Engine work from

STEVE SILK HURLEY: WORK IT OUT COMPILATION [DEU 1989] LP/COMP STEVE SILK HURLEY: WORK IT OUT COMPILATION [DEU 1989] LP/COMP Steve Silk Hurley   "Work It Out Compilation"  LP (Atlantic)  1989  made in Germany cat. num.  782 003-1 #house   Steve Silk Hurley Work It Out 5:07 – Jamie Principle Cold World 5:30 – Risse Love Baby 4:39 – Jackson & Moore I Can't Let Go 5:00 – Risse Chain Of Fools 4:15 – Jackson & Moore Think! 4:35 – Jamie Principle Drive Me 4:15 – Steve Silk Hurley A Bit Of Jazz 4:35   " Work It Out " is the  Steve "Silk" Hurley 's debut single released on  Atlantic Records  in 1989. The song was the lead single taken from the producer's compilation album  Work It Out Compilation, which featured additional seven tracks recorded in collaboration with such likes as  M-Doc,  Jamie Principle, Jackson & Moore, and Rissewritten. On the  U.S.  Billboard  Hot Dancee Music/Club Play  the title peaked at number three

Brand new and original 100% Korg Kronos- 61 Music Work station with SGX-2 Engine authentic with a 1 year international warranty with the complete set

LP METAL EXPLOSION VOL. 2 - FROM THE FRIDAY ROCK SHOW LP METAL EXPLOSION VOL. 2 - FROM THE FRIDAY ROCK SHOW LP METAL EXPLOSION VOL.2 - FROM THE FRIDAY ROCK SHOW. CARA A:  WHAT YOU'RE DOING TO ME - DON'T YOU EVER LEAVE - EYE OF THE STORM - DANCE OF THE MUSIC. CARA B:  ONE HELL OF A NIGHT - EDGE OF THE WORLD - BELFAST - CUTTIN' LOOSE. DIAL DISCOS 1982. EL VINILO ESTÁ MUY BIEN CONSERVADO, CON POCAS SEÑALES DE USO. LA CARÁTULA ESTÁ BIEN CONSERVADA, AUNQUE CON ALGUNAS SEÑALES DEL USO, LAS ESQUINAS ESTÁN ALGO ROZADAS (VER FOTOS). PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   LP METAL EXPLOSION VOL. 2 - FROM THE FRIDAY ROCK SHOW. CARA A: WHAT YOU'RE DOING TO ME - DON'T YOU EVER LEAVE - EYE OF THE STORM - DANCE OF THE MUSIC. FACE B: ONE HELL OF A NIGHT - EDGE OF THE WORLD - BELFAST - CUTTIN 'LOOSE. DIAL DISCOS 1982. THE VINYL IS VERY WELL PRESERVED, WITH FEW SIGNS OF USE. THE COVER IS WELL PRESERVED, ALTHOUGH WITH SOME SIGNS OF USE, THE CORNERS ARE SOME SCRATCHED (SEE PHOTOS). PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.

GEORGE HARRISON This Guitar (Can't Keep From Crying) 1976 Original Spain Single Beatles GEORGE HARRISON This Guitar (Can't Keep From Crying) 1976 Original Spain Single Beatles   GEORGE HARRISON "This Guitar (Can't Keep From Crying) / Maya Love" 1976 Original Spain Single  Hard to find spanish single Picture Sleeve: G (tape residue / some restored work / signed on back / NO splits) Record: VG+ (plays OK with NO jumps)

Before manga hit it big, Art Adams brought big monsters, big eyes and cute girls to the Marvel Universe. This volume collects the best of Adams' Marvel work, from his earliest work on Cloak b'&' Dagger, to the X-Men, to his odd-couple new FF team of Spider-Man, the Hulk, Wolverine and Ghost Rider!. Marvel Comics. UK. Año 2003.

In this book, Jennifer Ring offers a wholly new interpretation of Hannah Arendt's work, from Eichmann in Jerusalem, with its bitter reception by the Jewish community, to The Life of the Mind. Departing from previous scholarship, Ring applies the perspectives of gender and ethnicity to investigate the extent to which Arendt's identity as a Jewish woman influenced both her thought and its reception.. SUNY Press.. Año 1997.

RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE Ry Cooder   "Bop Till You Bop"  LP (Warner)  1984  made in Spain cat. num.  LB 56691 #rock  #blues rock  #rock&roll   Little Sister 3:49 Go Home, Girl 5:10 The Very Thing That Makes Your Rich 5:32 I Think It's Going To Work Out Fine 4:43 Down In Hollywood 4:14 Look At Granny Run Run 3:09 Trouble You Can't Fool Me 4:55 Don't You Mess Me Up A Good Thing 4:08 I Can't Win 4:16   Following his conceptual 1978 release,  Jazz,  Ry Cooder  returned the next year with the R&B/soul-based  Bop Till You Drop. The first major-label, digitally recorded album,  Bop  is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a  Cooder / Tim Drummond  original) that doesn't always live up to its promise.  Cooder  and his excellent band, which includes the rhythm section of  Tim Drummond  and  Jim Keltner  along with guitarist  David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to  Cooder  is due to the digital recording. If you check out the live version of  Bop Till You Drop 's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still,  Bop  is worthwhile given  Cooder 's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including  Chaka Khan). A few of the highlights include his arrangement of the early-'60s  Elvis  hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on  Ike & Tina Turner 's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring  Cooder 's longtime cohort  Bobby King  on lead vocal.

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

Enjoy the content without reflections Display Mate Forget reflections, light will no longer be an impediment to enjoy every detail clearly. You will be able to appreciate the details of each painting. It's time to enjoy art and your TV as it should be. Designed to look like a true work of art The minimalist design of The Frame blends with your decoration. Its slimmer profile, multiple frame options, and single nearly invisible cable offer a sophisticated look from any angle. Your frame, your style Customizable Frame With The Frame TV you have the power to decide. Choose the frame color that best suits your space and your tastes. Thanks to its magnetic mounting you can customize your TV in the blink of an eye. Colors available in white, brown and teak. Frame your favorite moments My collection Upload and display your photos or family portraits easily. You just have to send them to The Frame through your phone or via USB. The Frame detects your presence Motion sensor The TV automatically turns on its screen to show your works of art when it detects your entry into the room. Also, when you leave it, it will turn off to save energy. Horizontal or vertical? It's up to you! Rotating studio stand Joining your Studio base together with the Rotating Wallmount will allow you to choose the position of your screen, put it in a horizontal or vertical position in a single turn. So you can enjoy your favorite content your way. Experience more at the same time Multi View Want to catch up on last week's episode while you work out? There is no need to stop seeing one for the other. Set up two channels on the screen so you can watch or even hear both at the same time, and adjust the size to help you focus. The Frame gives you the freedom to see everything your way. TV and sound bar in perfect harmony Q-Symphony Combine the audio from your TV with that from your sound bar, creating an immersive atmosphere around you. Enjoy multi-dimensional sound without the need to connect additional speakers to your TV.

David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) A new large work for orchestra, choir, and soloists, David Chesky is able to capture the immeasurable difficulty that each of us have gone through this past year in his distinct compositional voice. This new album by David Chesky is a sincere statement of worries the composer feels necessary to share with the world, in which all of us live and die. Its monumental form allows us to reflect on many tragic events (such as the latest disaster of COVID-19). By entering our lives, it unavoidably demands us to define our beliefs. Chesky’s music not only concerns our preferences in aesthetics, but also demands political awareness from us (while being far away from political activism). We are confronted by phenomena we do not understand, but ultimately determine our choices - what really has, had, and still will have meaning in our lives. We have to learn separate the “important” and “unimportant” things and events. No one is obligated to go to the “barricade,” but we are simply obligated to recognize injustice in all forms and name it personally (even in silence) instead of accepting terror as something “common” and “far away from us.” Politicians, social media, opinions, commercial accusations - all of these should be seen as instruments of “terror.” If we want to remain humans with hearts and souls, we will find ourselves in tune with David Chesky’s sounds, which speak to us and awake our empathy. -Gidon Kremer (December 2020) Envíos CD Envío Ordinario: 1,5€ (envío sin caja de plástico y con responsabilidad a cargo del comprador) Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€.  

"Everything moves more slowly when I walk, the world seems softer...' From the bestselling author of Silence comes an illuminating exploration of the joy of walking. From those perilous first steps to great expeditions, from walking to work to walking to the North Pole, Erling Kagge explains that he who walks lives longer, and better.. Penguin Books, Limited. UK. Año 2019.

