From to end discografica

Atlantic Gold: 75 Soul Classics from the Atlantic Vaults - Caja con 3 CD Atlantic Gold: 75 Soul Classics from the Atlantic Vaults - Caja con 3 CD Atlantic Gold: 75 Soul Classics from the Atlantic Vaults. Box set con 3 CD contenidos en cajas de plástico extrafinas. Atlantic/WEA, 2004. El set contiene una amplia selección de temas provenientes de los archivos del sello Atlantic, abarcando el periodo 1952-1974, interpretados por artistas de la talla de Ruth Brown, Ray Charles, Otis Redding, Wilson Picket, Aretha Franklin y muchos más. Incluye libreto de 8 páginas con amplia información (en inglés). Condición de los discos y cajas individuales: todo como nuevo, los discos no muestran el menor desperfecto bajo cualquier ángulo de luz. Condición del libreto: excelente, doblez mínimo en una esquina. Condición del estuche exterior: muy buena, presenta rozamientos en las esquinas y dobleces en los remates de la solapa de cierre (ver fotos). Envío gratuito a península. Consulta los demás artículos que tengo a la venta. Track listing CD1: –Ruth Brown 5-10-15 Hours –The Clovers One Mint Julep –Joe Turner* Shake, Rattle And Roll –The Drifters With Clyde McPhatter Money Honey –Ray Charles I've Got A Woman –LaVern Baker Tweedle Dee –The Chords Sh-Boom –The Drifters Ruby Baby –Ruth Brown Lucky Lips –Chuck Willis It's Too Late –Ray Charles (Night Time Is) The Right Time –The Coasters Poison Ivy –Ben E. King Spanish Harlem –Carla Thomas B-A-B-Y –Clyde McPhatter A Lover's Question –The Drifters There Goes My Baby –Solomon Burke If You Need Me –LaVern Baker See See Rider –The Coasters Yakety Yak –The Mar-Keys Last Night –Ray Charles What'd I Say (Parts I & II) –The Drifters Up On The Roof –Ben E. King Stand By Me –Esther Phillips And I Love Him –Doris Troy Just One Look –Otis Redding These Arms Of Mine CD2: –The Drifters On Broadway –Booker T & The MG's Green Onions –Wilson Pickett Land Of 1000 Dances –Solomon Burke Everybody Needs Somebody To Love –Rufus Thomas Walking The Dog –Otis Redding I've Been Loving You Too Long –The Drifters Under The Boardwalk –Sam & Dave You Don't Know Like I Know –Don Covay Seesaw –Wilson Pickett In The Midnight Hour –The Drifters Saturday Night At The Movies –The Capitols Cool Jerk –Sam & Dave When Something Is Wrong With My Baby –Barbara Lewis Baby, I'm Yours –Percy Sledge When A Man Loves A Woman –Aretha Franklin (You Make Me Feel Like) A Natural Woman –Otis Redding Try A Little Tenderness –Wilson Pickett Mustang Sally –Eddie Floyd Knock On Wood –Sam & Dave Hold On I'm Coming –Aretha Franklin Chain Of Fools –Arthur Conley Sweet Soul Music –The Bar-Kays Soul Finger –Joe Tex Show Me –Aretha Franklin Respect –Otis Redding (Sittin' On) The Dock Of The Bay CD3: –Sam & Dave Soul Man –Aretha Franklin Think –King Curtis Memphis Soul Stew –Otis Redding & Carla Thomas Tramp –Archie Bell & The Drells Tighten Up –Aretha Franklin Do Right Woman - Do Right Man –William Bell A Tribute To A King –Brook Benton Rainy Night In Georgia –Clarence Carter Slip Away –Donny Hathaway The Ghetto –The Beginning Of The End Funky Nassau (Pt. 1) –The Spinners Ghetto Child –Archie Bell & The Drells Here I Go Again –Aretha Franklin Rock Steady –The Persuaders Thin Line Between Love And Hate –Betty Wright Clean Up Woman –The Spinners* Could It Be I'm Falling In Love –Blue Magic Sideshow –The Spinners I'll Be Around –Major Harris Love Won't Let Me Wait –Bettye Swann Kiss My Love Goodbye –Ben E. King Supernatural Thing (Pt. 1) –Aretha Franklin Until You Come Back To Me (That's What I Am Going To Do)

