Esp all senior

DR. RING-DING & THE SENIOR ALL STARS * CARTEL 100 X 70 * AÑOS 90 * MADRID / BARCELONA + AMUSIC SKAZZ DR. RING-DING & THE SENIOR ALL STARS * CARTEL 100 X 70 * AÑOS 90 * MADRID / BARCELONA + AMUSIC SKAZZ Medidas aproximadas, ver fotos para más detalles. Pequeño rotin de apenas 1 cm, ver foto de detalle.

RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP Ray Charles  "Love & Peace"  LP (London)  1978  made in Spain cat. num.  TXS 3126 #soul  #funk  #r&b   You 20th Century Fox 2:45 Take Off That Dress 3:35 She Knows 4:43 Riding Thumb 3:10 We Had It All 4:35 No Achievement Showing 3:38 A Peace That We Never Before Could Enjoy 5:19 Is There Anyone Out There 5:58 Give The Poor Man A Break 3:26   Here, unfortunately, is one of several examples of why Ray Charles has been such a frustrating record-maker over the last quarter of the 20th century at least. His powers of expression as a vocalist and keyboardist are undiminished on the second album of his return to the Atlantic fold; he could still squeeze some soul out of anything. But his ability to choose great, good, or even merely appropriate material had deserted him -- and so we hear nowhere ballads ("She Knows"), stale song ideas ("You 20th Century Fox"), empty, poorly arranged and paced rousers ("We Had It All"), and political statements that fall flat ("A Peace That We Never Before Could Enjoy," "Give the Poor Man a Break") -- nothing that even this prodigious talent can save, and all treated to a veiled, raucous mix. Other than the team of arrangers (Harry Goodnight, Roger Newman, Larry Mahoberack), there are no musician credits nor any notes. Ultimately the blame for this uninteresting record must go to the producer, the co-engineer, the lead keyboardist, and the singer -- who are all one and the same person.

MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE Mike Oldfield   "The Killing Fields"  LP (Virgin)   1984   made in Spain cat. num.  E 206 707 #progressive rock  #pop rock  #soundtrack   Pran's Theme 0:45 Requiem For A City 1:45 Evacuation 5:10 Pran's Theme - 2 1:40 Capture 2:01 Execution 4:10 Bad News 1:10 Pran's Departure 2:03 Worksite 1:18 The Year Zero 0:27 Blood Sucking 1:18 The Year Zero - 2 0:36 Pran's Escape / The Killing Fields 3:11 The Trek 1:58 The Boy's Burial / Pran Sees The Red Cross 2:40 Good News 1:44 Etude 4:38   Crack all the jokes you want about  Mike Oldfield  and his Tubular Bells becoming the hit theme song for The Exorcist. While  Oldfield  is an amazing guitarist who could play with the best of them, with a lithe synth touch that became a trademark, the bottom line is that the man is a serious composer. All the proof one needs apart from his own records like  Incantations  and  Hergest Ridge  is this killer movie score. While  Oldfield  used a purely Western and neo-classical formal approach to write the music for  Roland Joffé 's dramatization of true events, his musical mates were among the best in the business at helping him to bring it off:  David Bedford  wrote arrangements and directed the choir, while  Eberhard Schoener  helped to conduct and direct another choir (!) and master percussionist  Morris Pert  lent his talents to the mix as well. While many scores written during the 1980s come off as laughable fluff in the 21st century,  Oldfield 's score for The Killing Fields is in many ways far more memorable than the film itself. The music here is full of drama, dynamic, textures, and unexpected twists and turns even in the smallest of the incidental pieces, and carries within it a certain majesty that lacks pomp and remains graceful throughout.

