From and one nights

CD. Film Music From Hamlet. King Lear. Five Days And Five Nights. SHOSTAKOVICH. SEREBRIER CD. Film Music From Hamlet. King Lear. Five Days And Five Nights. SHOSTAKOVICH. SEREBRIER

WHITE ZOMBIE. THE ONE. CD MAXI LAVA. GERMANY 1996. JOHN CARPENTER. ESCAPE FROM L.A. WHITE ZOMBIE. THE ONE. CD MAXI LAVA. GERMANY 1996. JOHN CARPENTER. ESCAPE FROM L.A. CD MAXI   LAVA  ATLANTIC   7567-85453-2.       MADE IN GERMANY   1996. THE ONE performed by WHITE ZOMBIE. From the Lava album MUSIC FROM AND INSPIRED BY JOHN CARPENTER'S ESCAPE FROM L.A. CD CON 4 TEMAS DE WHITE ZOMBIE, CIV Y SUGAR RAY. CAJA CON SEÑALES NORMALES DE USO, ENCARTE EN BUEN ESTADO SIN MARCAS, CD EN BUEN ESTADO GENERAL CON SEÑALES LIGERAS DE USO.  

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

- LOS DE TAURO. THE NUMBER ONE FROM PARAGUAY. ZAFIRO ESPAÑA 1972 - LOS DE TAURO. THE NUMBER ONE FROM PARAGUAY. ZAFIRO ESPAÑA 1972 LOS DE TAURO THE NUMBER ONE FROM PARAGUAY ZAFIRO ESPAÑA 1972 ESTADO DEL DISCO: DISCO: VG , CUBIERTA: VG  ANTE CUALQUIER DUDA, RESPONDERÉ GUSTOSAMENTE          *SE COMBINAN GASTOS DE ENVIO, POR LA COMPRA DE VARIOS ARTÍCULOS* POR FAVOR LEE DETENIDAMENTE EL ANUNCIO Y PUJA Ó COMPRA SOLAMENTE SI ESTAS INTERESADO POR EL ARTICULO Y VAS A LLEGAR HASTA EL FINAL DE LA TRANSACIÓN. NO SE ACEPTA EL PAGO CONTRAREEMBOLSO. GASTOS DE ENVÍO: SE BUSCARÁ LA OPCIÓN MÁS ECONÓMICA (consultar --- PARA CONSULTAR SIGNIFICADO DE LAS LETRAS DEL ESTADO --- MINT (M): Vinilo y portada están nuevos, sin usar y en perfecto estado. NEAR MINT (NM): Como nuevo, en muy buenas condiciones, casi perfecto. EXCELLENT (EX): Está usado, pero no hay prácticamente marcas superficiales en el vinilo, ni rozaduras ni desgastes en la portada. VERY GOOD (VG): Vinilo bastante usado, pero el estado es bueno. Algunas marcas superficiales en el vinilo y en la portada puede haber roces, restos de etiquetas adhesivas, algunas señales o alguna mancha. GOOD (G): Muy usado y con bastantes marcas superficiales en el vinilo, que no suelen afectar al sonido. En la portada suele haber roces, restos de etiquetas adhesivas, marcas ó algunas manchas.  MINT (M):  The record and the sleeve are new, and in perfect conditions. Sealed or unplayed. NEAR MINT (NM): The record and the sleeve as new, are almost in perfect conditions. EXCELLENT (EX): The record shows some signs of having been played. The lessening there is very little in the sound quality. The sleeve might have slight wear. VERY GOOD (VG): Vinyl widely used, but the state is good. Some marks on the vinyl surface. In the cover may have remains of stickers, signs or stain. Displays no major deterioration in sound quality. Surface marks and is posible light scratch. GOOD (G):The record has been very used and, the sound quality is so much deteriorated, perhaps with some distortion and mild scratches. In the cover have remains of stickers, signs or stains and may have discoloured.