ERIC CLAPTON, FROM THE CRADLE, DOBLE LP, PORTADA ABIERTA, NUEVO ERIC CLAPTON, FROM THE CRADLE, DOBLE LP, PORTADA ABIERTA, NUEVO From the Cradle  es el duodécimo  álbum de estudio  del  músico   británico   Eric Clapton, publicado por la  compañía discográfica   Warner Bros. Records  en septiembre de 1994. El álbum, un disco de versiones de clásicos del  blues, supuso el sucesor del exitoso álbum en directo  Unplugged, publicado dos años antes. En sus notas, Clapton comentó: «Esta es una grabación en directo sin sobregrabaciones o ediciones, excepto por la sobregrabación de un  dobro  en "How Long Blues" y de una batería en "Motherless Child"». Aunque Clapton siempre estuvo asociado al  blues  a lo largo de su carrera,  From the Cradle  fue el primer intento del músico de grabar un álbum completamente de canciones  blues. Posteriormente publicó trabajos similares como  Riding with the King  junto a  BB King,  Me and Mr. Johnson, un tributo a  Robert Johnson, y  The Road to Escondido, una colaboración con su amigo  JJ Cale.

HUMBLE PIE / ON TO VICTORY !! BLUES ROCK.. !! STEVE MARRIOT !! ORG USA EDT !! todo impecable HUMBLE PIE / ON TO VICTORY !! BLUES ROCK.. !! STEVE MARRIOT !! ORG USA EDT !! todo impecable legendarios del mejor British Blues hard ROCK..!!! con steve marriot..vocal...nadie canta como el...un genio.!!!..ya no hay grupos asi.. ORG EDT USA, TODO EN ESTADO PRECTICAMENTE IMPECABLE !! todos los que somos seguidores de tipos incombustibles (por cierto el bueno de steve marriot se quemo en un incendio de su casa en 1991 con solo 44 años..,asi que la palabra es poco recurente y acertada)..pero un tipo asi tenia que tener un final nada normal.. su voz es la imagen de todos los vocalistas que se precien..el mismo despues de que la banda en 1975 se separara la reforma y saca este disco que con el..como puedes imaginar es una maravilla. LA BANDA SIGUE SONANDO CONTUNDENTE..SUENAN COMO UN CAÑON..DESDE LUEGO..ADEMAS CON Bobby Tench DEL Jeff Beck Group...RECOMENDABLE AL 100% !! nunca nunca nos cansaremos de escuchar esta banda..y esda voz del mas grande..steve marriot, este si que fue un cantante..imitado hasta la saciedad..que se lo pregunten a black crowes entre otros..lo dicho..IRREPETIBLES ! A1"Fool for a Pretty Face" (Marriott/Shirley) 4:12 A2"You Soppy Prat" (Marriott/Jones/Shirley) 4:08 A3"Infatuation" (Marriott) 3:45 A4"Take It from Here" (Marriott) 3:3 A5"Savin' It" (Tench/Marriott) 4:41 B1"Baby Don't You Do It" (Holland/Dozier/Holland) 3:25 B2"Get It in the End" (Marriott/Jones/Shirley) 2:41 B3"My Lover's Prayer" (Redding) 4:02 B4"Further Down the Road" (Marriott/Tench/Jones/Shirley) 4:29 B5"Over You" (Allen Orange/Clarence Toussaint) 2:22 Personnel •Steve Marriott - guitar, harmonica, keyboards, vocals •Bobby Tench - guitar, vocals •Anthony "Sooty" Jones - bass, vocals •Jerry Shirley - drums •Cheryl Ashley - backing vocals •Marge Raymond - backing vocals •Lisa Zimmerman - backing vocals

When Anaid wakes to find her mother has disappeared, she discovers why she's always felt different from everyone else. She's a witch, but not just any witch... she is the daughter of the chosen, prophesised to end a bloody war with the cruel Odish clans who are intent on attaining eternal life, at whatever cost. As Anaid struggles with this discovery and develops new powers, she will set out on a dangerous journey to rescue her mother and, ultimately, herself.. Bloomsbury.. Año 2009.