BREAD: LO MEJOR DE BREAD [ESP 1972] LP/COMP BREAD: LO MEJOR DE BREAD [ESP 1972] LP/COMP Bread   "Lo Mejor De Bread"  LP (Elektra)  1972  made in Spain cat. num.  HKS 541-17 #rock  #soft rock   A1 Conseguirlo Juntos "Make It With You" 3:15 A2 Demasiado Amor "Too Much Love" 2:45 A3 Si "If" 2:33 A4 Deja Que Tu Amor Se Vaya "Let Your Love Go" 2:25 A5 Todo Lo Que Poseo " Everything I Own" 3:06 A6 Demasiado Tiempo En La Carretera "Been Too Long On The Road" 4:49 B1 Te Quiero Nena "Baby I'm A Want You" 2:25 B2 De Rodillas "Donw On MyKnees" 2:43 B3 Me Da Lo Mismo "It Don't Matter To Me" 2:41 B4 Madre Libertad "Mother Freedom" 2:45 B5 Mira Lo Que Has Hecho "Loock What You've Done" 3:10 B6 Truckin' 2:31   Rhino's 2001 collection,  The Best of Bread, is the definitive single-disc collection of  Bread 's hits, spanning 20 tracks and all of the group's hits, including lesser-known hits that didn't reach the heights of "Make It with You," "Everything I Own," "If," or "Baby I'm a Want You." Though this isn't as comprehensive as Rhino's double-disc set -- which means it doesn't contain the  David Gates  solo cuts that the first one does -- it still provides most casual listeners with all the  Bread  they'd need, in a highly listenable fashion, too.

ART GARFUNKEL: ANGEL CLARE [ESP 1984] LP/RE ART GARFUNKEL: ANGEL CLARE [ESP 1984] LP/RE Art Garfunkel   "Angel Clare"  LP (CBS)  1984  made in Spain cat. num.  S 32076 #folk rock  #soft rock  #simon&garfunkel   A1 Travelling Boy 5:00 A2 Down In The Willow Garden 4:03 A3 I Shall Sing 3:36 A4 Old Man 3:24 A5 Feuilles-Oh / Do Space Men Pass Dead Souls On Their Way To The Moon? 3:09 B1 All I Know 3:46 B2 Mary Was An Only Child 3:28 B3 Woyaya 3:18 B4 Barbara Allen 5:25 B5 Another Lullaby 3:32   Garfunkel  (he was billed without his first name here) had a lot riding on his debut solo album, and  Angel Clare, named after a character in  Thomas Hardy 's novel Tess of the d'Urbervilles, lived up to the heightened expectations for the man who had sung "Bridge Over Troubled Water" and other  Simon & Garfunkel  favorites.  Garfunkel  took no chances, issuing as the first single  Jimmy Webb 's "All I Know," which was arranged in a similar style to "Bridge" and made the Top Ten. Elsewhere on the record,  Garfunkel  took a more spirited approach, notably on a version of  Van Morrison 's "I Shall Sing" that was reminiscent of  Simon & Garfunkel 's "Cecilia" and made the Top 40. Certainly, there was enough firepower on the record, which featured guitarists  Jerry Garcia  and  J.J. Cale. But much of it was filled with stately, orchestra-laden ballads, sung by  Garfunkel  in his naïve, breathy tenor. If  Simon & Garfunkel  had been the thinking man's  Everly Brothers,  Garfunkel  alone turned out to be the thinking man's  Johnny Mathis.  

BOBBY McFERRIN: SIMPLE PLEASURES [ESP 1988] LP BOBBY McFERRIN: SIMPLE PLEASURES [ESP 1988] LP (Manhattan - Emi)  1988  made in Spain cat. num.  072 74 8059 1 #vocal jazz       A1 Don't Worry, Be Happy 4:48 A2 All I Want 2:53 A3 Drive My Car   2:41 A4 Simple Pleasures 2:06 A5 Good Lovin'   2:58 B1 Come To Me 3:31 B2 Suzie Q   2:46 B3 Drive 3:52 B4 Them Changes   3:50 B5 Sunshine Of Your Love 3:38

