But who s buying

MEGADETH -PEACE SELLS... BUT WHO'S BUYING?- (2004) CD MEGADETH -PEACE SELLS... BUT WHO'S BUYING?- (2004) CD MEGADETH - PEACE SELLS... BUT WHO'S BUYING? - (CAPITOL RECORDS, 724359862422) REEDICIÓN REMASTERIZADA EUROPEA DE 2004 CD EN PERFECTO ESTADO (NM-) LETRAS

Cd's a 5 € / MEGADETH 'PEACE SELLS... BUT WHO' S BUYING' Cd's a 5 € / MEGADETH 'PEACE SELLS... BUT WHO' S BUYING'

HANDEL,S MESSIAH - A SOULFUL CELEBRATION - REPRISE RECORDS - WARNER - 1992 HANDEL,S MESSIAH - A SOULFUL CELEBRATION - REPRISE RECORDS - WARNER - 1992 Personnel includes: Mike E. (rap vocals, guitar); Tom Hemby, Paul Jackson, Jr. (guitar); Mark Douthit (saxophone); Dwayne Adell (piano); Greg Philinganes, George Duke (keyboards); Cedric Dent (keyboards, programming, background vocals); Ben Tankard, Joe Hogue (keyboards, programming); Mervyn Warren (piano, keyboards, drums, programming, background vocals); Victor Caldwell, Jackie Street (bass); James Blair, Ricky Lawson (drums); Donna McElroy, Bob Bailey, Vicki Hampton, Chris Willis (background vocals). Producers include: Mervyn Warren, George Duke, David Pack, Take 6, Gary D. Hines. Engineers include: Tony Sheppard, Erik Zobler, Barry Rudolph. Personnel: Jamecia Bennett (vocals, soprano); Core Cotton, Carrie Harrington (vocals, alto); Terrence Frierson, Patricia Lacy, Kimberly Brown (vocals, tenor, tenor saxophone); James F. Wright (vocals, baritone); David B. Young, Michael L. Bowens (vocals, bass voice); Mervyn Warren (vocals, piano, keyboards, drums, programming, drum programming, background vocals); Richard Smallwood (vocals, keyboards, programming); Donna McElroy, Howard Hewett, Angela Wright, Patti Austin, Take 6, Vicki Hampton, Chris Willis, Kim Fleming, Bob Bailey (vocals, background vocals); Commissioned, Daryl Coley, Jackie Ruffin, Dianne Reeves, Melvin Warren, Dennis Sawyers, Caroline Evans, Carolene Evans, Janice Chandler Eteme, David Young, Pat Lacu, Michael Weeks, David Young, Darlene Simmons, Al Jarreau, Michelle Weeks, The Richard Smallwood Singers, Stevie Wonder, Tevin Campbell, The Boys Choir of Harlem, The Clark Sisters, Tramaine Hawkins (vocals); Mike-E (rap vocals, guitar); Leaders of the New School (rap vocals); Jayne Bell, Jayn Bell Porter, Angela Henderson, Cherly Reeves, Sandra Harris, Dorothy Brown, Manecia Bennett, Renee McCall, Elizabeth J. Turner, Wanda Lewis, Ann Nesby (soprano); Jennifer Whitlock (alto, brass); Dorothy J. Townes, Shirley Marie Graham, Beverly Mahto, Alecia Russell, Dorothy Shelby, Valerie Johnson (alto); Robert Edwards, Russell Knighton (tenor, tenor saxophone); Bill Airey Smith, Dr. Robert Jones, Bill Smith, Craig Taylor, Craig "Niteman" Taylor (tenor); Trenon Graham, Billy Steele (baritone); Freddie Winston, Rev. Joseph Young, Jr. (bass voice); Paul Jackson, Jr., Tom Hemby (guitar); Daniel Kobialka (violin); Kirk Whalum, Mark Douthit (saxophone, brass); Bob Mintzer (saxophone); Eberhard Ramm, Leslie Norton (French horn); Dennis Good, Chuck Findley, George Bohannon, Dan Higgins, Gary Grant, George Bohanon, Gerald Albright, Jerry Hey, Larry Williams, Kim Hutchcroft, Larry Hall, Robert Green, Sam Levine, Chris McDonald, Tom "Bones" Malone, Jeff Bailey, Charles Loper, Denis Solee, George Tidwell, Lew McCreary, William Frank "Bill" Reichenbach Jr., Michael Haynes (brass); Michael O. Jackson (piano, organ, keyboards, drum programming); Dwayne Adell (piano); Fred Vaughn (organ); Charles Mims, Jr. (keyboards, synthesizer); Greg Phillinganes (keyboards, bass synthesizer, percussion, background vocals); Robert Sadin (keyboards, keyboard bass, programming, drum programming); Fred Hammond (keyboards, keyboard bass, drum programming); William Kennedy (keyboards, drums); David Pack (keyboards, percussion, background vocals); Mark Kibble (keyboards, programming, background vocals); Joe Hogue, Ben Tankard, Bryant Pugh, Cedric Dent (keyboards, programming); Eddie Howard, Jr., Timothy Carpenter, George Duke, Russell Ferrante (keyboards); Steve Croes (Synclavier); Chuck Tilley, James Blair, Ricky Lawson (drums); Eric Darken (tambourine); Elmore Brantly, Terry McMillan, Rock Deadrick, Mustafa Abdul-Aleem (percussion); Dave Darlington, Jeffrey K. Dovner (programming); Mark Hammons, Mark Hammond (drum programming); Jim Gilstrap, Phil Perry, Roy Galloway, Sounds of Blackness, Raymond Davis, Gayle Mayes (background vocals). Audio Mixers: Chris Flam; David Pack; Erik Zobler; Lisa Keller; Jess Sutcliffe; John Jaszcz; Mike McCarthy; Mick Guzauski; Ray Bardani; Steve Hodge; Axel Niehaus; Track listing #    Title    Length    Arranger(s)    Producer(s)    Performer(s) 1    "Overture: A Partial History of Black Music"    5:13    Mervyn Warren, Shelton Kilby, Dwayne Adell, Cedric Dent, Joe Hogue    Mervyn Warren    Mervyn Warren, Janice Chandler Eteme, Dwayne Adell, Cedric Dent, Joe Hogue 2    "Comfort Ye My People"    5:44    Mervyn Warren and Michael O. Jackson    Mervyn Warren    Vanessa Bell Armstrong and Daryl Coley 3    "Every Valley Shall Be Exalted"    3:42    Mervyn Warren and Mark Kibble    Mervyn Warren    Lizz Lee and Chris Willis (with Mike E.) 4    "And the Glory of the Lord"    3:57    Charles Mims    George Duke    Dianne Reeves 5    "But Who May Abide the Day of His Coming"    6:38    David Pack, Greg Phillinganes and Patti Austin    David Pack and Patti Austin    Patti Austin 6    "And He Shall Purify"    4:36    Michael O. Jackson and Mervyn Warren    Mervyn Warren    Tramaine Hawkins 7    "Behold, A Virgin Shall Conceive"    3:56    George Duke    George Duke    Howard Hewett 8    "O Thou That Tellest Good Tidings to Zion"    3:52    Cedric Dent    Take 6    Stevie Wonder and Take 6 9    "For Unto Us a Child is Born"    3:53    Gary Hines    Gary Hines    Sounds of Blackness 10    "Glory to God"    4:51    Robert Sadin    Robert Sadin    The Boys Choir of Harlem and Leaders of the New School 11    "Rejoice Greatly, O Daughter of Zion"    5:07    Richard Smallwood    Richard Smallwood    Richard Smallwood Singers 12    "Behold the Lamb of God"    4:32    The Yellowjackets    The Yellowjackets    The Yellowjackets 13    "Lift Up Your Heads, O Ye Gates"    5:12    Fred Hammond    Fred Hammond    Commissioned and The Clark Sisters 14    "Why Do the Nations So Furiously Rage?"    2:36    Mervyn Warren    Mervyn Warren    Al Jarreau 15    "I Know That My Redeemer Liveth"    6:00    Mervyn Warren and Michael O. Jackson    Mervyn Warren    Tevin Campbell 16    "Hallelujah!"    5:53    Mervyn Warren, Michael O. Jackson, and Mark Kibble    Mervyn Warren    Vanessa Bell Armstrong, Patti Austin, Bernie K., Daryl Coley (soloist), Commissioned, Andrae Crouch, Sandra Crouch, Clifton Davis, Charles S. Dutton, Kim Fields, Larnelle Harris, Edwin Hawkins, Tramaine Hawkins, Linda Hopkins, Al Jarreau, Quincy Jones (conductor), Chaka Khan, Gladys Knight, Lizz Lee, Dawnn Lewis, Babbie Mason, Johnny Mathis, Marilyn McCoo, Mike E., Stephanie Mills, Jeffrey Osborne, David Pack, Phylicia Rashad, Joe Sample, Richard Smallwood, Sounds of Blackness, Take 6, Darryl Tookes, Mervyn Warren, Thomas Whitfield, Vanessa Williams, Chris Willis