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

Iggy Pop – New Values = Nuevos Valores -LP / Spain Iggy Pop – New Values = Nuevos Valores -LP / Spain   More images Iggy Pop  – New Values = Nuevos Valores Label: Arista  – I-201144,  Arista  – I-201.144 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Spain Released: Genre: Rock Style: Garage Rock,  Classic Rock,  Glam Tracklist A1   Tell Me A Story A2   New Values A3   Girls A4   I'm Bored A5   Don't Look Down A6   The Endless Sea B1   Five Foot One B2   How Do Ya Fix A Broken Part B3   Angel B4   Curiosity B5   African Man B6   Billy Is A Runaway   Companies, etc. Made By  –  Ariola Eurodisc S.A. Distributed By  –  Ariola Eurodisc S.A. Printed By  –  Indugraf Madrid, S.A. Credits Engineer, Mixed By  –  Peter Haden Mastered By  –  Johnny Golden * Mixed By, Producer  –  James Williamson Producer  –  James Osterberg Producer [Assistant Production]  –  Lloyd Malan Notes Very similiar to  New Values = Nuevos Valores. Appears to have the same sleeve printed by Indugraf, but rimtext on labels is different: The other version has an ongoing text that starts at 6.30 and ends at 5.30, including "Fabricado en Espana por Iberofon, S.A." at the end. In addition, on this version, the ARISTA logo on labels is lacking the ™. This version has no such credit and it's text split in two, with: - one part going from 10.30 to 1.30 and reading "Editato y distribuido por Ariola-Eurodisc, S.A. Impuesto de tujo, permiso n° 8649" and - the second part going from 2 o'clock to 10 o'clock. On rear sleeve: Editado y distribuido por ARIOLA-EURODISC, S.A. Barcode and Other Identifiers Depósito Legal: B-8341-1980 Rights Society: B.I.E.M. Other (Permiso N.º): 8649

SUPERMAN BANDA SONORA ORIGINAL de JOHN WILLIAMS DISCO VINILO 2 LP COMO NUEVO SUPERMAN BANDA SONORA ORIGINAL de JOHN WILLIAMS DISCO VINILO 2 LP COMO NUEVO ENVIO PENINSULA: 7,95.-€ A PAGAR POR PAYPAL (COMO AMIGO) o TRANSFERENCIA “ DISCOS COMO NUEVOS. INCLUYE PEGATINA ORIGINAL DE SUPERMAN !!!!!!!!!! ” SUPERMAN BANDA SONORA ORIGINAL EN DISCO VINILO MUSICA de JOHN WILLIAMS, 1978 2 DISCOS COMO NUEVOS. INCLUYE PEGATINA ORIGINAL DE SUPERMAN. DIFICIL ENCONTRAR UNA BANDA SONORA TAN FAMOSA Y EN ESTE ESTADO TAN EXCELENTE   Los discos de vinilo pueden presentar imperfecciones y rayadas típicas, que no impide su reproducción. Vinyl records may have typical imperfections and scratches, which does not prevent their reproduction.   SUPERMAN SONORA ORIGINAL IN DISCO VINYL MUSICA BY JOHN WILLIAMS, 1978 2 DISCS LIKE NEW. INCLUDES ORIGINAL SUPERMAN STICKER. IT IS DIFFICULT TO FIND A SOUND BAND SO FAMOUS AND IN THIS STATE AS EXCELLENT More Images John Williams (4)  ‎– Superman - El Film (Banda Sonora Original) Label: Warner Bros. Records  ‎– S 96.006 Format: 2 ×  Vinyl, LP, Album  Country: Spain Released: 1978 Genre: Classical,  Stage & Screen Style: Soundtrack,  Neo-Romantic,  Score   Tracklist Hide Credits A1 Theme From Superman (Main Title) «Tema De Superman» / (Tema Principal) 4:24 A2 The Planet Krypton «El Planeta Krypton» 4:45 A3 Destruction Of Krypton «La Destrucción De Krypton» 5:58 A4 The Trip To Earth «El Viaje A La Tierra» 2:23 A5 Growing Up «Creciendo» 1:52 B1 Love Theme From Superman «Tema De Amor De Superman» 5:00 B2 Leaving Home «Adiós Al Hogar» 4:48 B3 The Fortress Of Solitude «La Fortaleza De La Soledad» 8:29 C1 The Flying Sequence «Secuencia Del Vuelo» Can You Read My Mind «¿Puedes Leer Mis Pensamientos?» Vocals [Can You Read My Mind] –  Margot Kidder Written-by [Can You Read My Mind] –  J. Williams *,  L. Bricusse * 8:08 C2 Super Rescues «Super Rescates» 3:24 C3 Lex Luthor's Lair «La Guarida De Lex Luthoor» 2:33 C4 Superfeats «Super Hazañas» 5:00 D1 The March Of The Villains «La Marcha De Los Villanos» 3:33 D2 Chasing Rockets «Cazando Cohetes» 7:33 D3 Turning Back The World «Dándole La Vuelta Al Mundo» 2:01 D4 End Title «Tema Final» 6:24

