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DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

The Alan Parsons Project – I Robot -LP / Spain- The Alan Parsons Project – I Robot -LP / Spain-   The Alan Parsons Project  – I Robot Label: Arista  – 201 148-I Format: Vinyl, LP, Album, Reissue,  Gatefold Country: Spain Released: 1980 Genre: Electronic,  Rock Style: Art Rock,  Synth-pop,  Prog Rock,  Symphonic Rock Tracklist A1   I Robot 6:06 A2   I Wouldn't Want To Be Like You 3:19 A3   Some Other Time 4:05 A4   Breakdown 3:50 A5   Don't Let It Show 4:21 B1   The Voice 5:21 B2   Nucleus 3:35 B3   Day After Day (The Show Must Go On) 3:43 B4   Total Eclipse 3:05 B5   Genesis Ch.1. V.32 3:37   Companies, etc. Record Company  –  Ariola Eurodisc S.A. Recorded At  –  Abbey Road Studios Mixed At  –  Abbey Road Studios Printed By  –  Iberofon, S.A. Printed By  –  Indugraf Madrid, S.A. Credits Acoustic Guitar  –  Alan Parsons,  David Paton,  Ian Bairnson Arranged By [Orchestra, Choir], Conductor  –  Andrew Powell Bass  –  David Paton Chorus Master  –  Bob Howes * Cimbalom, Kantele  –  John Leach Contractor [Orchestral]  –  David Katz Design [Cover], Photography  –  Hipgnosis (2) Design [Robot]  –  George Hardie Drums, Percussion  –  Stuart Tosh Electric Guitar  –  Ian Bairnson Engineer  –  Alan Parsons Engineer [Assistant]  –  Chris Blair,  Pat Stapley Executive-Producer  –  Eric Woolfson Illustration  –  Richard Manning (3) Keyboards  –  Alan Parsons,  Duncan Mackay,  Eric Woolfson Mastered By  –  Chris Blair Producer  –  Alan Parsons Steel Guitar  –  B.J. Cole * Synthesizer [Projectron], Vocoder  –  Alan Parsons,  Eric Woolfson Vocals  –  Allan Clarke,  Dave Townsend,  Jack Harris,  Jaki Whitren,  Lenny Zakatek,  Peter Straker,  Steve Harley Vocals [Additional]  –  Alan Parsons,  David Paton,  Hilary Western,  Ian Bairnson,  John Perry (7),  The New Philharmonia Chorus *,  Smokey Parsons,  Stuart Calver,  Stuart Tosh,  The English Chorale,  Tony Rivers Written-By  –  Alan Parsons  (tracks: A1 to B3, B5),  Andrew Powell  (tracks: B4),  Eric Woolfson  (tracks: A1 to B3, B5) Notes I Robot... The story of the rise of the machine and the decline of man, which paradoxically coincided with his discovery of the wheel... And a warning that his brief dominance of this planet will probably end, because man tried to create a robot in his own image. Recorded & mixed at Abbey Road Studios, London, between December 1976 & March 1977. Special thanks to Mickey Shapiro, Bob Britton, Mike King, Eric Prince, John Wallace and all at Abbey Road. Seems a reissue using pressed copies from the first Spanish issue. On labels: Made in Spain. EMI-Odeon, S.A. Depósito Legal: B-30024-1977 // 10 C 066-99.168 On back sleeve: Ariola Eurodisc S.A. Calle Aragón, 204 - Barcelona-11 (España) T.G. Hostench, S.A. - Córcega, 231-233 - Barcelona (36) 1982 Barcode and Other Identifiers Matrix / Runout (Side A): E 201.48-A 2N Matrix / Runout (Side B): I 201.148-B 2N DM Rights Society: S.G.A.E. Depósito Legal: B-3.339-1980  

More than 18 million Geronimo Stilton books in print! Finally, I was about to leave for a relaxing vacation all by myself. I was ready to kick back and connect with nature. But somehow. Scholastic Inc.. UK. Año 2011.

