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THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable RARA 1ª EDIC. ORIG. CONTIENE EL ENCARTE INTERIOR... todo un musico legendario,,un superviviente, uno de los tipos con mas gusto musical de todos los tiempos..!! lider y fundador de los byrds, aqui lo tienes en solitario,acompañado por musicos increibles que consiguen redondear su lp debut en solitario. TODO EN IMPECABLE CONDICION. !!! NUESTRA MEJOR COPIA HASTA LA FECHA bonito debut en solitario de Roger McGuinn qué me fascina. The Byrds habían echado el cierre de una manera ya más bien lánguida, porque todo acaba estropeándose, y este jefe de operaciones enorme quiso refrendar su apabullante pedigrí haciendo lo que le dio la real gana. Impresiona la facilidad con la que, en aquellos aún iniciales años setenta, este hombre podía tirar de agenda. La armónica que abre la inaugural ‘I’m so restless’, sin ir más lejos, corresponde a un tal Dylan, mientras que el saxofonista que irrumpe para alborotar el canónico folk-rock de ‘My new woman’ es cortesía del mismísimo Charles Lloyd. No se detienen ahí las sorpresas: ‘Draggin’ no es solo un evidente tributo a los Beach Boys, sino que las armonías las aporta Bruce Johnston, uno de los Chicos de la Playa. ‘Time cube’ mira hacia la tradición más pura de estrofa repetida, aunque extrañamente coloreada con un sintetizador Moog. Pero es de autoría propia, a diferencia del epílogo del álbum, la célebre tonada tradicional ‘The water is wide’. El modo más campestre, con ‘slide’ de por medio, le sirve a ‘Bag full of money’ para abrir la cara B, donde a su vez se cuela el desmadre fronterizo de ‘Mi linda’ o el ‘blues’ a la vieja usanza de ‘Hanoi Hannah’. Y es toda esa mezcolanza, su permanente carácter híbrido, las decisiones extrañas (el coro infantil de ‘Stone’), lo que quizá no hiciese de este LP un referente de su década. Y eso, a pesar de que piezas como ‘Lost my drivin’ wheel’ revivieran todo el músculo y la chispa de los mejores Byrds. Aquellos que fueron, y siempre serán, puritita gloria. Bob Dylan - harmonica Gene Clark - vocals David Crosby - guitar,harmony vocals Chris Hillman - bass Leland Sklar - bass David Vaught - bass Chris Ethridge - bass Bruce Johnston - piano, harmony vocals Spanky McFarlane - vocals Mike Wofford - piano Charles Lloyd - sax Hal Blane - percussion John Guerin - drums Jim Gordon - drums Michael Clarke - drums Jerry Cole - guitar Buddy Emmons - steel guitar Spooner Oldham - keyboards Charles Lloyd - saxophone The Jimmy Joyce Children Chorus - vocals     I'm So Restless My New Woman Lost My Drivin' Wheel Draggin' Time Cube Bag Full of Money Hannoi Hannah Stone Heave Away M'Linda The Water Is Wide Roger McGuinn's 1973 self-titled solo debut was in most respects a breath of fresh air after the final days of the Byrds, in which the group was floundering in directionless mediocrity. In a sense, it's a back-to-basics album that emphasizes much of what McGuinn does so well: his forceful reedy vocals, his guitar playing, and his skills at both writing earnest folk-rock material (usually with future Bob Dylan collaborator Jacques Levy here) and interpreting unusual traditional and contemporary songs. Never was it folkier than on the acoustic "I'm So Restless," which benefited from harmonica by Dylan himself (about whom the song was partially about). All four of the other original Byrds play on "My New Woman," which is virtually a reunion of the original quintet, with the addition of saxophone by jazzman Charles Lloyd; David Crosby makes unobtrusive cameos on some other tracks. As likable as it is, however, the album isn't an unqualified triumph. Some of the songs aren't so hot, some of the Moog synthesizer (by McGuinn) is unnecessary, his vocals sometimes seem to have been recorded with too much brittleness, and none of this is as good as the best of the Byrds. Unexpected influences make themselves heard in the Beach Boys harmonies of "Draggin'" (with Bruce Johnston of the Beach Boys on piano and backup harmonies), the Vietnam blues of "Hanoi Hannah," and the gospel-rock of "Stone." The 2004 CD reissue adds two previously unissued bonus tracks: a solo acoustic cover of the traditional folk song "John, John" and a less pleasing cover of Jackson Browne 's "Jamaica, Say You Will." It also has historical liner notes with plenty of quotes on the sessions and songs from McGuinn himself. ~ Richie Unterberger, All Music Guide