JETHRO TULL: UNDER WRAPS [ESP 1984] LP JETHRO TULL: UNDER WRAPS [ESP 1984] LP (Chrysalis)  1984  made in Spain cat. num.  CDL 1461 #rock  #progressive rock  #folk rock   A1 Lap Of Luxury   A2 Under Wraps #1   A3 European Legacy   A4 Later, That Same Evening   A5 Saboteur   A6 Radio Free Moscow   B1 Nobody's Car   B2 Heat   B3 Under Wraps #2   B4 Paparazzi   B5 Apogee   Ian Anderson 's  Walk into Light  (1983) was an uncharacteristic venture into the world of drum machines and synthesizers, and was partly a collaboration with keyboardist  Peter-John Vettese. The next year the two cut the similar-sounding  Under Wraps  using the  Jethro Tull  banner. Most of the work, including drum programming, was done by  Anderson  in his home studio before guitar and (scant) bass guitar were added. The group members were excited about their latest sounds, which brought a cold edginess to the usual intricate music (the acoustic "Under Wraps No. 2" being one exception). Lyrically,  Anderson  was letting go of his Olde English façade; here he showed his fascination with Cold War-era espionage. While the British audiences didn't mind the changes, U.S. buyers pretty much hated the album. Compared to the U.S. number 19 position of 1982's  The Broadsword and the Beast,  Under Wraps  never got past number 76. (Crest of a Knave, three years later, shot up to number 33.) The original release had 11 tracks, with "Astronomy," "Tundra," "Automotive Engineering," and "General Crossing" appearing as B-sides and bonus tracks around the world. Now the standard release carries all 15 tracks.

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

THOMPSON TWINS: QUICK STEP & SIDE KICK [ESP 1983] LP THOMPSON TWINS: QUICK STEP & SIDE KICK [ESP 1983] LP Thompson Twins   "Quick Step & Side Kick"  LP (Arista)  1983  made in Spain cat. num.  I-204 924 #synth pop  #new wave   Love On Your Side 4:25 Lies 3:15 If You Were Here 2:55 Judy Do 3:48 Tears 5:00 Watching 3:57 We Are Detective 3:05 Kamikaze 3:57 Love Lies Bleeding 2:50 All Fall Out 5:25   The record was the first the group recorded as a trio and, not coincidentally, it finds them discovering their signature dance-inflected synth-pop sound. The singles "Love on Your Side" and "In the Name of Love" are the high points, but it's surprising how many of the remaining songs are enjoyable, cleverly crafted and catchy synth-pop gems. Classic.

HEAVEN 17: SUNSET NOW [ESP 1984] EP 12' HEAVEN 17: SUNSET NOW [ESP 1984] EP 12' Heaven 17   "Sunset Now"  EP 12" (Virgin)  1984  made in Spain cat. num.   F-601510 #synth pop   A1 Sunset Now (Extended Version) 5:21 A2 Flame Down 3:14 B1 Counterforce 3:02 B2 Sunset Now (Album Version) 3:40 B3 Counterforce II   It all came together for  Heaven 17  on this release, and as a result it is by far their strongest, most brilliant ep. Combining their various influences (including R&B, pop, dance, electronica),  Heaven 17  fused these styles together to made an almost perfect sound. A strong melody, stunning vocals from  Glenn Gregory, and tight production equal a fascinating glimpse into the human struggle. Adding a number of session players, including a guitarist,  Heaven 17  was able to expand and build on their solid sound.  Gregory  is also allowed to branch out on this album and write more personal and political statements that were not clearly heard on their first two albums. Fans will not be disappointed, and in fact, this could be the album to win new fans over. "Sunset Now," and "Flamedown," are just a few of the reasons for this ep greatness.