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

Iggy Pop – New Values = Nuevos Valores -LP / Spain Iggy Pop – New Values = Nuevos Valores -LP / Spain   More images Iggy Pop  – New Values = Nuevos Valores Label: Arista  – I-201144,  Arista  – I-201.144 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Spain Released: Genre: Rock Style: Garage Rock,  Classic Rock,  Glam Tracklist A1   Tell Me A Story A2   New Values A3   Girls A4   I'm Bored A5   Don't Look Down A6   The Endless Sea B1   Five Foot One B2   How Do Ya Fix A Broken Part B3   Angel B4   Curiosity B5   African Man B6   Billy Is A Runaway   Companies, etc. Made By  –  Ariola Eurodisc S.A. Distributed By  –  Ariola Eurodisc S.A. Printed By  –  Indugraf Madrid, S.A. Credits Engineer, Mixed By  –  Peter Haden Mastered By  –  Johnny Golden * Mixed By, Producer  –  James Williamson Producer  –  James Osterberg Producer [Assistant Production]  –  Lloyd Malan Notes Very similiar to  New Values = Nuevos Valores. Appears to have the same sleeve printed by Indugraf, but rimtext on labels is different: The other version has an ongoing text that starts at 6.30 and ends at 5.30, including "Fabricado en Espana por Iberofon, S.A." at the end. In addition, on this version, the ARISTA logo on labels is lacking the ™. This version has no such credit and it's text split in two, with: - one part going from 10.30 to 1.30 and reading "Editato y distribuido por Ariola-Eurodisc, S.A. Impuesto de tujo, permiso n° 8649" and - the second part going from 2 o'clock to 10 o'clock. On rear sleeve: Editado y distribuido por ARIOLA-EURODISC, S.A. Barcode and Other Identifiers Depósito Legal: B-8341-1980 Rights Society: B.I.E.M. Other (Permiso N.º): 8649

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

MEMORIAS DE AFRICA Original Motion Picture SOUNDTRACK LP MEMORIAS DE AFRICA Original Motion Picture SOUNDTRACK LP ENVIO PENINSULA: 6,95.-€ A PAGAR POR PAYPAL (COMO AMIGO) o TRANSFERENCIA MEMORIAS DE AFRICA  Original Motion Picture Score LP John Barry  ‎– Out Of Africa = Memorias De Africa (Music From The Motion Picture Soundtrack) Label: MCA Records  ‎– 25 2945 - 1 Format: Vinyl, LP, Album  Country: Spain Released: 1986 Genre: Classical,  Stage & Screen Style: Neo-Romantic,  Score,  Soundtrack Tracklist Hide Credits A1 Main Title (I Had A Farm In Africa) 3:07 A2 I'm Better At Hello (Karen's Theme I) 1:15 A3 Have You Got A Story For Me? 1:12 A4 Concerto For Clarinet And Orchestra In A (K.622) Directed By –  Neville Marriner * Performer –  The Academy Of St. Martin-in-the-Fields Performer, Clarinet –  Jack Brymer Written-By –  Wolfgang Amadeus Mozart 2:46 A5 Safari 2:40 A6.a Karen's Journey 4:46 A6.b Siyawe Written-By –  African Traditional *   B1 Flying Over Africa 3:22 B2 I Had A Compass From Denys (Karen's Theme II) 2:27 B3 Alone On The Farm 1:55 B4 Let The Rest Of The World Go By Composed By –  Ernest R. Ball,  J. Keirn Brennan 3:12 B5 If I Know A Song Of Africa (Karen's Theme III) 2:11 B6 End Title (You Are Karen) 4:03 B7 The Music Of Goodbye (Duo De Melissa Manchester/Al Jarreau) Lyrics By [Letra] –  Alan Y Marilyn Bergman * Performer [Duo] –  Al Jarreau,  Melissa Manchester 3:54