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

NINA SIMONE - MY BABY JUST CARES FOR ME - CD 1990 THE ENTERTAINERS NINA SIMONE - MY BABY JUST CARES FOR ME - CD 1990 THE ENTERTAINERS 22 TEMAS 71' 40'' 1 MY BABY JUST CARES FOR ME 2 I LOVE YOU, PORGY 3 LOVE ME OR LEAVE ME 4 HE NEEDS ME 5 I GOT IT BAD AND THAT AIN'T GOOD 6 MOOD INDIGO 7 DON'T SMOKE IN BED 8 SOLITUDE 9 DO NOTHIN' TILL YOU HEAR FROM ME 10 SPRING IS HERE 11 HEY, BUDDY BOLDEN 12 THE GAL FROM JOE'S 13 SOMETHING TO LIVE FOR 14 I LIKE THE SUNRISE 15 YOU BETTER KNOW IT 16 LITTLE GIRL BLUE 17 SINCE MY LOVE IS GONE 18 IT DON'T MEAN A THING 8IF IT AIN'T GOT THAT SWING) 19 BLACK IS THE COLOR 20 WORK SONG 21 ANGEL OF THE MORNING 22 MY BABY JUST CARE FOR ME  

THE BEATLES - 1 - 27 NÚMEROS 1 SINGLES - CD - 2000 - UNO THE BEATLES - 1 - 27 NÚMEROS 1 SINGLES - CD - 2000 - UNO El cd tiene marcas, se ha verificado con el programa Exact Audio Copy (ver informe al final) +++ No se envía ordinario, siempre certificado Gastos de envío gratis para pedidos superiores a 30 euros con destino a España (excepto Canarias, consulte coste sin compromiso) Vea coste de envío en el apartado "Formas de pago y envío" Fotos reales del artículo +++   Exact Audio Copy V1.5 from 20. February 2020 Archivo Log de extracciones desde 27. Mayo 2021, 2:45 The Beatles / 1 Usar unidad : hp      DVDRAM GU90N   Adapter: 1  ID: 0 Modo de Lectura   :       : Seguro Utilizar corriente precisa: Sí Caché de audio por defecto: No Utilizar los punteros C2   : No Corrección de Desplazamiento de Lectura:     : 102 Sobreleer tanto en Lead-In como en Lead-Out   : No Rellenar las muestras faltantes con silencios: Sí Eliminar silencios inicial y final           : No Muestras nulas usadas en los calculos de CRC : Sí Interfaz usada                               : Interfaz propio de Win32 para Windowns NT y 2000 Manejo de huecos                             : No se detectó, por lo que anexa a la pista anterior Formato de Salida utilizado: : Rutinas WAV Internas Formato de muestra             : 44.100 Hz; 16 Bit; Estéreo TOC extraídos del CD      Pista |  Inicio  | Longitud | Inicio del sector | Fin del sector      ------------------------------------------------------------------         1  |  0:00.00 |  2:20.55 |           0       |      10554              2  |  2:20.55 |  1:56.12 |       10555       |      19266              3  |  4:16.67 |  2:21.13 |       19267       |      29854              4  |  6:38.05 |  2:24.72 |       29855       |      40726              5  |  9:03.02 |  2:11.43 |       40727       |      50594              6  | 11:14.45 |  2:33.32 |       50595       |      62101              7  | 13:48.02 |  2:18.25 |       62102       |      72476              8  | 16:06.27 |  2:44.28 |       72477       |      84804              9  | 18:50.55 |  3:10.40 |       84805       |      99094             10  | 22:01.20 |  2:18.62 |       99095       |     109506             11  | 24:20.07 |  2:05.30 |      109507       |     118911             12  | 26:25.37 |  2:48.30 |      118912       |     131541             13  | 29:13.67 |  2:15.10 |      131542       |     141676             14  | 31:29.02 |  2:18.30 |      141677       |     152056             15  | 33:47.32 |  2:38.28 |      152057       |     163934  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 Comprobación CRC 72F27D28      