Had it less

THE STYLE COUNCIL - Have you ever had it blue / Mr cool's dream (Single 45 rpm) - NUEVO THE STYLE COUNCIL - Have you ever had it blue / Mr cool's dream (Single 45 rpm) - NUEVO STYLE COUNCIL                    1 - Have you ever had it blue                           2 - Mr cool's dream Banda formada por PAUL WELLER ex lider de THE JAM y MICK TALBOT de THE MERTON PARKAS. La portada está excelente, el vinilo está NUEVO. Editado en España, año 1986, POLYDOR 883 797-7. Sleeve is excellent, vinyl is NEW. Year 1986, POLYDOR 883 797-7. Spanish  pressing

The Rolling Stones ‎– Harlem Shuffle / Had It With You, UK 1986 Rolling Stones Records The Rolling Stones ‎– Harlem Shuffle / Had It With You, UK 1986 Rolling Stones Records

ROD STEWART - It Had To Be You... The Great American Songbook - CD 2002 - J REC (NUEVO / PRECINTADO) ROD STEWART - It Had To Be You... The Great American Songbook - CD 2002 - J REC (NUEVO / PRECINTADO)

ROD STEWART - It Had To Be You... The Great American Songbook - CD - JR (Nuevo / Precintado) ROD STEWART - It Had To Be You... The Great American Songbook - CD - JR (Nuevo / Precintado)

Recipes, tips, and strategies for easy, delicious vegan meals every day of the week, from America's bestselling vegan cookbook author. How does Isa Chandra Moskowitz make flavorful and satisfying vegan meals from scratch every day, often in 30 minutes or less? It's easy!. Little, Brown. España. Año 2013. 1ª edición

RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP Ray Charles  "Love & Peace"  LP (London)  1978  made in Spain cat. num.  TXS 3126 #soul  #funk  #r&b   You 20th Century Fox 2:45 Take Off That Dress 3:35 She Knows 4:43 Riding Thumb 3:10 We Had It All 4:35 No Achievement Showing 3:38 A Peace That We Never Before Could Enjoy 5:19 Is There Anyone Out There 5:58 Give The Poor Man A Break 3:26   Here, unfortunately, is one of several examples of why Ray Charles has been such a frustrating record-maker over the last quarter of the 20th century at least. His powers of expression as a vocalist and keyboardist are undiminished on the second album of his return to the Atlantic fold; he could still squeeze some soul out of anything. But his ability to choose great, good, or even merely appropriate material had deserted him -- and so we hear nowhere ballads ("She Knows"), stale song ideas ("You 20th Century Fox"), empty, poorly arranged and paced rousers ("We Had It All"), and political statements that fall flat ("A Peace That We Never Before Could Enjoy," "Give the Poor Man a Break") -- nothing that even this prodigious talent can save, and all treated to a veiled, raucous mix. Other than the team of arrangers (Harry Goodnight, Roger Newman, Larry Mahoberack), there are no musician credits nor any notes. Ultimately the blame for this uninteresting record must go to the producer, the co-engineer, the lead keyboardist, and the singer -- who are all one and the same person.

GLOBE UNITY: COMPOSITIONS [DEU 1979] LP GLOBE UNITY: COMPOSITIONS [DEU 1979] LP Globe Unity   "Compositions"  LP (Japo-ECM) 1979  made in Germany cat. num.  JAPO60027 #jazz  #free jazz Nodagoo 6:59 Boa 5:43 Trom-bone-it 5:03 Flat Fleet 7:48 Reflections 8:46 Worms (Dedicated To Ezra Pound) 10:25 The Forge 5:22   One of the earliest large-group endeavors attempted in the European free jazz movement,  the Globe Unity Orchestra  was founded by German pianist  Alexander Von Schlippenbach  in 1966, at first for the specific purpose of performing his composition "Globe Unity," which was commissioned for the Berliner Jazztage. Initially, the 19-piece orchestra combined saxophonist  Peter Brotzmann 's trio and trumpeter  Manfred Schoof 's quintet with a phalanx of other early giants of European free jazz (mostly from Germany); they included, among many others, trombonist  Albert Mangelsdorff, woodwind players  Gunter Hampel  and  Willem Breuker, vibist  Karl Berger, bassists  Buschi Niebergall  and  Peter Kowald, and drummers  Jaki Liebezeit  (of the rock group  Can) and  Sven-Åke Johansson. The initial performance was a historic and rousingly cacophonous success, and  Von Schlippenbach  kept the group going, serving as its musical director for most of the next two decades. Naturally, the membership fluctuated quite a bit; by the early '70s, the group had more of a British presence, with players like guitarist  Derek Bailey, saxophonist  Evan Parker, and trombonists  Malcolm Griffiths  and  Paul Rutherford, plus trumpeter  Kenny Wheeler  and drummer  Han Bennink.  Von Schlippenbach  left for a bit in 1971, but returned the following year, and the group began playing outside of Germany more often beginning in 1974, which also marked the point at which more of their music was preserved on record (much of it on FMP). As the orchestra evolved, it relied less and less on structured arrangements, eventually becoming completely free. However, since a 20th-anniversary celebration and recording session, the group has mostly been silent.

