At work

MEN AT WORK (SN) DOWN UNDER AÑO – 1981 - PROMOCIONAL MEN AT WORK (SN) DOWN UNDER AÑO – 1981 - PROMOCIONAL       MEN AT WORK   (SN)   DOWN UNDER AÑO – 1981 - PROMOCIONAL   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREOS CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.  ".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

Men at Work - Cargo - 1983 Men at Work - Cargo - 1983 Segundo album de los australianos.

SINGLE/MEN AT WORK/EVERYTING I NEED. SINGLE/MEN AT WORK/EVERYTING I NEED. CBS 1985. EN BUEN ESTADO/ETIQUETA EN CARPETA Y GALLETA. ENVIO CERTIFICADO:5,95€.                     ORDINARIO:2,50€.                                         

MEN AT WORK - TWO HEARTS - LP - CBS 1985 SPAIN - GATEFOLD LETRAS MEN AT WORK - TWO HEARTS - LP - CBS 1985 SPAIN - GATEFOLD LETRAS

MEN AT WORK - CARGO (LP) 1982 MEN AT WORK - CARGO (LP) 1982 Carpeta con señales de uso. Vinilo muy bien. 1982     REF: S 25372 CBS    

SINGLE ESPAÑOL PROMOCIONAL - MEN AT WORK. DR. HECKYIL AND MR. JIVE SINGLE ESPAÑOL PROMOCIONAL - MEN AT WORK. DR. HECKYIL AND MR. JIVE

Referencia: 800030627 Condición del libro: Normal ISBN: 2721300512 ELP Éditions. Paris 1975 18 x 11 cm., 320 pag. Rústica; buen estado de conservación. DICCIONARIOS IDIOMAS. Ejemplares disponibles: 1

STEVE SILK HURLEY: WORK IT OUT COMPILATION [DEU 1989] LP/COMP STEVE SILK HURLEY: WORK IT OUT COMPILATION [DEU 1989] LP/COMP Steve Silk Hurley   "Work It Out Compilation"  LP (Atlantic)  1989  made in Germany cat. num.  782 003-1 #house   Steve Silk Hurley Work It Out 5:07 – Jamie Principle Cold World 5:30 – Risse Love Baby 4:39 – Jackson & Moore I Can't Let Go 5:00 – Risse Chain Of Fools 4:15 – Jackson & Moore Think! 4:35 – Jamie Principle Drive Me 4:15 – Steve Silk Hurley A Bit Of Jazz 4:35   " Work It Out " is the  Steve "Silk" Hurley 's debut single released on  Atlantic Records  in 1989. The song was the lead single taken from the producer's compilation album  Work It Out Compilation, which featured additional seven tracks recorded in collaboration with such likes as  M-Doc,  Jamie Principle, Jackson & Moore, and Rissewritten. On the  U.S.  Billboard  Hot Dancee Music/Club Play  the title peaked at number three

DJ. Juanlu* Presents Nun-K ‎– Vol. II-ESPAÑA-2002- Gabbers At Work ‎– GAKMX 017 (N)-LEER DESCRIPCION DJ. Juanlu* Presents Nun-K ‎– Vol. II-ESPAÑA-2002- Gabbers At Work ‎– GAKMX 017 (N)-LEER DESCRIPCION DJ. Juanlu* Presents Nun-K ‎– Vol. II-ESPAÑA-2002- Gabbers At Work ‎– GAKMX 017 (N) VINILO ONDULADO DE ALMACENAMIENTO PERO NO SALTA Y LA AUDICION ES BUENISIMA

COLIN HAY BAND - WAYFARING SONS - LP MCA ALEMANIA 1990 - MEN AT WORK COLIN HAY BAND - WAYFARING SONS - LP MCA ALEMANIA 1990 - MEN AT WORK

