Here here it is

KIM CARNES (SINGLE) I’LL BE HERE WHERE THE HEART IS AÑO 1983 - PROMOCIONAL KIM CARNES (SINGLE) I’LL BE HERE WHERE THE HEART IS AÑO 1983 - PROMOCIONAL KIM CARNES (SINGLE) I’LL BE HERE WHERE THE HEART IS AÑO 1983 - PROMOCIONAL   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

JAMES BROWN (GRODECK WHIPPERJENNY) Sho Is Funky Down Here 1971 ORIGINAL LP JAMES BROWN (GRODECK WHIPPERJENNY) Sho Is Funky Down Here 1971 ORIGINAL LP JAMES BROWN (GRODECK WHIPPERJENNY)   LP  SHO IS FUNKY DOWN HERE KING  KS 1110 - USA 1971 COVER/RECORD: M-/M- ORIGINAL 1st PRESSING Psychedelic funk rock. ' Second LP ' by David Matthews (Grodeck Whipperjenny) in collaboration and credited to James Brown.  Still in the shrink wrap. Price tag over the shrink, slight back cover wear, lightly bumped corners.

Pack de 5 tomos: There was and old woman; The enormous trip; Here we go round the Mulberry Bush; What time is it Mr Wolf; Tje Pied Piper of Hamelin. Ladybird. Usa. Año. 1ª edición

JAMES BROWN / SANTA CLAUS IS DEFINITELY HERE TO STAY (SINGLE KING PROMO USA) JAMES BROWN / SANTA CLAUS IS DEFINITELY HERE TO STAY (SINGLE KING PROMO USA)

Vinilo promo USA - Maxisingle - James Brown - It's too funky in here (Special disco version) Vinilo promo USA - Maxisingle - James Brown - It's too funky in here (Special disco version)

THE MIGHTY WAH! - Weekends (How come we always end up here) / Shambeko (Single 45 rpm) - NUEVO THE MIGHTY WAH! - Weekends (How come we always end up here) / Shambeko (Single 45 rpm) - NUEVO THE MIGHTY WAH!                                    1 - Weekends (How come we always end up here)                                      2 - Shambeko La portada está excelente, el vinilo está NUEVO. Editado en UK, año 1984, BEGGARS BANQUET BEG 117. Sleeve is excellent, vinyl is NEW. Year 1984,  BEGGARS BANQUET BEG 117.  UK  pressing

Roy Buchanan ‎– That's What I Am Here For -LP- Roy Buchanan ‎– That's What I Am Here For -LP-   More images Roy Buchanan  – That's What I Am Here For Label: Polydor  – 2485 227 Format: Vinyl, LP, Album Country: Netherlands Released: 1973 Genre: Rock,  Blues Style: Blues Rock,  Electric Blues Tracklist Hide Credits A1   My Baby Says She's Gonna Leave Me Written-By –  Billy Price (2),  John Harrison (6),  Roy Buchanan Written-By –  Billy Price (2),  John Harrison (6),  Roy Buchanan 3:22 A2   Hey Joe (In Memory Of Jimi Hendrix) Written-By –  William Roberts * Written-By –  William Roberts * 5:25 A3   Home Is Where I Lost Her Written-By –  John Harrison (6),  Roy Buchanan Written-By –  John Harrison (6),  Roy Buchanan 4:27 A4   Rodney's Song Written-By –  Billy Price (2),  John Harrison (6),  Mike Kalina,  Roy Buchanan Written-By –  Billy Price (2),  John Harrison (6),  Mike Kalina,  Roy Buchanan 4:30 B1   That's What I Am Here For Written-By –  Jack Bond Written-By –  Jack Bond 2:30 B2   Roy's Bluz Lead Vocals –  Roy Buchanan Written-By –  Roy Buchanan Lead Vocals –  Roy Buchanan Written-By –  Roy Buchanan 5:59 B3   Voices Written-By –  Dick Heintze Written-By –  Dick Heintze 2:27 B4   Please Don't Turn Me Away Written-By –  Billy Price (2),  Roy Buchanan Written-By –  Billy Price (2),  Roy Buchanan 4:47 B5   Nephesh Written-By –  Roy Buchanan Written-By –  Roy Buchanan 3:27   Companies, etc. Marketed By  –  Polydor B.V. Credits Bass [Fender], Backing Vocals  –  John Harrison (6) Design  –  Bill Harvey * Drums  –  Robbie Magruder Engineer  –  Dennis Ferrante,  Shelly Yakus Guitar  –  Roy Buchanan Lead Vocals, Backing Vocals  –  Billy Price (2) Organ, Piano, Clavinet, Backing Vocals  –  Dick Heintze Photography By  –  David Aschkenas Producer  –  Jay Reich, Jr. Notes Special Thanks to Dennis Ferrante Printed in Holland Marketed by Polydor B. V. The back cover has track "Hey Joe" credited as written by Billy Cox. Barcode and Other Identifiers Rights Society: STEMRA Matrix / Runout (Side 1): 2485 227 1Y 1 ℗1973 670 113 06 Matrix / Runout (Side 2): 2485 227 2Y 1 ℗1973 670 113 06

