Curious in form

C IS FOR CURIOUS: AN ABC OF FEELINGS C IS FOR CURIOUS: AN ABC OF FEELINGS DE Hubbard, Woodleigh. Chronicle Books, 1990. Texto en inglés. Infantil y juvenil. Profusamente ilustrado con dibujos color. 34 pp. 25 x 26. Tapa dura con sobrecubierta de editorial ilustrada. Sin subrayados. Buen estado de conservación. ISBN: 9780877016793. Raging dragons, leaping cows, and baseball playing dogs all come together in this zany collection that explores a host of feelings from A(ngry) to Z(ealous). Brilliantly colored and brimming with endearing creatures, Woodleigh Hubbard's exuberant illustrations will charm even the youngest reader. The bold graphic composition, the humorous detail, and the universality of the emotions will appeal to readers of every age. Perfect for discussion time or playtime,  C ls for Curious  is an animated, colorful, and altogether unique look at feelings.

A photographic Handbook for artists. The human form in action and repose (GF) Phil Brodatz. Nostrand. USA. Año.

DOS PÁGINAS ESCRITAS A BOLI Y LAPIZ. The book provides coverage of those language areas advanced-level students will find most rewarding to study.... Two-page units present grammar explanation and examples, including typical student mistakes.... A study guide helps students find those areas most appropriate for their study. Grammar areas are cross-referenced throughout the book. There are useful appendices dealing with verb form.... Cambridge University Press. London. Año 2006. 1ª edición

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) A new large work for orchestra, choir, and soloists, David Chesky is able to capture the immeasurable difficulty that each of us have gone through this past year in his distinct compositional voice. This new album by David Chesky is a sincere statement of worries the composer feels necessary to share with the world, in which all of us live and die. Its monumental form allows us to reflect on many tragic events (such as the latest disaster of COVID-19). By entering our lives, it unavoidably demands us to define our beliefs. Chesky’s music not only concerns our preferences in aesthetics, but also demands political awareness from us (while being far away from political activism). We are confronted by phenomena we do not understand, but ultimately determine our choices - what really has, had, and still will have meaning in our lives. We have to learn separate the “important” and “unimportant” things and events. No one is obligated to go to the “barricade,” but we are simply obligated to recognize injustice in all forms and name it personally (even in silence) instead of accepting terror as something “common” and “far away from us.” Politicians, social media, opinions, commercial accusations - all of these should be seen as instruments of “terror.” If we want to remain humans with hearts and souls, we will find ourselves in tune with David Chesky’s sounds, which speak to us and awake our empathy. -Gidon Kremer (December 2020) Envíos CD Envío Ordinario: 1,5€ (envío sin caja de plástico y con responsabilidad a cargo del comprador) Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€.  

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

ROLAND TB-03 Este sintetizador fabricado por Roland emplea la tecnología ACB (Analog Circuit Behavior) de la maravillosa serie Aira, con el que emulará el sonido expresivo de su hermano mayor TB-303. El Roland TB-03 incluye varias mejoras sobre el original TB-303 como una pantalla LED de 4 dígitos con la que la programación es más sencilla y detallada, otra mejora es la inclusión de efectos overdrive, delay y reverb y otra de las magníficas mejoras es la incorporación de puertos USB y MIDI que permite al TB-03 intercambiar información de control con el DAW de un ordenador. Puedes ver la review de este producto un poco más abajo en la sección de videos de este producto. Estos puertos MIDI IN/OUT y los USB te permiten intercambiar información de control con otros instrumentos y equipos, gracias a esto el TB-03 se convierte en un controlador versátil. Llevate este Roland TB-03 al mejor precio de Europa en profesionaldj.es. Compatible con el Roland K-25M Características: Memorias de usuario Patterns: 96 (4 groups (I, II, III, IV) x 3 sections (A, B, C) x 8 patterns) Pistas: 7 Forma de onda(SAW, SQUARE) Controles BVOLUME knob TUNING knob CUT OFF FREQ knob RESONANCE knob ENV MOD knob DECAY knob ACCENT knob OVERDRIVE knob DELAY TIME knob DELAY FEEDBACK knob WAVE FORM switch TRACK PATT. GROUP selector MODE selector TEMPO button VALUE knob PATTERN CLEAR button RUN/STOP button PITCH MODE button FUNCTION button Keyboard buttons (C, C#, D, D#, E, F, F#, G, G#, A, A#, B, C) TIME MODE button TRANSPOSE UP/DOWN buttons ACCENT button SLIDE button BACK button TAP button Efectos OVERDRIVE (Overdrive/Distortion) DELAY (Tape Echo/Digital Delay/Reverb) Indicadores 7 segments, 4 characters (LED) PITCH MODE LED NORMAL MODE LED TIME MODE LED Conectores TRIGGER IN jack: Mono miniature phone type CV OUTPUT jack: Mono miniature phone type GATE OUTPUT jack: Mono miniature phone type PHONES jack: Stereo miniature phone type OUTPUT jack: Stereo miniature phone type MIX IN jack: Stereo miniature phone type MIDI (IN, OUT) connectors USB port: Micro-B type (Audio, MIDI) Alimentación Rechargeable Ni-MH battery (AA, HR6) x 4 Alkaline battery (AA, LR6) x 4 USB bus power Current Draw 500 mA (USB bus power) Tamaño y peso Ancho308 mm Profundidad 130 mm Altura 52 mm Peso 940 g