Copiar CRC 72F27D28      Extraida con precisión (confidencia 200)  [9BC23C27]  (AR v2)      Copia OK Pista  2      Nombre de Archivo 02 From Me to You.wav      Nivel Pico 74.8 %      Velocidad de extracción 3.7 X      Calidad de Pista 99.9 %      Comprobación CRC 86375ABA      Copiar CRC 86375ABA      Extraida con precisión (confidencia 200)  [8808BECC]  (AR v2)      Copia OK Pista  3      Nombre de Archivo 03 She Loves You.wav      Nivel Pico 84.0 %      Velocidad de extracción 3.8 X      Calidad de Pista 100.0 %      Comprobación CRC FDF90A4D      Copiar CRC FDF90A4D      Extraida con precisión (confidencia 200)  [DA8A0C95]  (AR v2)      Copia OK Pista  4      Nombre de Archivo 04 I Want to Hold Your Hand.wav      Nivel Pico 89.5 %      Velocidad de extracción 4.6 X      Calidad de Pista 100.0 %      Comprobación CRC 35821517      Copiar CRC 35821517      Extraida con precisión (confidencia 200)  [574E0770]  (AR v2)      Copia OK Pista  5      Nombre de Archivo 05 Can’t Buy Me Love.wav      Nivel Pico 91.8 %      Velocidad de extracción 5.2 X      Calidad de Pista 100.0 %      Comprobación CRC 088DA5B0      Copiar CRC 088DA5B0      Extraida con precisión (confidencia 200)  [0732DBA7]  (AR v2)      Copia OK Pista  6      Nombre de Archivo 06 A Hard Day’s Night.wav      Nivel Pico 93.5 %      Velocidad de extracción 5.2 X      Calidad de Pista 100.0 %      Comprobación CRC 816F0D32      Copiar CRC 816F0D32      Extraida con precisión (confidencia 200)  [A4E3EF64]  (AR v2)      Copia OK Pista  7      Nombre de Archivo 07 I Feel Fine.wav      Nivel Pico 95.2 %      Velocidad de extracción 4.7 X      Calidad de Pista 100.0 %      Comprobación CRC 1225D3C7      Copiar CRC 1225D3C7      Extraida con precisión (confidencia 200)  [A382659E]  (AR v2)      Copia OK Pista  8      Nombre de Archivo 08 Eight Days a Week.wav      Nivel Pico 94.9 %      Velocidad de extracción 5.5 X      Calidad de Pista 100.0 %      Comprobación CRC E2A180B8      Copiar CRC E2A180B8      Extraida con precisión (confidencia 200)  [B790320C]  (AR v2)      Copia OK Pista  9      Nombre de Archivo 09 Ticket to Ride.wav      Nivel Pico 99.1 %      Velocidad de extracción 4.2 X      Calidad de Pista 99.9 %      Comprobación CRC FFAA522C      Copiar CRC FFAA522C      Extraida con precisión (confidencia 200)  [F9931171]  (AR v2)      Copia OK Pista 10      Nombre de Archivo 10 Help!.wav      Nivel Pico 98.7 %      Velocidad de extracción 5.7 X      Calidad de Pista 100.0 %      Comprobación CRC 792CEAEC      Copiar CRC 792CEAEC      Extraida con precisión (confidencia 200)  [1502873B]  (AR v2)      Copia OK Pista 11      Nombre de Archivo 11 Yesterday.wav      Nivel Pico 95.4 %      Velocidad de extracción 5.3 X      Calidad de Pista 100.0 %      Comprobación CRC 93447AFD      Copiar CRC 93447AFD      Extraida con precisión (confidencia 200)  [04B5A4FF]  (AR v2)      Copia OK Pista 12      Nombre de Archivo 12 Day Tripper.wav      Nivel Pico 93.0 %      Velocidad de extracción 6.2 X      Calidad de Pista 100.0 %      Comprobación CRC 76E4C6E8      Copiar CRC 76E4C6E8      Extraida con precisión (confidencia 200)  [526FEA07]  (AR v2)      Copia OK Pista 13      Nombre de Archivo 13 We Can Work It Out.wav      Nivel Pico 89.2 %      Velocidad de extracción 5.2 X      Calidad de Pista 99.9 %      Comprobación CRC D39678E1      Copiar CRC