GIORGIO (LP) FROM HERE TO ETERNITY AÑO – 1977 GIORGIO (LP) FROM HERE TO ETERNITY AÑO – 1977 GIORGIO (LP) FROM HERE TO ETERNITY AÑO – 1977   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO NOTA: EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE AUN TENEMOS PENDIENTES DE SUBIR.   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles  

HARRY CONNICK JR. (CD/SN) HERE COMES THE BIG PARADE (3 TRACKS) AÑO 1994 HARRY CONNICK JR. (CD/SN) HERE COMES THE BIG PARADE (3 TRACKS) AÑO 1994   HARRY CONNICK JR. (CD/SN) HERE COMES THE BIG PARADE (3 TRACKS) AÑO 1994   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREOS CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable RARA 1ª EDIC. ORIG. CONTIENE EL ENCARTE INTERIOR... todo un musico legendario,,un superviviente, uno de los tipos con mas gusto musical de todos los tiempos..!! lider y fundador de los byrds, aqui lo tienes en solitario,acompañado por musicos increibles que consiguen redondear su lp debut en solitario. TODO EN IMPECABLE CONDICION. !!! NUESTRA MEJOR COPIA HASTA LA FECHA bonito debut en solitario de Roger McGuinn qué me fascina. The Byrds habían echado el cierre de una manera ya más bien lánguida, porque todo acaba estropeándose, y este jefe de operaciones enorme quiso refrendar su apabullante pedigrí haciendo lo que le dio la real gana. Impresiona la facilidad con la que, en aquellos aún iniciales años setenta, este hombre podía tirar de agenda. La armónica que abre la inaugural ‘I’m so restless’, sin ir más lejos, corresponde a un tal Dylan, mientras que el saxofonista que irrumpe para alborotar el canónico folk-rock de ‘My new woman’ es cortesía del mismísimo Charles Lloyd. No se detienen ahí las sorpresas: ‘Draggin’ no es solo un evidente tributo a los Beach Boys, sino que las armonías las aporta Bruce Johnston, uno de los Chicos de la Playa. ‘Time cube’ mira hacia la tradición más pura de estrofa repetida, aunque extrañamente coloreada con un sintetizador Moog. Pero es de autoría propia, a diferencia del epílogo del álbum, la célebre tonada tradicional ‘The water is wide’. El modo más campestre, con ‘slide’ de por medio, le sirve a ‘Bag full of money’ para abrir la cara B, donde a su vez se cuela el desmadre fronterizo de ‘Mi linda’ o el ‘blues’ a la vieja usanza de ‘Hanoi Hannah’. Y es toda esa mezcolanza, su permanente carácter híbrido, las decisiones extrañas (el coro infantil de ‘Stone’), lo que quizá no hiciese de este LP un referente de su década. Y eso, a pesar de que piezas como ‘Lost my drivin’ wheel’ revivieran todo el músculo y la chispa de los mejores Byrds. Aquellos que fueron, y siempre serán, puritita gloria. Bob Dylan - harmonica Gene Clark - vocals David Crosby - guitar,harmony vocals Chris Hillman - bass Leland Sklar - bass David Vaught - bass Chris Ethridge - bass Bruce Johnston - piano, harmony vocals Spanky McFarlane - vocals Mike Wofford - piano Charles Lloyd - sax Hal Blane - percussion John Guerin - drums Jim Gordon - drums Michael Clarke - drums Jerry Cole - guitar Buddy Emmons - steel guitar Spooner Oldham - keyboards Charles Lloyd - saxophone The Jimmy Joyce Children Chorus - vocals     I'm So Restless My New Woman Lost My Drivin' Wheel Draggin' Time Cube Bag Full of Money Hannoi Hannah Stone Heave Away M'Linda The Water Is Wide Roger McGuinn's 1973 self-titled solo debut was in most respects a breath of fresh air after the final days of the Byrds, in which the group was floundering in directionless mediocrity. In a sense, it's a back-to-basics album that emphasizes much of what McGuinn does so well: his forceful reedy vocals, his guitar playing, and his skills at both writing earnest folk-rock material (usually with future Bob Dylan collaborator Jacques Levy here) and interpreting unusual traditional and contemporary songs. Never was it folkier than on the acoustic "I'm So Restless," which benefited from harmonica by Dylan himself (about whom the song was partially about). All four of the other original Byrds play on "My New Woman," which is virtually a reunion of the original quintet, with the addition of saxophone by jazzman Charles Lloyd; David Crosby makes unobtrusive cameos on some other tracks. As likable as it is, however, the album isn't an unqualified triumph. Some of the songs aren't so hot, some of the Moog synthesizer (by McGuinn) is unnecessary, his vocals sometimes seem to have been recorded with too much brittleness, and none of this is as good as the best of the Byrds. Unexpected influences make themselves heard in the Beach Boys harmonies of "Draggin'" (with Bruce Johnston of the Beach Boys on piano and backup harmonies), the Vietnam blues of "Hanoi Hannah," and the gospel-rock of "Stone." The 2004 CD reissue adds two previously unissued bonus tracks: a solo acoustic cover of the traditional folk song "John, John" and a less pleasing cover of Jackson Browne 's "Jamaica, Say You Will." It also has historical liner notes with plenty of quotes on the sessions and songs from McGuinn himself. ~ Richie Unterberger, All Music Guide

