As from

A true 20th-century classic from the Nobel Prize-winning author of The Sound and the Fury the famed harrowing account of the Bundren family’s odyssey across the Mississippi countryside to bury Addie, their wife and mother.. Knopf Doubleday Publishing Group. UK. Año 1991. 1ª edición

LETTERS FROM ALASKA (CD PRECINTADO) AS MY WORLD BURNS LETTERS FROM ALASKA (CD PRECINTADO) AS MY WORLD BURNS AÑO 2009 METAL METAL PUNK CORE HARD ROCK NACIONAL

DAVE ANTRELL - STRAIGHT FROM A RAINBOW (SG,Promo 1970) SUNSHINE POP USA (((ESCUCHA))) DAVE ANTRELL - STRAIGHT FROM A RAINBOW (SG,Promo 1970) SUNSHINE POP USA (((ESCUCHA))) DAVE ANTRELL (USA) SG,Promo - Sello Amaret US 1970 Canciones: straight from a rainbow / the clock strikes 12 gentle sunshine beat sounds taken from his self titled LP. Nice album, by the way! The guy wrote many good songs for other artists too [Estado Disco/Portada] VG+ plays EX, shiny with some light scuffs [Escucha] ((LISTEN A&B)) Todos los discos son primeras ediciones originales, excepto los reseñados como reedición All records are original first pressings, except those noted as reissue Graduación EX.: sin ruido, sin marcas VG.: algo de ruido, poco o nada molesto, algunas marcas G.: ruido molesto y marcas profundas  

David Bowie Lyrics Come As Pems 2-CD David Bowie Lyrics Come As Pems 2-CD DAVID BOWIE Lyrics Come As Poems " 2-CD  del sello "The Golden Eggs".   Notas: All different bits and pieces CD1 1-1 I Never Dreamed 0:14 1-2 Interview 11:49 1-3 The Jean Genie 4:40 1-4 My Death 1:17 1-5 Cab You Hear Me 6:55 1-6 Heroes 3:28 1-7 Joe the Lion 2:36 1-8 Moon of Alabama 3:55 1-9 Station to Station 13:53 1-10 The Elephant Man Radio Spot 1:02 1-11 Look Back in Anger 7:31 1-12 David's X-mas and New Years Message 0:09 1-13 Queen Bitch 2:12 1-14 Warchild Radio Commercial 0:46 1-15 Life On Mars 6:21 CD2 2-1 David's Brthday Message 0:18 2-2 American Landfill 4:56 2-3 Heroes 5:55 2-4 Arnold Layne 2-5 Comfortably Numb 2-6 Corri Uomo Corri 2-7 Can't Help Thinking About Me 2-8 Suffragette City 2-9 John, I'm Only Dancing 2-10 Repetition 2-11 Ziggy Stardust 2-12 Heroes 2-13 Passing announcement from BBC6 0:52 2-14 Instr. Medley / Life On Mars 2-15 I Never Dreamed En caja de cartón trifold desplegable, funda de PVC. EGG 146/147

Led Zeppelin ?– The Soundtrack From The FilmThe Song Remains The SamE-LP- ESPAÑA-1976-COMPLETO- Led Zeppelin ?– The Soundtrack From The FilmThe Song Remains The SamE-LP- ESPAÑA-1976-COMPLETO- Led Zeppelin ‎– The Soundtrack From The Film "The Song Remains The Same"LP- ESPAÑA-1976-COMPLETO- BUEN ESTADO BUENISIMA AUDICION COMPLETO CON SUS PAGINAS INTERIORES EDICION ESPAÑOLA 1976   Swan Song ‎– HSWS 681-06/7 Swan Song ‎– HSWS 681-06/7 (AS)   Distribuido por Hispavox, S.A. Torrelaguna, 64. Madrid-27 / © ℗ 1976 Swan Song / Imp. Hispavox, S.A. Mrcenado, 22. Madrid / 1976