BOB DYLAN – BLOOD ON THE TRACKS One Step Master MFSL 45RPM 2LP Box Nuevo y Precintado BOB DYLAN – BLOOD ON THE TRACKS One Step Master MFSL 45RPM 2LP Box Nuevo y Precintado BOB DYLAN BLOOD ON THE TRACKS One Step Original Master Recording 180g 2LP 45rpm MFSL Edición Limitada y Numerada Nuevo y Precintado DESCATALOGADO     BOB DYLAN BLOOD ON THE TRACKS One Step Original Master Recording 180g 2LP 45rpm MFSL Numbered Limited Edition New and Sealed OUT OF PRINT     DESCRIPCIÓN: US 2019 Mobile Fidelity Sound Lab  UD1S 2-006   La revista Rolling Stone incluyó este álbum en su lista de los 500 mejores álbumes de todos los tiempos (461/500).   Bob Dylan estuvo en varias encrucijadas a mediados de los años 70. Artísticamente, se le dio por perdido en gran parte  por haber pasado su mejor momento. Emocionalmente, estaba sufriendo un doloroso divorcio de su entonces esposa Sara Lowndes. Creativamente, Dylan parecía estar  en un punto muerto. Las décadas anteriores de brillantez transformacional parecían haber terminado. Luego llegó Blood on the Tracks. El álbum representa un ciclo de principio a fin y documenta la búsqueda, el conflicto y la pérdida de una mujer por parte de su amante. Este vigoroso e íntimo esfuerzo de 1975 sigue siendo uno de los álbumes sobre una ruptura más completos jamás realizados.   Características: • Edición Limitada y Numerada Manualmente: estrictamente limitada a solo 9000 copias.   • El número de la copia que se muestra en la foto de la contraportada no necesariamente debe corresponder con el número de la copia actual en venta.   • MoFi SuperVinyl Pressing.   • UltraDisc One-Step.   • Edición Speed de 45rpm.   • Caja de 2LP.   • Fiel a los gráficos originales.   • Producción y masterización por Mobile Fidelity Sound Lab.   • Nuevo y Precintado de Fábrica.   DESCATALOGADO     DESCRIPTION: US 2019 Mobile Fidelity Sound Lab  UD1S 2-006   Ranked #117 on Rolling Stone's 500 Greatest Albums of All Time List.   Bob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime.Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decades unprecedented run of transformational brilliance finished. Then came Blood on the Tracks. A start-to-finish cycle that documents a lovers pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made.       Features:   • Hand Numbered, Limited Edition – Strictly limited to only 9000 Copies.   • The copy number shown in the photo of the back cover does not necessarily have to correspond to the number of the current copy for sale.   • MoFi SuperVinyl Pressing.   • UltraDisc One-Step.   • 45rpm Speed Edition.   • 2LP Box Set.   • Housed in an opulent box.   • Faithful to original graphics.   • Production and Mastering by Mobile Fidelity Sound Lab.   • New and Factory sealed.   • SOLD OUT!     Track Listing:   SIDE A   1. TANGLED UP IN BLUE   2. SIMPLE TWIST OF FATE   SIDE B   1. YOU’RE A BIG GIRL NOW   2. IDIOT WIND   3. YOU’RE GONNA MAKE ME LONESOME WHEN YOU GO   SIDE C   1. MEET ME IN THE MORNING   2. LILY, ROSEMARY AND THE JACK OF HEARTS   SIDE D   1. IF YOU SEE HER, SAY HELLO   2. SHELTER FROM THE STORM   3. BUCKETS OF RAIN              ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)     