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

JUDGE DREAD * 2 CD * The Legendary Judge Dread * PRECINTADO!! Reggae Ska JUDGE DREAD * 2 CD * The Legendary Judge Dread * PRECINTADO!! Reggae Ska Alex Hughe mas conocido como Judge Dread,es unos de los grandes del ska reggae de Inglaterra de todos los tiempos. A principios de los 70's fue cuando empezo todo su exito Gracias al single "Big Sitx" ya que gracias a el llego al numero 11 de los 50 exitos màs grandes de los años 1972-1973. un dato curioso de este artista fue de su record guiness,ya que el es el artista que tiene canciones mas censuradas de todos los tiempos. Fue el primer artista Blanco en tener exito ska reggae en Jamaica,Murio cantando en los escenarios en el teatro Penny Canterbury el 13 de marzo de 1998. Alex Hughes, mejor conocido como Judge Dread, fue y aun sigue siendo uno de los mas importantes cantantes de Ska y Reggae de todos los tiempos. Judge Dread fué, es y seguirá siendo una gran parte de la inspiración de los cantantes y bandas de reggae-ska en la actualidad. Judge Dread nació en Kent, Inglaterra en el año de 1945. Hay personas que fueron cercanas a Dread que dicen que cuando el era un niño de 7 u 8 años era muy amigable con todas las personas, si tu pasabas por la calle cercas de el, el te decia siempre hello ! Alright, boy !. Años mas tarde después de dejar la escuela, Dread se alojó con una familia Jamaicana, recordemos que el creció en Londres cuando llegó la primera ola de inmigrantes de Jamaica, y tan solo ese fue el primer paso para que el haya quedado enamorado de la música jamaicana para toda su vida. En los años 60´s Judge Dread fue una figura familiar en los West Indians Club´s de Londres, ya que trabajaba de Bouncer (Guarura, Seguridad, Saca Borrachos, por decirlo asi). De cararter alegre, Judge Dread conocio a Prince Búster y a Derrick Morgan “Mr. Skinhead Reggae” cuando estos visitaron Inglaterra en aquellos años en lo que dominaba era el Skinhead Reggae. Dread tambien fue Guardespaldas de los Rolling Stones y también trabajo como cobrador de deudas para Entretenimientos Comerciales y Trojan Records. Para mencionar una anécdota cuando el trabajó para entretenimientos comerciales el fue quien se encargó de arreglar los tours de los conciertos de Desmond Dekker y The Pioneers en sus giras por UK. Porque se puso Alex Hughes el nombre artístico “Judge Dread” ? Se puso ese nombre por el carácter de Prince Búster en la era de los Rude Boys. En 1969 Prince Búster tuvo un éxito mas con el sencillo “Big 5” una gran obscena canción basada en la versión de Brook Benton’s Rainy Night In Georgia, vendiendo miles de discos con su gran éxito.Pero en los principios de los 70´s Prince Búster empezó a caer en las listas de popularidad hasta llegar al grado de casi no vender discos. Judge Dread aprovecho ese momento para salir al mercado con su primer éxito: “Big Sixt”, con este disco Alex Hughes se reinvento el mismo como el hombre mas rudo del mundo, Judge Dread. La gente se sorprendio cuando observaron como un rubio ingles muy alto y de mucha barba estaba cantando Reggae y Ska. Con sus canciones de fuerte contenido, la sociedad británica lo criticaba mucho por las letras de sus canciones, pero las canciones claramente hablaban de la realidad de la injusticia y desigualdad y de la working class (clase obrera). Con su éxito “Big Sixt” llego al numero 11 en el top 50 de la lista de éxitos británicos entre los años de 1972-1973 por 27 semanas. Para entonces Judge Dread ya era una estrella subterránea y cuando el se presentaba a dar pequeños conciertos en los pubs era un hecho que el pub estaría muy lleno. También “Big Sixt” fue un éxito en Jamaica. Cuando se acabo el éxito de “Big Sixt”, el ya tenia otra sorpresa: el Big Seven. Para muchos este último fue mejor que el big sixt. Pero de cualquier forma ambas canciones merecen mucho respeto por la gran calidad. El siguiente éxito de Dread fue en el mes de abril del año de 1973 con “Big Eight”. Esta canción llego a estar tambien en el numero 11 de la exigente lista de exitos de