Beck – Sea Change -2 LP- Beck – Sea Change -2 LP- Beck  – Sea Change Label: DGC  – 00602557034905 Format: 2 x  Vinyl, LP, Album, Reissue,  180 gram Country: Europe Released: Nov 2016 Genre: Rock Style: Alternative Rock Tracklist Hide Credits A1   The Golden Age Glockenspiel –  Beck,  Roger * Glockenspiel –  Beck,  Roger * 4:36 A2   Paper Tiger Guitar –  Jason Faulkner * Percussion –  Nigel * Guitar –  Jason Faulkner * Percussion –  Nigel * 4:35 A3   Guess I'm Doing Fine Backing Vocals –  Joey * Harmonica –  Beck Synthesizer –  Nigel * Backing Vocals –  Joey * Harmonica –  Beck Synthesizer –  Nigel * 4:49 B1   Lonesome Tears Guitar –  Justin * Keyboards –  Beck Guitar –  Justin * Keyboards –  Beck 5:37 B2   Lost Cause Banjo –  Beck Glockenspiel –  Justin * Percussion, Backing Vocals –  Smokey * Banjo –  Beck Glockenspiel –  Justin * Percussion, Backing Vocals –  Smokey * 3:47 B3   End Of The Day Acoustic Guitar [Slide] –  Smokey * Acoustic Guitar [Slide] –  Smokey * 5:03 C1   It's All In Your Mind Cello –  Suzie Katayama Electric Piano [Wurlitzer] –  Beck Cello –  Suzie Katayama Electric Piano [Wurlitzer] –  Beck 3:05 C2   Round The Bend Arranged By [Strings] –  Beck Featuring [String Treatment] –  Nigel * Arranged By [Strings] –  Beck Featuring [String Treatment] –  Nigel * 5:15 C3   Already Dead 2:58 D1   Sunday Sun Acoustic Guitar [Slide], Piano, Saxophone [Bamboo], Tape, Voice [Megamouth], Percussion –  Smokey * Electronic Drums –  Joey * Harmonium, Banjo, Banjo [Indian] –  Roger * Piano, Glockenspiel –  Beck,  Justin * Acoustic Guitar [Slide], Piano, Saxophone [Bamboo], Tape, Voice [Megamouth], Percussion –  Smokey * Electronic Drums –  Joey * Harmonium, Banjo, Banjo [Indian] –  Roger * Piano, Glockenspiel –  Beck,  Justin * 4:44 D2   Little One Backing Vocals –  Joey * Guitar, Percussion, Backing Vocals –  Jason Faulkner * Backing Vocals –  Joey * Guitar, Percussion, Backing Vocals –  Jason Faulkner * 4:26 D3   Side Of The Road Acoustic Guitar [Slide] –  Smokey * Acoustic Guitar [Slide] –  Smokey * 3:23   Companies, etc. Phonographic Copyright ℗  –  Geffen Records Copyright ©  –  Geffen Records Pressed By  –  Optimal Media GmbH  – BG46884 Published By  –  Youthless Published By  –  Kobalt Music Publishing Recorded At  –  Record One, Los Angeles Produced At  –  Ocean Way Recording Engineered At  –  Ocean Way Recording Mixed At  –  Ocean Way Recording Mastered At  –  Gateway Mastering Credits Art Direction, Design  –  Beck,  Kevin Reagan Artwork  –  Jeremy Blake Engineer [Assistant]  –  Darrell Thorp Lacquer Cut By  –  GOLDEN * Mastered By  –  Bob Ludwig Performer [Players]  –  Beck Hansen,  James Gadson,  Jason Falkner,  Joey Waronker,  Justin Meldal-Johnsen,  Nigel Godrich,  Roger Manning *,  Smokey Hormel Photography By [Cover Photo]  –  Autumn De Wilde * Producer, Engineer, Mixed By  –  Nigel Godrich Words By, Music By  –  Beck Hansen Notes Gatefold: Produced, engineered & mixed at Ocean Way Studio except track 8 (C2) and the strings on track 2 (A2) recorded at Record One. © 2002 Geffen Records Backsleeve: ℗ © 2016 Geffen Records. Made in Germany Gatefold sleeve with poly-lined white inner-sleeves Comes with download voucher (mp3 or Hi-Res WAV files) of full album Barcode and Other Identifiers Barcode: 602557034905 Label Code: LC 01846 Rights Society: BIEM/SDRM Matrix / Runout (Side A runout, etched): B0025355-01-LP01-A BG46884-01 A1 5713989 Matrix / Runout (Side A runout, stamped, X-ed out): P. USA - 41121 - Matrix / Runout (Side B runout, etched): B0025355-01-LP01-B BG46884-01 B1 5713989 Matrix / Runout (Side B runout, stamped, X-ed out): - 41121 - P. USA - 41121 - Matrix / Runout (Side C runout, etched): B0025355-01-LP-02-C BG46884-02 C1 5713990 Matrix / Runout (Side D runout, etched): B0025355-01-LP-02-D 5713990 BG46884-02 D1 Matrix / Runout (Sides C & D runout, stamped, X-ed out): P. USA - 41122 - Matrix / Runout (Sides A to D, stamped): GOLDEN  