- LOS DE TAURO. THE NUMBER ONE FROM PARAGUAY. ZAFIRO ESPAÑA 1972 - LOS DE TAURO. THE NUMBER ONE FROM PARAGUAY. ZAFIRO ESPAÑA 1972 LOS DE TAURO THE NUMBER ONE FROM PARAGUAY ZAFIRO ESPAÑA 1972 ESTADO DEL DISCO: DISCO: VG , CUBIERTA: VG  ANTE CUALQUIER DUDA, RESPONDERÉ GUSTOSAMENTE          *SE COMBINAN GASTOS DE ENVIO, POR LA COMPRA DE VARIOS ARTÍCULOS* POR FAVOR LEE DETENIDAMENTE EL ANUNCIO Y PUJA Ó COMPRA SOLAMENTE SI ESTAS INTERESADO POR EL ARTICULO Y VAS A LLEGAR HASTA EL FINAL DE LA TRANSACIÓN. NO SE ACEPTA EL PAGO CONTRAREEMBOLSO. GASTOS DE ENVÍO: SE BUSCARÁ LA OPCIÓN MÁS ECONÓMICA (consultar --- PARA CONSULTAR SIGNIFICADO DE LAS LETRAS DEL ESTADO --- MINT (M): Vinilo y portada están nuevos, sin usar y en perfecto estado. NEAR MINT (NM): Como nuevo, en muy buenas condiciones, casi perfecto. EXCELLENT (EX): Está usado, pero no hay prácticamente marcas superficiales en el vinilo, ni rozaduras ni desgastes en la portada. VERY GOOD (VG): Vinilo bastante usado, pero el estado es bueno. Algunas marcas superficiales en el vinilo y en la portada puede haber roces, restos de etiquetas adhesivas, algunas señales o alguna mancha. GOOD (G): Muy usado y con bastantes marcas superficiales en el vinilo, que no suelen afectar al sonido. En la portada suele haber roces, restos de etiquetas adhesivas, marcas ó algunas manchas.  MINT (M):  The record and the sleeve are new, and in perfect conditions. Sealed or unplayed. NEAR MINT (NM): The record and the sleeve as new, are almost in perfect conditions. EXCELLENT (EX): The record shows some signs of having been played. The lessening there is very little in the sound quality. The sleeve might have slight wear. VERY GOOD (VG): Vinyl widely used, but the state is good. Some marks on the vinyl surface. In the cover may have remains of stickers, signs or stain. Displays no major deterioration in sound quality. Surface marks and is posible light scratch. GOOD (G):The record has been very used and, the sound quality is so much deteriorated, perhaps with some distortion and mild scratches. In the cover have remains of stickers, signs or stains and may have discoloured.

Are you planning to explore the wonders of Dubai? As a Pakistani traveler, securing a Dubai visit visa is your gateway to an unforgettable experience in the vibrant city of Dubai. Here's what you need to know about obtaining your Dubai visa from Pakistan.

From the bestselling author of Authentic Happiness Known as the father of the science of positive psychology, Martin E.P.. Nicholas Brealey Publishing. UK. Año 2018.

From the bestselling author of How the Irish Saved Civilization, a fascinating look at how medieval thinkers created the origins of modern intellectual movements. After the long period of decline known as the Dark Ages. Anchor Books. UK. Año 2008.

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 En una época en la que muchas bandas resultaban inclasificables, Fischer Z destaca por su particular estilo a medio camino entre el Punk, el Reggae y la New Wave. En Inglaterra se les comparó rápidamente con Talking Heads, pero fue en Alemania y Austria donde este grupo causó furor más que en su tierra natal. Hablar de Fischer Z es hablar, en cierto modo, de su líder y fundador John Watts, un músico intelectual y enigmático que supo combinar melodías pegadizas con letras de marcado carácter psicológico, social y político. El grupo lo forma en 1976 junto a su compañero de estudios Steve Skolnik. Completarían la banda el bajista David Graham y el batería Steve Liddle. Era una época en la que el punk arrasaba con todo en Inglaterra y sin embargo Fischer Z ofrecían algo más. Primero porque John Watts era un tipo muy culto y muy preocupado por los problemas sociales del momento. El estilo de Fischer Z fue rápidamente comparado como decíamos  con Talking Heads o The Police. En 1979 lanzaron su primer disco “Word Salad”, que incluía temas como el que acabamos de oír, y lograron una actuación en directo para el mítico programa musical británico “Top of the Pops”. Esta actuación resulta un desastre y perjudica a las ventas del disco. En 1980 llegará “ So Long ”, probablemente su canción más conocida gracias a la cual todavía conservan cierta fama. A mediados de ese mismo año Skolnik, el teclista, abandona el grupo y éste queda reducido a un trío en el Watts plasta definitivamente todas sus obsesiones. Aquí llegaría su disco más destacado “Red Skies Over Paradise”, un trabajo cuya inspiración reside en la guerra fría y la amenaza nuclear. Otro tema impresionante de este gran disco es “ Berlin ”. Llegados a 1990, su antigua compañía de discos la EMI Electrola Records lanza al mercado un disco recopilatorio bajo el titulo de Going red for a salad (The UA years). Este disco recopilatorio venia a recoger los mayores éxitos de la banda a lo largo de su paso por esta compañía de discos, destacando los mejores temas también de los primeros álbumes de John Watts. Dos años mas tarde de nuevo se vuelve a editar un nuevo disco de la banda bajo el titulo de Destination paradise. Con este trabajo la formación se consolido como una de las mejores de la época, ya que las temáticas de las letras hablaban de lo cotidiano, desde la guerra del golfo hasta canciones de amor en clave de humor. Tras este disco comienzan una nueva y extensa gira mundial, con la única intención de captar nuevo fans. Como mejores temas de estos discos vamos a destacar en primer lugar un tema antiguo llamado Wax dolls, y después los temas nuevos del otro disco titulados Destination paradise, y Will you be there?.   Pistas: 1 – So Long  5:01  2 – Acrobats  2:42  3 – The Worker  3:35  4 – Wax Dolls  2:46  5 – Remember Russia  3:38  6 – Going Deaf For A Living  3:32  7 – Room Service  3:44  8 – Pretty Paracetamol  3:59   9 – Marliese  3:52  10 – You'll Never Find Brian Here  2:10  11 – Berlin  4:34  12 – Battalions Of Strangers  5:06  13 – Bathroom Scenario  3:50  14 – Wristcutters Lullaby  2:49  15 – Crazy Girl  4:27  16 – Limbo  2:15 Fischer-Z were a British rock band formed in 1976 by John Watts and Steve Skolnik at Brunel University. The original line-up consisted of Watts (vocals, guitar), Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums). The band's name is pronounced "fɪʃə zɛd" (fisher zed), a pun on "fish's head" with the "h" dropped, as is usual in many British regional accents. The pun also relies on leaving the "r" unpronounced as in common British non-rhotic accents. Fischer-Z's first hit was "The Worker" from the album Word Salad which firmly established Watts' ability to convey worldly political issues in narrative songs against a background of quirky pop and reggae-influenced music. In an interview in Record Mirror in 1981, Watts put this down to the remix of the song from the album version, which put the emphasis on the keyboards rather than his guitar. Skolnik departed after their second album Going Deaf for a Living, leaving Watts to take over keyboards. Watts' lyrics draw heavily on his experiences of studying clinical psychology and as a mental health care worker. Several songs on their third album Red Skies Over Paradise in 1981, such as "Berlin" and "Red Skies Over Paradise" were about the Cold War and the song "Cruise Missiles" was about the nuclear arms race and the mutual threat of the superpowers with nuclear war. Fischer-Z were more popular in mainland Europe than their native UK, especially in Germany, Belgium, The Netherlands, and Portugal (two top 10 hits and a No. 3 album). Fischer-Z were also successful in Australia, where they achieved two Top 20 hits with "So Long" from the album Going Deaf for a Living and "The Perfect Day" from Reveal.[2] After the album Red Skies over Paradise Watts dissolved the band in mid-1981, deciding his art could not evolve within a band context.