SINGLE TED MAURI & TONY THREEMAN - MR. BEANETS - SONIC 1988 - DISCO PROMOCIONAL. SINGLE TED MAURI & TONY THREEMAN - MR. BEANETS - SONIC 1988 - DISCO PROMOCIONAL. SINGLE TED MAURI & TONY THREEMAN - MR. BEANETS. DISCO PROMOCIONAL. SONIC - HIT-SG-001. DEPÓSITO LEGAL:  B - 14.459 - 1988. CARA A:  MR. BEANETS. EL VINILO ESTÁ MUY BIEN CONSERVADO, PRÁCTICAMENTE NUEVO. LA CARÁTULA ESTÁ BIEN CONSERVADA. NO HA SIDO ESCUCHADO PARA SER COMPROBADO. PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA DE UNICAJA O GIRO DIRECTO A TRAVÉS DE CORREOS. NO SE ACEPTA CONTRA REEMBOLSO. NO TRABAJAMOS CON PAYPAL.   SINGLE TED MAURI & TONY THREEMAN - MR. BEANETS. PROMOTIONAL DISC. SONIC - HIT-SG-001. LEGAL DEPOSIT: B - 14,459 - 1988. FACE A: MR. BEANETS. THE VINYL IS VERY WELL CONSERVED, PRACTICALLY NEW. THE SCALE IS WELL PRESERVED. HAS NOT BEEN HEARD TO BE CHECKED. PAYMENT BY ACCOUNT, TRANSFER IN BANK ACCOUNT OF UNICAJA OR DIRECT ROUND THROUGH MAILS. IT IS NOT ACCEPTED AGAINST REFUND. WE DO NOT WORK WITH PAYPAL.  

MAXI SINGLE ABC - ONE BETTER WORLD MAXI SINGLE ABC - ONE BETTER WORLD MAXI SINGLE ABC - ONE BETTER WORLD. CARA A:  ONE BETTER WORLD (CLUB MIX). CARA B:  ONE BETTER WORLD (GARAGE MIX) - ONE BETTER WORLD (PERCAPELLA MIX). PHONOGROM 1989. EL VINILO ESTÁ MUY BIEN CONSERVADO, CON POCAS SEÑALES DE USO. LA CARÁTULA ESTÁ BIEN CONSERVADA, CON POCAS SEÑALES DE USO. EN LA PARTE SUPERIOR DERECHA TIENE UNA MUESCA (VER FOTOS). PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   MAXI SINGLE ABC - ONE BETTER WORLD. FACE A: ONE BETTER WORLD (CLUB MIX). FACE B: ONE BETTER WORLD (GARAGE MIX) - ONE BETTER WORLD (PERCAPELLA MIX). PHONOGROM 1989. THE VINYL IS VERY WELL PRESERVED, WITH FEW SIGNS OF USE. THE COVER IS WELL PRESERVED, WITH FEW SIGNS OF USE. IN THE UPPER RIGHT PART IT HAS A NOTCH (SEE PHOTOS). PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.

BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS. CARA A:  HEAT WAVE - WHY - RUN FROM LOVE. CARA B:  HARD RAIN - SMALLTOWN BOY - JUNK. MCA RECORDS 1985. MCA - 39038. EL VINILO ESTÁ MUY BIEN CONSERVADO, CON POCAS SEÑALES DE USO. LA CARÁTULA ESTÁ BIEN CONSERVADA, CON POCAS SEÑALES DE USO. EN LA PARTE INFERIOR TIENE UNA MUESCA (VER FOTOS). PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   BRONSKI BEAT - HUNDREDS & THOUSANDS - THE REMIX PLUS. FACE A: HEAT WAVE - WHY - RUN FROM LOVE. FACE B: HARD RAIN - SMALLTOWN BOY - JUNK. MCA RECORDS 1985. MCA - 39038. THE VINYL IS VERY WELL PRESERVED, WITH FEW SIGNS OF USE. THE COVER IS WELL PRESERVED, WITH FEW SIGNS OF USE. AT THE BOTTOM IT HAS A NOTCH (SEE PHOTOS). PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.