EDWIN STARR: HAPPY RADIO [FRA 1979] LP EDWIN STARR: HAPPY RADIO [FRA 1979] LP (20th Century)  1979  made in France cat. num.  T-591 #funk  #disco     A1 H.A.P.P.Y. Radio 6:45 A2 Rip Me Off 4:13 A3 It's Called The Rock 7:25 B1 I'd Rather Fight Than Switch 4:12 B2 Drown My Heart 3:34 B3 My Friend 3:56 B4 Patiently 4:34   Edwin Starr enjoyed a renaissance in the singles chart at the end of the 70's, moving from the soul that had made him famous to light disco, and scoring a major hit the previous year with “Contact”, a cold slab of electronic funk with the most insistent Moroder styled synth bass line, similar to Donna Summer’s “I Feel Love”. It was a worldwide smash and still appears on many disco hit compilation albums. The follow up, “Happy Radio” follows a similar vein, although there is less electronic rhythm and more horn fills; bearing similarities to the Earth Wind & Fire sound that was very popular at the time.  The single and title track is a nagging disco stomper, with a driving memorable bass line and chattering horn interruptions and would be a sure fire floor filler for a number of years. The rest of the album is pretty lightweight, following exactly the same pattern as the title track, except that the hooks aren’t as strong and songs like “I’d Rather Fight Than Switch”, and “It’s Called The Rock” sound about 5 years out of time. It’s interesting that barring the excellent title track the two traditional soul numbers are worth listening to (“Drown My Heart”, and “My Friend”), which probably come too late in the album for the listener,  who may have already turned off.

Milt Jackson Quintet Featuring Ray Brown ?– Just The Way It Had To Be LP 1973 IMPULSE Milt Jackson Quintet Featuring Ray Brown ?– Just The Way It Had To Be LP 1973 IMPULSE Milt Jackson Quintet Featuring Ray Brown ‎– Just The Way It Had To Be LP 1973 IMPULSE Está tal cual se observa en las fotos. El vinilo está impecable. Para cualquier cuestión, póngase en contacto con nosotros.  

NICK LOWE: LABOUR OF LUST [ESP 1979] LP NICK LOWE: LABOUR OF LUST [ESP 1979] LP Nick Lowe   "Labour Of Lust"  LP (Radar)  1979  made in Spain cat. num.  S 90.150 #rock  #pop rock   Cruel To Be Kind   Cracking Up   Big Kick, Plain Scrap!   Born Fighter   You Make Me   Skin Deep   Switchboard Susan   Endless Grey Ribbon   Without Love   Dose Of You   Love So Fine   Jesus of Cool  was a jukebox, spinning out a series of perfectly crafted -- and decidedly quirky and subversive -- pop singles. In contrast,  Nick Lowe 's second album,  Labour of Lust, is the work of a bar band, in this case  Rockpile, playing the hell out of the same type of songs. Naturally, the result is a more coherent sound that may be a little less freewheelingly eclectic, but it is no less brilliant. Recorded simultaneously with  Dave Edmunds '  Repeat When Necessary,  Labour of Lust  benefits from the muscular support of  Rockpile, who make  Lowe 's songs crackle with vitality. Working primarily in the roots rock vein of  Brinsley Schwarz  but energizing his traditionalist tendencies with strong pop melodies, a sense of humor, and an edgy new wave sensibility,  Lowe  comes up with one of his best sets of songs. Not only is his only hit, the propulsively hook-laden "Cruel to Be Kind," here, but so are the rampaging outsider anthem "Born Fighter," the tongue-in-cheek,  Chuck Berry -style "Love So Fine," the wonderful pure pop of "Dose of You," the haunting "Endless Grey Ribbon," the druggy "Big Kick, Plain Scrap!," and the terrific "Cracking Up," as well as his definitive version of  Mickey Jupp 's "Switchboard Susan." It's an exceptional collection of inventive pop songs, delivered with vigor and energy, making it one of the great records of the new wave.  

THE BLUES BAND: THE BLUES BAND OFFICIAL BOOTLEG ALBUM [ESP 1980] LP THE BLUES BAND: THE BLUES BAND OFFICIAL BOOTLEG ALBUM [ESP 1980] LP The Blues Band   "The Blues Band Official Bootleg Album"  LP (Arista)  1980  made in Spain cat. num.  I-202021 #rock  #blues rock   Talk To Me Baby   Flatfoot Sam   Two Bones And A Pick   Someday Baby   Boom Boom (Out Go The Lights)   Come On In   Death Letter   Going Home   I Don't Know   Diddy Wah Diddy   England's  the Blues Band  is led by ex-Manfred Mann vocalist Paul Jones and guitarist/vocalist  Dave Kelly, who, before forming the group in 1979, had been a member of  the John Dummer Blues Band  and issued several solo recordings on his own (Kelly  had also received praise for his playing by such blues legends as  Howlin' Wolf  and  John Lee Hooker). After hooking up with friend/bassist  Gary Fletcher, the seeds for  the Blues Band  were sown, resulting in countless albums (including such titles as 1980's Official Bootleg Album and  Ready, 1981's  Itchy Feet, 1982's  Brand Loyalty  which featured new member ex-Family drummer Rob Townsend, 1983's  Bye Bye Blues, 1986's These Kind of Blues, 1989's  Back for More, 1991's Fat City, 1993's  Homage, and 1995's  Wire Less, among others). In addition,  Kelly  formed  the Dave Kelly Band in the mid-'80s (issuing four albums), penned music for commercials and such projects as BBC TV's King of the Ghetto and The Comic Strip Presents Strike!, has been voted Best Acoustic Artist by BBC polls throughout the '90s, and is an honorary patron of the London Guitar College with  Hank Marvin.  