NICK LOWE: LABOUR OF LUST [ESP 1979] LP NICK LOWE: LABOUR OF LUST [ESP 1979] LP Nick Lowe   "Labour Of Lust"  LP (Radar)  1979  made in Spain cat. num.  S 90.150 #rock  #pop rock   Cruel To Be Kind   Cracking Up   Big Kick, Plain Scrap!   Born Fighter   You Make Me   Skin Deep   Switchboard Susan   Endless Grey Ribbon   Without Love   Dose Of You   Love So Fine   Jesus of Cool  was a jukebox, spinning out a series of perfectly crafted -- and decidedly quirky and subversive -- pop singles. In contrast,  Nick Lowe 's second album,  Labour of Lust, is the work of a bar band, in this case  Rockpile, playing the hell out of the same type of songs. Naturally, the result is a more coherent sound that may be a little less freewheelingly eclectic, but it is no less brilliant. Recorded simultaneously with  Dave Edmunds '  Repeat When Necessary,  Labour of Lust  benefits from the muscular support of  Rockpile, who make  Lowe 's songs crackle with vitality. Working primarily in the roots rock vein of  Brinsley Schwarz  but energizing his traditionalist tendencies with strong pop melodies, a sense of humor, and an edgy new wave sensibility,  Lowe  comes up with one of his best sets of songs. Not only is his only hit, the propulsively hook-laden "Cruel to Be Kind," here, but so are the rampaging outsider anthem "Born Fighter," the tongue-in-cheek,  Chuck Berry -style "Love So Fine," the wonderful pure pop of "Dose of You," the haunting "Endless Grey Ribbon," the druggy "Big Kick, Plain Scrap!," and the terrific "Cracking Up," as well as his definitive version of  Mickey Jupp 's "Switchboard Susan." It's an exceptional collection of inventive pop songs, delivered with vigor and energy, making it one of the great records of the new wave.  

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.

