Here present this

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

Allen Collins Band ‎– Here, There & Back -LP- Allen Collins Band ‎– Here, There & Back -LP-   More images Allen Collins Band  – Here, There & Back Label: MCA Records  – MCA-39000 Format: Vinyl, LP, Album Country: US Released: 1983 Genre: Rock Style: Southern Rock Tracklist Hide Credits A1   Just Trouble Written-By –  Barry Lee Harwood *,  Randall Hall Written-By –  Barry Lee Harwood *,  Randall Hall 3:57 A2   One Known Soldier Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:25 A3   Hangin' Judge Written-By –  Billy Powell,  Jimmy Dougherty Written-By –  Billy Powell,  Jimmy Dougherty 3:03 A4   Time After Time Written-By –  Jimmy Dougherty Written-By –  Jimmy Dougherty 3:40 A5   This Ride's On Me Written-By –  Barry Lee Harwood * Written-By –  Barry Lee Harwood * 4:43 B1   Ready To Move Written-By –  Barry Lee Harwood *,  Derek Hess,  Jimmy Dougherty,  Leon Wilkeson Written-By –  Barry Lee Harwood *,  Derek Hess,  Jimmy Dougherty,  Leon Wilkeson 3:28 B2   Chapter One Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:30 B3   Commitments Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:57 B4   Everything You Need Written-By –  Allen Collins,  Jimmy Dougherty,  Randall Hall Written-By –  Allen Collins,  Jimmy Dougherty,  Randall Hall 4:53   Companies, etc. Manufactured By  –  MCA Records, Inc. Produced For  –  LAC Productions Phonographic Copyright ℗  –  MCA Records, Inc. Copyright ©  –  MCA Records, Inc. Published By  –  LAC Music Co. Recorded At  –  Studio One, Doraville Mixed At  –  Studio One, Doraville Mastered At  –  Masterdisk Pressed By  –  MCA Pressing Plant, Pinckneyville Credits Art Direction  –  George Osaki Bass  –  Leon Wilkeson Design [Back Cover]  –  Tracy Veal Design [Front Cover]  –  Ramond “Rat” Turknett * Drums  –  Derek Hess Engineer  –  Greg “Fern” Quesnel * Guitar  –  Allen Collins,  Barry Lee Harwood *,  Randall Hall Illustration  –  Larry Noble Keyboards  –  Billy Powell Mastered By  –  Howie Weinberg Producer  –  Allen Collins Band Vocals  –  Jimmy Dougherty Notes Pinckneyville  pressing, blue-rainbow MCA labels. This release has only MCA-39000 as catalog number. Other U.S. releases of this album currently in database: Here, There & Back: label variant, different side specification and no parentheses on the label matrices; Here, There And Back: additional catalog number (MCA-5402) on labels; Here, There And Back: different catalogue number (MCA 4184). Runouts are etched except for Pinckneyville and Masterdisk stamps. ℗ 1983 MCA Records Inc. Barcode and Other Identifiers Matrix / Runout (Runout, side A): MCA·3369-MD4 MASTERDISK ◈-P-◈ Matrix / Runout (Runout, side B): MCA·3370-MD4 MASTERDISK ◈-P-◈ Pressing Plant ID: ◈-P-◈ Matrix / Runout (Label, side A): MCA3369 Matrix / Runout (Label, side B): MCA3370

EAGLE-EYE CHERRY (LIVING IN THE PRESENT FUTURE) CD 2000 EAGLE-EYE CHERRY (LIVING IN THE PRESENT FUTURE) CD 2000 EAGLE-EYE CHERRY (LIVING IN THE PRESENT FUTURE) CD 2000 Pistas Been Here Once Before Are You Still Having Fun? One Good Reason Promises Made Burning Up Together Long Way Around Lonely Days (Miles Away) First To Fall Miss Fortune She Didn't Believe Shades Of Gray

StahP & LamS - Here 4 U Now (This Is The Real Thang) (12”) StahP & LamS - Here 4 U Now (This Is The Real Thang) (12”)

James Morrison (2) ‎– Higher Than Here CD DIGIPAK James Morrison (2) ‎– Higher Than Here CD DIGIPAK James Morrison (2) ‎– Higher Than Here Género: Rock, Pop Estilo: Soft Rock Año: 2015 Lista de Títulos Demons Stay Like This Heaven To A Fool Right Here Reach Out We Can Too Late For Lullabies Something Right Easy Love I Need You Tonight Just Like A Child Higher Than Here CD DIGIPAK

CD - Suzanne Little - Be Here Now - Year 1995 - Edition Canada CD - Suzanne Little - Be Here Now - Year 1995 - Edition Canada Label: Nettwerk ‎– W2-30093   1 Tragic Flaw 2 In My Hands 3 Tarantula 4 Knowledgeable Man 5 Swept Away 6 Still With Me 7 You 8 Faded 9 On And On 10 This Time 11 Carry On 12 Suddenly  

This book will help you flourish.' With this unprecedented promise, internationally esteemed psychologist Martin Seligman begins 'Flourish', the first to present his dynamic new concept of what well-being really is. Traditionally,. Nicholas Brealey. Uk. Año 2011.