JAMES BROWN'S FUNKY PEOPLE (PART 2) - CD - 1988 - II - MACEO HANK BALLARD MARVA WHITNEY - BROWN JAMES BROWN'S FUNKY PEOPLE (PART 2) - CD - 1988 - II - MACEO HANK BALLARD MARVA WHITNEY - BROWN El cd tiene marcas pero se ha verificado correctamente con el programa Exact Audio Copy (ver informe al final) +++ Bajo ningún concepto se envía ordinario, siempre certificado Gastos de envío gratis para pedidos superiores a 30 euros con destino a España (excepto Canarias, consulte coste sin compromiso) Vea coste de envío en el apartado "Formas de pago y envío" Fotos reales del artículo +++   Exact Audio Copy V1.5 from 20. February 2020 Archivo Log de extracciones desde 5. Mayo 2021, 14:43 Various Artists / James Brown's Funky People, Part 2 Usar unidad : hp      DVDRAM GU90N   Adapter: 1  ID: 0 Modo de Lectura   :       : Seguro Utilizar corriente precisa: Sí Caché de audio por defecto: No Utilizar los punteros C2   : No Corrección de Desplazamiento de Lectura:     : 102 Sobreleer tanto en Lead-In como en Lead-Out   : No Rellenar las muestras faltantes con silencios: Sí Eliminar silencios inicial y final           : No Muestras nulas usadas en los calculos de CRC : Sí Interfaz usada                               : Interfaz propio de Win32 para Windowns NT y 2000 Manejo de huecos                             : No se detectó, por lo que anexa a la pista anterior Formato de Salida utilizado: : Rutinas WAV Internas Formato de muestra             : 44.100 Hz; 16 Bit; Estéreo TOC extraídos del CD      Pista |  Inicio  | Longitud | Inicio del sector | Fin del sector      ------------------------------------------------------------------         1  |  0:00.33 |  4:42.42 |          33       |      21224              2  |  4:43.00 |  3:16.43 |       21225       |      35967              3  |  7:59.43 |  2:28.25 |       35968       |      47092              4  | 10:27.68 |  4:10.35 |       47093       |      65877              5  | 14:38.28 |  3:35.50 |       65878       |      82052              6  | 18:14.03 |  6:24.45 |       82053       |     110897              7  | 24:38.48 |  3:20.60 |      110898       |     125957              8  | 27:59.33 |  4:14.62 |      125958       |     145069              9  | 32:14.20 |  2:27.08 |      145070       |     156102             10  | 34:41.28 |  3:59.60 |      156103       |     174087             11  | 38:41.13 |  9:49.60 |      174088       |     218322             12  | 48:30.73 |  5:36.17 |      218323       |     243539             13  | 54:07.15 |  4:43.18 |      243540       |     264782      Pista  1      Nombre de Archivo 01 I Know You Got Soul.wav      Nivel Pico 97.7 %      Velocidad de extracción 4.2 X      Calidad de Pista 100.0 %      Comprobación CRC 9FBA9056      Copiar CRC 9FBA9056      Extraida con precisión (confidencia 32)  [2B4EE154]  (AR v2)      Copia OK Pista  2      Nombre de Archivo 02 From the Love Side.wav      Nivel Pico 89.2 %      Velocidad de extracción 4.9 X      Calidad de Pista 100.0 %      Comprobación CRC 9B93F354      Copiar CRC 9B93F354      Extraida con precisión (confidencia 33)  [3CF52E95]  (AR v2)      Copia OK Pista  3      Nombre de Archivo 03 What Do I Have to Do to Prove My Love to You.wav      Nivel Pico 97.7 %      Velocidad de extracción 5.0 X      Calidad de Pista 100.0 %      Comprobación CRC A1268278      Copiar CRC A1268278      Extraida con precisión (confidencia 33)  [497D9F96]  (AR v2)      Copia OK Pista  4      Nombre de Archivo 04 Soul Power '74.wav      Nivel Pico 97.7 %      Velocidad de extracción 5.5 X      Calidad de Pista 100.0 %      Comprobación CRC 32EEF712      Copiar CRC 32EEF712      Extraida con precisión (confidencia 33)  [F1DCFE58]  (AR v2)      Copia OK Pista  5      Nombre de Archivo 05 Put It on the Line.wav      Nivel Pico 93.9 %      Velocidad de extracción 5.5 X      Calidad de Pista 100.0 %      Comprobación CRC A90C5246      Copiar CRC A90C5246      Extraida con precisión (confidencia 33)  [81BC525E]  (AR v2)      Copia OK Pista  6      Nombre de Archivo 06 You Can Have Watergate but Gimme Some Bucks and I'll Be Straight, Parts 1 & 2.wav      Nivel Pico 92.2 %      Velocidad de extracción 5.8 X      Calidad de Pista 100.0 %      Comprobación CRC 13EC6540      Copiar CRC 13EC6540      Extraida con precisión (confidencia 33)  [A57AE2D5]  (AR v2)      Copia OK Pista  7      Nombre de Archivo 07 Cross the Track (We Better Go Back).wav      Nivel Pico 90.8 %      Velocidad de extracción 6.1 X      Calidad de Pista 100.0 %      Comprobación CRC A16C9164      Copiar CRC A16C9164      Extraida con precisión (confidencia 33)  [8FD0CF8A]  (AR v2)      Copia OK Pista  8      Nombre de Archivo 08 The Message From the Soul Sisters, Parts 1 & 2.wav      Nivel Pico 94.5 %      Velocidad de extracción 6.3 X      Calidad de Pista 100.0 %      Comprobación CRC 72521FCB      Copiar CRC 72521FCB      Extraida con precisión (confidencia 33)  [B00C513A]  (AR v2)      Copia OK Pista  9      Nombre de Archivo 09 Hot Pants... 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Anyone who has been on the receiving end of a crime will know that all criminals are bad. But there are some evildoers who are in a whole different league. They are the world's worst criminals.. Capella.. Año 2012. 1ª edición

