But who

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Sam Sylvester is a teacher who wants his class to have ambition, and to do great things in life. So he enters them for a sporting competition against the rich students of Greycoats School. The team that he has chosen for the competition think Sam has gone crazy. 'Who, Sir? Me, Sir?' says little Hoomey, his eyes round with horror. 'We'll never beat Greycoats,' the others cry. 'Never in a million years!' But you don't know what you can do - until you try.... OUP Oxford. UK. Año 2008.

Crestfallen, dejected, and spiralling into an alcohol-fuelled depression after killing a man in the line of duty, Inspector Kurt Wallander has made his mind up to quit the force for good. But when an old acquaintance seeks Kurt's help to solve his father's suspicious death, he is soon back on the case.. Vintage.. Año 2006.

HANDEL,S MESSIAH - A SOULFUL CELEBRATION - REPRISE RECORDS - WARNER - 1992 HANDEL,S MESSIAH - A SOULFUL CELEBRATION - REPRISE RECORDS - WARNER - 1992 Personnel includes: Mike E. (rap vocals, guitar); Tom Hemby, Paul Jackson, Jr. (guitar); Mark Douthit (saxophone); Dwayne Adell (piano); Greg Philinganes, George Duke (keyboards); Cedric Dent (keyboards, programming, background vocals); Ben Tankard, Joe Hogue (keyboards, programming); Mervyn Warren (piano, keyboards, drums, programming, background vocals); Victor Caldwell, Jackie Street (bass); James Blair, Ricky Lawson (drums); Donna McElroy, Bob Bailey, Vicki Hampton, Chris Willis (background vocals). Producers include: Mervyn Warren, George Duke, David Pack, Take 6, Gary D. Hines. Engineers include: Tony Sheppard, Erik Zobler, Barry Rudolph. Personnel: Jamecia Bennett (vocals, soprano); Core Cotton, Carrie Harrington (vocals, alto); Terrence Frierson, Patricia Lacy, Kimberly Brown (vocals, tenor, tenor saxophone); James F. Wright (vocals, baritone); David B. Young, Michael L. Bowens (vocals, bass voice); Mervyn Warren (vocals, piano, keyboards, drums, programming, drum programming, background vocals); Richard Smallwood (vocals, keyboards, programming); Donna McElroy, Howard Hewett, Angela Wright, Patti Austin, Take 6, Vicki Hampton, Chris Willis, Kim Fleming, Bob Bailey (vocals, background vocals); Commissioned, Daryl Coley, Jackie Ruffin, Dianne Reeves, Melvin Warren, Dennis Sawyers, Caroline Evans, Carolene Evans, Janice Chandler Eteme, David Young, Pat Lacu, Michael Weeks, David Young, Darlene Simmons, Al Jarreau, Michelle Weeks, The Richard Smallwood Singers, Stevie Wonder, Tevin Campbell, The Boys Choir of Harlem, The Clark Sisters, Tramaine Hawkins (vocals); Mike-E (rap vocals, guitar); Leaders of the New School (rap vocals); Jayne Bell, Jayn Bell Porter, Angela Henderson, Cherly Reeves, Sandra Harris, Dorothy Brown, Manecia Bennett, Renee McCall, Elizabeth J. Turner, Wanda Lewis, Ann Nesby (soprano); Jennifer Whitlock (alto, brass); Dorothy J. Townes, Shirley Marie Graham, Beverly Mahto, Alecia Russell, Dorothy Shelby, Valerie Johnson (alto); Robert Edwards, Russell Knighton (tenor, tenor saxophone); Bill Airey Smith, Dr. Robert Jones, Bill Smith, Craig Taylor, Craig "Niteman" Taylor (tenor); Trenon Graham, Billy Steele (baritone); Freddie Winston, Rev. Joseph Young, Jr. (bass voice); Paul Jackson, Jr., Tom Hemby (guitar); Daniel Kobialka (violin); Kirk Whalum, Mark Douthit (saxophone, brass); Bob Mintzer (saxophone); Eberhard Ramm, Leslie Norton (French horn); Dennis Good, Chuck Findley, George Bohannon, Dan Higgins, Gary Grant, George Bohanon, Gerald Albright, Jerry Hey, Larry Williams, Kim Hutchcroft, Larry Hall, Robert Green, Sam Levine, Chris McDonald, Tom "Bones" Malone, Jeff Bailey, Charles Loper, Denis Solee, George Tidwell, Lew McCreary, William Frank "Bill" Reichenbach Jr., Michael Haynes (brass); Michael