At very least

Michael Ball - The Very Best Of Michael Ball In Concert At The Royal Albert Hall (CD, Album) Michael Ball - The Very Best Of Michael Ball In Concert At The Royal Albert Hall (CD, Album) Michael Ball - The Very Best Of Michael Ball In Concert At The Royal Albert Hall (CD-ROM, Album) Sello:Universal Cat. nº: 1538242 Estado del soporte: Near Mint (NM or M-)  Condición de la Funda: Very Good Plus (VG+) CD de segunda mano Envíos Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€ en lotes sin ofertas o descuentos.  

Arthur Prysock - At His Very Best - Silk And Satin (Polydor, Gatefold, 2xLP, US, 1977) Arthur Prysock - At His Very Best - Silk And Satin (Polydor, Gatefold, 2xLP, US, 1977) Arthur Prysock -  At His Very Best - Silk And Satin (Polydor, Gatefold, 2xLP, US, 1977)

Lester Young - Pres At His Very Best (Mercury, Netherlands, 1984) Lester Young - Pres At His Very Best (Mercury, Netherlands, 1984) Lester Young - Pres At His Very Best (Mercury, Netherlands, 1984)

WINGS - AT THE SPEED OF SOUND LP ORIGINAL U.S.A. - CAPITOL RECORDS 1976 - CON FUNDA INT. ORIGINAL WINGS - AT THE SPEED OF SOUND LP ORIGINAL U.S.A. - CAPITOL RECORDS 1976 - CON FUNDA INT. ORIGINAL DISCO DE WINGS EDITADO POR LA CAPITOL RECORDS EN EL AÑO 1976 CON NUMERO DE REFERENCIA. SW- 11525 EN STEREO.EN LA CONTRAPORTADA CON EL LOGO DE CAPITOL RECORDS. MANUFACTURED  BY MPL COMMUNICATION, INC. 34W. 54TH STREEET, NEW YOR.,N.Y. (P&C  1976) McCARTNEY PRODUCTIONS, INC- - SW - 11525 - PRINTED IN U.S.A. - EN EL LABEL CON EL LOGO DE LA CAPITOL RECORDS, EL NUMERO DE REFERENCIA SW 11525 STEREO. MANNUFACTURED BY MPL COMMUNICATIONS, INC. - (P  1976) McCARTNEY PRODUCTIONS LTD. DISCO EN MUY BUEN ESTADO CON MUY POCAS SEÑALES DE USO, EL SONIDO ES NITIDO, LIMPIO Y CLARO, SUENA SIN APENAS NINGUN TIPO DE RUIDO, ESTA MUY BIEN. VG++ (VERY GOOD++)(4) PORTADA EN MUY BUEN ESTADO CON MUY POCAS SEÑALES DE USO, NO TIENE ESCRITOS, ARAÑAZOS NI DESGARRONES Y CONSERVA TODO SU LUSTRE, BRILLO Y COLORES ORIGINALES, ESTA MUY BIEN. AUN TIENE EL PLASTICO PROTECTOR QUE VENIA EN ORIGEN. VG++(VERY GOOD++)(4). VER FOTOGRAFIAS ADICIONALES. LABELS COMO NUEVAS (MINT)(5). VER FOTOGRAFIAS ADICIONALES. CONSERVA LA FUNDA INTERIOR (INNER SLEEVE) ORIGINAL CON FOTO Y DIBUJOS EN PERFECTO  ESTADO SIN SEÑALES DE USO, COMO NUEVAS. VG+++ (VERY GOOD+++)(5). VER FOTOGRAFIAS ADICIONALES.

Quincy Jones And His Orchestra - At Newport '61 (LP, Album) Quincy Jones And His Orchestra - At Newport '61 (LP, Album) Quincy Jones And His Orchestra - At Newport '61 (LP, Album, Mono, M/Print) Sello:Mercury Cat. n.º: MCL 125 009 Estado del soporte: Very Good Plus (VG+)  Condición de la funda: Very Good (VG) Envíos Tarifa Plana para todo los envíos. Combina discos y paga solo por el primer envío. Explora nuestra colección de música clásica, la mayor de España, tanto CD como vinilo. Visita nuestra tienda física en A Coruña (7pulgadas) - Avenida de Oza 121 bajo. 15006 -, existe la posibilidad de recoger tus productos allí. Máxima seriedad.