Grand Funk ‎– Phoenix -LP- Grand Funk ‎– Phoenix -LP-   More images Grand Funk *  – Phoenix Label: Capitol Records  – 1 C 038-81 269,  EMI Electrola GmbH  – 1 C 038-81 269 Format: Vinyl, LP, Album, Reissue, Stereo,  Black Title on front Country: Germany Released: 1980 Genre: Rock Style: Rock & Roll,  Hard Rock Tracklist A1   Flight Of The Phoenix 3:36 A2   Trying To Get Away 3:10 A3   Someone 5:03 A4   She Got To Move Me 4:47 A5   Rain Keeps Fallin' 3:26 B1   I Just Gotta Know 3:48 B2   So You Won't Have To Die 3:17 B3   Freedom Is For Children 6:00 B4   Gotta Find Me A Better Day 4:04 B5   Rock 'N Roll Soul 3:29   Companies, etc. Recorded At  –  The Sound Shop Mixed At  –  Quadraphonic Sound Studios Mastered At  –  Sterling Sound Credits Bass  –  Mel Schacher Composed By  –  Mark Farner Design Concept  –  Pacific Eye & Ear Engineer  –  Gene Eichelberger Fiddle  –  Doug Kershaw Illustration  –  Joe Garnett Organ, Clavinet, Harpsichord, Piano  –  Craig Frost Photography  –  Lorrie Sullivan Producer  –  Grand Funk * Vocals, Drums, Congas, Percussion  –  Don Brewer Vocals, Guitar, Harmonica, Organ  –  Mark Farner Notes Same as  Phoenix  but with "PHOENIX" title in black on front cover. Same as  Phoenix  but with different labels. White sticker information on back sleeve: Original release date September 1972. Original label: Capitol Original number: 1C 062-81 269 On labels: Ⓟ1972 (1-5) Ⓟ1980 Capitol Rec. Inc. Grand Funk on front sleeve and inside gatefold. Grand Funk Railroad on sleeve spine & labels. The duration of the tracks are from the labels. The duration indicated on the inside of the gatefold are slightly different. Inside gatefold: Ⓒ1972 by Cram Renfraff Co. (BMI) EMI Electrola GmbH Köln. Printed in Germany by 4P Nikolaus GmbH, Köln. Barcode and Other Identifiers Rights Society (boxed): GEMA Matrix / Runout (Stamped on Seite 1): 81269-A2 Matrix / Runout (Stamped on Seite 2): 81269-B2 Label Code: LC 0148