LP METAL EXPLOSION VOL. 2 - FROM THE FRIDAY ROCK SHOW LP METAL EXPLOSION VOL. 2 - FROM THE FRIDAY ROCK SHOW LP METAL EXPLOSION VOL.2 - FROM THE FRIDAY ROCK SHOW. CARA A:  WHAT YOU'RE DOING TO ME - DON'T YOU EVER LEAVE - EYE OF THE STORM - DANCE OF THE MUSIC. CARA B:  ONE HELL OF A NIGHT - EDGE OF THE WORLD - BELFAST - CUTTIN' LOOSE. DIAL DISCOS 1982. EL VINILO ESTÁ MUY BIEN CONSERVADO, CON POCAS SEÑALES DE USO. LA CARÁTULA ESTÁ BIEN CONSERVADA, AUNQUE CON ALGUNAS SEÑALES DEL USO, LAS ESQUINAS ESTÁN ALGO ROZADAS (VER FOTOS). PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   LP METAL EXPLOSION VOL. 2 - FROM THE FRIDAY ROCK SHOW. CARA A: WHAT YOU'RE DOING TO ME - DON'T YOU EVER LEAVE - EYE OF THE STORM - DANCE OF THE MUSIC. FACE B: ONE HELL OF A NIGHT - EDGE OF THE WORLD - BELFAST - CUTTIN 'LOOSE. DIAL DISCOS 1982. THE VINYL IS VERY WELL PRESERVED, WITH FEW SIGNS OF USE. THE COVER IS WELL PRESERVED, ALTHOUGH WITH SOME SIGNS OF USE, THE CORNERS ARE SOME SCRATCHED (SEE PHOTOS). PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.

MAXI SINGLE THE WEATHERMEN - BANG! MAXI SINGLE THE WEATHERMEN - BANG! MAXI SINGLE THE WEATHERMEN - BANG! CARA A:  BANG!. CARA B:  BANG! (LICHTENSTEIN VERSION). NUEVOS MEDIOS, S.A. DEPÓSITO LEGAL:  M - 7.172 - 1989. EL VINILO ESTÁ MUY BIEN CONSERVADO, PRÁCTICAMENTE NUEVO. LA CARÁTULA ESTÁ MUY BIEN CONSERVADA. PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   MAXI SINGLE THE WEATHERMEN - BANG! FACE A: BANG !. FACE B: BANG! (LICHTENSTEIN VERSION). NUEVOS MEDIOS, S.A. LEGAL DEPOSIT: M - 7.172 - 1989. THE VINYL IS VERY WELL PRESERVED, PRACTICALLY NEW. THE COVER IS VERY WELL PRESERVED. PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.

LP SCHOOL OF FISH - CAPITOL 1992 LP SCHOOL OF FISH - CAPITOL 1992 LP SCHOOL OF FISH. CARA A:  INTRO - STRANGE DAYS - TALK LIKE STRANGERS - DEEP END - KING OF THE DOLLAR - SPEECHLESS. CARA B:  WRONG - ROSE COLORED GLASSES - UNDER THE MICROSCOPE - FELL - EUPHORIA. CAPITOL RECORDS - 33 R.P.M. DEPÓSITO LEGAL:  M - 11.231 - 1992 EL VINILO ESTÁ MUY BIEN CONSERVADO, PRÁCTICAMENTE NUEVO. LA CARÁTULA ESTÁ MUY BIEN CONSERVADA. PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   LP SCHOOL OF FISH. FACE A: INTRO - STRANGE DAYS - TALK LIKE STRANGERS - DEEP END - KING OF THE DOLLAR - SPEECHLESS. FACE B: WRONG - ROSE COLORED GLASSES - UNDER THE MICROSCOPE - FELL - EUPHORIA. CAPITOL RECORDS - 33 R.P.M. LEGAL DEPOSIT: M - 11.231 - 1992 THE VINYL IS VERY WELL PRESERVED, PRACTICALLY NEW. THE COVER IS VERY WELL PRESERVED. PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.

