo más granado de la escena rock del momento, amigos, colegas y compañeros de carretera que lo acompañaron también en posteriores trabajos y colaboraciones: Delaney y Bonnie Bramlett, Jim Capaldi, Leon Russell, Eric Clapton, Rita Coolidge, Carl Radle y Jim Gordon. El disco fue producido por Dave Mason y Tommy LiPuma y editado en el sello Blue Thumb. ME SIENTO UN GRAN ADMIRADOR DE ESTE EXCELENTE MUSICO Y COMPOSITOR..!! todo un maildito, un perdedor..alguien que merecio mucho mas que el exito que a tenido..pero quiza sea este el secreto de que realice discos magnificos...siempre sus discos son una maravilla y no es facil que un musico de una banda mitica como fue traffic en su carrera en solitario realice discos tan buenos y honestos..esas seria la definion....como sabes fue miembro fundador de los TRAFFIC..y un guitarra exquisito autor de celebres temas como "Feelin' Alright"......y otros muchos Dave Mason doesn't hold his guitar, he wears it like a comfortable flannel shirt; he controls his guitar like a master controls his servant; he hypnotizes it, like the snake charmer hypnotizing the snake. The notes are round and fluid, there are no sharp edges; they're huge droplets of water falling into a still pond, their effect radiates to the far reaches of the shores and the audience's collective ears. Dave's voice is a bit raspy and distinct, like a familiar friend. Only You Know and I Know (Dave Mason) - 4:05 Can't Stop Worrying, Can't Stop Loving (Dave Mason) - 3:02 Waitin' on You (Dave Mason) - 3:05 Shouldn't Have Took More Than You Gave (Dave Mason) - 6:00 World in Changes (Dave Mason) - 4:30 Sad and Deep as You (Dave Mason) - 3:35 Just a Song (Dave Mason) - 2:59 Look at You, Look at Me (Jim Capaldi, Dave Mason) - 7:22 Credits: Jim Capaldi: Drums Rita Coolidge: Vocals Dave Mason: Guitar, Vocals Leon Russell: Keyboards Don Preston: Keyboards Bonnie Bramlett: Vocals Delaney Bramlett: Guitar, Vocals Claudia Lennear: Vocals Jim Keltner: Drums John Simon: Keyboards Jim Gordon: Drums John Barbata: Drums Bruce Botnick: Engineer Mike Coolidge: Background Vocals Lou Cooper Michael DeTemple: Guitar Chris Ethridge: Bass Larry Knechtel: Organ Bob Norwood Carl Radle: Bass Jack Storti Production Credits: Dave Mason: Producer Douglas Botnick: Engineer Tommy LiPuma: Producer Al Schmitt: Mixing Tom Wilkes: Design, Photography Barry Feinstein: Design, Photography

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

IRON MAIDEN. In profile (cd album 1997) IRON MAIDEN. In profile (cd album 1997) CD ALBUM 1997           Ref..7143 8 57580 2 7   IRON MAIDEN Part One: Early Maiden Days  Football To Iron Maiden And The Ruskin Arms 1.From Here To Eternity 2.Remember Tomorrow 3.Iron Maiden [excerpts] 4.Prowler 5.Strange World   Part Two: Groundwork  The Soundhouse Tapes, Eddie The 'Ead And Maiden Meet Neil Kay And Find Manager Rod Smallwood 6.Charlotte The Harlot 7.Transylvania 8.Running Free   Part Three: Ascendancy  Maiden's First Album And Their First Reading Festival, The Killers World Tour And Bruce Replaces Paul 9.Phantom Of The Opera 10.Sanctuary ("Metal For Muthas") 11.Purgatory 12.Wrathchild 13.Killers 14.Run To The Hills   Part Four: Supremacy  A Top Ten Single, A Number One Album, Massive Live Productions, World Tours And The Hits Keep On Coming 15.The Number Of The Beast 16.Hallowed Be Thy Name 17.Invaders 18.Where Eagles Dare 19.The Trooper 20.2 Minutes To Midnight 21.Aces High 22.Wasted Years 23.Heaven Can Wait 24.Can I Play With Madness   Part Five: Legends  Stadium Room Only, More Hits Albums And The Departure Of Dickinson. Blaze Joins And Iron Maiden Are Confirmed As One Of The Greatest Influences Of Heavy Rock 25.Holy Smoke 26.Bring Your Daughter... To The Slaughter 27.Be Quick Or Be Dead 28.Fear Of The Dark 29.Tailgunner 30. Man On The Edge 31. The Unbeliever                       Gastos de envio para:                                                 ESPAÑA EUROPA RESTO DEL MUNDO Hasta 500grs.                             4,45€       9€        12,57€