FREDDIE HUBBARD: AT THE NORTHSEA JAZZ FESTIVAL [ESP 1981] LPx2 FREDDIE HUBBARD: AT THE NORTHSEA JAZZ FESTIVAL [ESP 1981] LPx2 Freddie Hubbard  "At The Northsea Jazz Festival, The Hague, Holland 1980"  LPx2 (Pablo)  1981  made in Spain cat. num.  PE 12009/10 #jazz  #hard bop   First Light   One Of Another Kind   One Of A Kind   The Summer Knows   Impressions   Happiness In Now   Red Clay   Trumpeter  Freddie Hubbard 's recording career was rather aimless by 1980 but, as shown by his playing on this live date, he was still in prime form.  Hubbard  and his quintet (which consisted of tenor-saxophonist  David Schnitter, keyboardist  Billy Childs, bassist  Larry Klein  and drummer  Sinclair Lott) play extended versions of five of his compositions plus "The Summer Knows" and "Impressions." Although these renditions of "First Light" and "Red Clay" will not make listeners forget the original versions, it is gratifying to hear the trumpeter really pushing himself. His reputation had been soiled by his Columbia funk albums but this set shows that in 1980  Hubbard  had few competitors among trumpeters. It's well worth searching for.

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

PORTADA CON DOBLECES. EN INGLÉS, FRANCÉS Y ALEMÁN. Who will create the daring innovations in space, light and form that will define the way we will live in a world where trends and novelties spread almost instantaneously. Taschen.. Año 1999. 1ª edición

CD Airheads. 1994 BSO Airheads CD Airheads. 1994 BSO Airheads Lista de pistas Motörhead  With  Ice-T  And  Whitfield Crane Born To Raise Hell 4:56 4 Non Blondes I'm The One 3:56 White Zombie Feed The Gods 4:05 DGeneration *No Way Out 4:26 Primus Bastardizing Jellikit 4:09 Anthrax London 2:40 Candlebox Can't Give In 3:15 Dig Curious George Blues 4:00 Prong Inheritance 2:10 The Lone Rangers Degenerated 3:52 Stuttering John I'll Talk My Way Out Of It 3:39 Stick (2) Fuel 4:57 Ramones We Want The Airwaves 3:20

Myths of the norsemen, Th fantastical adventures of the invisible boy, The war next door, Return of the Jedi, The greddy dog, We are all made of molecules, My delicious life, Rotten romans, Kaspar prince of cats, Over 50 brain gamers, The sandman and the turtles, Space book, The butterfly Lion, The deadly dare Mysteries, There´s a boy in the girl´s bathroom, We were liars, Giver, My sister lives on the Mantelpiece, The curious incident... UK. Año. 1ª edición

AUDIO-TECHNICA ATH-ANC100BT Auriculares Bluetooth in ear con tecnología de cancelación de ruido activa, podrás escuchar música durante 10 horas gracias a su potente batería. Gracias a sus puntas de silicona de varios tamaños mejoraras el aislamiento del exterior en tus oidos. Tienen un diseño tipo colgante con carcasas compactas para mayor comodidad, dispone de controles para ajustar el volumen, responder llamadas y controlar la música. Especificaciones: Tipo Active Noise Cancelling Diámetro del Transductor 12mm Respuesta en Frecuencia 20 to 24,000 Hz Entrada de Potencia Máxima 10 mW Sensibilidad 103 dB/mW (When noise-cancellation used) 102 dB/mW (When noise-cancellation not used) Impedancia 16 ohms Batería DC 3.7 V lithium polymer battery Autonomía de la Batería Max. approx. 10 hours (when Bluetooth and noise-cancellation used) Max. approx. 20 hours (when only noise-cancellation used) Peso Approx. 30 g (1.1 oz) Accesorios Incluidos USB charging cable (30 cm (12“), USB Type-A/Micro USB Type-B) Cable (0.6 m (2.0') / 3.5 mm (1/8”) gold-plated stereo mini-plug, L-shaped) Pouch Eartips (XS, S, M, L) COMPLY™ form eartips (M) Tipo de Micrófono Electret condenser Patrón Polar del Micrófono Omnidirectional Respuesta en Frecuencia del Micrófono 50 to 4,000 Hz Sensibilidad del Micrófono -36 dB (1 V/Pa, at 1 kHz) Gama de Temperatura Operativa 5°C to 40°C (41°F to 104°F) Tiempo de Carga Approx. 3 hours

Bruce Springsteen. Súper colección Bruce Springsteen. Súper colección Atención solo para auténticos amantes de Bruce Springsteen súper colección de Vinilos, cds, vhs y libro.Vinilos-Bruce Springsteen & the E street Band live 75-85. 5 lps en directo-The River -Human Touch -Lucky Town -Born in the USA -Born to run -Greetings form Ausbury park -Unplugged-Darkness on the edge of town Cds -The Essential-Tunnel of love -The rising -Backstreets -A tributeVHS -Video anthology 1978-88Libro-Promesas rotasIMPORTANTE REGALÓ 2 ENTRADAS DE CONCIERTO MADRID 2012 en el Santiago Bernabéu Pack completo para todos los amantes del Boss

A collection of poems in the form of school notes, which tells the story of one day at Scumbagg School. The rhymes introduce characters such as the Headmaster, N.O. Funear, the crazy school caretaker, Mrs Dreggs, and the pupils of class 2.. Orchard.. Año 1994. 1ª edición