Lou Reed *2LP 180g Vinilos transparentes * Winter At The Roxy - The 1976 L.A. Broadcast * Precintado Lou Reed *2LP 180g Vinilos transparentes * Winter At The Roxy - The 1976 L.A. Broadcast * Precintado Grabación directa de radio de 1976 inédita. Retransmisión en vivo a principios de 1976 desde el legendario Roxy Theatre de Los Ángeles por la radio KMET FM de esa ciudad, esta obra captura al ex líder de Velvet Underground, Lou Reed,  interpretando una selección de ocho canciones de algunos de sus mejores trabajos que había lanzado. a esa coyuntura. Con un sublime I m Waiting For The Man que se remonta al primer álbum de VU, Lisa Says, una canción escrita en una época similar y de hecho tocada por los Velvet pero no editada hasta su inclusión en el primer LP epónimo en solitario de Lou en 1972, y dos cortes cada uno de Coney Island Baby del 75 de octubre (Kicks y la canción principal) y su aún por publicar Rock and Roll Heart (I Believe In Love & You Wear It So Well), un disco que no se publicó hasta octubre del 76. Sin embargo, nunca tocaría sin olvidar ... Wild Side, por lo que una interpretación de 10 minutos de esta melodía clásica proporciona el penúltimo número de esta actuación enérgica. Lou sobreviviría 37 años más después de que esta transmisión de FM se transmitiera a los oyentes del área metropolitana de Los Ángeles, y se presentara frente a los afortunados que asistieron en persona, pero su triste fallecimiento en 2013 hace que la existencia de documentos en vivo. como esta edición limitadísima a mil copias para todo el muindo en doble vinilo transparente, se hace más necesaria que nunca para ayudarnos a todos a apreciar cuán acertado estaba David Bowie en su reciente tributo a Lou cuando se pronunció; El era el Maestro.  Precintado.  DISCO 1 CARA A A1 Sweet Jane A2 I Believe In Love A3 Lisa Says DISCO 1 CARA B B1 Kicks DISCO 2 CARA C C1 I'm Waiting For The Man C2 You Wear It So Well DISCO 2 CARA D D1 Walk On The Wild Side D2 Coney Island Baby