School Disco.com (Columbia) (2 × CD, Compilation) School Disco.com (Columbia) (2 × CD, Compilation) School Disco.com Columbia ‎– 504879 2 2 × CD, Compilation     Lista de Títulos 1st Period 1.1 –Queen Don't Stop Me Now 1.2 –Wham! Wake Me Up Before You Go-Go 1.3 –Madness Baggy Trousers 1.4 –Toni Basil Mickey 1.5 –Ten Pole Tudor* Swords Of A Thousand Men 1.6 –The Weather Girls It's Raining Men 1.7 –Bangles Walk Like An Egyptian 1.8 –Shakin' Stevens This Ole House 1.9 –Chesney Hawkes The One & Only 1.10 –Rick Astley Never Gonna Give You Up 1.11 –Cyndi Lauper Girls Just Want To Have Fun 1.12 –Tight Fit The Lion Sleeps Tonight 1.13 –Men At Work Down Under 1.14 –Lynda Hayes Jim'll Fix It Written-By – David Mindel 1.15 –The Monkees Daydream Believer 1.16 –The Boomtown Rats I Don't Like Mondays 1.17 –Elton John Crocodile Rock 1.18 –Status Quo Rockin' All Over The World 1.19 –Spandau Ballet True 1.20 –Alan Hawkshaw Grange Hill 2nd Period 2.1 –ABBA Dancing Queen 2.2 –The Jackson Five* I Want You Back 2.3 –Frankie Vallie & The Four Seasons* December '63 (Oh What A Night) 2.4 –Billy Joel Uptown Girl 2.5 –Yazoo Don't Go 2.6 –Snap* The Power 2.7 –Herbie Hancock Rockit 2.8 –CCS Whole Lotta Love 2.9 –Primal Scream Rocks 2.10 –Beastie Boys (You Gotta) Fight For Your Right (To Party) 2.11 –Slade Cum' On Feel The Noize 2.12 –Alice Cooper School's Out 2.13 –The Jam A Town Called Malice 2.14 –Blue Oyster Cult* (Don't Fear) The Reaper 2.15 –Boys Town Gang Can't Take My Eyes Off You 2.16 –DeBarge Rhythm Of The Night 2.17 –Sheena Easton Modern Girl 2.18 –New Edition Candy Girl 2.19 –Rocksteady Crew* Hey You (The Rocksteady Crew) 2.20 –Europe (2) The Final Countdown Soporte: Near Mint (NM or M-)  Funda: Near Mint (NM or M-) Envíos Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€ en lotes sin ofertas o descuentos.  

PINK FLOYD - YVOR WYNNE - CD - LIMITED ETICION PINK FLOYD - YVOR WYNNE - CD - LIMITED ETICION CD BOOTLEG - MEN AT WORK RECORDS - ITALY 1990 GRABACIÓN EN DIRECTO EN LONDRES,FECHA 28, JUNIO 1975 EDICIÓN ESPECIAL LIMITADA Y PRESENTADA EN CARPETA TAMAÑO LONG PLAY PORTADA DESPLEGABLE - TRIPLE (COMO SE VE EN LA FOTOS) MUY DIFICIL DE ENCONTRAR DESPUÉS DE 30 AÑOS ACTUALMENTE HAY UNO EN VENTA, EN ITALIA, A 14O EUROS + GASTOS DE ENVÍO (OTROS 40) EXCELENTE ESTADO - COMO  NUEVO 

Enjoy the content without reflections Display Mate Forget reflections, light will no longer be an impediment to enjoy every detail clearly. You will be able to appreciate the details of each painting. It's time to enjoy art and your TV as it should be. Designed to look like a true work of art The minimalist design of The Frame blends with your decoration. Its slimmer profile, multiple frame options, and single nearly invisible cable offer a sophisticated look from any angle. Your frame, your style Customizable Frame With The Frame TV you have the power to decide. Choose the frame color that best suits your space and your tastes. Thanks to its magnetic mounting you can customize your TV in the blink of an eye. Colors available in white, brown and teak. Frame your favorite moments My collection Upload and display your photos or family portraits easily. You just have to send them to The Frame through your phone or via USB. The Frame detects your presence Motion sensor The TV automatically turns on its screen to show your works of art when it detects your entry into the room. Also, when you leave it, it will turn off to save energy. Horizontal or vertical? It's up to you! Rotating studio stand Joining your Studio base together with the Rotating Wallmount will allow you to choose the position of your screen, put it in a horizontal or vertical position in a single turn. So you can enjoy your favorite content your way. Experience more at the same time Multi View Want to catch up on last week's episode while you work out? There is no need to stop seeing one for the other. Set up two channels on the screen so you can watch or even hear both at the same time, and adjust the size to help you focus. The Frame gives you the freedom to see everything your way. TV and sound bar in perfect harmony Q-Symphony Combine the audio from your TV with that from your sound bar, creating an immersive atmosphere around you. Enjoy multi-dimensional sound without the need to connect additional speakers to your TV.

RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE Ry Cooder   "Bop Till You Bop"  LP (Warner)  1984  made in Spain cat. num.  LB 56691 #rock  #blues rock  #rock&roll   Little Sister 3:49 Go Home, Girl 5:10 The Very Thing That Makes Your Rich 5:32 I Think It's Going To Work Out Fine 4:43 Down In Hollywood 4:14 Look At Granny Run Run 3:09 Trouble You Can't Fool Me 4:55 Don't You Mess Me Up A Good Thing 4:08 I Can't Win 4:16   Following his conceptual 1978 release,  Jazz,  Ry Cooder  returned the next year with the R&B/soul-based  Bop Till You Drop. The first major-label, digitally recorded album,  Bop  is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a  Cooder / Tim Drummond  original) that doesn't always live up to its promise.  Cooder  and his excellent band, which includes the rhythm section of  Tim Drummond  and  Jim Keltner  along with guitarist  David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to  Cooder  is due to the digital recording. If you check out the live version of  Bop Till You Drop 's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still,  Bop  is worthwhile given  Cooder 's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including  Chaka Khan). A few of the highlights include his arrangement of the early-'60s  Elvis  hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on  Ike & Tina Turner 's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring  Cooder 's longtime cohort  Bobby King  on lead vocal.