O. Jackson (piano, organ, keyboards, drum programming); Dwayne Adell (piano); Fred Vaughn (organ); Charles Mims, Jr. (keyboards, synthesizer); Greg Phillinganes (keyboards, bass synthesizer, percussion, background vocals); Robert Sadin (keyboards, keyboard bass, programming, drum programming); Fred Hammond (keyboards, keyboard bass, drum programming); William Kennedy (keyboards, drums); David Pack (keyboards, percussion, background vocals); Mark Kibble (keyboards, programming, background vocals); Joe Hogue, Ben Tankard, Bryant Pugh, Cedric Dent (keyboards, programming); Eddie Howard, Jr., Timothy Carpenter, George Duke, Russell Ferrante (keyboards); Steve Croes (Synclavier); Chuck Tilley, James Blair, Ricky Lawson (drums); Eric Darken (tambourine); Elmore Brantly, Terry McMillan, Rock Deadrick, Mustafa Abdul-Aleem (percussion); Dave Darlington, Jeffrey K. Dovner (programming); Mark Hammons, Mark Hammond (drum programming); Jim Gilstrap, Phil Perry, Roy Galloway, Sounds of Blackness, Raymond Davis, Gayle Mayes (background vocals). Audio Mixers: Chris Flam; David Pack; Erik Zobler; Lisa Keller; Jess Sutcliffe; John Jaszcz; Mike McCarthy; Mick Guzauski; Ray Bardani; Steve Hodge; Axel Niehaus; Track listing #    Title    Length    Arranger(s)    Producer(s)    Performer(s) 1    "Overture: A Partial History of Black Music"    5:13    Mervyn Warren, Shelton Kilby, Dwayne Adell, Cedric Dent, Joe Hogue    Mervyn Warren    Mervyn Warren, Janice Chandler Eteme, Dwayne Adell, Cedric Dent, Joe Hogue 2    "Comfort Ye My People"    5:44    Mervyn Warren and Michael O. Jackson    Mervyn Warren    Vanessa Bell Armstrong and Daryl Coley 3    "Every Valley Shall Be Exalted"    3:42    Mervyn Warren and Mark Kibble    Mervyn Warren    Lizz Lee and Chris Willis (with Mike E.) 4    "And the Glory of the Lord"    3:57    Charles Mims    George Duke    Dianne Reeves 5    "But Who May Abide the Day of His Coming"    6:38    David Pack, Greg Phillinganes and Patti Austin    David Pack and Patti Austin    Patti Austin 6    "And He Shall Purify"    4:36    Michael O. Jackson and Mervyn Warren    Mervyn Warren    Tramaine Hawkins 7    "Behold, A Virgin Shall Conceive"    3:56    George Duke    George Duke    Howard Hewett 8    "O Thou That Tellest Good Tidings to Zion"    3:52    Cedric Dent    Take 6    Stevie Wonder and Take 6 9    "For Unto Us a Child is Born"    3:53    Gary Hines    Gary Hines    Sounds of Blackness 10    "Glory to God"    4:51    Robert Sadin    Robert Sadin    The Boys Choir of Harlem and Leaders of the New School 11    "Rejoice Greatly, O Daughter of Zion"    5:07    Richard Smallwood    Richard Smallwood    Richard Smallwood Singers 12    "Behold the Lamb of God"    4:32    The Yellowjackets    The Yellowjackets    The Yellowjackets 13    "Lift Up Your Heads, O Ye Gates"    5:12    Fred Hammond    Fred Hammond    Commissioned and The Clark Sisters 14    "Why Do the Nations So Furiously Rage?"    2:36    Mervyn Warren    Mervyn Warren    Al Jarreau 15    "I Know That My Redeemer Liveth"    6:00    Mervyn Warren and Michael O. Jackson    Mervyn Warren    Tevin Campbell 16    "Hallelujah!"    5:53    Mervyn Warren, Michael O. Jackson, and Mark Kibble    Mervyn Warren    Vanessa Bell Armstrong, Patti Austin, Bernie K., Daryl Coley (soloist), Commissioned, Andrae Crouch, Sandra Crouch, Clifton Davis, Charles S. Dutton, Kim Fields, Larnelle Harris, Edwin Hawkins, Tramaine Hawkins, Linda Hopkins, Al Jarreau, Quincy Jones (conductor), Chaka Khan, Gladys Knight, Lizz Lee, Dawnn Lewis, Babbie Mason, Johnny Mathis, Marilyn McCoo, Mike E., Stephanie Mills, Jeffrey Osborne, David Pack, Phylicia Rashad, Joe Sample, Richard Smallwood, Sounds of Blackness, Take 6, Darryl Tookes, Mervyn Warren, Thomas Whitfield, Vanessa Williams, Chris Willis