JOY DIVISION - SUBSTANCE 1977 - 1980 - VINILO ORIGINAL NUEVOS MEDIOS 1988 JOY DIVISION - SUBSTANCE 1977 - 1980 - VINILO ORIGINAL NUEVOS MEDIOS 1988 Substance 1977-1980 es un álbum recopilatorio de la banda británica de post-punk Joy Division, publicado por Factory Records en 1988. Fue acompañado también de un recopilatorio de New Order titulado Substance. Alcanzó el puesto número 7 en las listas de ventas del Reino Unido1 y el puesto 146 en el Billboard 200. También alcanzó el puesto 15 en Nueva Zelanda y el 53 en Australia en agosto de 1988. Substance compila los cuatro sencillos lanzados por la banda que no aparecían en ningún álbum. Estos son: "Transmission", "Komakino", "Love Will Tear Us Apart" y "Atmosphere", todos con sus respectivos lados B. También recoge las canciones publicadas en los EP, el primer lanzamiento (An Ideal for Living) y dos temas publicados por Factory Records, en A Factory Sample y Earcom 2: Contradiction. El sencillo "Atmosphere" originalmente fue lanzado en Francia con el título "Licht und Blindheit" con "Dead Souls" como lado B. Después de la muerte de Ian Curtis, fue reeditado un sencillo póstumo de "She's Lost Control", el cual es una versión alternativa a la que anteriormente había sido publicada en el álbum de estudio Unknown Pleasures. El disco de vinilo omite el sencillo "Komakino". Lista de canciones: Todas las canciones compuestas por Joy Division. LP (Factory FACT 250) 1."Warsaw" – 2:25 Relanzado en An Ideal for Living 2."Leaders of Men" – 2:35 Relanzado en An Ideal for Living 3."Digital" – 2:50 Relanzado en A Factory Sample 4."Autosuggestion" – 6:08 Relanzado en Earcom 2: Contradiction 5."Transmission" – 3:36 Sencillo FAC 13 6."She's Lost Control" – 4:45 B-side del sencillo FACUS 2 "Atmosphere" 7."Incubation" – 2:52 Lado B instrumental del sencillo FAC 28 "Komakino" 8."Dead Souls" – 4:56 Lado B del single "Atmosphere" in France 9."Atmosphere" – 4:10 Sencillo FACUS 2 10."Love Will Tear Us Apart" – 3:25 sencillo FAC 23 Substance compiles the four singles released by the band that did not appear on albums - "Transmission", "Komakino", "Love Will Tear Us Apart ", and " Atmospher e" - as well as their B-sides. It also collects tracks released on extended play singles, the band's first release An Ideal for Living, and two samplers issued by Factory Records, A Factory Sample and Earcom 2: Contradiction. The single "Atmosphere" had been originally issued in France as "Licht und Blindheit" with "Dead Souls" on the B-side. Following the death of Ian Curtis, it was reissued as a posthumous B-side of the "She's Lost Control" single in an alternate version from the track that had previously appeared on Unknown Pleasures. The vinyl version omits the single "Komakino" and does not include the complete titles from the extended plays. Later CD pressings issued by London Records contain a previously unreleased mix of "She's Lost Control" that is slightly different from the original single release. More guitar is mixed within the song, the synthesizer melody is shortened and starts at a later point, and the ending of the song is extended by 15 seconds and doesn't fade out. Substance was digitally remastered in 2015 containing the alternate mix of "She's Lost Control" and two additional tracks: "As You Said" (the second b-side of Komakino) and the b-side mix of "Love Will Tear Us Apart".