Elvis Presley The Christmas Álbum (Edición Color blanco) (LP-Vinilo) envió certificado España 3€ Elvis Presley The Christmas Álbum (Edición Color blanco) (LP-Vinilo) envió certificado España 3€ Canciones Santa Claus Is Back In Town White Christmas Here Comes Santa Claus (Right Down Santa Claus Lane) I'll Be Home For Christmas Blue Christmas Santa Bring My Baby Back (To Me) O Little Town Of Bethlehem Silent Night (There'll Be) Peace In The Valley (For Me) I Believe Take My Hand, Precious Love It Is No Secret (What God Can Do)

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

MICHAEL JACKSON & JACKSON 5 * 3CD *The Motown Years *Digipack * Precintado!! Rare MICHAEL JACKSON & JACKSON 5 * 3CD *The Motown Years *Digipack * Precintado!! Rare Este recopilatorio es un lujo, en tres CD´s recopila lo mejor de Jacko en el sello Motown. Los dos primeros discos recogen lo mejor de los Jackson 5. Canciones como "ABC", "I Want You Back" o "Get It Together" se completan con un tercer cedé con lo mejor de Michael Jackson sin sus hermanos para el sello Motown. "Farewell My Summer Love", "One Day In Your Life", "Got To Be There"...cada una de las canciones demuestran que Jacko es un genio, solo o acompañado. Edición especial remasterizada con un sonido fantástico. Digipack precintado de fábrica.  Envío certificado 4 Euros.   CD1: Jackson 5 1-1 Jackson 5* –  ABC 2:59 1-2 Jackson 5* –  Never Can Say Goodbye 3:01 1-3 Jackson 5* –  Ready Or Not (Here I Come) 2:32 1-4 Jackson 5* –  Love Song 3:25 1-5 Jackson 5* –  Forever Came Today 6:21 1-6 Jackson 5* –  The Life Of The Party 2:34 1-7 Jackson 5* –  Doctor My Eyes 3:10 1-8 Jackson 5* –  All I Do Is Think Of You 3:12 1-9 Jackson 5* –  I Am Love (Parts 1 & 2) 7:25 1-10 Jackson 5* –  Darling Dear 2:37 1-11 Jackson 5* –  Maybe Tomorrow 4:46 1-12 Jackson 5* –  I Found That Girl 3:09 1-13 Jackson 5* –  It's Too Late To Change The Time 3:59 1-14 Jackson 5* –  Lookin' Through The Windows 3:36 1-15 Jackson 5* –  Who's Lovin' You 3:57 1-16 Jackson 5* –  Whatever You Got, I Want 2:55 1-17 Jackson 5* –  I'll Be There 3:59    CD2: Jackson 5 2-1 Jackson 5* –  I Want You Back 2:57 2-2 Jackson 5* –  Dancing Machine 3:28 2-3 Jackson 5* –  Sugar Daddy 2:32 2-4 Jackson 5* –  Little Bitty Pretty One 2:47 2-5 Jackson 5* –  Hum Along And Dance 8:35 2-6 Jackson 5* –  Corner Of The Sky 3:39 2-7 Jackson 5* –  I'm So Happy 2:46 2-8 Jackson 5* –  Get It Together 2:48 2-9 Jackson 5* –  Goin' Back To Indiana 3:30 2-10 Jackson 5* –  Skywriter 3:09 2-11 Jackson 5* –  The Love You Save 2:59 2-12 Jackson 5* –  Mama's Pearl 3:08 2-13 Jackson 5* –  Touch 2:59 2-14 Jackson 5* –  La La (Means I Love You) 3:28 2-15 Jackson 5* –  It's Great To Be Here 2:59 2-16 Jackson 5* –  Hallelujah Day 2:44 2-17 Jackson 5* –  Santa Claus Is Coming To Town 2:26    CD3: Michael Jackson 3-1 Michael Jackson –  Farewell My Summer Love 3:43 3-2 Michael Jackson –  You've Got A Friend 4:53 3-3 Michael Jackson –  My Girl 3:08 3-4 Michael Jackson –  One Day In Your Life 4:17 3-5 Michael Jackson –  Just A Little Bit Of You 3:14 3-6 Michael Jackson –  Got To Be There 3:23 3-7 Michael Jackson –  We've Got A Good Thing Going 3:01 3-8 Michael Jackson –  Rockin' Robin 2:32 3-9 Michael Jackson –  Ben 2:45 3-10 Michael Jackson –  I Wanna Be Where You Are 2:57 3-11 Michael Jackson –  Girl You're So Together 3:09 3-12 Michael Jackson –  We're Almost There 3:44 3-13 Michael Jackson –  Wings Of My Love 3:21 3-14 Michael Jackson –  Girl Don't Take Your Love From Me 3:47 3-15 Michael Jackson –  Music And Me 2:37 3-16 Michael Jackson –  Ain't No Sunshine 4:10 