Who wants to live in a house, wear clean clothes, be good, and go to school every day? Not young Huckleberry Finn, that's for sure. So Huck runs away, and is soon floating down the great Mississippi River on a raft. With him is Jim, a black slave who is also running away. But life is not always easy for the two friends. And there's 300 dollars waiting for anyone who catches poor Jim.... OUP Oxford.. Año 2007. 1ª edición

Who but P.G. Wodehouse could have extraced high comedy from the most noble and ancient game of golf?. Everyman. London. Año 2002. 1ª edición

Who is Lord Ruthven? He fascinates the ladies, but terrible things happen after he helps them.. Burlington Books. UK. Año 2006. 1ª edición

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

Allegra is an unusual name. It means 'happy' in Italian, but the little girl in this story is sometimes very sad. She is only five years old, but she tells Adrian, her new friend, that she is going to die soon. How does she know ? And who is the other Allegra ? The girl in a long white nightdress, who has golden hair and big blue eyes. The girl who tomes only at night, and whose hands and face are cold, so cold.... Oxford University Press.. Año 2000. 1ª edición

ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE (Beat Goes On)  1991  made in UK cat. num.  BGOCD41 #rock  #blues rock   1 Sail On 7:42 2 Sun's A-Risin' 4:45 3 Raindrops 2:40 4 Boom-Ba-Boom 1:20 5 Somebody Listen 6:10 6 Cross The River 4:43 7 St. James Infirmary 5:15 8 Huna Buna 2:26 9 Hard Chargin' Woman 8:40   This late-'60s Denver group is most notable as the starting point for guitarist  Tommy Bolin, who was still in his teens when they recorded their first album in 1969. A rather routine slab of bluesy, heavy rock, it made the Top 50. Aside from  Bolin 's extended hard rock riffing, it prominently featured the lead vocals of  Candy Givens, who affected a blues-wailing pose along the lines of  Janis Joplin. But she didn't have the full throat or guts to back it up, ending up closer to also-ran female psychedelic singers like  Lydia Pense  (of  Cold Blood).  Zephyr  recorded one more album before  Bolin  left for stints with  James Gang,  Deep Purple, and a solo career; the group carried on throughout the 1970s. The band's debut finds  Bolin  already developed as a skilled player, but his playing, and the largely group-penned material, lack strength or subtlety. The most distinctive trait of the band at this point, in fact, is the somewhat histrionic singing of lead vocalist  Candy Givens.

NICK LOWE: LABOUR OF LUST [ESP 1979] LP NICK LOWE: LABOUR OF LUST [ESP 1979] LP Nick Lowe   "Labour Of Lust"  LP (Radar)  1979  made in Spain cat. num.  S 90.150 #rock  #pop rock   Cruel To Be Kind   Cracking Up   Big Kick, Plain Scrap!   Born Fighter   You Make Me   Skin Deep   Switchboard Susan   Endless Grey Ribbon   Without Love   Dose Of You   Love So Fine   Jesus of Cool  was a jukebox, spinning out a series of perfectly crafted -- and decidedly quirky and subversive -- pop singles. In contrast,  Nick Lowe 's second album,  Labour of Lust, is the work of a bar band, in this case  Rockpile, playing the hell out of the same type of songs. Naturally, the result is a more coherent sound that may be a little less freewheelingly eclectic, but it is no less brilliant. Recorded simultaneously with  Dave Edmunds '  Repeat When Necessary,  Labour of Lust  benefits from the muscular support of  Rockpile, who make  Lowe 's songs crackle with vitality. Working primarily in the roots rock vein of  Brinsley Schwarz  but energizing his traditionalist tendencies with strong pop melodies, a sense of humor, and an edgy new wave sensibility,  Lowe  comes up with one of his best sets of songs. Not only is his only hit, the propulsively hook-laden "Cruel to Be Kind," here, but so are the rampaging outsider anthem "Born Fighter," the tongue-in-cheek,  Chuck Berry -style "Love So Fine," the wonderful pure pop of "Dose of You," the haunting "Endless Grey Ribbon," the druggy "Big Kick, Plain Scrap!," and the terrific "Cracking Up," as well as his definitive version of  Mickey Jupp 's "Switchboard Susan." It's an exceptional collection of inventive pop songs, delivered with vigor and energy, making it one of the great records of the new wave.  