A manual for reading and writing better that explores the great plots from Plato to "The Matrix" and Tolstoy to" Toy Story," from the acclaimed author of "The End of Mr. Y" and "Our Tragic Universe". Canongate. UK. Año 2012.

The Alan Parsons Project – I Robot -LP / Spain- The Alan Parsons Project – I Robot -LP / Spain-   The Alan Parsons Project  – I Robot Label: Arista  – 201 148-I Format: Vinyl, LP, Album, Reissue,  Gatefold Country: Spain Released: 1980 Genre: Electronic,  Rock Style: Art Rock,  Synth-pop,  Prog Rock,  Symphonic Rock Tracklist A1   I Robot 6:06 A2   I Wouldn't Want To Be Like You 3:19 A3   Some Other Time 4:05 A4   Breakdown 3:50 A5   Don't Let It Show 4:21 B1   The Voice 5:21 B2   Nucleus 3:35 B3   Day After Day (The Show Must Go On) 3:43 B4   Total Eclipse 3:05 B5   Genesis Ch.1. V.32 3:37   Companies, etc. Record Company  –  Ariola Eurodisc S.A. Recorded At  –  Abbey Road Studios Mixed At  –  Abbey Road Studios Printed By  –  Iberofon, S.A. Printed By  –  Indugraf Madrid, S.A. Credits Acoustic Guitar  –  Alan Parsons,  David Paton,  Ian Bairnson Arranged By [Orchestra, Choir], Conductor  –  Andrew Powell Bass  –  David Paton Chorus Master  –  Bob Howes * Cimbalom, Kantele  –  John Leach Contractor [Orchestral]  –  David Katz Design [Cover], Photography  –  Hipgnosis (2) Design [Robot]  –  George Hardie Drums, Percussion  –  Stuart Tosh Electric Guitar  –  Ian Bairnson Engineer  –  Alan Parsons Engineer [Assistant]  –  Chris Blair,  Pat Stapley Executive-Producer  –  Eric Woolfson Illustration  –  Richard Manning (3) Keyboards  –  Alan Parsons,  Duncan Mackay,  Eric Woolfson Mastered By  –  Chris Blair Producer  –  Alan Parsons Steel Guitar  –  B.J. Cole * Synthesizer [Projectron], Vocoder  –  Alan Parsons,  Eric Woolfson Vocals  –  Allan Clarke,  Dave Townsend,  Jack Harris,  Jaki Whitren,  Lenny Zakatek,  Peter Straker,  Steve Harley Vocals [Additional]  –  Alan Parsons,  David Paton,  Hilary Western,  Ian Bairnson,  John Perry (7),  The New Philharmonia Chorus *,  Smokey Parsons,  Stuart Calver,  Stuart Tosh,  The English Chorale,  Tony Rivers Written-By  –  Alan Parsons  (tracks: A1 to B3, B5),  Andrew Powell  (tracks: B4),  Eric Woolfson  (tracks: A1 to B3, B5) Notes I Robot... The story of the rise of the machine and the decline of man, which paradoxically coincided with his discovery of the wheel... And a warning that his brief dominance of this planet will probably end, because man tried to create a robot in his own image. Recorded & mixed at Abbey Road Studios, London, between December 1976 & March 1977. Special thanks to Mickey Shapiro, Bob Britton, Mike King, Eric Prince, John Wallace and all at Abbey Road. Seems a reissue using pressed copies from the first Spanish issue. On labels: Made in Spain. EMI-Odeon, S.A. Depósito Legal: B-30024-1977 // 10 C 066-99.168 On back sleeve: Ariola Eurodisc S.A. Calle Aragón, 204 - Barcelona-11 (España) T.G. Hostench, S.A. - Córcega, 231-233 - Barcelona (36) 1982 Barcode and Other Identifiers Matrix / Runout (Side A): E 201.48-A 2N Matrix / Runout (Side B): I 201.148-B 2N DM Rights Society: S.G.A.E. Depósito Legal: B-3.339-1980  