D39678E1      Extraida con precisión (confidencia 200)  [B231363D]  (AR v2)      Copia OK Pista 14      Nombre de Archivo 14 Paperback Writer.wav      Nivel Pico 94.0 %      Velocidad de extracción 5.7 X      Calidad de Pista 100.0 %      Comprobación CRC 77F75E33      Copiar CRC 77F75E33      Extraida con precisión (confidencia 200)  [D700F655]  (AR v2)      Copia OK Pista 15      Nombre de Archivo 15 Yellow Submarine.wav      Nivel Pico 93.9 %      Velocidad de extracción 5.4 X      Calidad de Pista 99.9 %      Comprobación CRC 4C666F9F      Copiar CRC 4C666F9F      Extraida con precisión (confidencia 200)  [173EE500]  (AR v2)      Copia OK Pista 16      Nombre de Archivo 16 Eleanor Rigby.wav      Nivel Pico 86.6 %      Velocidad de extracción 5.2 X      Calidad de Pista 99.9 %      Comprobación CRC 58F53830      Copiar CRC 58F53830      Extraida con precisión (confidencia 200)  [F1363752]  (AR v2)      Copia OK Pista 17      Nombre de Archivo 17 Penny Lane.wav      Nivel Pico 98.2 %      Velocidad de extracción 5.8 X      Calidad de Pista 99.9 %      Comprobación CRC 324B7289      Copiar CRC 324B7289      Extraida con precisión (confidencia 200)  [1C2F825D]  (AR v2)      Copia OK Pista 18      Nombre de Archivo 18 All You Need Is Love.wav      Nivel Pico 93.1 %      Velocidad de extracción 6.9 X      Calidad de Pista 100.0 %      Comprobación CRC 9039E2F8      Copiar CRC 9039E2F8      Extraida con precisión (confidencia 200)  [19E5E66C]  (AR v2)      Copia OK Pista 19      Nombre de Archivo 19 Hello, Goodbye.wav      Nivel Pico 91.9 %      Velocidad de extracción 6.1 X      Calidad de Pista 99.9 %      Comprobación CRC A6DDD021      Copiar CRC A6DDD021      Extraida con precisión (confidencia 200)  [B6DAA8F3]  (AR v2)      Copia OK Pista 20      Nombre de Archivo 20 Lady Madonna.wav      Nivel Pico 88.8 %      Velocidad de extracción 6.2 X      Calidad de Pista 100.0 %      Comprobación CRC F2309959      Copiar CRC F2309959      Extraida con precisión (confidencia 200)  [5E5C3A5A]  (AR v2)      Copia OK Pista 21      Nombre de Archivo 21 Hey Jude.wav      Nivel Pico 94.2 %      Velocidad de extracción 7.3 X      Calidad de Pista 100.0 %      Comprobación CRC 65D8E113      Copiar CRC 65D8E113      Extraida con precisión (confidencia 200)  [7750CFFE]  (AR v2)      Copia OK Pista 22      Nombre de Archivo 22 Get Back.wav      Nivel Pico 99.0 %      Velocidad de extracción 7.3 X      Calidad de Pista 100.0 %      Comprobación CRC 976AD9CE      Copiar CRC 976AD9CE      Extraida con precisión (confidencia 200)  [41F772BF]  (AR v2)      Copia OK Pista 23      Nombre de Archivo 23 The Ballad of John and Yoko.wav      Nivel Pico 93.6 %      Velocidad de extracción 7.1 X      Calidad de Pista 100.0 %      Comprobación CRC BD0215CE      Copiar CRC BD0215CE      Extraida con precisión (confidencia 200)  [DB498B0B]  (AR v2)      Copia OK Pista 24      Nombre de Archivo 24 Something.wav      Nivel Pico 95.2 %      Velocidad de extracción 6.4 X      Calidad de Pista 100.0 %      Comprobación CRC CB78E1FC      Copiar CRC CB78E1FC      Extraida con precisión (confidencia 200)  [273DFF50]  (AR v2)      Copia OK Pista 25      Nombre de Archivo 25 Come Together.wav      Nivel Pico 94.9 %      Velocidad de extracción 5.6 X      Calidad de Pista 100.0 %      Comprobación CRC F2BCB8C8      Copiar CRC F2BCB8C8      Extraida