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.

Gliese Science Fiction Book, Sci-Fi, Post-Apocalyptic, Horror and Fantasy Gliese Format: Amazon eBook Kindle Exclusive Sales only: Amazon Serviços de Varejo do Brasil Ltda Make difficulties your motivations... Learn to deal with them without thinking about giving up. Let yourself be carried away by the world of reading, tales and fantasies with the Gliese Science Fiction book. Gliese is the first book in an indispensable trilogy for science fiction fans. In the first book of the series, four astronauts fight for their lives when they encounter strange multidimensional creatures. John is the distant and pragmatic space engineer. Sheila is the astrophysicist, seductive and perceptive. Kayne is the dedicated but inconsistent genetic engineer. And Hipátia is the astrobiologist who seeks to prove that she is still the best scientist of her time. In this new habitat, two species compete for the same territory, but only one can win... What are you waiting for? Click Now!: Science Fiction, Horror and Fantasy book: https://www.amazon.com/Gliese-distant-exoplanet-species-territory-ebook/dp/B08JM4J62C/ref=sr_1_13?dchild=1&keywords=gliese&qid=1607031324&sr=8-13

You are walking through the streets of London. It is getting dark and you want to get home quickly. You enter a narrow side-street. Everything is quiet, but as you pass the door of a large, windowless building, you hear a key turning in the lock. A man comes out and looks at you. You have never seen him before, but you realize immediately that he hates you. You are shocked to discover, also, that you hate him. Who is this man that everybody hates? And why is he coming out of the laboratory of the very respectable Dr Jekyll?. OUP Oxford.. Año 2007. 1ª edición

When Christmas comes for the four March girls, there is no money for expensive presents and they give away their Christmas breakfast to a poor family. But there are no happier girls in America than Meg, Jo, Beth, and Amy. They miss their father, of course, who is away at the Civil War, but they try hard to be good so that he will be proud of his 'little women' when he comes home. This heart-warming story of family life has been popular for more than a hundred years.. OUP Oxford.. Año 2007. 1ª edición

Isabel Dalhousie thinks often of friends, sometimes of lovers, and on occasion of chocolate. As an Edinburgh philosopher she is certain of where she stands. She can review a book called In Praise of Sin with panache and conviction, but real life is... well, perhaps a bit more challenging - particularly when it comes to her feelings for Jamie, a younger man who should have married her niece, Cat. Jamie's handsomeness leaves Isabel feeling distinctly uneasy, and ethically disturbed. 'I am a philosopher', she thinks, 'but I am also a woman'. And more disturbance is in store. When Cat takes a brea

KC & THE SUNSHINE BAND: PLEASE DON'T GO [EPIC - ESP 1979] 7” KC & THE SUNSHINE BAND: PLEASE DON'T GO [EPIC - ESP 1979] 7” KC & The Sunshine Band  "Pease Don't Go"  single 7" (Epic - TKR)  1979 made in Spain cat. num.  TKR 7558 #funk #disco   APlease Don't Go3:43BI Betcha Didn't Know That3:57   After burning up the pop and R&B charts in 1975, 1976, and 1977,  KC & the Sunshine Band  were disappointed when 1978's decent, if unremarkable,  Who Do Ya Love  failed to provide any major hits. But 1979 turned out to be a better year for the South Florida disco/funk/soul band, who returned to the top of the singles charts that year. Released in 1979,  Do You Wanna Go Party  boasts two major singles: the infectious title track song (a number eight R&B hit) and the ballad "Please Don't Go," which soared to number one on Billboard's pop singles chart.