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

NINA SIMONE - MY BABY JUST CARES FOR ME - CD 1990 THE ENTERTAINERS NINA SIMONE - MY BABY JUST CARES FOR ME - CD 1990 THE ENTERTAINERS 22 TEMAS 71' 40'' 1 MY BABY JUST CARES FOR ME 2 I LOVE YOU, PORGY 3 LOVE ME OR LEAVE ME 4 HE NEEDS ME 5 I GOT IT BAD AND THAT AIN'T GOOD 6 MOOD INDIGO 7 DON'T SMOKE IN BED 8 SOLITUDE 9 DO NOTHIN' TILL YOU HEAR FROM ME 10 SPRING IS HERE 11 HEY, BUDDY BOLDEN 12 THE GAL FROM JOE'S 13 SOMETHING TO LIVE FOR 14 I LIKE THE SUNRISE 15 YOU BETTER KNOW IT 16 LITTLE GIRL BLUE 17 SINCE MY LOVE IS GONE 18 IT DON'T MEAN A THING 8IF IT AIN'T GOT THAT SWING) 19 BLACK IS THE COLOR 20 WORK SONG 21 ANGEL OF THE MORNING 22 MY BABY JUST CARE FOR ME  

MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE Mike Oldfield   "The Killing Fields"  LP (Virgin)   1984   made in Spain cat. num.  E 206 707 #progressive rock  #pop rock  #soundtrack   Pran's Theme 0:45 Requiem For A City 1:45 Evacuation 5:10 Pran's Theme - 2 1:40 Capture 2:01 Execution 4:10 Bad News 1:10 Pran's Departure 2:03 Worksite 1:18 The Year Zero 0:27 Blood Sucking 1:18 The Year Zero - 2 0:36 Pran's Escape / The Killing Fields 3:11 The Trek 1:58 The Boy's Burial / Pran Sees The Red Cross 2:40 Good News 1:44 Etude 4:38   Crack all the jokes you want about  Mike Oldfield  and his Tubular Bells becoming the hit theme song for The Exorcist. While  Oldfield  is an amazing guitarist who could play with the best of them, with a lithe synth touch that became a trademark, the bottom line is that the man is a serious composer. All the proof one needs apart from his own records like  Incantations  and  Hergest Ridge  is this killer movie score. While  Oldfield  used a purely Western and neo-classical formal approach to write the music for  Roland Joffé 's dramatization of true events, his musical mates were among the best in the business at helping him to bring it off:  David Bedford  wrote arrangements and directed the choir, while  Eberhard Schoener  helped to conduct and direct another choir (!) and master percussionist  Morris Pert  lent his talents to the mix as well. While many scores written during the 1980s come off as laughable fluff in the 21st century,  Oldfield 's score for The Killing Fields is in many ways far more memorable than the film itself. The music here is full of drama, dynamic, textures, and unexpected twists and turns even in the smallest of the incidental pieces, and carries within it a certain majesty that lacks pomp and remains graceful throughout.