The nineteenth century. The north of England. Jane Eyre has no parents and no money. She goes to live at Lowood School. The pupils at Lowood are cold and hungry. Many pupils become sick and die. After eight years, Jane goes to work for Mr Rochester. She is a teacher in his house, Thornfield Hall. Jane likes Mr Rochester. But she is frightened at Thornfield Hall. Jane hears someone laughing. At night, someone walks along the dark corridors of the house. Features: - extra grammar and vocabulary exercises - notes about the author - Notes about the story - Free resources including worksheets. test

Manfred Mann's Earth Band ‎– Watch -LP- Manfred Mann's Earth Band ‎– Watch -LP-   More images Manfred Mann's Earth Band  – Watch Label: Bronze  – 893024,  Bronze  – 893.024 Format: Vinyl, LP, Album, Reissue Country: France Released: Jul 1983 Genre: Rock Style: Pop Rock,  Prog Rock Tracklist Hide Credits A1   Circles Written-By –  Alan Mark Written-By –  Alan Mark 5:18     Drowning On Dry Land / Fish Soup (6:10) A2-1   Drowning On Dry Land Written-By –  Slade * Written-By –  Slade *   A2-2   Fish Soup Written-By –  Flett *,  Mann * Written-By –  Flett *,  Mann *   A3   Chicago Institute Written-By –  Flett *,  Mann *,  Peter Thomas (8) Written-By –  Flett *,  Mann *,  Peter Thomas (8) 5:30 A4   California Written-By –  Sue Vickers Written-By –  Sue Vickers 5:10 B1   Davy's On The Road Again Written-By –  John Simon,  Robbie Robertson Written-By –  John Simon,  Robbie Robertson 5:25 B2   Martha's Madman Written-By –  Lane Tietgen Written-By –  Lane Tietgen 4:20 B3   Mighty Quinn Written-By –  Bob Dylan Written-By –  Bob Dylan 6:30   Companies, etc. Distributed By  –  WEA Filipacchi Music Phonographic Copyright ℗  –  Bronze Records Ltd. Copyright ©  –  Bronze Records Ltd. Pressed By  –  MPO Recorded At  –  The Workhouse Studios Mixed At  –  The Workhouse Studios Credits Backing Vocals  –  Doreen Chanter,  Irene Chanter,  Kim Goddy *,  Manfred Mann (2),  Pat King,  Stevie Lange,  Victy Silva Bass  –  Pat King Drums, Percussion  –  Chris Slade Engineer  –  Laurence Latham *,  Rick Walton * Keyboards  –  Manfred Mann (2) Lead Guitar, Acoustic Guitar  –  Dave Flett Management  –  Harry Maloney Painting [Album Design, Original Painting]  –  Michael Sanz Photography By  –  Pat King Producer  –  Manfred Mann And Earth Band * Tape Op [Tape Operator]  –  Edwin Cross Vocals, Guitar  –  Chris Hamlet Thompson * Notes Recorded at the Work House, London 1977. Made in France on label. (P) 1978 Comes with lyrics inner sleeve. Reissued 1983. Barcode and Other Identifiers Rights Society: SACEM SDRM SACD SGDL

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

TANGERINE DREAM: RUBYCON [UK 1984] CD/RE TANGERINE DREAM: RUBYCON [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2025 #space rock  #progressive rock   1 Rubycon - Part One 17:18 2 Rubycon - Part Two 17:35   The members of Tangerine Dream continued to hone their craft as pioneers of the early days of electronica, and the mid-'70s proved to be a time of prosperity and musical growth for the trio of Chris Franke, early member Peter Baumann, and permanent frontman Edgar Froese. The three of them had been delivering mysterious space records on a regular basis, and their growing confidence with early synthesizers (the best that money could buy at the time) made them virtuosos of the genre, even as they kept things organic and unpredictable with gongs, prepared piano, and electric guitar. Rubycon has aged gracefully for the most part, making it a solid companion (and follow-up) to their 1974 album, Phaedra. The somewhat dated palette of sounds here never overshadow the mood: eerie psychedelia without the paisleys -- Pink Floyd without the rock. "Rubycon, Pt. 1" ebbs and flows through tense washes of echo and Mellotron choirs, as primitive sequencer lines bubble to the surface. "Pt. 2" opens in a wonderfully haunted way, like air-raid sirens at the lowest possible pitch, joined in unison by several male voices (someone in the band must have heard György Ligeti's work for 2001). Rising out of the murkiness, the synthesizer arpeggios return to drive things along, and Froese weaves his backwards-recorded guitar through the web without really calling too much attention to himself. The piece evolves through varying degrees of tension, takes a pit stop on the shoreline of some faraway beach, then ever so gradually unravels a cluster of free-form strings and flutes. The rest are vapors, your ears are sweating under your headphones, and the smoke has cleared from your bedroom. This is a satisfying ambient record from the pre-ambient era, too dark for meditation, and too good to be forgotten.