This, the first book in the "I Spy" series, uses rhymes to present hide-and-seek challenges for young readers in a lively and accessible way. Scholastic.. Año 1992. 1ª edición

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

Queen Final Entertainer 2-CD Queen Final Entertainer 2-CD QUEEN Live at The Horizon, Rosemont (Chicago), Illinois, September 19th, 1980. This double disc set presents a great sounding audience tape for an almost complete Rosemont 1980 show. Taken from original master tape, this title is a huge upgrade over past titles and offers much better sound CD1 1-1 Introduction 1-2 Jailhouse Rock 1-3 We Will Rock You (fast) 1-4 Let Me Entertain You 1-5 Play The Game 1-6 Mustapha 1-7 Death On Two Legs 1-8 Killer Queen 1-9 I’m In Love With My Car 1-10 Get Down Make Love 1-11 You’re My Best Friend 1-12 Save Me 1-13 Now I’m Here 1-14 Dragon Attack 1-15 Now I’m Here (reprise) CD2 2-1 Fat Bottomed Girls 2-2 Brian Speech 2-3 Love Of My Life 2-4 Keep Yourself Alive / Roger Taylor Impani Solo / 2-5 Brian May Guitar Solo / Brighton Rock (Finale) 2-6 Crazy Little Thing Called Love 2-7 Bohemian Rhapsody 2-8 Tie Your Mother Down 2-9 Another One Bites The Dust 2-10 Sheer Heart Attack 2-11 We Will Rock You 2-12 We Are The Champions 2-13 God Save The Queen En caja de cartón trifold desplegable, funda de PVC. EGG 21/22

THE MOVE ST 1st France Press LP Stateside 1968 Roy Wood SSSX 340685 ARCHIVE MINT THE MOVE ST 1st France Press LP Stateside 1968 Roy Wood SSSX 340685 ARCHIVE MINT THE MOVE France Stateside 1968 1st pressing, Stereo, SSSX 340685.  Ultra rare in this condition, Looks Unplayed Archive Copy.  Pressed on 150 grams  Released in a laminated ''flipback'' cover with versindex. The pcitures you see are real photos of the item   MATRIX INFORMATION: Side 1: SSSX 685 A21 M6 259123 Side 2: SSSX 685 B21 M6 259124   CONDITION: COVER: NEAR MINT-.  Slight Wear SPINE: MINT. Fully readable in Perfect Condition. RECORD: MINT.   Pre ssed on 150 grams.  Vinyl shining like NEW. Under Strong Light no signs of use. PLAYBACK: MINT.  The sounds quality is superb -  nice rich stereo LABELS: MINT.  Perfect Labels. No visible spindle marks   The Move ‎– Move Label: Stateside ‎– SSSX 340685 Format: Vinyl, LP, Album, Stereo  Country: France Released: 1968 Genre: Rock Style: Pop Rock, Psychedelic Rock   Tracklist A1 Yellow Rainbow A2 Kilroy Was Here A3 (Here We Go Round) The Lemon Tree A4 Weekend A5 Walk Upon The Water A6 Flowers In The Rain A7 Hey Grandma B1 Useless Information B2 Zing Went The Strings Of My Heart B3 The Girl Outside B4 Fire Brigade B5 Mist On A Monday Morning B6 Cherry Blossom Clinic   Credits Distributed By – Pathé Marconi Design – The Fool Photography By – Bobby Davidson (2) Producer – Denny Cordell Strings, Woodwind, Brass – Tony Visconti Written-By – Don Stevenson (tracks: A7), Jerry Miller (tracks: A7), Roy Wood (tracks: A1 to A6, B1 to B6)   GRADING GUIDE: We treat grading very seriously and use the UK Record Collector grading scale with the addition of a (+) or (–) to denote a slight increase or decrease in condition.    MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklets etc are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.   NEAR MINT: Very close to Mint with only the slightest signs of play and the very lightest paper chaffing only to the surfaces of the record. The cover shows only the very slightest wear   EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.   VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.   POSTAGE & PAYMENTS  Payment: Only Paypal is accepted.  Payment must be received within 5 days of the auction ends.   Shipping & packaging: We dispatch all items within 4 working days by UPS/TNT. We will send you the Tracking Number that you will be able to use to track the progress of your order. We take great care packaging every item to ensure safe shipment to you.    Approximate Delivery Times: Europe: 4-8 working days. USA, Canada & Rest Of The World: 5-10 working days.   Please don't hesitate to ask any questions you may have.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

