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Disco vinilo doble LP - Bessie Smith - Nobodys blues but mine - Ed. USA 1972 Disco vinilo doble LP - Bessie Smith - Nobodys blues but mine - Ed. USA 1972 Evaluation of the conditions of the disc, where 1 is the lowest and 5 is the highest mark. Disco - 4.8 se ha escuchado y suena muy bien. Funda - 4 Ligeras señales de desgaste y ligera rotura en la zona de arriba, en una esquina por donde se introduce el segundo disco.   Pago a través de  transferencia  o  PayPal Lean bien nuestras condiciones de venta/envío antes de comprar o pujar. Todas las condiciones de pago a través de   PayPal  se explican en "Condiciones de venta y envío". Todos los precios de envío se deducirán de la relación volumen-peso. Para cualquier otra consulta contacten con nosotros. *Empaquetado en cartón duro para mayor protección. TEBEOS, COMICS, REVISTAS y LP's. 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EVERYTHING BUT THE GIRL (CD/SN) ROLLERCOASTER (4 TRACKS) AÑO 1994 EVERYTHING BUT THE GIRL (CD/SN) ROLLERCOASTER (4 TRACKS) AÑO 1994   EVERYTHING BUT THE GIRL (CD/SN) ROLLERCOASTER  (4 TRACKS) AÑO 1994   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREOS CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

WARNING: DO NOT READ THIS BOOK!...For amongst its contents you will find:two extraordinary adventurers...a missing magician's diary...a symphony of spells...and a deadly secret.But wait, you already know too much! It is too late. I'm afraid nothing will stop you now. Open the book if you must. But, please, tell no one.. Usborne Publishing Limited.. Año 2018.

RIVER CITY PEOPLE - THIS IS THE WORLD - VINILO ORIGINAL 1991 PRIMEA EDICION EMI RIVER CITY PEOPLE - THIS IS THE WORLD - VINILO ORIGINAL 1991 PRIMEA EDICION EMI River City People fue un grupo de folk-rock de vida y éxito efímeros. Con sus dos estupendos albumes, sonaron bastante en las emisoras del Reino Unido y otros países (España, entre ellos), y llegaron a actuar en varias ciudades europeas. Pero lo que condenó a la banda de Liverpool fue, probablemente, que llegaron tarde a la fiesta. La segunda mitad de los 80 fue un momento dulce para el pop-rock inglés e irlandés, que consolidó a grupos como U2, Simple Minds, Dire Straits o Simply Red. Pero los RCP se subieron al carro en 1989, cuando el movimiento languidecía, y a pocos meses de la explosión, al otro lado del Atlántico, del fenómeno grunge. La banda aguantó como pudo el desinterés por el folk-rock, y aunque llegó a lanzar en 1991 un segundo gran LP, acabó deshaciéndose pocos meses después. El primer disco es una maravilla y este   THIS IS THE WORLD esta muy bien. Tracklist: 01. River City People - Standing In The Need Of Love [3:30] 02. River City People - Special Way [3:14] 03. River City People - Act Like A Child [3:46] 04. River City People - Hurt You [3:57] 05. River City People - Driver [3:24] 06. River City People - Move A Mountain [4:41] 07. River City People - Mile High Cafe [4:31] 08. River City People - True Stories From The Revolution [3:42] 09. River City People - The Sea [3:40] 10. River City People - High Tide [3:28] 11. River City People - This Is The World [4:57] River City People were a folk rock quartet formed in Liverpool, England in 1986, by vocalist Siobhan Maher, guitarist Tim Speed, his drummer brother Paul Speed, and bassist Dave Snell. Siobhan, Tim and Dave had both been with Liverpool Band "Peep Show" until summer 1987 - at one point both bands co-existed. The group appeared on Channel 4's The Chart Show and soon afterward signed with EMI, releasing their debut single "(What's Wrong With) Dreaming?" in mid 1989. Their album Say Something Good followed a few months later, recorded in Los Angeles and produced by legendary producer Don Gehman. In the summer of 1990, the band scored their biggest hit with a cover of The Mamas & the Papas' "California Dreamin'". This was a double A-side with "Carry the Blame". " This is the World " followed in late 1991, but the group disbanded shortly after. Maher then teamed with ex-Bangle Debbi Peterson in the duo Kindred Spirit, releasing a self-titled 1995 album on Capitol Records. She released a solo album in 2002 called Immigrant Flower.