Creative Dialogues: Narrative and Medicine (Isabel Fernandes (ed.) / Cecilia Beecher Martins (ed.) / Creative Dialogues: Narrative and Medicine (Isabel Fernandes (ed.) / Cecilia Beecher Martins (ed.) / TÍTULO: Creative Dialogues: Narrative and Medicine AUTOR: Isabel Fernandes (ed.) / Cecilia Beecher Martins (ed.) / Amândio Reis (ed.) / Zuzanna Sanches (ed.) EDITORIAL: Cambridge Scholars Publishing AÑO DE EDICIÓN: 2015 PÁGINAS: 316 FORMATO: Hardback, 21 x 15 cm. This volume is the outcome of work done in the groundbreaking field of Narrative Medicine by an interdisciplinary research team based at the University of Lisbon Centre for English Studies (ULICES) and devoted to the international project Narrative and Medicine since 2009. The articles and essays gathered here, heterogeneous as they may be (such is the natural outcome of research carried out across disciplines), are............

BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS. CARA A:  HEAT WAVE - WHY - RUN FROM LOVE. CARA B:  HARD RAIN - SMALLTOWN BOY - JUNK. MCA RECORDS 1985. MCA - 39038. EL VINILO ESTÁ MUY BIEN CONSERVADO, CON POCAS SEÑALES DE USO. LA CARÁTULA ESTÁ BIEN CONSERVADA, CON POCAS SEÑALES DE USO. EN LA PARTE INFERIOR TIENE UNA MUESCA (VER FOTOS). PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS. FACE A: HEAT WAVE - WHY - RUN FROM LOVE. FACE B: HARD RAIN - SMALLTOWN BOY - JUNK. MCA RECORDS 1985. MCA - 39038. THE VINYL IS VERY WELL PRESERVED, WITH FEW SIGNS OF USE. THE COVER IS WELL PRESERVED, WITH FEW SIGNS OF USE. AT THE BOTTOM IT HAS A NOTCH (SEE PHOTOS). PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP Pablo Cruise   "Part Of The Game"  LP (A&M)  1979  made in Canada cat. num.  SP-3712 #rock   Part Of The Game 3:36 I Want You Tonight 5:29 When Love Is At Your Door 4:35 Givin' It Away 5:16 Tell Me That You Love Me 4:50 Lonely Nights 5:09 How Many Tears? 6:05 For Another Town 4:25   Pablo Cruise  achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of  Stoneground  and  It's a Beautiful Day: guitarist  Dave Jenkins, keyboardist  Cory Lerios, bassist  Bud Cockrell, and drummer  Steve Price. The group was praised for its compositional and instrumental skill on the albums  Pablo Cruise  and  Lifeline, and was rewarded with the Top Ten hit "Whatcha Gonna Do?" in 1977 from  A Place in the Sun.  Cockrell  left and was replaced by former  Santana  bassist  Bruce Day.  Worlds Away  went platinum, as did its predecessor, and produced three hit singles, including the Top Ten "Love Will Find a Way." By the time the '80s rolled around, the new wave movement was in full swing on the pop charts, and the group fell out of favor with the record-buying public. Several  Pablo Cruise  songs were used as soundtrack material for sports programs on ABC, CBS, and NBC, and the band's work also appeared in the films Free Ride, An Unmarried Woman, and Dreamer.

An Historical Survey. At first glance, the scope of this work may seem over-ambitius, to say the least.... Her majesty's Stationery Office. London. Año 1960. 1ª edición

""A work tantalizingly subversive, and yet somehow if not affirming at least forgiving of the blind destructiveness of human nature and of nature itself."" -Elizabeth Hardwick "Moby-Dick" is one of the great epics of all literature.. Black Cat. UK. Año 2007.

I like work. I find it interesting. I can sit and look at it for hours.. OUP Oxford. UK. Año 2007. 1ª edición