JACKIE WILSON: REET PETITE - 20 GREATEST HITS [NLD 1987] LP/COMP JACKIE WILSON: REET PETITE - 20 GREATEST HITS [NLD 1987] LP/COMP Jackie Wilson   "Reet Petite 20 Greatest Hits"  LP (Masters)  1987  made in Holland cat. num.  MA 18287 #soul   A1 Reet Petite   A2 Chain Gang   A3 This Guy's In Love With You   A4 Shake, Shake, Shake   A5 Just Be Sincere   A6 I Don't Want To Lose You   A7 It's All Part Of Love   A8 Lonely Teardrops   A9 Tears Will Tell It All   A10 Alone At Last   B1 Danny Boy   B2 We Have Love   B3 Satisfy My Soul   B4 My Heart Is Calling   B5 Only You, Only Me   B6 Soul Galore   B7 Say You Will   B8 Don't Burn No Bridges   B9 Working On My Woman's Heart   B10 Because Of You   Although one really had to see  Jackie Wilson  live to truly appreciate his considerable talents as a singer and entertainer, his legacy today rests with his recordings from the late 1950s and early '60s with Brunswick Records, the key tracks of which are collected here.  Wilson  in concert was sort of a cross between  Sam Cooke  and  James Brown, putting on a riveting and strenuous show, but in the studio that very energetic and physical connection he could make with an audience didn't come so much into play, and his records are sort of  Jackie Wilson  light as a consequence. That doesn't mean they aren't good, though, and tracks here like "Reet Petite" (written by a young  Berry Gordy  -- many of  Wilson 's songs during the Brunswick years were written or co-written by  Gordy), "Lonely Teardrops," the impressive and moving "Shake Shake Shake," "I Don't Want To Lose You" and "Satisfy My Soul" are all classics and show  Wilson 's considerable stylistic versatility.  

Julian cope - Jehovahkill Julian cope - Jehovahkill 1-1 Soul Desert 3:541-2 No Hard Shoulder To Cry On 2:441-3 Akhenaten 2:521-4 The Mystery Trend Harmonica –  Tom Nicolson 4:171-5 Up-Wards At 45º 5:461-6 Know (Cut My Friend Down) Electric Guitar [E. Guitar Solos] –  Rooster * Tape [Harveytron] –  Shaun Harvey 3:19Phase 21-7 Necropolis Guitar [Mentalguitar] –  Doggen of TC Lethbridge * Tape [Harveytron] –  Shaun Harvey 4:401-8 Slow Rider 2:181-9 Gimme Back My Flag Electric Guitar [E. Guitar Solos] –  Rooster * 5:331-10 Poet Is Priest... Electric Guitar [E. Guitar Solos] –  Rooster * Electronics [Acoustic Astronomy] –  Dr. Fiorella Terenzi * 6:231-11 Julian H. Cope 2:47Phase 31-12 The Subtle Energies Commission 7:511-13 Fa-Fa-Fa-Fine 2:251-14 Fear Loves This Place 4:171-15 The Tower 10:231-16 Peggy Suicide Is Missing Guitar [Perspexguitar] –  Donn-eye * 0:44Phase 42-1 Nothing Glockenspiel [Muesser] –  Rooster * 2:072-2 I Have Always Been Here Before Omnichord [Selmer] –  Donn-eye * Vocals –  Joss Cope Written-By –  Roky Erikson * 4:412-3 This Is My Kin Electric Piano [Fender Bass Piano] –  Donn-eye * 4:222-4 Michael Rother 4:412-5 Gogmagog 2:512-6 Gone Electric Guitar [E. Guitar Solo] –  Rooster * 5:02Phase 52-7 Vivien Glockenspiel [Muesser] –  Rooster * 3:032-8 You Gotta Show 4:432-9 Sqwubbsy The Olmec Jew's Harp –  Donn-eye * Keyboards [Arp Quartet] –  Julian H. * 1:502-10 Sizewell B 4:462-11 Paleface Electric Guitar [E. Guitar Solo] –  Rooster * 5:022-12 Free Electric Guitar [E. Guitar Solo] –  Donn-eye * 5:05Phase 62-13 Poet Is Priest... (Original 21.36 Mix) Electronics [Acoustic Astronomy] –  Dr. Fiorella Terenzi * Glockenspiel [Muesser] –  Rooster * 21:282-14 Starry Eyes Sampler [Samples], Tape [Harveytron] –  Shaun Harvey 7:11 Cd doble, edición especial

BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL Burt Bacharach   "BSO Lost Horizon"  LP (Bell - Columbia)  1973  made in UK cat. num.  SYBEL 8000 #soundtrack  #easy listening   Introduction 0:30 Lost Horizon 1:58 Share The Joy 2:42 The World Is A Circle 3:25 Living Together, Growing Together 3:21 I Might Frighten Her Away 2:38 The Things I Will Not Miss 3:13 If I Could Go Back 4:07 Where Knowledge Ends (Faith Begins) 3:43 Question Me An Answer 5:27 I Come To You 1:29 Reflections 1:50   When the motion picture musical Lost Horizon was unleashed upon the world in 1973, the reviews were unbelievably harsh and much of the criticism was aimed at composer  Burt Bacharach  and lyricist  Hal David. However, even though many of the songs on this soundtrack are not as memorable as their more popular collaborations, this album is not that bad. In fact, many of the songs are quite catchy, including "The World Is a Circle" and "Reflections." Some of the vocals are sung by the actors, including  Sally Kellerman  and the late  Bobby Van.  Burt Bacharach  has a certain knack for production of not-so-great singers (himself included) and, fortunately, it shows here with the actors. Other actors had their singing parts dubbed by more seasoned vocalists.  Shawn Phillips  is the singer on the title track.