Ann Peebles - The Handwriting Is On The Wall 78, rare 1ª edic org usa + encarte hi records, exc Ann Peebles - The Handwriting Is On The Wall 78, rare 1ª edic org usa + encarte hi records, exc ** PODEMOS ENVIAR TU COMPRA HASTA TU DOMICILIO DESDE 2.95 EUR * !! 25 AÑOS VENDIENDO MATERIAL IMPORTADO ORIGINAL PARA COLECCIONISTAS DE TODO EL MUNDO !!!! ORG EDT USA, 1º PRESS QUE CONTIENE EL BONITO ENCARTE DEL SELLO HI RECORDS, VINILO EN EXC CONDICION ! SIEMPRE COMPLICADO DAR CON SUS DISCOS, ELLA FUE UNA DE LAS MAS GRANDES CANTANTES DE SOUL DEL LLAMADO SONIDO Memphis ‎Cantante y compositora estadounidense (nacida el 27 de abril de 1947 en East St. Louis, Illinois, EE.UU.), aclamada internacionalmente y mejor conocida por sus populares álbumes de soul de Memphis de la década de 1970 en el sello ‎‎Hi Records‎‎.  Pronto comenzó a escribir y cantar éxitos para el sello, co-escribiendo con el compositor y vocalista ‎‎interno Don Bryant‎‎, con quien más tarde se casó en 1974. Ann Peebles ha sido sampleada por muchos artistas ‎‎de Hip-Hop‎‎, incluyendo ‎‎RZA‎‎, ‎‎Wu-Tang Clan‎‎ y ‎‎Missy Elliott‎‎.‎ Old Man With Young Ideas3:03 Bip Bam Thank You Mam3:10 The Handwriting Is On The Wall3:18 I Didn't Take Your Man4:03 You've Got The Papers (I've Got The Man)2:53 Lookin' For A Lovin'3:00 You're What I Need (But More Than I Can Stand)3:03 Livin' In, Lovin' Out2:50 If I Can't See You4:00 Let Your Love Light Shine3:50

The tallest man on Earth ' Sometimes the blues is just a pressing bird' LP ¡NUEVO! The tallest man on Earth ' Sometimes the blues is just a pressing bird' LP ¡NUEVO! It marks one of Kristian Matsson's first incorporations of electric guitar sound, on "The Dreamer". "Like the Wheel" appears as a bonus track on his 2010 album The Wild Hunt, rewritten to include nothing but piano and vocals.

The story of Cinderella, who is treated poorly by her wicked stepmother and stepsisters, but is helped by her fairy godmother to attend the royal ball and eventually marry the handsome prince.. Golden Book. España. Año 2012. 1ª edición

One of a graded series of retold versions of popular classic and contemporary titles and specially written stories, Call of the Wild is the story of Buck, who starts life as a domestic dog but is suddenly stolen and his natural wild dog's instincts are awakened.. Macmillan Heinemann ELT. UK. Año 2011.

Greg Heffley has always been in a hurry to grow up. But is getting older really all it’s cracked up to be? Greg suddenly finds himself dealing with the pressures of boy-girl parties, increased responsibilities, and even the awkward changes that come with getting older—all without his best friend, Rowley, at his side.. Puffin Books. UK. Año 2011.