Crestfallen, dejected, and spiralling into an alcohol-fuelled depression after killing a man in the line of duty, Inspector Kurt Wallander has made his mind up to quit the force for good. But when an old acquaintance seeks Kurt's help to solve his father's suspicious death, he is soon back on the case.. Vintage.. Año 2006.

Connie Francis: Gold (2 CD) (Compilación) Connie Francis: Gold (2 CD) (Compilación) Polydor/Universal, 2005. CDs completos en su caja. Estado de los discos: como nuevos. El conjunto presenta el aspecto de haber sido recién desprecintado y escuchado una o muy pocas veces. Los discos no presentan el menor desperfecto bajo cualquier ángulo de luz. El libreto y la carátula están completos y su apariencia es impoluta. Gastos de envío: 2 €.  Si se adquieren cinco o más títulos, los gastos de envío corren a cargo del vendedor.  Consulta los demás artículos que tengo a la venta. Tracklist: 1-1. Who's Sorry Now.  1-2. I'm Sorry I Made You Cry.  1-3. Stupid Cupid.  1-4. Fallin'.  1-5. My Happiness.  1-6. If I Didn't Care.  1-7. Lipstick On Your Collar.  1-8. Frankie.  1-9. You're Gonna Miss Me.  1-10. Among My Souvenirs.  1-11. God Bless America.  1-12. Mama.  1-13. Teddy.  1-14. Everybody's Somebody's Fool.  1-15. Jealous Of You: Tango Della Gelosia.  1-16. My Heart Has A Mind Of Its Own.  1-17. Malaguena.  1-18. Many Tears Ago.  1-19. Where The Boys Are.  1-20. Breakin' In A Brand New Broken Heart.  1-21. Together.  1-22. He's My Dreamboat.  1-23. Hollywood.  1-24. When The Boy In Your Arms (Is The Boy In Your Heart).  1-25. Baby's First Christmas.  2-1. Don't Break The Heart That Loves You.  2-2. Second Hand Love.  2-3. Vacation.  2-4. I Was Such A Fool (To Fall In Love With You).  2-5. I'm Gonna Be Warm This Winter.  2-6. Al Di La.  2-7. Follow The Boys.  2-8. If My Pillow Could Talk.  2-9. Drownin' My Sorrows.  2-10. Your Other Love.  2-11. In The Summer Of His Years.  2-12. Blue Winter.  2-13. Be Anything (But Be Mine).  2-14. Looking For Love.  2-15. Don't Ever Leave Me.  2-16. Whose Heart Are You Breaking Tonight?.  2-17. For Mama: La Mamma.  2-18. Forget Domani.  2-19. Jealous Heart.  2-20. When The Boys Meet The Girls.  2-21. Spanish Nights And You.  2-22. Time Alone Will Tell: Non Pensare A Me.  2-23. Born Free.  2-24. The Wedding Cake.  2-25. Zingara: Gypsy

Take two, Third Time Lucky, "Mia's love life is a disaster-- and being heir to the throne of Genovia sure doesn't help. Because while Mia's finally got herself a boyfriend, he's SO not the right guy. The one she really wants is Michael, but he's not available now he's going out with Judith, who clones fruit flies. Would Michael ever prefer Mia to the fruit fly girl? As if!"--Back cover.. Macmillan Children's. UK. Año 2002.