POP ART PET SHOP BOYS THE VIDEOS POP ART PET SHOP BOYS THE VIDEOS POPART PET SHOP BOYS THE VIDEOS en buen estado. Lista de Títulos 1   Opportunities (Let's Make Lots Of Money) (Original Version) 3:43 2   West End Girls 3:56 3   Love Comes Quickly 4:19 4   Opportunities (Let's Make Lots Of Money) (Second Version) 3:46 5   Suburbia 5:08 6   Paninaro 4:44 7   It's A Sin 5:03 8   What Have I Done To Deserve This? 4:17 9   Rent 3:38 10   Always On My Mind 5:13 11   Heart 4:25 12   Domino Dancing 4:18 13   Left To My Own Devices 4:46 14   It's Alright 4:18 15   So Hard 4:03 16   Being Boring 4:55 17   How Can You Expect To Be Taken Seriously? (Brothers In Rhythm 7" Mix) 4:08 18   Where The Streets Have No Name (I Can't Take My Eyes Off You) 4:26 19   Jealousy 4:12 20   DJ Culture 4:13 21   Was It Worth It? 4:25 22   Can You Forgive Her? 3:58 23   Go West 4:53 24   I Wouldn't Normally Do This Kind Of Thing (7" Mix) 4:41 25   Liberation 4:07     Lista de Títulos 26   Yesterday, When I Was Mad 4:01 27   Paninaro '95 4:11 28   Before 4:07 29   Se A Vida É (That's The Way Life Is) 4:50 30   Single-Bilingual 3:37 31   A Red Letter Day 4:32 32   Somewhere 5:05 33   I Don't Know What You Want But I Can't Give It Any More 4:22 34   New York City Boy 4:18 35   You Only Tell Me You Love Me When You're Drunk 3:14 36   Home And Dry 4:01 37   I Get Along / E-Mail 5:48 38   London 4:04 39   Domino Dancing (Extended Version) 7:45 40   So Hard (Extended Version) 6:39 41   Go West (Extended Version) 9:27

Blackberry Smoke – Stoned -LP- Blackberry Smoke – Stoned -LP-   More images Blackberry Smoke  – Stoned Label: 3 Legged Records  – 3LG15LP Format: Vinyl, LP,  Transparent red w/black smoke Country: US Released: Nov 26, 2021 Genre: Rock Style: Classic Rock,  Southern Rock Tracklist Hide Credits A1   All Down The Line A2   Sway A3   Can’t You Hear Me Knockin’ B1   Tumbling Dice B2   Just My Imagination (Running Away With Me) Songwriter –  Barrett Strong,  Norman Whitfield Songwriter –  Barrett Strong,  Norman Whitfield B3   I Got The Blues B4   Street Fighting Man   Companies, etc. Marketed By  –  Thirty Tigers Marketed By  –  The Orchard Distributed By  –  Thirty Tigers Distributed By  –  The Orchard Recorded At  –  Welcome To 1979 Phonographic Copyright ℗  –  3 Legged Records Copyright ©  –  3 Legged Records Credits Cover [Front]  –  Phil Guy Engineer  –  Jeremy Bernstein (5) Engineer [Assistant]  –  Nick Molino Layout, Design  –  Perry Shall Mastered By  –  Margaret Luthar Songwriter  –  Keith Richards,  Mick Jagger Notes Record Store Day Black Friday release Limited to 2500 copies Pressed On Red Vinyl With Black Smoke "This album was recorded, mixed and mastered live to a vinyl master in one take on the evening of November 6, 2020 at Welcome to 1979. There were no overdubs, edits, punch-ins, remixes or remastering. This type of recording is very rare due to the technical and creative difficulty associated with recording live to a vinyl master. Once the recording has started it cannot stop until the end of the side. You are hearing one complete take per side of the record, which is no easy feat for all involved. Enjoy!" Barcode and Other Identifiers Barcode (Scanned): 793888432505 Barcode (Text): 7 93888 43250 5 Matrix / Runout (Label - Side A/B): 3LP15LP Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-A2 ML201106 Welcome to 1979 Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-B2 ML201106 Welcome to 1979      