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

NICK LOWE: LABOUR OF LUST [ESP 1979] LP NICK LOWE: LABOUR OF LUST [ESP 1979] LP Nick Lowe   "Labour Of Lust"  LP (Radar)  1979  made in Spain cat. num.  S 90.150 #rock  #pop rock   Cruel To Be Kind   Cracking Up   Big Kick, Plain Scrap!   Born Fighter   You Make Me   Skin Deep   Switchboard Susan   Endless Grey Ribbon   Without Love   Dose Of You   Love So Fine   Jesus of Cool  was a jukebox, spinning out a series of perfectly crafted -- and decidedly quirky and subversive -- pop singles. In contrast,  Nick Lowe 's second album,  Labour of Lust, is the work of a bar band, in this case  Rockpile, playing the hell out of the same type of songs. Naturally, the result is a more coherent sound that may be a little less freewheelingly eclectic, but it is no less brilliant. Recorded simultaneously with  Dave Edmunds '  Repeat When Necessary,  Labour of Lust  benefits from the muscular support of  Rockpile, who make  Lowe 's songs crackle with vitality. Working primarily in the roots rock vein of  Brinsley Schwarz  but energizing his traditionalist tendencies with strong pop melodies, a sense of humor, and an edgy new wave sensibility,  Lowe  comes up with one of his best sets of songs. Not only is his only hit, the propulsively hook-laden "Cruel to Be Kind," here, but so are the rampaging outsider anthem "Born Fighter," the tongue-in-cheek,  Chuck Berry -style "Love So Fine," the wonderful pure pop of "Dose of You," the haunting "Endless Grey Ribbon," the druggy "Big Kick, Plain Scrap!," and the terrific "Cracking Up," as well as his definitive version of  Mickey Jupp 's "Switchboard Susan." It's an exceptional collection of inventive pop songs, delivered with vigor and energy, making it one of the great records of the new wave.  

David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) A new large work for orchestra, choir, and soloists, David Chesky is able to capture the immeasurable difficulty that each of us have gone through this past year in his distinct compositional voice. This new album by David Chesky is a sincere statement of worries the composer feels necessary to share with the world, in which all of us live and die. Its monumental form allows us to reflect on many tragic events (such as the latest disaster of COVID-19). By entering our lives, it unavoidably demands us to define our beliefs. Chesky’s music not only concerns our preferences in aesthetics, but also demands political awareness from us (while being far away from political activism). We are confronted by phenomena we do not understand, but ultimately determine our choices - what really has, had, and still will have meaning in our lives. We have to learn separate the “important” and “unimportant” things and events. No one is obligated to go to the “barricade,” but we are simply obligated to recognize injustice in all forms and name it personally (even in silence) instead of accepting terror as something “common” and “far away from us.” Politicians, social media, opinions, commercial accusations - all of these should be seen as instruments of “terror.” If we want to remain humans with hearts and souls, we will find ourselves in tune with David Chesky’s sounds, which speak to us and awake our empathy. -Gidon Kremer (December 2020) Envíos CD Envío Ordinario: 1,5€ (envío sin caja de plástico y con responsabilidad a cargo del comprador) Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€.  

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

Gliese Science Fiction Book, Sci-Fi, Post-Apocalyptic, Horror and Fantasy Gliese Format: Amazon eBook Kindle Exclusive Sales only: Amazon Serviços de Varejo do Brasil Ltda Make difficulties your motivations... Learn to deal with them without thinking about giving up. Let yourself be carried away by the world of reading, tales and fantasies with the Gliese Science Fiction book. Gliese is the first book in an indispensable trilogy for science fiction fans. In the first book of the series, four astronauts fight for their lives when they encounter strange multidimensional creatures. John is the distant and pragmatic space engineer. Sheila is the astrophysicist, seductive and perceptive. Kayne is the dedicated but inconsistent genetic engineer. And Hipátia is the astrobiologist who seeks to prove that she is still the best scientist of her time. In this new habitat, two species compete for the same territory, but only one can win... What are you waiting for? Click Now!: Science Fiction, Horror and Fantasy book: https://www.amazon.com/Gliese-distant-exoplanet-species-territory-ebook/dp/B08JM4J62C/ref=sr_1_13?dchild=1&keywords=gliese&qid=1607031324&sr=8-13