Anyone who has been on the receiving end of a crime will know that all criminals are bad. But there are some evildoers who are in a whole different league. They are the world's worst criminals.. Capella.. Año 2012. 1ª edición

Murder: the unlawful, intentional killing of a human being - a terrible crime. But murder stories are always fascinating. Who did it? And how? Or why? And was it murder, or just an unfortunate accident? Who will triumph, the murderer or the detective?. OUP Oxford. UK. Año 1993. 1ª edición

Mr James Conway wants to make money. He wants to build new houses and shops - and he wants to build them on an old graveyard, on the island of Haiti. There is only one old man who still visits the graveyard; and Mr Conway is not afraid of one old man. But the old man has friends - friends in the graveyard, friends who lie dead, under the ground. And when Mr Conway starts to build his houses, he makes the terrible mistake of disturbing the sleep of the dead.. Oxford University Press. UK. Año 2000. 1ª edición

Connie Francis: Gold (2 CD) (Compilación) Connie Francis: Gold (2 CD) (Compilación) Polydor/Universal, 2005. CDs completos en su caja. Estado de los discos: como nuevos. El conjunto presenta el aspecto de haber sido recién desprecintado y escuchado una o muy pocas veces. Los discos no presentan el menor desperfecto bajo cualquier ángulo de luz. El libreto y la carátula están completos y su apariencia es impoluta. Gastos de envío: 2 €.  Si se adquieren cinco o más títulos, los gastos de envío corren a cargo del vendedor.  Consulta los demás artículos que tengo a la venta. Tracklist: 1-1. Who's Sorry Now.  1-2. I'm Sorry I Made You Cry.  1-3. Stupid Cupid.  1-4. Fallin'.  1-5. My Happiness.  1-6. If I Didn't Care.  1-7. Lipstick On Your Collar.  1-8. Frankie.  1-9. You're Gonna Miss Me.  1-10. Among My Souvenirs.  1-11. God Bless America.  1-12. Mama.  1-13. Teddy.  1-14. Everybody's Somebody's Fool.  1-15. Jealous Of You: Tango Della Gelosia.  1-16. My Heart Has A Mind Of Its Own.  1-17. Malaguena.  1-18. Many Tears Ago.  1-19. Where The Boys Are.  1-20. Breakin' In A Brand New Broken Heart.  1-21. Together.  1-22. He's My Dreamboat.  1-23. Hollywood.  1-24. When The Boy In Your Arms (Is The Boy In Your Heart).  1-25. Baby's First Christmas.  2-1. Don't Break The Heart That Loves You.  2-2. Second Hand Love.  2-3. Vacation.  2-4. I Was Such A Fool (To Fall In Love With You).  2-5. I'm Gonna Be Warm This Winter.  2-6. Al Di La.  2-7. Follow The Boys.  2-8. If My Pillow Could Talk.  2-9. Drownin' My Sorrows.  2-10. Your Other Love.  2-11. In The Summer Of His Years.  2-12. Blue Winter.  2-13. Be Anything (But Be Mine).  2-14. Looking For Love.  2-15. Don't Ever Leave Me.  2-16. Whose Heart Are You Breaking Tonight?.  2-17. For Mama: La Mamma.  2-18. Forget Domani.  2-19. Jealous Heart.  2-20. When The Boys Meet The Girls.  2-21. Spanish Nights And You.  2-22. Time Alone Will Tell: Non Pensare A Me.  2-23. Born Free.  2-24. The Wedding Cake.  2-25. Zingara: Gypsy

Eurovision Song Contest 2018 (2 CD) NUEVO PRECINTADO AMAIA ALFRED NETTA Eurovision Song Contest 2018 (2 CD) NUEVO PRECINTADO AMAIA ALFRED NETTA ENVÍO CERTIFICADO PENINSULA 3,8€ LISTA DE CANCIONES: Mall Qami We Got Love Nobody But You X My Heart A Matter Of Time Bones Forever Stones Fuego Lie To Me You Let Me Walk Alone Higher Ground Tu Canción La Forza Monsters Mercy Storm For You Oniro Mou Crazy Viszlát Nyár Together Our Choice TOY Non Mi Avete Fatto Niente When We're Old Funny Girl My Lucky Day Lost And Found Taboo Inje Outlaw In 'Em That's How You Write A Song Light Me Up O Jardim Goodbye I Won't Break Who We Are Nova Deca Hvala, ne! Dance You Off Under The Ladder