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) A new large work for orchestra, choir, and soloists, David Chesky is able to capture the immeasurable difficulty that each of us have gone through this past year in his distinct compositional voice. This new album by David Chesky is a sincere statement of worries the composer feels necessary to share with the world, in which all of us live and die. Its monumental form allows us to reflect on many tragic events (such as the latest disaster of COVID-19). By entering our lives, it unavoidably demands us to define our beliefs. Chesky’s music not only concerns our preferences in aesthetics, but also demands political awareness from us (while being far away from political activism). We are confronted by phenomena we do not understand, but ultimately determine our choices - what really has, had, and still will have meaning in our lives. We have to learn separate the “important” and “unimportant” things and events. No one is obligated to go to the “barricade,” but we are simply obligated to recognize injustice in all forms and name it personally (even in silence) instead of accepting terror as something “common” and “far away from us.” Politicians, social media, opinions, commercial accusations - all of these should be seen as instruments of “terror.” If we want to remain humans with hearts and souls, we will find ourselves in tune with David Chesky’s sounds, which speak to us and awake our empathy. -Gidon Kremer (December 2020) Envíos CD Envío Ordinario: 1,5€ (envío sin caja de plástico y con responsabilidad a cargo del comprador) Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€.  

THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable RARA 1ª EDIC. ORIG. CONTIENE EL ENCARTE INTERIOR... todo un musico legendario,,un superviviente, uno de los tipos con mas gusto musical de todos los tiempos..!! lider y fundador de los byrds, aqui lo tienes en solitario,acompañado por musicos increibles que consiguen redondear su lp debut en solitario. TODO EN IMPECABLE CONDICION. !!! NUESTRA MEJOR COPIA HASTA LA FECHA bonito debut en solitario de Roger McGuinn qué me fascina. The Byrds habían echado el cierre de una manera ya más bien lánguida, porque todo acaba estropeándose, y este jefe de operaciones enorme quiso refrendar su apabullante pedigrí haciendo lo que le dio la real gana. Impresiona la facilidad con la que, en aquellos aún iniciales años setenta, este hombre podía tirar de agenda. La armónica que abre la inaugural ‘I’m so restless’, sin ir más lejos, corresponde a un tal Dylan, mientras que el saxofonista que irrumpe para alborotar el canónico folk-rock de ‘My new woman’ es cortesía del mismísimo Charles Lloyd. No se detienen ahí las sorpresas: ‘Draggin’ no es solo un evidente tributo a los Beach Boys, sino que las armonías las aporta Bruce Johnston, uno de los Chicos de la Playa. ‘Time cube’ mira hacia la tradición más pura de estrofa repetida, aunque extrañamente coloreada con un sintetizador Moog. Pero es de autoría propia, a diferencia del epílogo del álbum, la célebre tonada tradicional ‘The water is wide’. El modo más campestre, con ‘slide’ de por medio, le sirve a ‘Bag full of money’ para abrir la cara B, donde a su vez se cuela el desmadre fronterizo de ‘Mi linda’ o el ‘blues’ a la vieja usanza de ‘Hanoi Hannah’. Y es toda esa mezcolanza, su permanente carácter híbrido, las decisiones extrañas (el coro infantil de ‘Stone’), lo que quizá no hiciese de este LP un referente de su década. Y eso, a pesar de que piezas como ‘Lost my drivin’ wheel’ revivieran todo el músculo y la chispa de los mejores Byrds. Aquellos que fueron, y siempre serán, puritita gloria. Bob Dylan - harmonica Gene Clark - vocals David Crosby - guitar,harmony vocals Chris Hillman - bass Leland Sklar - bass David Vaught - bass Chris Ethridge - bass Bruce Johnston - piano, harmony vocals Spanky McFarlane - vocals Mike Wofford - piano Charles Lloyd - sax Hal Blane - percussion John Guerin - drums Jim Gordon - drums Michael Clarke - drums Jerry Cole - guitar Buddy Emmons - steel guitar Spooner Oldham - keyboards Charles Lloyd - saxophone The Jimmy Joyce Children Chorus - vocals     I'm So Restless My New Woman Lost My Drivin' Wheel Draggin' Time Cube Bag Full of Money Hannoi Hannah Stone Heave Away M'Linda The Water Is Wide Roger McGuinn's 1973 self-titled solo debut was in most respects a breath of fresh air after the final days of the Byrds, in which the group was floundering in directionless mediocrity. In a sense, it's a back-to-basics album that emphasizes much of what McGuinn does so well: his forceful reedy vocals, his guitar playing, and his skills at both writing earnest folk-rock material (usually with future Bob Dylan collaborator Jacques Levy here) and interpreting unusual traditional and contemporary songs. Never was it folkier than on the acoustic "I'm So Restless," which benefited from harmonica by Dylan himself (about whom the song was partially about). All four of the other original Byrds play on "My New Woman," which is virtually a reunion of the original quintet, with the addition of saxophone by jazzman Charles Lloyd; David Crosby makes unobtrusive cameos on some other tracks. As likable as it is, however, the album isn't an unqualified triumph. Some of the songs aren't so hot, some of the Moog synthesizer (by McGuinn) is unnecessary, his vocals sometimes seem to have been recorded with too much brittleness, and none of this is as good as the best of the Byrds. Unexpected influences make themselves heard in the Beach Boys harmonies of "Draggin'" (with Bruce Johnston of the Beach Boys on piano and backup harmonies), the Vietnam blues of "Hanoi Hannah," and the gospel-rock of "Stone." The 2004 CD reissue adds two previously unissued bonus tracks: a solo acoustic cover of the traditional folk song "John, John" and a less pleasing cover of Jackson Browne 's "Jamaica, Say You Will." It also has historical liner notes with plenty of quotes on the sessions and songs from McGuinn himself. ~ Richie Unterberger, All Music Guide