CD BEST JAZZ 100, RECOPILATORIO DE 6 CD'S, EMI 2006, NUEVO PRECINTADO, 0946 3 67481 2 2 * CD BEST JAZZ 100, RECOPILATORIO DE 6 CD'S, EMI 2006, NUEVO PRECINTADO, 0946 3 67481 2 2 * CD'S de colección BEST JAZZ 100, 6 CD'S,  Nuevo y presintado RECOPILATORIO EMI 2006 0946 3 67481 2 2 Track Listing I Left My Heart in San Francisco Something Cool My Funny Valentine Misty Blue Darn That Dream Autumn in New York April in Paris Do Nothing Till You Hear from Me Day In - Day Out It Had to Be You Angel Eyes The Man I Love It Don't Mean a Thing Here's That Rainy Day Stars Fell on Alabama Blue Moon A Foggy Day Exactly Like You I Ain't Got Nothin' But the Blues Something to Live For For Dancers Only Stompin' at the Savoy Leap Frog Satin Doll Let's Dance T'Ain't What You Do Opus No. 1 Intermission Riff Sleep Jumpin' at the Woodside Harlem Air Shaft I'm Beginning to See the Light A Good Man Is Hard to Find Annie Laurie The Peanut Vendor Come and Get It Margie I've Got My Love to Keep Me Apollo Jumps Sing, Sing, Sing Machito Jahbero Tin Tin Deo Basheer's Dream Congalegra Mambo Inn Paco Agua Dulce Favela I'm on My Way Oye Como Va Caravan Contagio Dance of Denial The Time Is Now At Last Makin' Whoopee Namely You Time After Time Infant Eyes In the Winelight Cantaloupe Island More Than This Beatrice Lazy Afternoon/Mo] I've Got the World on a String Make It Go Away Déjà Vu Don't Worry Be Happy Safari FOTOS REALES Estado: NUEVO Y PRECINTADO **Realizamos solo envíos certificados usando en convenio de TODOCOLECCION-CORREOS  para ofrecerle el costo mas bajo posible en los envío y mayor rapidez en las entregas. **** PARA AHORRAR EN GASTOS DE ENVIO PUEDES INCLUIR TODOS LOS ARTICULOS DE TU PREFERENCIA EN UN SOLO ENVIO.      

JACKIE WILSON: REET PETITE - 20 GREATEST HITS [NLD 1987] LP/COMP JACKIE WILSON: REET PETITE - 20 GREATEST HITS [NLD 1987] LP/COMP Jackie Wilson   "Reet Petite 20 Greatest Hits"  LP (Masters)  1987  made in Holland cat. num.  MA 18287 #soul   A1 Reet Petite   A2 Chain Gang   A3 This Guy's In Love With You   A4 Shake, Shake, Shake   A5 Just Be Sincere   A6 I Don't Want To Lose You   A7 It's All Part Of Love   A8 Lonely Teardrops   A9 Tears Will Tell It All   A10 Alone At Last   B1 Danny Boy   B2 We Have Love   B3 Satisfy My Soul   B4 My Heart Is Calling   B5 Only You, Only Me   B6 Soul Galore   B7 Say You Will   B8 Don't Burn No Bridges   B9 Working On My Woman's Heart   B10 Because Of You   Although one really had to see  Jackie Wilson  live to truly appreciate his considerable talents as a singer and entertainer, his legacy today rests with his recordings from the late 1950s and early '60s with Brunswick Records, the key tracks of which are collected here.  Wilson  in concert was sort of a cross between  Sam Cooke  and  James Brown, putting on a riveting and strenuous show, but in the studio that very energetic and physical connection he could make with an audience didn't come so much into play, and his records are sort of  Jackie Wilson  light as a consequence. That doesn't mean they aren't good, though, and tracks here like "Reet Petite" (written by a young  Berry Gordy  -- many of  Wilson 's songs during the Brunswick years were written or co-written by  Gordy), "Lonely Teardrops," the impressive and moving "Shake Shake Shake," "I Don't Want To Lose You" and "Satisfy My Soul" are all classics and show  Wilson 's considerable stylistic versatility.  