ARTHUR BROWN - CRAZY WORLD OF ARTHUR BROWN 1968, FIRE !! 1º LP !! RARO, EDIC ORG, VINILO IMPECABLE ! ARTHUR BROWN - CRAZY WORLD OF ARTHUR BROWN 1968, FIRE !! 1º LP !! RARO, EDIC ORG, VINILO IMPECABLE ! INCREIBLE ESDTADO PARA ESTA RARA 1ª EDIC ORG EDITADO POR EL SELLO POLYDOR RECORDS EN 1968 The Crazy World of Arthur Brown es el álbum debut homónimo de estudio de la banda de rock psicodélico inglés Crazy World of Arthur Brown. El álbum fue producido por el gerente de Who, Kit Lambert, con la producción asociada de Pete Townshend. El álbum fue lanzado en junio de 1968 en el sello Lambert's Track Records, El álbum fue lanzado en los Estados Unidos en septiembre. (Las primeras copias norteamericanas del álbum, aunque distribuidas por Atlantic, llevaban la impresión de Track Records; más tarde se publicaron las prensas en el sello de Atlantic). El álbum alcanzó el número 7 en la lista de álbumes Pop de Billboard, el número 2 en las listas del Reino Unido y el número 6 en Canadá. El primer sencillo del álbum, 'Fire', fue un éxito mundial, alcanzando el número 1 en el Reino Unido en agosto de 1968, el número 2 en el Billboard Hot 100 en Norteamérica en octubre de 1968, el número 1 en Canadá también en octubre, y No. 19 en Australia nuevamente en octubre. PRECIOSO 1º PRENSAJE CON LA GRUESA CARPETA LAMINADA EN INCREIBLE ESTADO, SIN DESGASTES, NI ROCES...TODOS LOS CANTOS PERFECTOS  EL VINILO EN ESTADO PARACTICAMENTE IMPECABLE.., NUESTRA MEJOR COPIA HASTA LA FECHA. todo un personaje..!!! su furiosa y misteriosa voz..(el fue el autor del clasico lp,Crazy World of Arthur Brown).. El mundo loco de Arthur Brown suena como si todas las figuras significativas de la psicodelia de finales de los sesenta se unieran para hacer el último álbum de psic-rock. Tiene el enfoque teatral de Alex Harvey, la entonación vocal y las inclinaciones de jazz de fusión de Frank Zappa, la aparente inestabilidad mental de Syd Barrett o Roky Erickson, el estilo poético críptico de Jim Morrison, y parece que está siendo respaldado por un conglomerado de Iron Butterfly o Deep Purple con Horny Horns de Fred Wesley. Tiene todas las excentricidades sinfónicas del sargento. Pepper's Lonely Hearts Club Band pero como un álbum conceptual de Satan and Hell. Necesariamente, el alma trastornada de Screamin 'Jay Hawkins aparece El sonido de este álbum es increíble, todo el órgano delirante, ritmos de batería jazzy y una gran cantidad de pequeños toques orquestales. La dramática actuación de Arthur Brown está constantemente salpicada de momentos en los que grita una frase o hace pronunciamientos aterradores, incluido el icónico 'YO SOY EL DIOS DEL INFIERNO Y TE TRAIGO...' Sin embargo, el 'Fuego' en sí es probablemente uno de los más moderados. canciones en el lado A, tan palpitante e insistente como es. Las otras canciones son mucho más estruendosas y desquiciadas. 'Ven y compra' en particular, con su introducción demoníaca 'Dios, hermano... mientes' está especialmente ahí afuera, con una sección de puente que suena inquietantemente como Zappa. Side one     "Prelude/Nightmare" (Arthur Brown) – 3:28     "Fanfare/Fire Poem" (Brown, Vincent Crane) – 1:51     "Fire" (Brown, Crane, Mike Finesilver, Peter Ker)[7] – 2:54     "Come and Buy" (Brown, Crane) – 5:40     "Time" (Brown) – 3:07     "Confusion" (Crane) – 2:08 Side two     "I Put a Spell on You" (Screamin' Jay Hawkins) – 3:41     "Spontaneous Apple Creation" (Brown, Crane) – 2:54     "Rest Cure" (Brown, Crane) – 2:44     "I've Got Money" (James Brown) – 3:09     "Child of My Kingdom" (Brown, Crane) – 7:01 (Original North American releases of the album contained a 6:25 edit of this track, but incorrectly list its length as 5:05; the UK mono edition contains a 6:04 edit)