Inglaterra. Entonces Judge Dread cambio un poco el estilo del reggae al de estas canciones para crear otro de sus grandes éxitos: “Je t´aime” llegando este al puesto numero 9 en Julio de 1975. En ese mismo año Dread creo otros 2 exitos que estuvieron en los primeros 20 lugares de la prestigiada lista británica, el primero fue “Big 10” y el segundo “Chritsmas in Dreadland” igualada con “Come Outside”. Ya para entonces siguieron muchos éxitos mas por nombrar tan solo algunos como este gran éxito que a mi en lo particular es la canción que mas me gusta de todo su repertorio: “The Winkle Man” (Un Reggae muy a su estilo bien suave) llegando al lugar numero 35 en Mayo de 1976, “Y Viva Suspenders” (numero 27, en Agosto de 1976). Los Nombres de sus discos mas famosos fueron Working Class ‘ero,” (1974), “Bedtime Stories,” (1975), “Last of the Skinheads” (1976), el best seller “40 Big Ones” (1980), and “Not Guilty” (1984). Como olvidarlos ! El legendario exitazo “Bring Back the Skins” y “Jamaica Jerk Off”. Ya en los siguientes años y hasta el día de su muerte, Judge Dread siguió dando conciertos con muchas bandas importantes de la segunda y tercera ola del Ska, por mencionar a la banda de Alemania Dr. Ring-Ding & The Senior AllStars. Un dato curioso de Judge Dread es sobre los records de Guiness. El es el artista que tiene mas canciones censuradas de todos los tiempos. Que cosas no ? Y es que sus canciones son tan divertidas, esas letras en las que se burla de muchos tipos de sociedad. Y Cabe mencionar también que el tenia solo músicos jamaicanos en su banda. En los años 70´s tan solo Bob Marley & The Wailers fue el unico artista en su genero que supero a Dread en tener mas éxitos en la exigente lista de hits Británica y en la venta de Discos. Su gran amistad que hizo con Desmond Dekker se debió a que el trabajó con él en las giras que hizo a Inglaterra. Hay un gran testimonio de que cuando Desmond Dekker llego al Numero 1 (si ! al numero uno!!) en el cada vez mas difícil chart Ingles con su inigualable “Israelites”, Judge Dread lo llevo a tocar en un Bar de Snodland llamado Savoy snooker club. Además tocaron juntos varios “Palomasos” de los exitos de Dekker y otros artistas. Que gran recuerdo se llevaron todos los asistentes a ese bar en ese día. Muchos años después, para ser mas exactos el día Viernes 13 de Marzo de 1998 dando una presentación en el teatro Thurday Night en la ciudad de Canterbury, Inglaterra, Judge Dread falleció de un un ataque del corazón. Al terminar la tercera canción, “Down on the Beach”, el cantante cayó al suelo. La gente creía que estaba de broma, porque siempre hacía cosas imprevisibles y espontaneas, pero en realidad había sufrido un ataque al corazón. Ya anteriormente había sido tratado de problemas cardiacos y diabetes, 18 meses atrás. Cuando llegó una ambulancia le metieron en ella, pero debido a un problema eléctrico esta no arrancaba. Entonces parte del público empezó a empujarla, intentando ponerla en marcha, pero no hubo manera. Para rematar la situación, alguién que vió a tantos punks empujando la ambulancia pensó que la estaban intentando robar y llamó a la policía. El resultado fue un completo enredo. Para cuando llegó una segunda ambulancia y le trasladaron al hospital, fue demasiado tarde. Desde luego, el final es digno de él: durante un concierto y totalmente caótico, parece sacado de una comedia de humor negro. Seguramente se habrá reido mucho, dondequiera que esté...   Este álbum recoge en 2 discos sus dos grandes recopilatoris vol. 1 y vol 2 que aparecieron únicamente en vinilo.  Sin duda un disco imprescindible. Precintado de fábrica!! Disc: 1 1. Je T'aime 2. Ska Fever 3. Hello Baby 4. Up With The Cock 5. Phoenix City 6. Bring Back The Skins 7. The Winkle Man 8. Big 6 9. Rudy (A Message To You) 10. Jamaica Jerk Off 11. Dread Rock 12. Rub A Dub 13. Lovers Rock 14. Big 9 Disc: 2 1. Big Eight 2. Fatty Dread 3. Reggae And Ska 4. Will I What 5. Al Capone 6. Y Viv A Suspenders 7. Dreads Law 8. All In The Mind 9. Deception 10. Come Outside 11. Big One 12. Take It Easy 13. Molly 14. Mary Ann