Sookie Stackhouse is a small-town cocktail waitress in small-town Louisiana. She's pretty. She does her job well. She keeps to herself - she has only a few close friends, because not everyone appreciates Sookie's gift: she can read minds. That's not exactly every man's idea of date bait - unless they're undead - vampires and the like can be tough to read. And that's just the kind of guy Sookie's been looking for. Maybe that's why, when she comes across a naked vampire on the way home from work, she doesn't just drive on by. He hasn't got a clue who he is, but Sookie has: Eric looks just as sca

Them – Them Featuring Van Morrison Lead Singer, 2 Vinyls UK 1973 Deram Them – Them Featuring Van Morrison Lead Singer, 2 Vinyls UK 1973 Deram Lista de pistas A1 Gloria   A2 I Like It Like That   A3 One More Time   A4 My Lonely Sad Eyes   A5 Go On Home Baby   A6 Just A Little Bit   B1 Mystic Eyes   B2 If You And I Could Be As Two   B3 Little Girl   B4 My Little Baby   B5 Philosophy   B6 It's All Over Now, Baby Blue   C1 Baby Please Don't Go   C2 I Gave My Love A Diamond   C3 You Just Can't Win   C4 Could You Would You   C5 Richard Cory   C6 Bad Or Good   D1 Bring 'Em On In   D2 One Two Brown Eyes   D3 All For Myself   D4 (It Won't Hurt) Half As Much   D5 Hey Girl   D6 Here Comes The Night

LIBRO Beach Boys by Tobler LIBRO Beach Boys by Tobler "Beach Boys" by John Tobler   POR FAVOR LEER ANTES, AVISO:  PREGUNTAR ANTES DE COMPRAR SI TENGO ARTICULO AUN A LA VENTA O NO,GRACIAS     MAS INFORMACIÓN - El artículo en venta es el que está expuesto en la fotografías. Fotografías reales del artículo. NI MAS NI MENOS   MORE INFORMATION - The item for sale is the one shown in the photographs. Real photographs of the article. - Any questions or clarifications will be answered as soon as possible, you can make inquiries without any kind of commitment

Valentine Pop Special ‘67 Portada con paul mccartney,The beatles y Mick Jagger, The Rolling Stones Valentine Pop Special ‘67 Portada con paul mccartney,The beatles y Mick Jagger, The Rolling Stones Valentine Pop Special ‘67   POR FAVOR LEER ANTES, AVISO:  PREGUNTAR ANTES DE COMPRAR SI TENGO ARTICULO AUN A LA VENTA O NO,GRACIAS     MAS INFORMACIÓN - El artículo en venta es el que está expuesto en la fotografías. Fotografías reales del artículo. NI MAS NI MENOS   MORE INFORMATION - The item for sale is the one shown in the photographs. Real photographs of the article. - Any questions or clarifications will be answered as soon as possible, you can make inquiries without any kind of commitment

5 libros variados de musica 5 libros variados de musica FAME ANNUAL • 1983 25 POP JAAR MUSIEK UN AÑO DE ROCK 89 BE BOP A LULA BIOGRAFIA DEL ROCK Chartbusters Book 1988   POR FAVOR LEER ANTES, AVISO:  PREGUNTAR ANTES DE COMPRAR SI TENGO ARTICULO AUN A LA VENTA O NO,GRACIAS     MAS INFORMACIÓN - El artículo en venta es el que está expuesto en la fotografías. Fotografías reales del artículo. NI MAS NI MENOS   MORE INFORMATION - The item for sale is the one shown in the photographs. Real photographs of the article. - Any questions or clarifications will be answered as soon as possible, you can make inquiries without any kind of commitment