Lana Del Rey – Chemtrails Over The Country Club -CD- Lana Del Rey – Chemtrails Over The Country Club -CD- Lana Del Rey  – Chemtrails Over The Country Club Label: Polydor  – 3549781,  Interscope Records  – 3549781 Format: CD, Album Country: Europe Released: Mar 19, 2021 Genre: Rock,  Pop,  Folk, World, & Country Style: Alternative Rock,  Indie Rock,  Indie Pop,  Folk Tracklist Hide Credits 1   White Dress 5:33 2   Chemtrails Over The Country Club 4:31 3   Tulsa Jesus Freak 3:35 4   Let Me Love You Like A Woman 3:20 5   Wild At Heart 4:06 6   Dark But Just A Game 3:55 7   Not All Who Wander Are Lost 4:07 8   Yosemite Drums, Percussion –  Aaron Sterling Mixed By –  Dean Reid,  Kieron Menzies Sounds –  Trevor Yasuda Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Producer, Acoustic Guitar, Keyboards, Mellotron, Bass –  Rick Nowels Drums, Percussion –  Aaron Sterling Mixed By –  Dean Reid,  Kieron Menzies Sounds –  Trevor Yasuda Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Producer, Acoustic Guitar, Keyboards, Mellotron, Bass –  Rick Nowels 5:04 9   Breaking Up Slowly Pedal Steel Guitar –  Mikey Freedom Hart Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Vocals [Additional] –  Nikki Lane Pedal Steel Guitar –  Mikey Freedom Hart Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Vocals [Additional] –  Nikki Lane 2:57 10   Dance Till We Die Accordion –  Evan Smith (2) Accordion –  Evan Smith (2) 4:03 11   For Free Piano, Guitar, Mellotron –  Mikey Freedom Hart Vocals [Additional] –  Weyes Blood,  Zella Day Written-By –  Joni Mitchell Piano, Guitar, Mellotron –  Mikey Freedom Hart Vocals [Additional] –  Weyes Blood,  Zella Day Written-By –  Joni Mitchell 4:11   Companies, etc. Record Company  –  Universal International Music B.V. Licensed To  –  Universal Music Operations Ltd. Phonographic Copyright ℗  –  Lana Del Rey Copyright ©  –  Lana Del Rey Published By  –  Sony/ATV Songs LLC Published By  –  Ducky Donath Music Published By  –  Sony / ATV Music Publishing Published By  –  Apricot Bonfire Music Published By  –  Crazy Crow Music Recorded At  –  Conway Studios Recorded At  –  The Green Building, Santa Monica Recorded At  –  Hampstead Studios, London Mastered At  –  Sterling Sound Glass Mastered at  –  Sony DADC  – A0103302074-0101 Credits Engineer, Mixed By  –  Laura Sisk Horns  –  Evan Smith (2)  (tracks: 2, 5, 10, 11) Mastered By  –  Chris Gehringer Strings  –  Daniel Heath *  (tracks: 2) Written-By, Composed By, Author, Producer, Piano, Guitar, Bass, Drums, Mixed By, Mellotron, Keyboards, Twelve-String Guitar, Synth, Percussion, Slide Guitar, Organ  –  Jack Antonoff Written-By, Composed By, Author, Producer, Vocals  –  Lana Del Rey Notes A limited amount of copies sold through Lana Del Rey's various online stores came with a signed art card. A Polydor Records release / An Interscope Records release in the USA. Rick Nowels published by Apricot Bonfire Music; Joni Mitchell by Crazy Crow Music. Track 4 recorded & mixed at Conway Recording, Los Angeles, CA-USA; track 8 recorded at The Green Building, LA and Hampstead Studios, London. ℗ & © 2021 Lana Del Rey, under exclusive licence to Universal Music Operations Limited Made in the EU Barcode and Other Identifiers Barcode (Scanned): 602435497815 Barcode (Printed): 6 02435 49781 5 Barcode (Stickered Signed Art Card): 0 602435 713373 Matrix / Runout (Variant 1): [Universal logo] 00602435497815 A0103302074-0101 24 A00 Mastering SID Code (Variant 1): IFPI L554 Mould SID Code (Variant 1): IFPI 944P Matrix / Runout (Variant 2): [Universal logo] 00602435497815 A0103302074-0101 24 A00 Mastering SID Code (Variant 2): IFPI L554 Mould SID Code (Variant 2): IFPI 94V6 Rights Society: BIEM/SDRM Rights Society: BMI Rights Society: ASCAP  