Tom Sawyer likes adventures. When other people are sleeping in their beds, Tom Sawyer is climbing out of his bedroom window to meet his friends. He and Joe Harper and Huckleberry Finn have an exciting life. They look for ghosts, they dig for treasure, and they take a boat down the Mississippi to Jackson's Island to swim, and fish, and sleep under the stars. But Tom's adventures can be dangerous, too. One night in the graveyard he and Huck Finn see three men. Who are they? And what are they doing in the graveyard, in the middle of the night? Then the boys see that one of the men is Injun Joe..

Who wants to live in a house, wear clean clothes, be good, and go to school every day? Not young Huckleberry Finn, that's for sure. So Huck runs away, and is soon floating down the great Mississippi River on a raft. With him is Jim, a black slave who is also running away. But life is not always easy for the two friends. And there's 300 dollars waiting for anyone who catches poor Jim.... OUP Oxford.. Año 2007. 1ª edición

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE (Beat Goes On)  1991  made in UK cat. num.  BGOCD41 #rock  #blues rock   1 Sail On 7:42 2 Sun's A-Risin' 4:45 3 Raindrops 2:40 4 Boom-Ba-Boom 1:20 5 Somebody Listen 6:10 6 Cross The River 4:43 7 St. James Infirmary 5:15 8 Huna Buna 2:26 9 Hard Chargin' Woman 8:40   This late-'60s Denver group is most notable as the starting point for guitarist  Tommy Bolin, who was still in his teens when they recorded their first album in 1969. A rather routine slab of bluesy, heavy rock, it made the Top 50. Aside from  Bolin 's extended hard rock riffing, it prominently featured the lead vocals of  Candy Givens, who affected a blues-wailing pose along the lines of  Janis Joplin. But she didn't have the full throat or guts to back it up, ending up closer to also-ran female psychedelic singers like  Lydia Pense  (of  Cold Blood).  Zephyr  recorded one more album before  Bolin  left for stints with  James Gang,  Deep Purple, and a solo career; the group carried on throughout the 1970s. The band's debut finds  Bolin  already developed as a skilled player, but his playing, and the largely group-penned material, lack strength or subtlety. The most distinctive trait of the band at this point, in fact, is the somewhat histrionic singing of lead vocalist  Candy Givens.

NICK LOWE: LABOUR OF LUST [ESP 1979] LP NICK LOWE: LABOUR OF LUST [ESP 1979] LP Nick Lowe   "Labour Of Lust"  LP (Radar)  1979  made in Spain cat. num.  S 90.150 #rock  #pop rock   Cruel To Be Kind   Cracking Up   Big Kick, Plain Scrap!   Born Fighter   You Make Me   Skin Deep   Switchboard Susan   Endless Grey Ribbon   Without Love   Dose Of You   Love So Fine   Jesus of Cool  was a jukebox, spinning out a series of perfectly crafted -- and decidedly quirky and subversive -- pop singles. In contrast,  Nick Lowe 's second album,  Labour of Lust, is the work of a bar band, in this case  Rockpile, playing the hell out of the same type of songs. Naturally, the result is a more coherent sound that may be a little less freewheelingly eclectic, but it is no less brilliant. Recorded simultaneously with  Dave Edmunds '  Repeat When Necessary,  Labour of Lust  benefits from the muscular support of  Rockpile, who make  Lowe 's songs crackle with vitality. Working primarily in the roots rock vein of  Brinsley Schwarz  but energizing his traditionalist tendencies with strong pop melodies, a sense of humor, and an edgy new wave sensibility,  Lowe  comes up with one of his best sets of songs. Not only is his only hit, the propulsively hook-laden "Cruel to Be Kind," here, but so are the rampaging outsider anthem "Born Fighter," the tongue-in-cheek,  Chuck Berry -style "Love So Fine," the wonderful pure pop of "Dose of You," the haunting "Endless Grey Ribbon," the druggy "Big Kick, Plain Scrap!," and the terrific "Cracking Up," as well as his definitive version of  Mickey Jupp 's "Switchboard Susan." It's an exceptional collection of inventive pop songs, delivered with vigor and energy, making it one of the great records of the new wave.