THE MOODY BLUES - TIMELESS FLIGHT (BOX-SET) 4 CD *IMPECABLE* THE MOODY BLUES - TIMELESS FLIGHT (BOX-SET) 4 CD *IMPECABLE* Estuche con libreto de 41 paginas en color repletas de fotografias del grupo + 4 Cds recogiendo  lo mejor de su trayectoria musical Listado de canciones: Disk: 1   1. Love And Beauty   2. Dawn Is A Feeling   3. Peak Hour   4. Tuesday Afternoon   5. The Night: Nights in White Satin   6. Departure   7. Ride My See–Saw   8. The Actor – Full Version   9. Legend Of A Mind   10. Voices In The Sky   11. What Am I Doing Here – Alternate Mix   12. A Simple Game   13. In The Beginning   14. Lovely To See You   15. Dear Diary   16. Never Comes The Day   17. Are You Sitting Comfortably   18. The Dream   19. Have You Heard (Part 1)   20. The Voyage   21. Have You Heard (Part 2) – Full Version   Disk: 2   1. Higher And Higher   2. Gypsy   3. Eternity Road   4. Watching And Waiting – Justin Hayward & John Lodge   5. Question – Full Version   6. And The Tide Rushes In   7. Don't You Feel Small – Original Mix – Justin Hayward   8. Dawning Is The Day   9. Melancholy Man – Full Version   10. It's Up to You – Tony Clarke Mix   11. The Story In Your Eyes   12. After You Came   13. One More Time To Live   14. I'm Just A Singer (In A Rock And Roll Band)   15. New Horizons   16. For My Lady   17. You And Me   18. When You¿re A Free Man – Tony Clarke's Stereo Mix Edit   Disk: 3   1. Isn't Life Strange – Original Version   2. Island   3. I Dreamed Last Night – Justin Hayward & John Lodge   4. Blue Guitar – Justin Hayward & John Lodge   5. Who Are You Now – Live At Lancaster University / 1975 – The Blue Jays   6. Driftwood – Edit Version   7. Steppin' In A Slide Zone – Album Version   8. The Day We Meet Again   9. Forever Autumn – Justin Hayward   10. The Voice – Full Version   11. Gemini Dream – Full Version   12. Veteran Cosmic Rocker   13. Blue World   14. Sitting At The Wheel – Album Version   15. Running Water – Live At The Forum / 1983   16. The Other Side Of Life – Single Version   17. Your Wildest Dreams – Single Edit Version   Disk: 4    1. I Know You¿re Out There Somewhere   2. Lean On Me (Tonight)   3. Say It With Love   4. Highway   5. New Horizons – Live "Red Rocks" Version   6. Emily's Song – Live / Red Rocks   7. Legend Of A Mind – Live "Red Rocks" Version   8. This Is The Moment   9. Eternity Road – Live At The NEC / 1997   10. Question – Live At The NEC / 1997   11. English Sunset   12. Strange Times   13. The Swallow   14. December Snow   IMPECABLE Gastos de envio Certificado para este articulo: 5 Euros compres la cantidad de CDs que compres POR FAVOR, si algo no le convence NO COMPRE