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

The Flora Europaea, originally published between 1964 and 1980, explores the synthesis of all the national and regional Floras of Europe. It is based on a critical review of existing literature and on studies on herbaria and in the field. It aims to be simple as well as authoritative, and should enable the reader to name as far as its subspecies any fern, conifer or flowering plant growing wild or wildly cultivated. The third of the volume covers the Dicotyledonous families from Diapensiaceae to Myoporaceae, following the Engler system. Apart from keys and descriptions, information is given on

SIMPLE MINDS - SIMPLE MINDS 4 LIVE TRACKS 1985 - MAXI VINILO ORIGINAL 1987 EDICION USA AM RECORDS SIMPLE MINDS - SIMPLE MINDS 4 LIVE TRACKS 1985 - MAXI VINILO ORIGINAL 1987 EDICION USA AM RECORDS  Después de esperar el éxito de una forma más palpable, el álbum New Gold Dream (81-82-83-84), también del año 1982, con Peter Walsh como productor, logró entrar en las listas comerciales estadounidenses con éxitos como " Promised You A Miracle ", "Someone Somewhere In Summertime" y " Glittering Prize ". Fue una derivación del New Wave al New Romantic. La música es más accesible pero sin perder fuerza ni originalidad. " Promised You A Miracle " is a 1982 song by Simple Minds and was released as the first single from their fifth studio album New Gold Dream (81–82–83–84). It is most notable for being the band's first successful chart hit in the UK, reaching #13 in the UK Singles Chart and charting for 11 weeks.[Their previous nine UK singles yielded no Top 40 hits in that country. It was the only song on the album that included Kenny Hyslop as the studio session drummer. Mike Ogletree and Mel Gaynor contributed for the other eight tracks. The song triggered a prolonged period of commercial success for the band, during which they yielded 21 original UK hit singles in a row, up to and including 1998's "Glitterball" from the album Neapolis. It also enabled them to make their debut on the British music television show Top of the Pops. A live version from the album Live in the City of Light was released in 1987. R ecorded live in Barrowland Ballroom, Glasgow, UK January 5th, 1985   12"   Promised You A Miracle (Live) Virgin SM 2-12  A1.  Promised You A Miracle [Live]  (4:54)  A2.  Book Of Brilliant Things [Live]  (4:53)  B1.  Glittering Prize [Live]  (4:28)  B2.  Celebrate [Live]  (5:43)  

TANGERINE DREAM: RUBYCON [UK 1984] CD/RE TANGERINE DREAM: RUBYCON [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2025 #space rock  #progressive rock   1 Rubycon - Part One 17:18 2 Rubycon - Part Two 17:35   The members of Tangerine Dream continued to hone their craft as pioneers of the early days of electronica, and the mid-'70s proved to be a time of prosperity and musical growth for the trio of Chris Franke, early member Peter Baumann, and permanent frontman Edgar Froese. The three of them had been delivering mysterious space records on a regular basis, and their growing confidence with early synthesizers (the best that money could buy at the time) made them virtuosos of the genre, even as they kept things organic and unpredictable with gongs, prepared piano, and electric guitar. Rubycon has aged gracefully for the most part, making it a solid companion (and follow-up) to their 1974 album, Phaedra. The somewhat dated palette of sounds here never overshadow the mood: eerie psychedelia without the paisleys -- Pink Floyd without the rock. "Rubycon, Pt. 1" ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface. "Pt. 2" opens in a wonderfully haunted way, like air-raid sirens at the lowest possible pitch, joined in unison by several male voices (someone in the band must have heard György Ligeti's work for 2001). Rising out of the murkiness, the synthesizer arpeggios return to drive things along, and Froese weaves his backwards-recorded guitar through the web without really calling too much attention to himself. The piece evolves through varying degrees of tension, takes a pit stop on the shoreline of some faraway beach, then ever so gradually unravels a cluster of free-form strings and flutes. The rest are vapors, your ears are sweating under your headphones, and the smoke has cleared from your bedroom. This is a satisfying ambient record from the pre-ambient era, too dark for meditation, and too good to be forgotten.

RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE Ry Cooder   "Bop Till You Bop"  LP (Warner)  1984  made in Spain cat. num.  LB 56691 #rock  #blues rock  #rock&roll   Little Sister 3:49 Go Home, Girl 5:10 The Very Thing That Makes Your Rich 5:32 I Think It's Going To Work Out Fine 4:43 Down In Hollywood 4:14 Look At Granny Run Run 3:09 Trouble You Can't Fool Me 4:55 Don't You Mess Me Up A Good Thing 4:08 I Can't Win 4:16   Following his conceptual 1978 release,  Jazz,  Ry Cooder  returned the next year with the R&B/soul-based  Bop Till You Drop. The first major-label, digitally recorded album,  Bop  is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a  Cooder / Tim Drummond  original) that doesn't always live up to its promise.  Cooder  and his excellent band, which includes the rhythm section of  Tim Drummond  and  Jim Keltner  along with guitarist  David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to  Cooder  is due to the digital recording. If you check out the live version of  Bop Till You Drop 's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still,  Bop  is worthwhile given  Cooder 's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including  Chaka Khan). A few of the highlights include his arrangement of the early-'60s  Elvis  hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on  Ike & Tina Turner 's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring  Cooder 's longtime cohort  Bobby King  on lead vocal.

Dub Syndicate ‎Classic Selection Volume 1 On-U Sound ‎ON-U CD5 UK 1989 CD NM INSERT NM Reggae Dub Dub Syndicate ‎Classic Selection Volume 1 On-U Sound ‎ON-U CD5 UK 1989 CD NM INSERT NM Reggae Dub Tracks 1, 9 & 11: from LP Dub Syndicate - Strike The Balance (ON-U LP 47) Track 2: from 12'' single Dub Syndicate - Night Train (Lacer W1) Tracks 3 & 4: from LP Dub Syndicate - Tunes From The Missing Channel (ON-U LP 38) Tracks 5 & 6: from LP Doctor Pablo & The Dub Syndicate* - North Of The River Thames (ON-U LP 30) Track 7: remixed from LP Dub Syndicate - Tunes From The Missing Channel (ON-U LP 38) Track 8: same track as "Moving" from Bim Sherman, Roots Radics*, Dub Syndicate & The Voluntary - Haunting Ground (RDL 600) Tracks 10 & 12-17: previously unreleased Código de barras y otros identificadores Label Code: LC 8619 Matrix / Runout (Variant 1): ONU CD 5 XXXX 05 @ Matrix / Runout (Variant 2): ONU CD 5 MPO 01 @ Matrix / Runout (variant 3): ONU CD 5 MPO 03 @

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

Dionne Warwick: Original Album Series - 5 CD box set - Burt Bacharach & Hal David Dionne Warwick: Original Album Series - 5 CD box set - Burt Bacharach & Hal David Dionne Warwick: Presenting Dionne Warwick, Anyone Who Had a Heart, Make Way for Dionne Warwick, The Windows of the World, Dionne Warwick in Valley of the Dolls. Rhino, 2009. Colección Original Album Series. Caja con 5 CDs enfundados en réplicas de las cubiertas de los LPs originales. Todos los álbums incluidos producidos por Burt Bacharach & Hal David. Estado de los discos: como nuevos. Los discos no presentan el menor desperfecto bajo cualquier ángulo de luz. Estado de las fundas: como nuevas. Estado de la caja: como nueva. Envío gratuito a península. Consulta los demás artículos que tengo a la venta.  Tracklists: CD1: Presenting Dionne Warwick (1963) 1. This Empty Place 2. Wishin' And Hopin' 3. I Cry Alone 4. Zip-A-Dee-Doo-Dah 5. Make The Music Play 6. If You See Bill 7. Don't Make Me Over 8. It's Love That Really Counts 9. Unlucky 10. I Smiled Yesterday 11. Make It Easy On Yourself 12. The Love Of A Boy CD2: Anyone Who Had a Heart (1964) 1. Anyone Who Had A Heart 2. Shall I Tell Her 3. Don't Make Me Over 4. I Cry Alone 5. Getting Ready For The Heartbreak 6. "Oh Lord, What Are You Doing To Me" 7. Any Old Time Of Day 8. Mr. Heartbreak 9. Put Yourself In My Place 10. I Could Make You Mine 11. This Empty Place 12. Please Make Him Love Me CD3: Make Way for Dionne Warwick (1964) 1. A House Is Not A Home 2. People 3. (They Long To Be) Close To You 4. Last One To Be Loved 5. Land Of Make Believe 6. Reach Out For Me 7. You'll Never Get To Heaven If You Break My Heart 8. Walk On By 9. Wishin' And Hopin' 10. I Smiled Yesterday 11. Get Rid Of Him 12. Make The Night A Little Longer CD4: The Windows of the World (1967) 1. I Say A Little Prayer 2. Walk Little Dolly 3. Beginning Of Loneliness 4. Another Night 5. The Windows Of The World 6. (There's) Always Something There To Remind Me 7. Somewhere 8. You've Gonna Hear From Me 9. Love 10. What's Good About Good-bye CD5: Dionne Warwick in Valley of the Dolls (1968) 1. As Long As There's An Apple Tree 2. "Up, Up And Away (LP Version)" 3. You're My World 4. Valley Of The Dolls [Theme From] 5. Silent Voices 6. Do You Know The Way To San Jose 7. For The Rest Of My Life 8. Let Me Be Lonely 9. Where Would I Go 10. Walking Backwards Down The Road

FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC ULTRA RARO albun..!!!.. SOLIDA EDICION ORIGINAL CON VINILO EN EXC ESTADO.. GRUESA CARPETA QUE CONTIENE EL ORG ENCARTE DEL SELLO REPRISE-BIZARRE EN GRAN ESTADO Y SIN CODIGOS DE BARRA, VINILO EN EXC CONDICION !! GRAN COPIA   A1 Alice Cooper - Titanic Overture Producer, Written-By - Alice Cooper 1:09   A2 Captain Beefheart And His Magic Band - The Blimp (Mousetrapreplica) Producer - Frank Zappa Written-By - Don Van Vliet 2:04   A3 Judy Henske And Jerry Yester - Horses On A Stick Producer - Jerry Yester, Zal Yanovsky 2:10   A4 Tim Buckley - I Must Have Been Blind Producer, Written-By - Tim Buckley 3:40   A5 Wild Man Fischer - Merry-Go-Round Producer - Frank Zappa Written-By - Larry Fischer* 1:56   A6 Alice Cooper - Reflected Producer - Alice Cooper 3:10   A7 Tim Dawe - Little Boy Blue Arranged By, Producer - Jerry Yester 2:15   A8 Lord Buckley - The Train Engineer, Producer - Lyle Griffin 2:24   B1 Jeff Simmons - Lucille Has Messed My Mind Up Engineer - Chris Huston Guitar, Written-By - Frank Zappa Producer - La Marr Bruister 3:14   B2 Captain Beefheart And His Magic Band - Old Fart At Play Producer - Frank Zappa Written-By - Don Van Vliet 1:54   B3 Mothers Of Invention, The* - Valarie Producer, Written-By - Frank Zappa 2:15   B4 GTO's - Do Me In Once And I'll Be Sad, Do Me In Twice And I'll Know Better (Circular Circulation) Composed By, Producer - Lowell George Lyrics By, Vocals - Miss Pamela* 2:19   B5 Frank Zappa - Willie The Pimp Producer - Frank Zappa Vocals - Captain Beefheart Written-By - Frank Zappa     Notes From early in 1969 to 1977 Reprise Records (and their parent label Warner Bros. Records) ran a USA & Canada only mail-order promotion on a number of the inner sleeves of their mainstream artist's releases. This was to promote a wide range of less popular artists on compilation albums known as the 'Loss Leader' PRO series, sold at a significantly reduced mail-order price. This Frank Zappa-oriented release is part of the series, although this particular compilation is also geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. These two labels were manufactured and distributed by Reprise Records. This Frank Zappa-oriented 'Zapped' release is the 6th issue in the series, a compilation geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. (These two labels were manufactured and distributed for Reprise Records by Warner Bros. Records from mid 1969 [Previously 7Arts]). The black & white cover of this PRO 368 release has a portrait of Zappa and the title is "Zapped" without an accent over the 'e' (as on a subsequent/similar PRO 368 release with a 'collage' cover & Reprise label). This vinyl's label is pale blue with a dark blue 'Bizarre' text. Issues did occasionally appear later in retail outlets, particularly in Australia.

Includes excerpts from real historical sources, as well as illustrations, a map and other interesting features, while also recycling vocabulary from the Early Modern Age topic.. Oxford Educación. Barcelona. Año 2013.

Nightmares haunt the dreams of Dervish since his return from the Demonata universe, but Grubbs takes care of his uncle as they both try to continue a normal, demon-free existence. When a legendary cult director calls in Dervish as a consultant for a horror movie, it seems a perfect excuse for a break from routine and a chance for some fun.. HarperCollins Children's.. Año 2006. 1ª edición

The Flora Europaea, originally published between 1964 and 1980, explores the synthesis of all the national and regional Floras of Europe. It is based on a critical review of existing literature and on studies in herbaria and in the field. It aims to be simple as well as authoritative, and should enable a reader to name as far as its subspecies any fern, conifer or flowering plant growing wild or widely cultivated. The fifth and final volume covers the Monocotyledons. Apart from keys and descriptions, information is given on geographical distribution and, where possible, on habitat preference a