JOY DIVISION - SUBSTANCE 1977 - 1980 - VINILO ORIGINAL NUEVOS MEDIOS 1988 JOY DIVISION - SUBSTANCE 1977 - 1980 - VINILO ORIGINAL NUEVOS MEDIOS 1988 Substance 1977-1980 es un álbum recopilatorio de la banda británica de post-punk Joy Division, publicado por Factory Records en 1988. Fue acompañado también de un recopilatorio de New Order titulado Substance. Alcanzó el puesto número 7 en las listas de ventas del Reino Unido1 y el puesto 146 en el Billboard 200. También alcanzó el puesto 15 en Nueva Zelanda y el 53 en Australia en agosto de 1988. Substance compila los cuatro sencillos lanzados por la banda que no aparecían en ningún álbum. Estos son: "Transmission", "Komakino", "Love Will Tear Us Apart" y "Atmosphere", todos con sus respectivos lados B. También recoge las canciones publicadas en los EP, el primer lanzamiento (An Ideal for Living) y dos temas publicados por Factory Records, en A Factory Sample y Earcom 2: Contradiction. El sencillo "Atmosphere" originalmente fue lanzado en Francia con el título "Licht und Blindheit" con "Dead Souls" como lado B. Después de la muerte de Ian Curtis, fue reeditado un sencillo póstumo de "She's Lost Control", el cual es una versión alternativa a la que anteriormente había sido publicada en el álbum de estudio Unknown Pleasures. El disco de vinilo omite el sencillo "Komakino". Lista de canciones: Todas las canciones compuestas por Joy Division. LP (Factory FACT 250) 1."Warsaw" – 2:25 Relanzado en An Ideal for Living 2."Leaders of Men" – 2:35 Relanzado en An Ideal for Living 3."Digital" – 2:50 Relanzado en A Factory Sample 4."Autosuggestion" – 6:08 Relanzado en Earcom 2: Contradiction 5."Transmission" – 3:36 Sencillo FAC 13 6."She's Lost Control" – 4:45 B-side del sencillo FACUS 2 "Atmosphere" 7."Incubation" – 2:52 Lado B instrumental del sencillo FAC 28 "Komakino" 8."Dead Souls" – 4:56 Lado B del single "Atmosphere" in France 9."Atmosphere" – 4:10 Sencillo FACUS 2 10."Love Will Tear Us Apart" – 3:25 sencillo FAC 23 Substance compiles the four singles released by the band that did not appear on albums - "Transmission", "Komakino", "Love Will Tear Us Apart ", and " Atmospher e" - as well as their B-sides. It also collects tracks released on extended play singles, the band's first release An Ideal for Living, and two samplers issued by Factory Records, A Factory Sample and Earcom 2: Contradiction. The single "Atmosphere" had been originally issued in France as "Licht und Blindheit" with "Dead Souls" on the B-side. Following the death of Ian Curtis, it was reissued as a posthumous B-side of the "She's Lost Control" single in an alternate version from the track that had previously appeared on Unknown Pleasures. The vinyl version omits the single "Komakino" and does not include the complete titles from the extended plays. Later CD pressings issued by London Records contain a previously unreleased mix of "She's Lost Control" that is slightly different from the original single release. More guitar is mixed within the song, the synthesizer melody is shortened and starts at a later point, and the ending of the song is extended by 15 seconds and doesn't fade out. Substance was digitally remastered in 2015 containing the alternate mix of "She's Lost Control" and two additional tracks: "As You Said" (the second b-side of Komakino) and the b-side mix of "Love Will Tear Us Apart".

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

MAXI SINGLE JAMIROQUAI - SPACE COWBOY - SONY 1994 MAXI SINGLE JAMIROQUAI - SPACE COWBOY - SONY 1994 MAXI SINGLE JAMIROQUAI - SPACE COWBOY. CARA A:  ALBUM VERSION - INSTRUMENTAL - RADIO EDIT. CARA B:  CLASSIC CLUB REMIX - BABINSTRUMENTAL - CLASSIC RADIO REMIX. SONY 1994. EL VINILO ESTÁ BIEN CONSERVADO, CON MUY POCAS SEÑALES DE USO. LA CARÁTULA ESTÁ CONSERVADA, AUNQUE CON ALGUNAS SEÑALES DEL USO (VER FOTOS). PAGO MEDIANTE INGRESO EN CUENTA, TRANSFERENCIA EN CUENTA BANCARIA O BIZUM. NO SE ACEPTA CONTRAREEMBOLSO. NO TRABAJAMOS CON PAYPAL.   MAXI SINGLE JAMIROQUAI - SPACE COWBOY. SIDE A: ALBUM VERSION - INSTRUMENTAL - RADIO EDIT. FACE B: CLASSIC CLUB REMIX - BABINSTRUMENTAL - CLASSIC RADIO REMIX. SONY 1994. THE VINYL IS WELL PRESERVED, WITH VERY FEW SIGNS OF USE. THE COVER IS PRESERVED, ALTHOUGH WITH SOME SIGNS OF USE (SEE PHOTOS). PAYMENT THROUGH ACCOUNT DEPOSIT, BANK ACCOUNT TRANSFER OR BIZUM. NO CASH AGAINST ACCEPTED. WE DO NOT WORK WITH PAYPAL.