SYLVIE VARTAN: PAR AMOUR PAR PITIE [ESP 1967] 7' SYLVIE VARTAN: PAR AMOUR PAR PITIE [ESP 1967] 7' Sylvie Vartan   "Par Amour Par Pitie"   single 7" (RCA - Victor)  1967  made in Spain cat. num.  3-10218 #pop   1. par amour par pitie 2. I can't help myself   Sylvie Vartan  is an iconic, award-winning Bulgarian-French singer and actress whose signature singles "La Plus Belle Pour Aller Danser," "Si Je Chante," "Zoom Zoom Zoom," and "Irresistiblement" are considered not only classics of French pop, but also European classics. She established her stardom as a yé-yé idol who transformed herself into a superstar show-woman during the '70s. She is considered a French national treasure known simply as "Sylvie" and renowned for her elaborately staged concerts, sequined costumes, adventurous choreography, and no-nonsense professionalism.

ART GARFUNKEL: ANGEL CLARE [ESP 1984] LP/RE ART GARFUNKEL: ANGEL CLARE [ESP 1984] LP/RE Art Garfunkel   "Angel Clare"  LP (CBS)  1984  made in Spain cat. num.  S 32076 #folk rock  #soft rock  #simon&garfunkel   A1 Travelling Boy 5:00 A2 Down In The Willow Garden 4:03 A3 I Shall Sing 3:36 A4 Old Man 3:24 A5 Feuilles-Oh / Do Space Men Pass Dead Souls On Their Way To The Moon? 3:09 B1 All I Know 3:46 B2 Mary Was An Only Child 3:28 B3 Woyaya 3:18 B4 Barbara Allen 5:25 B5 Another Lullaby 3:32   Garfunkel  (he was billed without his first name here) had a lot riding on his debut solo album, and  Angel Clare, named after a character in  Thomas Hardy 's novel Tess of the d'Urbervilles, lived up to the heightened expectations for the man who had sung "Bridge Over Troubled Water" and other  Simon & Garfunkel  favorites.  Garfunkel  took no chances, issuing as the first single  Jimmy Webb 's "All I Know," which was arranged in a similar style to "Bridge" and made the Top Ten. Elsewhere on the record,  Garfunkel  took a more spirited approach, notably on a version of  Van Morrison 's "I Shall Sing" that was reminiscent of  Simon & Garfunkel 's "Cecilia" and made the Top 40. Certainly, there was enough firepower on the record, which featured guitarists  Jerry Garcia  and  J.J. Cale. But much of it was filled with stately, orchestra-laden ballads, sung by  Garfunkel  in his naïve, breathy tenor. If  Simon & Garfunkel  had been the thinking man's  Everly Brothers,  Garfunkel  alone turned out to be the thinking man's  Johnny Mathis.  

RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP Ray Charles  "Love & Peace"  LP (London)  1978  made in Spain cat. num.  TXS 3126 #soul  #funk  #r&b   You 20th Century Fox 2:45 Take Off That Dress 3:35 She Knows 4:43 Riding Thumb 3:10 We Had It All 4:35 No Achievement Showing 3:38 A Peace That We Never Before Could Enjoy 5:19 Is There Anyone Out There 5:58 Give The Poor Man A Break 3:26   Here, unfortunately, is one of several examples of why Ray Charles has been such a frustrating record-maker over the last quarter of the 20th century at least. His powers of expression as a vocalist and keyboardist are undiminished on the second album of his return to the Atlantic fold; he could still squeeze some soul out of anything. But his ability to choose great, good, or even merely appropriate material had deserted him -- and so we hear nowhere ballads ("She Knows"), stale song ideas ("You 20th Century Fox"), empty, poorly arranged and paced rousers ("We Had It All"), and political statements that fall flat ("A Peace That We Never Before Could Enjoy," "Give the Poor Man a Break") -- nothing that even this prodigious talent can save, and all treated to a veiled, raucous mix. Other than the team of arrangers (Harry Goodnight, Roger Newman, Larry Mahoberack), there are no musician credits nor any notes. Ultimately the blame for this uninteresting record must go to the producer, the co-engineer, the lead keyboardist, and the singer -- who are all one and the same person.