THE MOVE ST 1st France Press LP Stateside 1968 Roy Wood SSSX 340685 ARCHIVE MINT THE MOVE ST 1st France Press LP Stateside 1968 Roy Wood SSSX 340685 ARCHIVE MINT THE MOVE France Stateside 1968 1st pressing, Stereo, SSSX 340685.  Ultra rare in this condition, Looks Unplayed Archive Copy.  Pressed on 150 grams  Released in a laminated ''flipback'' cover with versindex. The pcitures you see are real photos of the item   MATRIX INFORMATION: Side 1: SSSX 685 A21 M6 259123 Side 2: SSSX 685 B21 M6 259124   CONDITION: COVER: NEAR MINT-.  Slight Wear SPINE: MINT. Fully readable in Perfect Condition. RECORD: MINT.   Pre ssed on 150 grams.  Vinyl shining like NEW. Under Strong Light no signs of use. PLAYBACK: MINT.  The sounds quality is superb -  nice rich stereo LABELS: MINT.  Perfect Labels. No visible spindle marks   The Move ‎– Move Label: Stateside ‎– SSSX 340685 Format: Vinyl, LP, Album, Stereo  Country: France Released: 1968 Genre: Rock Style: Pop Rock, Psychedelic Rock   Tracklist A1 Yellow Rainbow A2 Kilroy Was Here A3 (Here We Go Round) The Lemon Tree A4 Weekend A5 Walk Upon The Water A6 Flowers In The Rain A7 Hey Grandma B1 Useless Information B2 Zing Went The Strings Of My Heart B3 The Girl Outside B4 Fire Brigade B5 Mist On A Monday Morning B6 Cherry Blossom Clinic   Credits Distributed By – Pathé Marconi Design – The Fool Photography By – Bobby Davidson (2) Producer – Denny Cordell Strings, Woodwind, Brass – Tony Visconti Written-By – Don Stevenson (tracks: A7), Jerry Miller (tracks: A7), Roy Wood (tracks: A1 to A6, B1 to B6)   GRADING GUIDE: We treat grading very seriously and use the UK Record Collector grading scale with the addition of a (+) or (–) to denote a slight increase or decrease in condition.    MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklets etc are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.   NEAR MINT: Very close to Mint with only the slightest signs of play and the very lightest paper chaffing only to the surfaces of the record. The cover shows only the very slightest wear   EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.   VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.   POSTAGE & PAYMENTS  Payment: Only Paypal is accepted.  Payment must be received within 5 days of the auction ends.   Shipping & packaging: We dispatch all items within 4 working days by UPS/TNT. We will send you the Tracking Number that you will be able to use to track the progress of your order. We take great care packaging every item to ensure safe shipment to you.    Approximate Delivery Times: Europe: 4-8 working days. USA, Canada & Rest Of The World: 5-10 working days.   Please don't hesitate to ask any questions you may have.

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

The three stories in this book are about ordinary people, people like you and me; but they find themselves in surprising situations.Lord Arthur Savile, a rich man with no enemies, finds out that he must do something terrible before he can marry. Poor young Hughie Erskine gives money to an old beggar - but the beggar is not what he seems. And Lord Murchison falls in love with a mystery woman - but what is the strange secret behind the door in Cumnor Street?. Oxford University Press.. Año 2003.

"I've lost my mum!". Where is Monkey's mummy? It's not too much fun being lost in the jungle, and little monkey wants his mum. A kindly butterfly is keen to help, but they don't seem to be having much luck but they don't seem to be having much luck and keep finding the wrong animals! But eventually, they find.... Pan Macmillan. Barcelona. Año 2017.

Allegra is an unusual name. It means 'happy' in Italian, but the little girl in this story is sometimes very sad. She is only five years old, but she tells Adrian, her new friend, that she is going to die soon. How does she know?. OUP Oxford. Oxford. Año 2007. 1ª edición

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

Horror fiction. The supernatural community in Bon Temps, Louisiana is reeling from two hard blows: the natural disaster of Hurricane Katrina and the manmade horror of the explosion at the vampire summit in the up north city of Rhodes. Sookie Stackhouse is safe but dazed and she's yearning for things to get back to normal. But that's just not happening. Too many vampires, some friends, some not, were killed or injured and her were-tiger boyfriend Quinn is among the missing. It's clear that things are changing, whether the weres and vamps like it or not. And Sookie, Friend to the Pack, blood-bon

ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE (Beat Goes On)  1991  made in UK cat. num.  BGOCD41 #rock  #blues rock   1 Sail On 7:42 2 Sun's A-Risin' 4:45 3 Raindrops 2:40 4 Boom-Ba-Boom 1:20 5 Somebody Listen 6:10 6 Cross The River 4:43 7 St. James Infirmary 5:15 8 Huna Buna 2:26 9 Hard Chargin' Woman 8:40   This late-'60s Denver group is most notable as the starting point for guitarist  Tommy Bolin, who was still in his teens when they recorded their first album in 1969. A rather routine slab of bluesy, heavy rock, it made the Top 50. Aside from  Bolin 's extended hard rock riffing, it prominently featured the lead vocals of  Candy Givens, who affected a blues-wailing pose along the lines of  Janis Joplin. But she didn't have the full throat or guts to back it up, ending up closer to also-ran female psychedelic singers like  Lydia Pense  (of  Cold Blood).  Zephyr  recorded one more album before  Bolin  left for stints with  James Gang,  Deep Purple, and a solo career; the group carried on throughout the 1970s. The band's debut finds  Bolin  already developed as a skilled player, but his playing, and the largely group-penned material, lack strength or subtlety. The most distinctive trait of the band at this point, in fact, is the somewhat histrionic singing of lead vocalist  Candy Givens.

The murder of a media moghul in his country mansion appears to be the result of him disturbing a gang of would-be thieves. The robbers are swiftly caught, but when they are unexpectedly moved to a different prison they escape. Back in Edinburgh, a young solicitor reveals to the press that one of the subjects had left a letter with her some time before the break-in which proves his innocence. Jack Parlabane, journo-extraordinaire, is intrigued, but when he approaches the lawyer he discovers someone else is trying to get near her - someone with evil intent, political connections of the highest o

Winter, 1975: Afghanistan a country hidden in the corner of Asia, ruled over by a fading monarchy on the verge of an internal coup. But in Kabul, twelve-year-old Amir has his own concerns. He is desperate to win the annual kite-fighting tournament to prove to his father that he has the makings of a man. Amir’s friend Hassan is a low-caste Muslim and the son of a crippled servant but nevertheless the two boys play together and defend each other against the neighbourhood’s bullies. Howeve.... Bloomsbury.. Año 2004.

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

- LOS CINCO LATINOS - LA MÁQUINA TRAGAMONEDAS+3 - FONTANA ESPAÑA 1959 - DISCO VERDE. RARO - LOS CINCO LATINOS - LA MÁQUINA TRAGAMONEDAS+3 - FONTANA ESPAÑA 1959 - DISCO VERDE. RARO LOS CINCO LATINOS  - LA MÁQUINA TRAGAMONEDAS  - CANTA... CANTA - TI - PI - TIN - CONCIERTO DE OTOÑO FONTANA ESPAÑA 1959 DISCO VERDE SEMITRANSPARENTE RARO ESTADO DEL DISCO: DISCO: VG  , CUBIERTA: VG  ANTE CUALQUIER DUDA, RESPONDERÉ GUSTOSAMENTE          *SE COMBINAN GASTOS DE ENVIO, POR LA COMPRA DE VARIOS ARTÍCULOS* POR FAVOR LEE DETENIDAMENTE EL ANUNCIO Y PUJA Ó COMPRA SOLAMENTE SI ESTAS INTERESADO POR EL ARTICULO Y VAS A LLEGAR HASTA EL FINAL DE LA TRANSACIÓN. NO SE ACEPTA EL PAGO CONTRAREEMBOLSO. GASTOS DE ENVÍ O, SE BUSCARÁ LA OPCIÓN MÁS ECONÓMICA (consultar) -- PARA CONSULTAR SIGNIFICADO DE LAS LETRAS DEL ESTADO --- MINT (M): Vinilo y portada están nuevos, sin usar y en perfecto estado. NEAR MINT (NM): Como nuevo, en muy buenas condiciones, casi perfecto. EXCELLENT (EX): Está usado, pero no hay prácticamente marcas superficiales en el vinilo, ni rozaduras ni desgastes en la portada. VERY GOOD (VG): Vinilo bastante usado, pero el estado es bueno. Algunas marcas superficiales en el vinilo y en la portada puede haber roces, restos de etiquetas adhesivas, algunas señales o alguna mancha. GOOD (G): Muy usado y con bastantes marcas superficiales en el vinilo, que no suelen afectar al sonido. En la portada suele haber roces, restos de etiquetas adhesivas, marcas ó algunas manchas.   MINT (M):   The record and the sleeve are new, and in perfect conditions. Sealed or unplayed. NEAR MINT (NM): The record and the sleeve as new, are almost in perfect conditions. EXCELLENT (EX): The record shows some signs of having been played. The lessening there is very little in the sound quality. The sleeve might have slight wear. VERY GOOD (VG): Vinyl widely used, but the state is good. Some marks on the vinyl surface. In the cover may have remains of stickers, signs or stain. Displays no major deterioration in sound quality. Surface marks and is posible light scratch. GOOD (G): The record has been very used and, the sound quality is so much deteriorated, perhaps with some distortion and mild scratches. In the cover have remains of stickers, signs or stains and may have discoloured.