Mark Knopfler Live At The Royal Albert Hall 1996-2019 2CD Dire Straits Mark Knopfler Live At The Royal Albert Hall 1996-2019 2CD Dire Straits MARK KNOPFLER "Live At The Royal Albert Hall 1996-2019" 2-CD  del sello "Golden Eggs".   A 27 tracks selection of songs performed at the Royal Albert Hall, in London, UK, during different tours from 1996 to 2019, all in excellent audience recording. CD1  Darling pretty (a)  Imelda (a)  Vic and Ray (a)  Bonnie banks of Loch Lommond(b)  What it is (b)  Sailing to Philadelphia with William Topley (b)  Pyroman (b)  Speedway at Nazareth (b)  Baloney again with Bill Wyman and the rythm kings (c)  Why aye man (d)  Boom, like that (d)  True love will never fade (e)  The fish and the bird (e)  Are we in trouble now (a) CD2  Border reiver (h)  Privateering (i)  Hill farmer blues (i)  Get lucky (g)  Kingdom of gold (d)  I dug up a diamond (k)  Seattle (j)  I used to could (j)  Laughs and jokes and drinks and smokes (m)  Matchstick man (n)  Marbletown (j)  Our shangri-la (l)  Piper to the end (h) (a) 24th May 1996 (b) 5th June 2001 (c) 12nd November 2003 Bill Wyman Rythm Kings Concert (d) 31st May 2005 (e) 30th May 2008 (g) 1st June 2010 (h) 3rd June 2010 (i) 4th June 2010 (j) 28th May 2013 (k) 30th May 2013 (l) 31st May 2013 (m) 25th May 2015 (n) 22nd May 2019 Caja de cartón color trifold, con sobrefunda de PVC resellable.  EGG 148/149

EDWIN STARR: HAPPY RADIO [FRA 1979] LP EDWIN STARR: HAPPY RADIO [FRA 1979] LP (20th Century)  1979  made in France cat. num.  T-591 #funk  #disco     A1 H.A.P.P.Y. Radio 6:45 A2 Rip Me Off 4:13 A3 It's Called The Rock 7:25 B1 I'd Rather Fight Than Switch 4:12 B2 Drown My Heart 3:34 B3 My Friend 3:56 B4 Patiently 4:34   Edwin Starr enjoyed a renaissance in the singles chart at the end of the 70's, moving from the soul that had made him famous to light disco, and scoring a major hit the previous year with “Contact”, a cold slab of electronic funk with the most insistent Moroder styled synth bass line, similar to Donna Summer’s “I Feel Love”. It was a worldwide smash and still appears on many disco hit compilation albums. The follow up, “Happy Radio” follows a similar vein, although there is less electronic rhythm and more horn fills; bearing similarities to the Earth Wind & Fire sound that was very popular at the time.  The single and title track is a nagging disco stomper, with a driving memorable bass line and chattering horn interruptions and would be a sure fire floor filler for a number of years. The rest of the album is pretty lightweight, following exactly the same pattern as the title track, except that the hooks aren’t as strong and songs like “I’d Rather Fight Than Switch”, and “It’s Called The Rock” sound about 5 years out of time. It’s interesting that barring the excellent title track the two traditional soul numbers are worth listening to (“Drown My Heart”, and “My Friend”), which probably come too late in the album for the listener,  who may have already turned off.

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

You look exactly like him! You can take the dead boy's place and no one will ever know the difference. You'll be rich for life!' And so the plan was born. At first Brat Farrar fought against the idea; it was criminal, it was dangerous. But in the end he was persuaded, and a few weeks later Patrick Ashby came back from the dead and went home to inherit the family house and fortune. The Ashby family seemed happy to welcome Patrick home, but Brat soon realized that somewhere there was a time-bomb ticking away, waiting to explode.... OUP Oxford.. Año 2007.