3 CD Charlotte's Web (E.B. White) Audiobook. English sound. 3 CD Charlotte's Web (E.B. White) Audiobook. English sound. 3 CD in very good condition. An audio CD recording read by Charlotte's Web. Author, E.B. White. Chapters: DISC ONE: 1 - 10a / DISC 2: 10b - 18 / DISC 3: 19 - 33. English sound. A classic story of loyalty, trust and sacrifice is brought to life in Paramount Pictures' live action movie adaptation. After young Fern (Dakota Fanning) rescues Wilburg from being sacrificed as the runt of the litter, Wilbur moves into a new barn and begins a special with friendship with the most unlikely of creatures, a spider named Charlotte (voiced by Julia Roberts). Their bond inspires the animals around them to come together as a family. When the word gets out that Wilbur's days are numbered, it seerns that only a miracle will save his life. Can Charlotte convince the farmer that Wilbur is "some pig" and worth saving? --------------------------------------------------------------------------------------------------------------------------------------------------- 3 CD en impecable estado, prácticamente nuevos. Versión en inglés. Audiocuento de la novela infantil llevada al cine. Autor: E.B. White. Disco 1: Capítulos 1 al 10a / Disco 2: Capítulos 10b al 18 / Disco 3: Capítulos 19 al 33. Una historia clásica de lealtad, confianza y sacrificio cobra vida en la adaptación de la película de acción en vivo de Paramount Pictures. Después de que el joven Fern (Dakota Fanning) rescata a Wilburg de ser sacrificado como el monstruo de la camada, Wilbur se muda a un nuevo granero y comienza una amistad especial con una araña llamada Charlotte (con la voz de Julia Roberts). Su vínculo inspira a los animales que los rodean a unirse como una familia. Cuando se corre la voz de que los días de Wilbur están contados, parece que solo un milagro le salvará la vida. ¿Puede Charlotte convencer al granjero de que Wilbur es "un cerdo" y que vale la pena salvarlo?

SYLVIE VARTAN: PAR AMOUR PAR PITIE [ESP 1967] 7' SYLVIE VARTAN: PAR AMOUR PAR PITIE [ESP 1967] 7' Sylvie Vartan   "Par Amour Par Pitie"   single 7" (RCA - Victor)  1967  made in Spain cat. num.  3-10218 #pop   1. par amour par pitie 2. I can't help myself   Sylvie Vartan  is an iconic, award-winning Bulgarian-French singer and actress whose signature singles "La Plus Belle Pour Aller Danser," "Si Je Chante," "Zoom Zoom Zoom," and "Irresistiblement" are considered not only classics of French pop, but also European classics. She established her stardom as a yé-yé idol who transformed herself into a superstar show-woman during the '70s. She is considered a French national treasure known simply as "Sylvie" and renowned for her elaborately staged concerts, sequined costumes, adventurous choreography, and no-nonsense professionalism.

GLOBE UNITY: COMPOSITIONS [DEU 1979] LP GLOBE UNITY: COMPOSITIONS [DEU 1979] LP Globe Unity   "Compositions"  LP (Japo-ECM) 1979  made in Germany cat. num.  JAPO60027 #jazz  #free jazz Nodagoo 6:59 Boa 5:43 Trom-bone-it 5:03 Flat Fleet 7:48 Reflections 8:46 Worms (Dedicated To Ezra Pound) 10:25 The Forge 5:22   One of the earliest large-group endeavors attempted in the European free jazz movement,  the Globe Unity Orchestra  was founded by German pianist  Alexander Von Schlippenbach  in 1966, at first for the specific purpose of performing his composition "Globe Unity," which was commissioned for the Berliner Jazztage. Initially, the 19-piece orchestra combined saxophonist  Peter Brotzmann 's trio and trumpeter  Manfred Schoof 's quintet with a phalanx of other early giants of European free jazz (mostly from Germany); they included, among many others, trombonist  Albert Mangelsdorff, woodwind players  Gunter Hampel  and  Willem Breuker, vibist  Karl Berger, bassists  Buschi Niebergall  and  Peter Kowald, and drummers  Jaki Liebezeit  (of the rock group  Can) and  Sven-Åke Johansson. The initial performance was a historic and rousingly cacophonous success, and  Von Schlippenbach  kept the group going, serving as its musical director for most of the next two decades. Naturally, the membership fluctuated quite a bit; by the early '70s, the group had more of a British presence, with players like guitarist  Derek Bailey, saxophonist  Evan Parker, and trombonists  Malcolm Griffiths  and  Paul Rutherford, plus trumpeter  Kenny Wheeler  and drummer  Han Bennink.  Von Schlippenbach  left for a bit in 1971, but returned the following year, and the group began playing outside of Germany more often beginning in 1974, which also marked the point at which more of their music was preserved on record (much of it on FMP). As the orchestra evolved, it relied less and less on structured arrangements, eventually becoming completely free. However, since a 20th-anniversary celebration and recording session, the group has mostly been silent.