- NENA - (FRAGEZEICHEN) - CBS GERMANY 1984 - NENA - (FRAGEZEICHEN) - CBS GERMANY 1984  NENA ? (FRAGEZEICHEN) CBS GERMANY 1984 ESTADO DEL DISCO: DISCO: EX  , CUBIERTA: VG  ANTE CUALQUIER DUDA, RESPONDERÉ GUSTOSAMENTE          *SE COMBINAN GASTOS DE ENVIO, POR LA COMPRA DE VARIOS ARTÍCULOS* POR FAVOR LEE DETENIDAMENTE EL ANUNCIO Y PUJA Ó COMPRA SOLAMENTE SI ESTAS INTERESADO POR EL ARTICULO Y VAS A LLEGAR HASTA EL FINAL DE LA TRANSACIÓN. NO SE ACEPTA EL PAGO CONTRAREEMBOLSO. GASTOS DE ENVÍO: SE BUSCARÁ LA OPCIÓN MÁS ECONÓMICA  (consultar) --- PARA CONSULTAR SIGNIFICADO DE LAS LETRAS DEL ESTADO --- MINT (M): Vinilo y portada están nuevos, sin usar y en perfecto estado. NEAR MINT (NM): Como nuevo, en muy buenas condiciones, casi perfecto. EXCELLENT (EX): Está usado, pero no hay prácticamente marcas superficiales en el vinilo, ni rozaduras ni desgastes en la portada. VERY GOOD (VG): Vinilo bastante usado, pero el estado es bueno. Algunas marcas superficiales en el vinilo y en la portada puede haber roces, restos de etiquetas adhesivas, algunas señales o alguna mancha. GOOD (G): Muy usado y con bastantes marcas superficiales en el vinilo, que no suelen afectar al sonido. En la portada suele haber roces, restos de etiquetas adhesivas, marcas ó algunas manchas.  MINT (M):  The record and the sleeve are new, and in perfect conditions. Sealed or unplayed. NEAR MINT (NM): The record and the sleeve as new, are almost in perfect conditions. EXCELLENT (EX): The record shows some signs of having been played. The lessening there is very little in the sound quality. The sleeve might have slight wear. VERY GOOD (VG): Vinyl widely used, but the state is good. Some marks on the vinyl surface. In the cover may have remains of stickers, signs or stain. Displays no major deterioration in sound quality. Surface marks and is posible light scratch. GOOD (G):The record has been very used and, the sound quality is so much deteriorated, perhaps with some distortion and mild scratches. In the cover have remains of stickers, signs or stains and may have discoloured.