Atlantic Gold: 75 Soul Classics from the Atlantic Vaults - Caja con 3 CD Atlantic Gold: 75 Soul Classics from the Atlantic Vaults - Caja con 3 CD Atlantic Gold: 75 Soul Classics from the Atlantic Vaults. Box set con 3 CD contenidos en cajas de plástico extrafinas. Atlantic/WEA, 2004. El set contiene una amplia selección de temas provenientes de los archivos del sello Atlantic, abarcando el periodo 1952-1974, interpretados por artistas de la talla de Ruth Brown, Ray Charles, Otis Redding, Wilson Picket, Aretha Franklin y muchos más. Incluye libreto de 8 páginas con amplia información (en inglés). Condición de los discos y cajas individuales: todo como nuevo, los discos no muestran el menor desperfecto bajo cualquier ángulo de luz. Condición del libreto: excelente, doblez mínimo en una esquina. Condición del estuche exterior: muy buena, presenta rozamientos en las esquinas y dobleces en los remates de la solapa de cierre (ver fotos). Envío gratuito a península. Consulta los demás artículos que tengo a la venta. Track listing CD1: –Ruth Brown 5-10-15 Hours –The Clovers One Mint Julep –Joe Turner* Shake, Rattle And Roll –The Drifters With Clyde McPhatter Money Honey –Ray Charles I've Got A Woman –LaVern Baker Tweedle Dee –The Chords Sh-Boom –The Drifters Ruby Baby –Ruth Brown Lucky Lips –Chuck Willis It's Too Late –Ray Charles (Night Time Is) The Right Time –The Coasters Poison Ivy –Ben E. King Spanish Harlem –Carla Thomas B-A-B-Y –Clyde McPhatter A Lover's Question –The Drifters There Goes My Baby –Solomon Burke If You Need Me –LaVern Baker See See Rider –The Coasters Yakety Yak –The Mar-Keys Last Night –Ray Charles What'd I Say (Parts I & II) –The Drifters Up On The Roof –Ben E. King Stand By Me –Esther Phillips And I Love Him –Doris Troy Just One Look –Otis Redding These Arms Of Mine CD2: –The Drifters On Broadway –Booker T & The MG's Green Onions –Wilson Pickett Land Of 1000 Dances –Solomon Burke Everybody Needs Somebody To Love –Rufus Thomas Walking The Dog –Otis Redding I've Been Loving You Too Long –The Drifters Under The Boardwalk –Sam & Dave You Don't Know Like I Know –Don Covay Seesaw –Wilson Pickett In The Midnight Hour –The Drifters Saturday Night At The Movies –The Capitols Cool Jerk –Sam & Dave When Something Is Wrong With My Baby –Barbara Lewis Baby, I'm Yours –Percy Sledge When A Man Loves A Woman –Aretha Franklin (You Make Me Feel Like) A Natural Woman –Otis Redding Try A Little Tenderness –Wilson Pickett Mustang Sally –Eddie Floyd Knock On Wood –Sam & Dave Hold On I'm Coming –Aretha Franklin Chain Of Fools –Arthur Conley Sweet Soul Music –The Bar-Kays Soul Finger –Joe Tex Show Me –Aretha Franklin Respect –Otis Redding (Sittin' On) The Dock Of The Bay CD3: –Sam & Dave Soul Man –Aretha Franklin Think –King Curtis Memphis Soul Stew –Otis Redding & Carla Thomas Tramp –Archie Bell & The Drells Tighten Up –Aretha Franklin Do Right Woman - Do Right Man –William Bell A Tribute To A King –Brook Benton Rainy Night In Georgia –Clarence Carter Slip Away –Donny Hathaway The Ghetto –The Beginning Of The End Funky Nassau (Pt. 1) –The Spinners Ghetto Child –Archie Bell & The Drells Here I Go Again –Aretha Franklin Rock Steady –The Persuaders Thin Line Between Love And Hate –Betty Wright Clean Up Woman –The Spinners* Could It Be I'm Falling In Love –Blue Magic Sideshow –The Spinners I'll Be Around –Major Harris Love Won't Let Me Wait –Bettye Swann Kiss My Love Goodbye –Ben E. King Supernatural Thing (Pt. 1) –Aretha Franklin Until You Come Back To Me (That's What I Am Going To Do)

RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP Ray Charles  "Love & Peace"  LP (London)  1978  made in Spain cat. num.  TXS 3126 #soul  #funk  #r&b   You 20th Century Fox 2:45 Take Off That Dress 3:35 She Knows 4:43 Riding Thumb 3:10 We Had It All 4:35 No Achievement Showing 3:38 A Peace That We Never Before Could Enjoy 5:19 Is There Anyone Out There 5:58 Give The Poor Man A Break 3:26   Here, unfortunately, is one of several examples of why Ray Charles has been such a frustrating record-maker over the last quarter of the 20th century at least. His powers of expression as a vocalist and keyboardist are undiminished on the second album of his return to the Atlantic fold; he could still squeeze some soul out of anything. But his ability to choose great, good, or even merely appropriate material had deserted him -- and so we hear nowhere ballads ("She Knows"), stale song ideas ("You 20th Century Fox"), empty, poorly arranged and paced rousers ("We Had It All"), and political statements that fall flat ("A Peace That We Never Before Could Enjoy," "Give the Poor Man a Break") -- nothing that even this prodigious talent can save, and all treated to a veiled, raucous mix. Other than the team of arrangers (Harry Goodnight, Roger Newman, Larry Mahoberack), there are no musician credits nor any notes. Ultimately the blame for this uninteresting record must go to the producer, the co-engineer, the lead keyboardist, and the singer -- who are all one and the same person.