Feels like first time

SINITTA - Feels Like The First Time - SINGLE 1986 - FONOMUSIC SINITTA - Feels Like The First Time - SINGLE 1986 - FONOMUSIC

PLATTERS - VOLADORES -, EP, TWILIGHT TIME + 3, AÑO 1959 PLATTERS - VOLADORES -, EP, TWILIGHT TIME + 3, AÑO 1959 LOS PLATTERS, EP, TWILIGHT TIME + FOR THE FIRST TIME + DON´T BLAME ME + BUT NOT LIKE YOU, AÑO 1959, MERCURY MG 10.069 VINILO EN BUEN ESTADO los gastos de envio por correo ordinario son. s 1 disco EP, 1,80 euros de 2 a 6 discos EP, 3 euros  

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

The Alan Parsons Project – I Robot -LP / Spain- The Alan Parsons Project – I Robot -LP / Spain-   The Alan Parsons Project  – I Robot Label: Arista  – 201 148-I Format: Vinyl, LP, Album, Reissue,  Gatefold Country: Spain Released: 1980 Genre: Electronic,  Rock Style: Art Rock,  Synth-pop,  Prog Rock,  Symphonic Rock Tracklist A1   I Robot 6:06 A2   I Wouldn't Want To Be Like You 3:19 A3   Some Other Time 4:05 A4   Breakdown 3:50 A5   Don't Let It Show 4:21 B1   The Voice 5:21 B2   Nucleus 3:35 B3   Day After Day (The Show Must Go On) 3:43 B4   Total Eclipse 3:05 B5   Genesis Ch.1. V.32 3:37   Companies, etc. Record Company  –  Ariola Eurodisc S.A. Recorded At  –  Abbey Road Studios Mixed At  –  Abbey Road Studios Printed By  –  Iberofon, S.A. Printed By  –  Indugraf Madrid, S.A. Credits Acoustic Guitar  –  Alan Parsons,  David Paton,  Ian Bairnson Arranged By [Orchestra, Choir], Conductor  –  Andrew Powell Bass  –  David Paton Chorus Master  –  Bob Howes * Cimbalom, Kantele  –  John Leach Contractor [Orchestral]  –  David Katz Design [Cover], Photography  –  Hipgnosis (2) Design [Robot]  –  George Hardie Drums, Percussion  –  Stuart Tosh Electric Guitar  –  Ian Bairnson Engineer  –  Alan Parsons Engineer [Assistant]  –  Chris Blair,  Pat Stapley Executive-Producer  –  Eric Woolfson Illustration  –  Richard Manning (3) Keyboards  –  Alan Parsons,  Duncan Mackay,  Eric Woolfson Mastered By  –  Chris Blair Producer  –  Alan Parsons Steel Guitar  –  B.J. Cole * Synthesizer [Projectron], Vocoder  –  Alan Parsons,  Eric Woolfson Vocals  –  Allan Clarke,  Dave Townsend,  Jack Harris,  Jaki Whitren,  Lenny Zakatek,  Peter Straker,  Steve Harley Vocals [Additional]  –  Alan Parsons,  David Paton,  Hilary Western,  Ian Bairnson,  John Perry (7),  The New Philharmonia Chorus *,  Smokey Parsons,  Stuart Calver,  Stuart Tosh,  The English Chorale,  Tony Rivers Written-By  –  Alan Parsons  (tracks: A1 to B3, B5),  Andrew Powell  (tracks: B4),  Eric Woolfson  (tracks: A1 to B3, B5) Notes I Robot... The story of the rise of the machine and the decline of man, which paradoxically coincided with his discovery of the wheel... And a warning that his brief dominance of this planet will probably end, because man tried to create a robot in his own image. Recorded & mixed at Abbey Road Studios, London, between December 1976 & March 1977. Special thanks to Mickey Shapiro, Bob Britton, Mike King, Eric Prince, John Wallace and all at Abbey Road. Seems a reissue using pressed copies from the first Spanish issue. On labels: Made in Spain. EMI-Odeon, S.A. Depósito Legal: B-30024-1977 // 10 C 066-99.168 On back sleeve: Ariola Eurodisc S.A. Calle Aragón, 204 - Barcelona-11 (España) T.G. Hostench, S.A. - Córcega, 231-233 - Barcelona (36) 1982 Barcode and Other Identifiers Matrix / Runout (Side A): E 201.48-A 2N Matrix / Runout (Side B): I 201.148-B 2N DM Rights Society: S.G.A.E. Depósito Legal: B-3.339-1980