- NICK KAMEN - MOVE UNTIL WE FLY - WEA UKA: WX 338, 1990 - NICK KAMEN - MOVE UNTIL WE FLY - WEA UKA: WX 338, 1990 NICK KAMEN MOVE UNTIL WE FLY LETRAS DE CANCIONES EN FUNDA INTERIOR UKA: WX 338 A WARNER ALEMANIA 1990 ESTADO DEL DISCO: VG, CUBIERTA:EX ANTE CUALQUIER DUDA, RESPONDERÉ GUSTOSAMENTE *SE COMBINAN GASTOS DE ENVIO, POR LA COMPRA DE VARIOS ARTÍCULOS* POR FAVOR LEE DETENIDAMENTE EL ANUNCIO Y PUJA Ó COMPRA SOLAMENTE SI ESTAS INTERESADO POR EL ARTICULO Y VAS A LLEGAR HASTA EL FINAL DE LA TRANSACIÓN. NO SE ACEPTA EL PAGO CONTRAREEMBOLSO. GASTOS DE ENVÍO: SE BUSCARÁ LA OPCIÓN MÁS ECONÓMICA  (consultar) ---PARA CONSULTAR SIGNIFICADO DE LAS LETRAS DEL ESTADO---. MINT (M): Vinilo y portada están nuevos, sin usar y en perfecto estado. NEAR MINT (NM): Como nuevo, en muy buenas condiciones, casi perfecto. EXCELLENT (EX): Está usado, pero no hay prácticamente marcas superficiales en el vinilo, ni rozaduras ni desgastes en la portada. VERY GOOD (VG): Vinilo bastante usado, pero el estado es bueno. Algunas marcas superficiales en el vinilo y en la portada puede haber roces, restos de etiquetas adhesivas, algunas señales o alguna mancha. GOOD (G): Muy usado y con bastantes marcas superficiales en el vinilo, que no suelen afectar al sonido. En la portada suele haber roces, restos de etiquetas adhesivas, marcas ó algunas manchas. MINT (M): The record and the sleeve are new, and in perfect conditions. Sealed or unplayed. NEAR MINT (NM): The record and the sleeve as new, are almost in perfect conditions. EXCELLENT (EX): The record shows some signs of having been played. The lessening there is very little in the sound quality. The sleeve might have slight wear. VERY GOOD (VG): Vinyl widely used, but the state is good. Some marks on the vinyl surface. In the cover may have remains of stickers, signs or stain. Displays no major deterioration in sound quality. Surface marks and is posible light scratch. GOOD (G): The record has been very used and, the sound quality is so much deteriorated, perhaps with some distortion and mild scratches. In the cover have remains of stickers, signs or stains and may have discoloured.

- WEST SIDE STORY - NATALIE WOOD - CBS APS 60.001 - WEST SIDE STORY - NATALIE WOOD - CBS APS 60.001 WEST SIDE STORY NATALIE WOOD, RICHARD BEYMER, RUSS TAMBLYN, RITA MORENO, GEORGE CHAKIRIS DIRECTOR: ROBERT WISE y JEROME ROBBINS GRABADO EN LOS ESTADOS UNIDOS POR COLUMBIA RECORDS CBS APS 60.001 ESTADO DEL DISCO: DISCO: DISCO EX, CUBIERTA VG ANTE CUALQUIER DUDA, RESPONDERÉ GUSTOSAMENTE *SE COMBINAN GASTOS DE ENVIO, POR LA COMPRA DE VARIOS ARTÍCULOS* POR FAVOR LEE DETENIDAMENTE EL ANUNCIO Y PUJA Ó COMPRA SOLAMENTE SI ESTAS INTERESADO POR EL ARTICULO Y VAS A LLEGAR HASTA EL FINAL DE LA TRANSACIÓN. NO SE ACEPTA EL PAGO CONTRAREEMBOLSO. GASTOS DE ENVÍ O, SE BUSCARÁ LA OPCIÓN MÁS ECONÓMICA (consultar) PARA CONSULTAR SIGNIFICADO DE LAS LETRAS DEL ESTADO. MINT (M): Vinilo y portada están nuevos, sin usar y en perfecto estado. NEAR MINT (NM): Como nuevo, en muy buenas condiciones, casi perfecto. EXCELLENT (EX): Está usado, pero no hay prácticamente marcas superficiales en el vinilo, ni rozaduras ni desgastes en la portada. VERY GOOD (VG): Vinilo bastante usado, pero el estado es bueno. Algunas marcas superficiales en el vinilo y en la portada puede haber roces, restos de etiquetas adhesivas, algunas señales o alguna mancha. GOOD (G): Muy usado y con bastantes marcas superficiales en el vinilo, que no suelen afectar al sonido. En la portada suele haber roces, restos de etiquetas adhesivas, marcas ó algunas manchas. MINT (M): The record and the sleeve are new, and in perfect conditions. Sealed or unplayed. NEAR MINT (NM): The record and the sleeve as new, are almost in perfect conditions. EXCELLENT (EX): The record shows some signs of having been played. The lessening there is very little in the sound quality. The sleeve might have slight wear. VERY GOOD (VG): Vinyl widely used, but the state is good. Some marks on the vinyl surface. In the cover may have remains of stickers, signs or stain. Displays no major deterioration in sound quality. Surface marks and is posible light scratch. GOOD (G): The record has been very used and, the sound quality is so much deteriorated, perhaps with some distortion and mild scratches. In the cover have remains of stickers, signs or stains and may have discoloured.