Atlantic Gold: 75 Soul Classics from the Atlantic Vaults - Caja con 3 CD Atlantic Gold: 75 Soul Classics from the Atlantic Vaults - Caja con 3 CD Atlantic Gold: 75 Soul Classics from the Atlantic Vaults. Box set con 3 CD contenidos en cajas de plástico extrafinas. Atlantic/WEA, 2004. El set contiene una amplia selección de temas provenientes de los archivos del sello Atlantic, abarcando el periodo 1952-1974, interpretados por artistas de la talla de Ruth Brown, Ray Charles, Otis Redding, Wilson Picket, Aretha Franklin y muchos más. Incluye libreto de 8 páginas con amplia información (en inglés). Condición de los discos y cajas individuales: todo como nuevo, los discos no muestran el menor desperfecto bajo cualquier ángulo de luz. Condición del libreto: excelente, doblez mínimo en una esquina. Condición del estuche exterior: muy buena, presenta rozamientos en las esquinas y dobleces en los remates de la solapa de cierre (ver fotos). Envío gratuito a península. Consulta los demás artículos que tengo a la venta. Track listing CD1: –Ruth Brown 5-10-15 Hours –The Clovers One Mint Julep –Joe Turner* Shake, Rattle And Roll –The Drifters With Clyde McPhatter Money Honey –Ray Charles I've Got A Woman –LaVern Baker Tweedle Dee –The Chords Sh-Boom –The Drifters Ruby Baby –Ruth Brown Lucky Lips –Chuck Willis It's Too Late –Ray Charles (Night Time Is) The Right Time –The Coasters Poison Ivy –Ben E. King Spanish Harlem –Carla Thomas B-A-B-Y –Clyde McPhatter A Lover's Question –The Drifters There Goes My Baby –Solomon Burke If You Need Me –LaVern Baker See See Rider –The Coasters Yakety Yak –The Mar-Keys Last Night –Ray Charles What'd I Say (Parts I & II) –The Drifters Up On The Roof –Ben E. King Stand By Me –Esther Phillips And I Love Him –Doris Troy Just One Look –Otis Redding These Arms Of Mine CD2: –The Drifters On Broadway –Booker T & The MG's Green Onions –Wilson Pickett Land Of 1000 Dances –Solomon Burke Everybody Needs Somebody To Love –Rufus Thomas Walking The Dog –Otis Redding I've Been Loving You Too Long –The Drifters Under The Boardwalk –Sam & Dave You Don't Know Like I Know –Don Covay Seesaw –Wilson Pickett In The Midnight Hour –The Drifters Saturday Night At The Movies –The Capitols Cool Jerk –Sam & Dave When Something Is Wrong With My Baby –Barbara Lewis Baby, I'm Yours –Percy Sledge When A Man Loves A Woman –Aretha Franklin (You Make Me Feel Like) A Natural Woman –Otis Redding Try A Little Tenderness –Wilson Pickett Mustang Sally –Eddie Floyd Knock On Wood –Sam & Dave Hold On I'm Coming –Aretha Franklin Chain Of Fools –Arthur Conley Sweet Soul Music –The Bar-Kays Soul Finger –Joe Tex Show Me –Aretha Franklin Respect –Otis Redding (Sittin' On) The Dock Of The Bay CD3: –Sam & Dave Soul Man –Aretha Franklin Think –King Curtis Memphis Soul Stew –Otis Redding & Carla Thomas Tramp –Archie Bell & The Drells Tighten Up –Aretha Franklin Do Right Woman - Do Right Man –William Bell A Tribute To A King –Brook Benton Rainy Night In Georgia –Clarence Carter Slip Away –Donny Hathaway The Ghetto –The Beginning Of The End Funky Nassau (Pt. 1) –The Spinners Ghetto Child –Archie Bell & The Drells Here I Go Again –Aretha Franklin Rock Steady –The Persuaders Thin Line Between Love And Hate –Betty Wright Clean Up Woman –The Spinners* Could It Be I'm Falling In Love –Blue Magic Sideshow –The Spinners I'll Be Around –Major Harris Love Won't Let Me Wait –Bettye Swann Kiss My Love Goodbye –Ben E. King Supernatural Thing (Pt. 1) –Aretha Franklin Until You Come Back To Me (That's What I Am Going To Do)

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.