THE SUPREMES - AT THE COPA LP - ORIGINAL INGLES - TAMLA MOTOWN RECORDS 1965 - STEREO - THE SUPREMES - AT THE COPA LP - ORIGINAL INGLES - TAMLA MOTOWN RECORDS 1965 - STEREO - DISCO DE LAS SUPREMES EDITADO POR LA TAMLA MOTOWN RECORDS EN EL AÑO 1965 CON NUMERO DE REFERENCIA. STMS 5045 EN STEREO. EN LA CONTRAPORTADA CON EL LOGO DE LA TAMLA MOTOWN RECORDS. - (P  1965) MOTOWN RECORD CORPORATION. MARKETED AND DISTRIBUTED BY RCA LTD.  BEDFORD AVENUE. LONDON WC1 EN EL LABEL CON EL LOGO DE LA TAMLA MOTOWN RECORDS, EL NUMERO DE REFERENCIA STMS 5045 STEREO. - (P  1965) MOTOWN RECORD CORPORATION. MARKETED AND DISTRIBUTED BY RCA LTD. MANUFACTURED IN THE U.K. DISCO EN MUY BUEN ESTADO CON MUY POCAS SEÑALES DE USO, EL SONIDO ES NITIDO, LIMPIO Y CLARO, SUENA SIN APENAS NINGUN TIPO DE RUIDO, ESTA MUY BIEN. VG++ (VERY GOOD++)(4). PORTADA EN MUY BUEN ESTADO CON POCAS SEÑALES DE USO, NO TIENE ESCRITOS, ARAÑAZOS  NI DESGARRONES Y CONSERVA TODO SU LUSTRE, BRILLO Y COLORES ORIGINALES, ESTA MUY BIEN VG++ (VERY GOOD++)(4). VER FOTOGRAFIAS ADICIONALES. LABELS COMO NUEVAS (MINT)(5). VER FOTOGRAFIAS ADICIONALES.

Screamin' Jay Hawkins - At Home With Screamin' Jay Hawkins (The Epic And Okeh Recordings) CD, Comp Screamin' Jay Hawkins - At Home With Screamin' Jay Hawkins (The Epic And Okeh Recordings) CD, Comp Condition Media: Near Mint (NM or M-) Sleeve: Very Good Plus (VG+) very little marks of jewel case on booklet.

IMAGINATION ··· Looking at midnight / Follow me - (Single 45 rpm) ··· Vinilo NUEVO IMAGINATION ··· Looking at midnight / Follow me - (Single 45 rpm) ··· Vinilo NUEVO A: Looking at midnight                 B: Follow me La portada está muy buena, el vinilo está NUEVO. Editado en España, año 1983, REDBUS B-104.248. Sleeve is very good, vinyl is NEW. Year 1983, REDBUS B-104.248. Spanish pressing. ·· I accept the payment for PAYPAL / Bank transfer.

Weekend With Keith Tippett - Live At Ronnie Scott's (LP, MiniAlbum) Weekend With Keith Tippett - Live At Ronnie Scott's (LP, MiniAlbum) Weekend With Keith Tippett - Live At Ronnie Scott's (LP, MiniAlbum) Sello:Rough Trade Cat. n.º: RTM 139 LP Estado del soporte: Near Mint (NM or M-)  Condición de la funda: Very Good Plus (VG+) Envíos Tarifa Plana para todo los envíos. Combina discos y paga solo por el primer envío. Explora nuestra colección de música clásica, la mayor de España, tanto CD como vinilo. Visita nuestra tienda física en A Coruña (7pulgadas) - Avenida de Oza 121 bajo. 15006 -, existe la posibilidad de recoger tus productos allí. Máxima seriedad.

Stanley Cowell - Live at Cafe des Copains (LP, Album) Stanley Cowell - Live at Cafe des Copains (LP, Album) Stanley Cowell - Live at Cafe des Copains (LP, Album, MP) Sello:Unisson Records Cat. n.º: DDA-1004 Estado del soporte: Near Mint (NM or M-)  Condición de la funda: Very Good (VG) Envíos Tarifa Plana para todo los envíos. Combina discos y paga solo por el primer envío. Explora nuestra colección de música clásica, la mayor de España, tanto CD como vinilo. Visita nuestra tienda física en A Coruña (7pulgadas) - Avenida de Oza 121 bajo. 15006 -, existe la posibilidad de recoger tus productos allí. Máxima seriedad.

Air Supply - Making Love (Out Of Nothing At All) - 1983 Air Supply - Making Love (Out Of Nothing At All) - 1983 ARISTA - GERMANY - 12" -  601 180 Media:  Near Mint (NM or M-)  Sleeve:  Very Good Plus (VG+) cut-out hole on sleeve  

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THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP Ray Charles  "Love & Peace"  LP (London)  1978  made in Spain cat. num.  TXS 3126 #soul  #funk  #r&b   You 20th Century Fox 2:45 Take Off That Dress 3:35 She Knows 4:43 Riding Thumb 3:10 We Had It All 4:35 No Achievement Showing 3:38 A Peace That We Never Before Could Enjoy 5:19 Is There Anyone Out There 5:58 Give The Poor Man A Break 3:26   Here, unfortunately, is one of several examples of why Ray Charles has been such a frustrating record-maker over the last quarter of the 20th century at least. His powers of expression as a vocalist and keyboardist are undiminished on the second album of his return to the Atlantic fold; he could still squeeze some soul out of anything. But his ability to choose great, good, or even merely appropriate material had deserted him -- and so we hear nowhere ballads ("She Knows"), stale song ideas ("You 20th Century Fox"), empty, poorly arranged and paced rousers ("We Had It All"), and political statements that fall flat ("A Peace That We Never Before Could Enjoy," "Give the Poor Man a Break") -- nothing that even this prodigious talent can save, and all treated to a veiled, raucous mix. Other than the team of arrangers (Harry Goodnight, Roger Newman, Larry Mahoberack), there are no musician credits nor any notes. Ultimately the blame for this uninteresting record must go to the producer, the co-engineer, the lead keyboardist, and the singer -- who are all one and the same person.