- JOTAS DE CONJUNTO - AGRUPACIÓN DE COROS Y DANZAS DE ZARAGOZA- JOTA DE ALCAÑIZ + 3 - BELTER 1960 - JOTAS DE CONJUNTO - AGRUPACIÓN DE COROS Y DANZAS DE ZARAGOZA- JOTA DE ALCAÑIZ + 3 - BELTER 1960  JOTAS DE CONJUNTO AGRUPACIÓN DE COROS Y DANZAS DE ZARAGOZA - JOTA DE ALCAÑIZ - BOLERO DE CASPE - ARAGON TIERRA BRAVIA - SEGUIDILLAS DE LECIÑENA BELTER 1960 ESTADO DEL DISCO: DISCO: EX  , CUBIERTA: EX  ANTE CUALQUIER DUDA, RESPONDERÉ GUSTOSAMENTE          *SE COMBINAN GASTOS DE ENVIO, POR LA COMPRA DE VARIOS ARTÍCULOS* POR FAVOR LEE DETENIDAMENTE EL ANUNCIO Y PUJA Ó COMPRA SOLAMENTE SI ESTAS INTERESADO POR EL ARTICULO Y VAS A LLEGAR HASTA EL FINAL DE LA TRANSACIÓN. NO SE ACEPTA EL PAGO CONTRAREEMBOLSO. GASTOS DE ENVÍ O, SE BUSCARÁ LA OPCIÓN MÁS ECONÓMICA (consultar) --- PARA CONSULTAR SIGNIFICADO DE LAS LETRAS DEL ESTADO --- MINT (M): Vinilo y portada están nuevos, sin usar y en perfecto estado. NEAR MINT (NM): Como nuevo, en muy buenas condiciones, casi perfecto. EXCELLENT (EX): Está usado, pero no hay prácticamente marcas superficiales en el vinilo, ni rozaduras ni desgastes en la portada. VERY GOOD (VG): Vinilo bastante usado, pero el estado es bueno. Algunas marcas superficiales en el vinilo y en la portada puede haber roces, restos de etiquetas adhesivas, algunas señales o alguna mancha. GOOD (G): Muy usado y con bastantes marcas superficiales en el vinilo, que no suelen afectar al sonido. En la portada suele haber roces, restos de etiquetas adhesivas, marcas ó algunas manchas.  MINT (M):  The record and the sleeve are new, and in perfect conditions. Sealed or unplayed. NEAR MINT (NM): The record and the sleeve as new, are almost in perfect conditions. EXCELLENT (EX): The record shows some signs of having been played. The lessening there is very little in the sound quality. The sleeve might have slight wear. VERY GOOD (VG): Vinyl widely used, but the state is good. Some marks on the vinyl surface. In the cover may have remains of stickers, signs or stain. Displays no major deterioration in sound quality. Surface marks and is posible light scratch. GOOD (G):The record has been very used and, the sound quality is so much deteriorated, perhaps with some distortion and mild scratches. In the cover have remains of stickers, signs or stains and may have discoloured.