Atlantic Gold: 75 Soul Classics from the Atlantic Vaults - Caja con 3 CD Atlantic Gold: 75 Soul Classics from the Atlantic Vaults - Caja con 3 CD Atlantic Gold: 75 Soul Classics from the Atlantic Vaults. Box set con 3 CD contenidos en cajas de plástico extrafinas. Atlantic/WEA, 2004. El set contiene una amplia selección de temas provenientes de los archivos del sello Atlantic, abarcando el periodo 1952-1974, interpretados por artistas de la talla de Ruth Brown, Ray Charles, Otis Redding, Wilson Picket, Aretha Franklin y muchos más. Incluye libreto de 8 páginas con amplia información (en inglés). Condición de los discos y cajas individuales: todo como nuevo, los discos no muestran el menor desperfecto bajo cualquier ángulo de luz. Condición del libreto: excelente, doblez mínimo en una esquina. Condición del estuche exterior: muy buena, presenta rozamientos en las esquinas y dobleces en los remates de la solapa de cierre (ver fotos). Envío gratuito a península. Consulta los demás artículos que tengo a la venta. Track listing CD1: –Ruth Brown 5-10-15 Hours –The Clovers One Mint Julep –Joe Turner* Shake, Rattle And Roll –The Drifters With Clyde McPhatter Money Honey –Ray Charles I've Got A Woman –LaVern Baker Tweedle Dee –The Chords Sh-Boom –The Drifters Ruby Baby –Ruth Brown Lucky Lips –Chuck Willis It's Too Late –Ray Charles (Night Time Is) The Right Time –The Coasters Poison Ivy –Ben E. King Spanish Harlem –Carla Thomas B-A-B-Y –Clyde McPhatter A Lover's Question –The Drifters There Goes My Baby –Solomon Burke If You Need Me –LaVern Baker See See Rider –The Coasters Yakety Yak –The Mar-Keys Last Night –Ray Charles What'd I Say (Parts I & II) –The Drifters Up On The Roof –Ben E. King Stand By Me –Esther Phillips And I Love Him –Doris Troy Just One Look –Otis Redding These Arms Of Mine CD2: –The Drifters On Broadway –Booker T & The MG's Green Onions –Wilson Pickett Land Of 1000 Dances –Solomon Burke Everybody Needs Somebody To Love –Rufus Thomas Walking The Dog –Otis Redding I've Been Loving You Too Long –The Drifters Under The Boardwalk –Sam & Dave You Don't Know Like I Know –Don Covay Seesaw –Wilson Pickett In The Midnight Hour –The Drifters Saturday Night At The Movies –The Capitols Cool Jerk –Sam & Dave When Something Is Wrong With My Baby –Barbara Lewis Baby, I'm Yours –Percy Sledge When A Man Loves A Woman –Aretha Franklin (You Make Me Feel Like) A Natural Woman –Otis Redding Try A Little Tenderness –Wilson Pickett Mustang Sally –Eddie Floyd Knock On Wood –Sam & Dave Hold On I'm Coming –Aretha Franklin Chain Of Fools –Arthur Conley Sweet Soul Music –The Bar-Kays Soul Finger –Joe Tex Show Me –Aretha Franklin Respect –Otis Redding (Sittin' On) The Dock Of The Bay CD3: –Sam & Dave Soul Man –Aretha Franklin Think –King Curtis Memphis Soul Stew –Otis Redding & Carla Thomas Tramp –Archie Bell & The Drells Tighten Up –Aretha Franklin Do Right Woman - Do Right Man –William Bell A Tribute To A King –Brook Benton Rainy Night In Georgia –Clarence Carter Slip Away –Donny Hathaway The Ghetto –The Beginning Of The End Funky Nassau (Pt. 1) –The Spinners Ghetto Child –Archie Bell & The Drells Here I Go Again –Aretha Franklin Rock Steady –The Persuaders Thin Line Between Love And Hate –Betty Wright Clean Up Woman –The Spinners* Could It Be I'm Falling In Love –Blue Magic Sideshow –The Spinners I'll Be Around –Major Harris Love Won't Let Me Wait –Bettye Swann Kiss My Love Goodbye –Ben E. King Supernatural Thing (Pt. 1) –Aretha Franklin Until You Come Back To Me (That's What I Am Going To Do)

Pearl Bailey – The One And Only Pearl Bailey Sings, 1ª Edicion UK 1957 Mercury Pearl Bailey – The One And Only Pearl Bailey Sings, 1ª Edicion UK 1957 Mercury Lista de Títulos A1   Porter’s Love Song To A Chambermaid A2   Man Is A Necessary Evil A3   The Gypsy Goofed A4   My Man A5   You Waited Too Long A6   Sweet Georgia Brown B1   Easy Street B2   I Can’t Rock And Roll To Save My Soul B3   There’s A Man In My Life B4   Everybody Loves My Baby B5   There’s Plenty More Where That Came From B6   That’s My Weakness

There were six of them - three Katherines, two Annes, and a Jane. One of them was the King's wife for twenty-four years, another for only a year and a half. One died, two were divorced, and two were beheaded. It was a dangerous, uncertain life. After the King's death in 1547, his sixth wife finds a box of old letters - one from each of the first five wives. They are sad, angry, frightened letters. They tell the story of what it was like to be the wife of Henry VIII of England.. OUP Oxford. UK. Año 2007. 1ª edición

The year is 1547. In London, two boys from different families live very different lives. One is Edward Tudor, a prince and the future King of England; the other is Tom Canty, the son of a thief. One day they meet and their lives change forever.. Macmillan. Uk. Año 2013.

When ship after ship goes down in the Atlantic, Dr Pierre Aronnax and his servant, Conseil, journey from Paris to learn more. What - or who - is attacking these ships? Aronnax, Conseil, and the Canadian, Ned Land, find the answer to this question when they meet the strange Captain Nemo. After a long journey under the sea in Nemo's submarine, the Nautilus, the doctor and his friends plan to leave for the surface. But how can they escape?. OUP Oxford. UK. Año 2010.

This is a unique and delightfully engaging account by a leading tropical biologist of doing science at one of the last wild frontiers in the world. Vojtech Novotny is a highly respected Czech scientist.. OUP Oxford. España. Año 2009. 1ª edición

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

Bertrand Russell was one of the greatest logicians since Aristotle, and one of the most important philosophers of the past two hundred years. In this thorough examination, Alan Ryan tells the story of Russell's "other life" as social critic, polemical journalist, antiwar activist, sage and gadfly, dissenting from Russell's insistence that there was no connection between his philosophical interests and his political allegiances.. Oxford University Press. UK. Año 1993.

From the bestselling author of A Week in Paris, and the Richard and Judy Bookclub pick A Place of Secrets, comes a gripping and moving story of secrets passed through the generations of one family. Simon b'&' Schuster. Usa. Año 2011. 1ª edición