As Mary watched the robin, she noticed an old metal ring half-buried in the earth where the dog had been digging. She reached down and picked the ring up. But it wasn't just a ring. It was an old key, and it looked as if it had been buried for a long time. Mary stood up and looked at it.. Macmillan. UK. Año 2008. 1ª edición

Dionne Warwick: Original Album Series - 5 CD box set - Burt Bacharach & Hal David Dionne Warwick: Original Album Series - 5 CD box set - Burt Bacharach & Hal David Dionne Warwick: Presenting Dionne Warwick, Anyone Who Had a Heart, Make Way for Dionne Warwick, The Windows of the World, Dionne Warwick in Valley of the Dolls. Rhino, 2009. Colección Original Album Series. Caja con 5 CDs enfundados en réplicas de las cubiertas de los LPs originales. Todos los álbums incluidos producidos por Burt Bacharach & Hal David. Estado de los discos: como nuevos. Los discos no presentan el menor desperfecto bajo cualquier ángulo de luz. Estado de las fundas: como nuevas. Estado de la caja: como nueva. Envío gratuito a península. Consulta los demás artículos que tengo a la venta.  Tracklists: CD1: Presenting Dionne Warwick (1963) 1. This Empty Place 2. Wishin' And Hopin' 3. I Cry Alone 4. Zip-A-Dee-Doo-Dah 5. Make The Music Play 6. If You See Bill 7. Don't Make Me Over 8. It's Love That Really Counts 9. Unlucky 10. I Smiled Yesterday 11. Make It Easy On Yourself 12. The Love Of A Boy CD2: Anyone Who Had a Heart (1964) 1. Anyone Who Had A Heart 2. Shall I Tell Her 3. Don't Make Me Over 4. I Cry Alone 5. Getting Ready For The Heartbreak 6. "Oh Lord, What Are You Doing To Me" 7. Any Old Time Of Day 8. Mr. Heartbreak 9. Put Yourself In My Place 10. I Could Make You Mine 11. This Empty Place 12. Please Make Him Love Me CD3: Make Way for Dionne Warwick (1964) 1. A House Is Not A Home 2. People 3. (They Long To Be) Close To You 4. Last One To Be Loved 5. Land Of Make Believe 6. Reach Out For Me 7. You'll Never Get To Heaven If You Break My Heart 8. Walk On By 9. Wishin' And Hopin' 10. I Smiled Yesterday 11. Get Rid Of Him 12. Make The Night A Little Longer CD4: The Windows of the World (1967) 1. I Say A Little Prayer 2. Walk Little Dolly 3. Beginning Of Loneliness 4. Another Night 5. The Windows Of The World 6. (There's) Always Something There To Remind Me 7. Somewhere 8. You've Gonna Hear From Me 9. Love 10. What's Good About Good-bye CD5: Dionne Warwick in Valley of the Dolls (1968) 1. As Long As There's An Apple Tree 2. "Up, Up And Away (LP Version)" 3. You're My World 4. Valley Of The Dolls [Theme From] 5. Silent Voices 6. Do You Know The Way To San Jose 7. For The Rest Of My Life 8. Let Me Be Lonely 9. Where Would I Go 10. Walking Backwards Down The Road

LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band   "Time Exposure"  LP (Capitol - Emi)  1981  made in Germany cat. num.  10C 064-400 042 #rock     The Night Owls   Man On Your Mind   Take It Easy On Me   Ballerina   Love Will Survive   Full Circle   Just Say That You Love Me   Suicide Boulevard   Orbit Zero   Don't Let The Needle Win   Guiding Light   When  Little River Band  formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer  Glenn Shorrock  had made his name in mid-'60s group  the Twilights, a  Beatles -sounding pop group that scored a national number one record with its version of  the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969,  Shorrock  became lead singer of  Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple.  LRB 's  Beeb Birtles  had been the bass player for a popular  Twilights -era pop group called  Zoot  (Rick Springfield was a later member). When that group broke up, in search of musical credibility,  Birtles  auditioned as the bass player, but was instantly elevated to a front-line position alongside  Graham Goble. Even  LRB 's manager was well-known.  Glenn Wheatley  had been the bassist with another of Australia's bands, and possibly its most legendary,  the Masters Apprentices. Given all that background, when  Shorrock  and  Birtles  revealed they were forming a group with  Goble, managed by  Wheatley, it was major event in Australian music.

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.