Manfred Mann's Earth Band ‎– Chance -LP / Spain- Manfred Mann's Earth Band ‎– Chance -LP / Spain-   More images Manfred Mann's Earth Band  – Chance Label: Bronze  – I·202970,  Bronze  – I-202.970 Format: Vinyl, LP, Album Country: Spain Released: 1981 Genre: Rock Style: Pop Rock,  Prog Rock Tracklist Hide Credits A1   Lies (Through The 80's) Vocals –  Chris Thompson Written-By –  D. Newman * Vocals –  Chris Thompson Written-By –  D. Newman * 4:33 A2   On The Run Vocals –  Chris Thompson Written By –  Manfred Mann - T. Ashton - F. Palmer Written-By –  F. Palmer *,  Manfred Mann (2),  T. Ashton * Vocals –  Chris Thompson Written By –  Manfred Mann - T. Ashton - F. Palmer Written-By –  F. Palmer *,  Manfred Mann (2),  T. Ashton * 3:52 A3   For You Vocals –  Chris Thompson Written-By –  B. Springsteen * Vocals –  Chris Thompson Written-By –  B. Springsteen * 5:42 A4   Adolescent Dream Vocals –  Manfred Mann (2) Written-By –  Manfred Mann (2) Vocals –  Manfred Mann (2) Written-By –  Manfred Mann (2) 2:41 A5   Fritz The Blank Written-By –  Manfred Mann (2) Written-By –  Manfred Mann (2) 2:51 B1   Stranded Vocals –  Peter Marsh Written By –  Manfred Mann - Mike Heron Written-By –  Manfred Mann (2),  Mike Heron (2) Vocals –  Peter Marsh Written By –  Manfred Mann - Mike Heron Written-By –  Manfred Mann (2),  Mike Heron (2) 5:46 B2   Hello, I Am Your Heart Vocals –  Steve Waller Written-By –  D. Linde * Vocals –  Steve Waller Written-By –  D. Linde * 5:16 B3   No Guarantee Vocals –  Dyan Birch Written-By –  Manfred Mann (2) Vocals –  Dyan Birch Written-By –  Manfred Mann (2) 3:51 B4   Heart On The Street Vocals –  Willy Finlayson Written-By –  Tom Gray Vocals –  Willy Finlayson Written-By –  Tom Gray 4:49   Companies, etc. Manufactured By  –  Iberofon, S.A. Made By  –  Ariola Eurodisc S.A. Phonographic Copyright ℗  –  Bronze Records Ltd. Distributed By  –  Ariola Eurodisc S.A. Printed By  –  T.G. Hostench, S.A. Recorded At  –  The Workhouse Studios Recorded At  –  Casa Das Flores Credits Artwork [Cover]  –  Ole Kortzau Backing Vocals [Additional]  –  Carol Stocker Bass, Bass [Pedals]  –  Pat King Co-producer [Associate]  –  Trevor Rabin Co-producer [Portugal: Production Assistance]  –  Bernie Clarke Design  –  Martin Poole Drums  –  John Lingwood Engineer  –  Rik Walton Engineer [Other]  –  Edwin Cross,  Laurie Latham,  Robert Stewart (3) Engineer [Other], Tape Op [Tape-op]  –  David Barratt Engineer [Portugal]  –  Peter Schwier *,  Tim Summerhayes Guitar  –  Geoff Whitehorn,  Mick Rogers,  Robbie McIntosh,  Steve Waller,  Trevor Rabin Keyboards, Liner Notes  –  Manfred Mann (2) Producer  –  Manfred Mann (2) Saxophone  –  Barbara Thompson Vocals [Others]  –  Dyan Birch Notes Info from cover (rear): Cat# variation I·202970 appears. ℗ 1980 Original Sound Recordings by Bronze Records Ltd. Editado y distribuido por Ariola-Eurodisc, S.A. c/Aragón, 204 Barcelona (11) - España T.G. Hostench, S.A. Córcega, 231-233, Barcelona (36) 1981 Recorded at The Workhouse Studios London. & Casa das Flores Albufeira Portugal. Trevor Rabin courtesy of Chrysalis Records. Carol Stocker (Courtesy of U.A. Records). Chris Thompson appears courtesy of Planet Records & 'Night' Cover: 'Deckchairs' Screen print, edition of 500. Courtesy of Thumb Gallery, London. Info from inner sleeve: All lyrics reproduced by kind permission of copyright owners as follows: Side one: Lies (Through The 80's) + Adolescent Dream-Scalehand Ltd © 1980, On The Run-Scalehand Ltd/Chappells Music Ltd/Pendulum Music Ltd © 1980, For You-Intersong Music Ltd © 1973. Side two: Stranded-Hitsong Ltd © 1980, Hello, I Am Your Heart-EMI Music Pub. Ltd/Keith Prowse Music Ltd © 1973, No Guarantee-Samain Artists Management B.V. © 1980, Heart On The Street-George Gluck Music Ltd © 1980. Info from centre label Side A: Edita y Distrib. Ariola Eurodisc S.A. Impuesto de lujo a metalico Made in Spain Info from centre label Side B: Fab. en España por Iberofón, S.A. Info found on both centre labels: Cat# variation I-202.970 appears. ℗ 1980 Original Sound Recordings Made by Bronze Records Ltd. Barcode and Other Identifiers Matrix / Runout (Side A runout etched): Ⅰ-202.970-A-1N¹ Matrix / Runout (Side B runout etched): Ⅰ-202.970-B-1N¹ Rights Society: B.I.E.M. Depósito Legal: B-36759-1980 Other (Impuesto de lujo a Metalico): Permiso 6.649 Other (Fabricado por Iberofon, S.A.): Perm. 5854

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.