MARK KNOPFLER - WIZINK CENTER, MADRID 28 April 2019 (2 CD) MARK KNOPFLER - WIZINK CENTER, MADRID 28 April 2019 (2 CD) MARK KNOPFLER - WIZINK CENTER, MADRID 28 April 2019 (2 CD)  concierto inédito (not SILVER) - unpublished   EXCELENT SOUNDBOARD   CD1 Nobody Does That Corned Beef City Sailing to Philadelphia Once Upon a Time in the West Romeo and Juliet My Bacon Roll Matchstick Man Done With Bonaparte Heart Full of Holes CD2 She's Gone/Your Latest Trick Silvertown Blues Postcards From Paraguay On Every Street Speedway at Nazareth Telegraph Road Money for Nothing Piper to the End Excelent Soundboard Concierto inedito, unpublished concert, not silver CD-R Se aplican gastos de envio por Correo Certificado, según tarifas oficiales del Servicio de  Correos. (Envío certificado de varios artículos con los mismos gastos) Se puede solicitar envío por correo ordinario, más barato (consultar) Formas de pago admitidas: transferencia, giro y paypal como amigos y familiares (sin tarifa) Se hacen envíos internacionales.

chic / C'est Chic 78 LE FREAK 2º LP I WANT YOUR LOVE, killer funky, org edit usa + INSERT, impecable chic / C'est Chic 78 LE FREAK 2º LP I WANT YOUR LOVE, killer funky, org edit usa + INSERT, impecable GENIAL 2º TRABAJO...ELLOS fueron de los mas grandes moviendose en el mas elegante funky jamas creado, este duo compuesto por Bernard Edwards  y neil dodgers creo y toco muchos de los clasivos eternos de funky que este discos recoje, tema como le freak, savoir afair, i want to lve...entre otras gemas que aqui encontraras POCAS VECES UN O PUEDE ESCUCHAR LOS SONIDOS DE BAJO COMO AQUI APARECEN..UNA PRUEBA MAGISTRAL es  EL TEMA SAVOIR FAIRE..LA GUITARRA VA CREANDO SOLOS SIN PARAR  JUNTO A EL BAJO QUE MARCA EL TONO SIEMPRE CON UNA ELEGANCIA SUBLIEME..ES ESTE UNO DE MIS INTRUMENTALES DE TODA MI VIDA...SON LOS MAS GRANDES... EL ALBUN ES UNA OBRA MAESTRA DEL GENERO.. TODO EN EXC ESTADO, PRACTICAMENTE IMPECABLE !! RARA Y COMPLETA 1ª EDIC ORG USA QUE CONTIENE EL ENCARTE INTERIOR CON GRAN FOTOGRAFIA DEL DUO  C'est Chic incluye el clásico éxito de la banda 'Le Freak', que encabezó la lista Hot 100 de EE. UU., R&B de EE. UU. Y US Club Play en octubre de 1978,  vendiendo seis millones de copias solo en EE. UU. El single más vendido de la compañía discográfica y matriz Warner Music, un récord que se mantuvo durante 35 años.  El álbum también contiene el sencillo 'I Want Your Love' # 5 R&B,  # 7 Pop,  # 4 Reino Unido C'est Chic alcanzó el # 4 en la lista de álbumes de Billboard y encabezó la lista de R&B de los Estados Unidos durante once semanas.  C'est Chic fue el Álbum de R&B del año de la revista Billboard en 1979, reclamando el puesto número uno en la revista Billboard's Year End Review. El álbum fue certificado platino por la RIAA, vendiendo más de un millón de copias. En el Reino Unido alcanzó su punto máximo en el # 2  y ha sido certificado Oro por el BPI. A1 Chic Cheer 4:42 A2 Le Freak 5:23 A3 Savoir Faire 5:01 A4 Happy Man 4:17 B1 I Want Your Love 6:45 B2 At Last I Am Free 7:08 B3 Sometimes You Win 4:26 B4 (Funny) Bone 3:41 Alfa Anderson – lead vocals (A2, B1, B2, B3) Diva Gray – lead vocals (A2) David Lasley – vocals Luci Martin – vocals Luther Vandross – vocals Robin Clark – backing vocals on "Dance, Dance, Dance" and "Everybody Dance" Nile Rodgers – guitar, vocals Raymond Jones – Fender Rhodes electric piano Robert Sabino – clavinet, acoustic piano, electric piano Andy Schwartz – clavinet, acoustic piano, electric piano on "At Last I Am Free" Bernard Edwards – bass guitar; lead vocals (A4, B3) Tony Thompson – drums Sammy Figueroa – percussion Jon Faddis – trumpet Ellen Seeling – trumpet Alex Foster – saxophone Jean Fineberg – saxophone