con precisión (confidencia 200)  [BFC51600]  (AR v2)      Copia OK Pista 26      Nombre de Archivo 26 Let It Be.wav      Nivel Pico 94.3 %      Velocidad de extracción 7.9 X      Calidad de Pista 100.0 %      Comprobación CRC A5425C05      Copiar CRC A5425C05      Extraida con precisión (confidencia 200)  [6648BC0E]  (AR v2)      Copia OK Pista 27      Nombre de Archivo 27 The Long and Winding Road.wav      Nivel Pico 90.9 %      Velocidad de extracción 7.9 X      Calidad de Pista 100.0 %      Comprobación CRC 89D688E8      Copiar CRC 89D688E8      Extraida con precisión (confidencia 200)  [D1629D47]  (AR v2)      Copia OK Todas las pistas extraidas con precisión Sin Errores Final del Informe ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: Ek1EHs_LLYXqG1LPxbLjTVEGxQY-] found Submit result: Ek1EHs_LLYXqG1LPxbLjTVEGxQY- has been confirmed Track | CTDB Status   1   | (7926/9037) Accurately ripped, or (643/9037) differs in 80 samples @00:00:72, or (140/9037) differs in 108 samples @00:00:72, or (7/9037) differs in 110 samples @00:00:72, or (3/9037) differs in 80 samples @00:00:72, or (10/9037) differs in 80 samples @00:00:72, or (2/9037) differs in 108 samples @00:00:72, or (3/9037) differs in 1 samples @02:20:05, or (2/9037) differs in 110 samples @00:00:72, or (17/9037) differs in 12 samples @02:20:05, or (4/9037) differs in 80 samples @00:00:72, or (2/9037) differs in 110 samples @00:00:72   2   | (8852/9037) Accurately ripped, or (3/9037) differs in 101 samples @00:28:28-00:28:29,00:28:39,00:29:59,00:31:56-00:31:57,00:36:08,00:37:50,00:44:12   3   | (8853/9037) Accurately ripped, or (2/9037) differs in 8 samples @01:21:62,01:21:73   4   | (8836/9037) Accurately ripped, or (3/9037) differs in 1 samples @02:24:56, or (17/9037) differs in 12 samples @02:24:56   5   | (8845/9037) Accurately ripped, or (2/9037) differs in 60 samples @00:51:33-00:51:34   6   | (8835/9037) Accurately ripped, or (3/9037) differs in 1 samples @02:31:43, or (17/9037) differs in 12 samples @02:31:43, or (4/9037) differs in 150 samples @00:08:36,00:08:48-00:08:49,00:08:61-00:08:62,00:08:73-00:08:74, or (3/9037) differs in 42 samples @01:19:33,01:20:09   7   | (8823/9037) Accurately ripped, or (3/9037) differs in 1 samples @01:18:63, or (17/9037) differs in 12 samples @01:18:63   8   | (8820/9037) Accurately ripped, or (3/9037) differs in 1 samples @02:43:51, or (17/9037) differs in 12 samples @02:43:51   9   | (8565/9037) Accurately ripped, or (74/9037) differs in 51 samples @01:58:45-01:58:46, or (2/9037) differs in 51 samples @01:58:45-01:58:46, or (3/9037) differs in 2 samples @03:08:47,03:09:11, or (2/9037) differs in 44 samples @01:58:45-01:58:46, or (9/9037) differs in 59 samples @01:58:45-01:58:46, or (17/9037) differs in 24 samples @03:08:47,03:09:11, or (3/9037) differs in 95 samples @01:58:45-01:58:46, or (2/9037) differs in 51 samples @01:58:45-01:58:46, or (2/9037) differs in 102 samples @01:58:45-01:58:46, or (2/9037) differs in 52 samples @01:58:45-01:58:46, or (3/9037) differs in 91 samples @01:58:45-01:58:46, or (2/9037) differs in 46 samples @01:58:45-01:58:46  10   | (8852/9037) Accurately ripped  11   | (8841/9037) Accurately ripped  12   | (8811/9037) Accurately ripped, or (2/9037) differs in 47 samples @02:14:54-02:14:55, or (3/9037) differs in 1 samples @02:46:60, or (17/9037) differs in 11 samples @02:46:60, or (3/9037) differs in 44 samples @02:26:73-02:26:74  13   | (8832/9037) Accurately ripped  14   | (8839/9037) Accurately ripped  15   | (8811/9037) Accurately ripped, or (3/9037) differs in 1 samples @02:37:02, or (17/9037) differs in 12 samples @02:37:02, or (3/9037) differs in 1 samples @02:38:27  16   | (8820/9037) Accurately ripped, or (3/9037) differs in 1 samples @02:04:51, or (17/9037) differs in 12 samples @02:04:51, or (3/9037) differs in 30 samples @00:32:66-00:32:67  17   | (8833/9037) Accurately ripped, or (3/9037) differs in 21 samples @02:17:45  18   | (8783/9037) Accurately ripped, or (2/9037) differs in 17 samples @01:59:10  19   | (8796/9037) Accurately ripped, or (3/9037) differs in 1 samples @03:25:57, or (17/9037) differs in 12 samples @03:25:57, or (3/9037) differs in 32 samples @00:23:59-00:23:60  20   | (8786/9037) Accurately ripped, or (3/9037) differs in 1 samples @02:16:44, or (17/9037) differs in 12 samples @02:16:44  21   | (8699/9037) Accurately ripped, or (2/9037) differs in 12 samples @00:00:32, or (3/9037) differs in 1 samples @07:04:20, or (17/9037) differs in 12 samples @07:04:20, or (2/9037) differs in 454 samples @04:43:10,04:44:73,04:46:02-04:46:03,04:56:43-04:56:44,04:56:63-04:56:64,04:57:07-04:57:08  22   | (8746/9037) Accurately ripped, or (3/9037) differs in 2 samples @00:00:16,03:11:64, or (17/9037) differs in 21 samples @00:00:16,03:11:64  23   | (8767/9037) Accurately ripped, or (2/9037) differs in 36 samples @00:18:70,00:27:54  24   | (8731/9037) Accurately ripped, or (3/9037) differs in 1 samples @02:58:63, or (17/9037) differs in 11 samples @02:58:63  25   | (8677/9037) Accurately ripped, or (3/9037) differs in 3 samples @04:15:73,04:17:18,04:17:44, or (17/9037) differs in 32 samples @04:15:73,04:17:18,04:17:44  26   | (8554/9037) Accurately ripped, or (3/9037) differs in 160 samples @02:02:33-02:02:34,02:02:55-02:02:56, or (2/9037) differs in 135 samples @01:04:66,01:30:24-01:30:25  27   | (7548/9037) Accurately ripped, or (643/9037) differs in 146 samples @03:37:22-03:37:23, or (140/9037) differs in 82 samples @03:37:22-03:37:23, or (7/9037) differs in 88 samples @03:37:22-03:37:23, or (2/9037) differs in 52 samples @01:43:14-01:43:15, or (3/9037) differs in 146 samples @03:37:22-03:37:23, or (10/9037) differs in 152 samples @03:27:35,03:37:22-03:37:23, or (2/9037) differs in 82 samples @03:37:22-03:37:23, or (2/9037) differs in 318 samples @02:02:23-02:02:24,03:37:22-03:37:23, or (4/9037) differs in 146 samples @03:37:22-03:37:23, or (2/9037) differs in 40 samples @03:23:53-03:23:54, or (2/9037) differs in 88 samples @03:37:22-03:37:23

BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS. CARA A:  HEAT WAVE - WHY - RUN FROM LOVE. CARA B:  HARD RAIN - SMALLTOWN BOY - JUNK. MCA RECORDS 1985. MCA - 39038. EL VINILO ESTÁ MUY BIEN CONSERVADO, CON POCAS SEÑALES DE USO. LA CARÁTULA ESTÁ BIEN CONSERVADA, CON POCAS SEÑALES DE USO. EN LA PARTE INFERIOR TIENE UNA MUESCA (VER FOTOS). PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS. FACE A: HEAT WAVE - WHY - RUN FROM LOVE. FACE B: HARD RAIN - SMALLTOWN BOY - JUNK. MCA RECORDS 1985. MCA - 39038. THE VINYL IS VERY WELL PRESERVED, WITH FEW SIGNS OF USE. THE COVER IS WELL PRESERVED, WITH FEW SIGNS OF USE. AT THE BOTTOM IT HAS A NOTCH (SEE PHOTOS). PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.