NEW COOL COLLECTIVE ELECTRIC MONKEY SESSIONS Edición Ltd Vinilo Rojo y Dorado 300 copias NUEVO NEW COOL COLLECTIVE ELECTRIC MONKEY SESSIONS Edición Ltd Vinilo Rojo y Dorado 300 copias NUEVO NEW COOL COLLECTIVE ELECTRIC MONKEY SESSIONS Limited Edition 300 copies 180g Red & Gold Audiophile  Vinyl  LP Music On Vinyl New and Sealed     NEW COOL COLLECTIVE ELECTRIC MONKEY SESSIONS Edición Ltd 300 copias Vinilo Rojo y Dorado 180g  Audiófilo LP Music On Vinyl Nuevo y Precintado       DESCRIPTION: The Netherlands 2017 Music On Vinyl  Music On Vinyl  MOVLP1315      New Cool Collective's fifteenth album Electric Monkey Sessions refers to the sound studio in Amsterdam where the recordings were made. They have drawn inspiration from Senegalese Orchestra Baobab, as well as psychedelic cumbia, Cape Town, Italian cinema and many major jazz heroes. Electric Monkey Sessions also features two unique tracks recorded at a beach-side studio in Dakar with local musicians the band met on one of their many international adventures. Remastered. 180gram audiophile vinyl pressing LP. Limited Tour Edition of 300 individually numbered copies Red & Gold mixed vinyl. Includes download coupon feat bonus track "Frankie Conga". Contains insert. New and Factory sealed.     DESCRIPCIÓN: Países Bajos   2017 Music On Vinyl  MOVLP1315    New Cool Collective es una banda holandesa surgida en 1993 de la colaboración del saxofonista Benjamin Herman y el DJ Graham B. Si álbum nº 15. “Electric Monkey Sessions”, debe su título al nombre de los estudios Elewctric Monkey de Amsterdam donde el disco fue grabado. New Cool Collective tienen variadas influencias, desde la Senegalese Orchestra Baobab, pasando por la cumbia psicodélica, el cine italiano y muchos héroes importantes del jazz. “Electric Monkey Sessions” incluye también  dos temas exclusivos grabados en Dakar con músicos locales. Edición remasterizada. Edición Tour limitada a exclusivamente 300 copias prensadas en vinilo de 180 gramos en una mezcla de color Rojo y Dorado. Individualmente numerado. El número de copia que aparece en la fotografía de la contraportada no tiene por qué corresponder con el de la copia en venta. Incluye encarte y un cupón de descarga del tema "Frankie Conga". Sonido audiófilo.  Nuevo y Precintado de fábrica.     Track Listing: SIDE A 1. RANTANPLAN  2. CUMBIA YAYA  3. CINECITTÀ  4. CINQUILLO  5. PASILLO SIDE B 1. MONO ELÉCTRICO  2. RUMBÓN  3. THIERNO  4. SA JIKKO JII  5. CASA DI MANSA     ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)   

GEORGE DUKE: THIEF IN THE NIGHT [DEU 1985] LP GEORGE DUKE: THIEF IN THE NIGHT [DEU 1985] LP (Elektra)  1985  made in Germany cat. num.  960 398-1 #funk  #jazz funk  #disco   A1 I Surrender 3:32 A2 Thief In The Night 4:47 A3 Remembering The Sixties 4:34 A4 We're Supposed To Have Fun 4:25 B1 Ride 3:54 B2 Love Mission 4:24 B3 Jam 5:11 B4 Why 4:12 B5 La La   3:37   Duke  began the '80s with the first Clarke/Duke Project recording (with bassist  Stanley Clarke) that netted his own number Top 20 crossover hit, "Sweet Baby" (number 19 Pop, number 6 R&B). He also released the solo works  Dream On,  Guardian of the Light, and  Rendezvous  as well as another Clarke/Duke Project album before leaving Epic for Elektra in 1984. There he recorded  Thief in the Night,  George Duke, and  Night After Night.  Duke 's music delighted mainstream audiences and crossed over from pop to adult contemporary to the R&B charts effortlessly.

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PLACIDO DOMINGO ··· Adoro / Serenata tapatia - (Single 45 rpm) PLACIDO DOMINGO ··· Adoro / Serenata tapatia - (Single 45 rpm) PLACIDO DOMINGO A: Adoro B: Serenata tapatia Esta muy bien conservado, tanto de portada como de vinilo. Editado en 1982, CBS A-2069. Very well conserved (vinyl and cover). Year 1982, CBS A-2069. ·· I accept the payment for PAYPAL / Bank transfer.