TREN - CAMINANDO / ES ASI (SG 1972) PAPAGAYO (((ESCUCHA))) TREN - CAMINANDO / ES ASI (SG 1972) PAPAGAYO (((ESCUCHA))) TREN (ESP) SG - Sello Columbia ESP 1972 Canciones: caminando / es asi rare spanish sunshine pop soul a-la Papagayo compilation with bongos break. 'Es Asi' is a straight rocker number [Estado Disco/Portada] VG-/G plays very clean with light scuffs that click here and there. Also ultra light dish warp but not really noticeable when you play it, record lays totally flat on the slipmat. Moderate ringwear, top seam split and selo tape marks on borders [Escucha] ((LISTEN A&B)) Todos los discos son primeras ediciones originales, excepto los reseñados como reedición All records are original first pressings, except those noted as reissue Graduación EX.: sin ruido, sin marcas VG.: algo de ruido, poco o nada molesto, algunas marcas G.: ruido molesto y marcas profundas  

VVAA 12 CARAS DE EXITOS - THE PIPE, PROYECTO A, LOS RELAMPAGOS, ETC (LP 1970) (((ESCUCHA))) VVAA 12 CARAS DE EXITOS - THE PIPE, PROYECTO A, LOS RELAMPAGOS, ETC (LP 1970) (((ESCUCHA))) VVAA 12 CARAS DE EXITOS (ESP) LP - Sello RCA Victor ESP 1970 Canciones: the Pipe, Proyecto A, Los Relampagos, etc compilation with three rare tracks to find in it: The Pipe reggae style cover of 'Proud Mary', Los Relampagos 'Sobre el Anden' and Proyecto A 'A Pluton'. The last one is really rare to find on single and much rarer in their sole LP. Studio group leadered by Frank David (Frank Dube), mad mad soul funk soundtrack for the planet/god Pluton [Estado Disco/Portada] VG+/EX glossy, plays like new, some light scuffs dnap. Sticker residue on cover [Escucha] ((LISTEN A&B (·))) Todos los discos son primeras ediciones originales, excepto los reseñados como reedición All records are original first pressings, except those noted as reissue Graduación EX.: sin ruido, sin marcas VG.: algo de ruido, poco o nada molesto, algunas marcas G.: ruido molesto y marcas profundas    

SWEET SENSATION - MR COOL (LP 1975) (((ESCUCHA))) SWEET SENSATION - MR COOL (LP 1975) (((ESCUCHA))) SWEET SENSATION (USA) LP - Sello Pye ESP 1975 Canciones: mr cool excellent soul disco stuff. Spanish issue in pristine condition [Estado Disco/Portada] EX-/VG+ shiny, like new! Cover in near EX condition too   Todos los discos son primeras ediciones originales, excepto los reseñados como reedición All records are original first pressings, except those noted as reissue Graduación EX.: sin ruido, sin marcas VG.: algo de ruido, poco o nada molesto, algunas marcas G.: ruido molesto y marcas profundas Haz click en la imagen para agrandar