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CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley "Cannonball And Eight Giants" LPx2 (Milestone) 1974 made in Spain cat. num. MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44 "Portait Of Cannonball" This fine Riverside debut by Adderley was cut just a few months after the alto saxophonist had contributed to Miles Davis ' stellar Milestones release. Joining Adderley for the six tracks here are fellow Davis alumni Philly Joe Jones on drums and Bill Evans on piano. These three are augmented by the wonderful and often-underrated Blue Mitchell on trumpet and the equally illustrious Sam Jones on bass. Everyone is in top form on a varied set that takes in two Adderley originals (the fine ballad "Straight Life" and "A Little Taste"), a classic Gigi Gryce number ("Minority"), and Miles ' oft-covered "Nardis." Filling out the program, we have a rare Sam Jones -penned cut, "Blue Funk," and a lone standard in the Rogers & Hammerstein chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto Cannonball Adderley is considered one of the masters of his craft. Here he joins forces with Modern Jazz Quartet co-founder Milt Jackson on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of Wynton Kelly on piano, Percy Heath on bass, and the one and only Art Blakey on drums. The moody "Blues Oriental" opens the set with Jackson immediately diving in with his trademark fluid runs and shimmering intonation. Adderley counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between Adderley and Jackson sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during Adderley 's voracious solos. "Sidewalks of New York" bops freely as Jackson unleashes some sublime licks against a hearty and equally boisterous sax. Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from Adderley 's earliest canon. The album concludes with a jumping reading of Cole Porter 's "Just One of Those Things." While Wynton Kelly has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]
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PAT TRAVERS BAND: CRASH AND BURN [USA 1980] LP PAT TRAVERS BAND: CRASH AND BURN [USA 1980] LP Pat Travers Band "Crash And Burn" LP (Polydor) 1980 made in USA cat. num. PD-1 6262 #rock #blues rock Crash And Burn 5:21 Can't Be Right 3:32 Snortin' Whiskey 3:26 Born Under A Bad Sign 5:49 Is This Love 5:20 The Big Event 5:35 Love Will Make You Strong 4:00 Material Eyes 5:23 Raw, amped-up blues-rock material, with loads of raucous guitar to recommend it. t's one of the most fun, most loud, most raucous, most foot-pounding, blues-rock guitar jammin' ever. But the real stomper is 'Out Go the Lights'
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