His history like

NIRVANA. Smells Like Teen Spirit. NIRVANA. Smells Like Teen Spirit. Maxi-single. Smells Like Teen Spirit/Even in his youth-Aneurysh. DAVID GEFFEN COMPANY Records. Spain, 1991. Carpeta con pequeños detalles. Vinilo como nuevo.

STING...NOTHING LIKE THE SUN VINYL LP STING...NOTHING LIKE THE SUN VINYL LP STING...NOTHING LIKE THE SUN VINYL LP Más imágenes Sting  ‎– ...Nothing Like The Sun Género: Rock Estilo: Soft Rock,  Pop Rock Año: 1987 Notas: Overview of European CD-variants:    Pistas The Lazarus Heart 4:34 Be Still My Beating Heart 5:32 Englishman In New York 4:25 History Will Teach Us Nothing 4:58 They Dance Alone (Gueca Solo) 7:16 Fragile 3:54 We'll Be Together 4:52 Straight To My Heart 3:54 Rock Steady 4:27 Sister Moon 3:46 Little Wing 5:04 The Secret Marriage 2:03

There were six of them - three Katherines, two Annes, and a Jane. One of them was the King's wife for twenty-four years, another for only a year and a half. One died, two were divorced, and two were beheaded. It was a dangerous, uncertain life. After the King's death in 1547, his sixth wife finds a box of old letters - one from each of the first five wives. They are sad, angry, frightened letters. They tell the story of what it was like to be the wife of Henry VIII of England.. OUP Oxford. UK. Año 2007. 1ª edición

DAVE MASON / alone together 70 !! 1º LP !! L RUSSELL, DELANEY & BONNIE, J CAPALDI / ORIG EDIT USA,EX DAVE MASON / alone together 70 !! 1º LP !! L RUSSELL, DELANEY & BONNIE, J CAPALDI / ORIG EDIT USA,EX SU GRAN 1º LP EN SOLITARIO..ABSOLUTA OBRA MAESTRA..UNO DE LOS MEJORES DEBUTS DE LOS 70 quien podria perderse este disco que fue su debut en solitario donde el bueno de dave mason esta rodeado de buenos amigos como su ex compañero en traffic jim capaldi, tambien leon russell, don preston, delaney & bonnie,Rita Coolidge, Claudia Lennear, Chris Ethridge (ISB & Flying Burrito Brothers) y muchos otros...quien no quiere amigos como estos ROBUSTA DOBLE CARPETA, prsenta pequeño resto de pegatina en la trasera, 1º press y LABEL ALBUN....RECOMENDADO !!.UN MUSICO AL QUE ADMIRO DESDE SIEMPRE Y QUE A OFRECIO ALBNE SMARAVILLOSO QUE SEGURO AUN MUCHA GENTE NO CONOCE....EL ES UNO DE LOS MIOS...!!! Alone Together, disco con el que debutó en solitario el músico británico Dave Mason (Traffic). Publicado en octubre de 1970, el disco lanzó el exitoso single "Only you know and I know" que alcanzó el Top 40 de las listas de éxitos pop del Reino Unido Dave Mason grabó su primer disco en solitario junto a una troup de músicos que reunía a lo más granado de la escena rock del momento, amigos, colegas y compañeros de carretera que lo acompañaron también en posteriores trabajos y colaboraciones: Delaney y Bonnie Bramlett, Jim Capaldi, Leon Russell, Eric Clapton, Rita Coolidge, Carl Radle y Jim Gordon. El disco fue producido por Dave Mason y Tommy LiPuma y editado en el sello Blue Thumb. ME SIENTO UN GRAN ADMIRADOR DE ESTE EXCELENTE MUSICO Y COMPOSITOR..!! todo un maildito, un perdedor..alguien que merecio mucho mas que el exito que a tenido..pero quiza sea este el secreto de que realice discos magnificos...siempre sus discos son una maravilla y no es facil que un musico de una banda mitica como fue traffic en su carrera en solitario realice discos tan buenos y honestos..esas seria la definion....como sabes fue miembro fundador de los TRAFFIC..y un guitarra exquisito autor de celebres temas como "Feelin' Alright"......y otros muchos Dave Mason doesn't hold his guitar, he wears it like a comfortable flannel shirt; he controls his guitar like a master controls his servant; he hypnotizes it, like the snake charmer hypnotizing the snake. The notes are round and fluid, there are no sharp edges; they're huge droplets of water falling into a still pond, their effect radiates to the far reaches of the shores and the audience's collective ears. Dave's voice is a bit raspy and distinct, like a familiar friend. Only You Know and I Know (Dave Mason) - 4:05 Can't Stop Worrying, Can't Stop Loving (Dave Mason) - 3:02 Waitin' on You (Dave Mason) - 3:05 Shouldn't Have Took More Than You Gave (Dave Mason) - 6:00 World in Changes (Dave Mason) - 4:30 Sad and Deep as You (Dave Mason) - 3:35 Just a Song (Dave Mason) - 2:59 Look at You, Look at Me (Jim Capaldi, Dave Mason) - 7:22 Credits: Jim Capaldi: Drums Rita Coolidge: Vocals Dave Mason: Guitar, Vocals Leon Russell: Keyboards Don Preston: Keyboards Bonnie Bramlett: Vocals Delaney Bramlett: Guitar, Vocals Claudia Lennear: Vocals Jim Keltner: Drums John Simon: Keyboards Jim Gordon: Drums John Barbata: Drums Bruce Botnick: Engineer Mike Coolidge: Background Vocals Lou Cooper Michael DeTemple: Guitar Chris Ethridge: Bass Larry Knechtel: Organ Bob Norwood Carl Radle: Bass Jack Storti Production Credits: Dave Mason: Producer Douglas Botnick: Engineer Tommy LiPuma: Producer Al Schmitt: Mixing Tom Wilkes: Design, Photography Barry Feinstein: Design, Photography

Like many ambitious New York City teenagers, Craig Gilner sees entry into Manhattan’s Executive Pre-Professional High School as the ticket to his future. Determined to succeed at life. Hyperion/Miramax Kid. Madrid. Año 2007.

History with the nasty bits left in! The Vicious Vikings is packed with frightening facts about these vile invaders and their savage Saxon enemies. Find out about some truly terrible torture techniques, like Viking legends full of gruesome giants and deadly dwarves, and the messy murder of King Edmund.. Scholastic.. Año 1994.

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

CD Kings of Swing (Frank Sinatra, Nat King Cole, Tony Bennett, Dean Martin, Perry Como...) CD Kings of Swing (Frank Sinatra, Nat King Cole, Tony Bennett, Dean Martin, Perry Como...) CD original en impecable estado, prácticamente nuevo. Se disfruta sin problemas. Contiene 8 temas: 01.- How D'ya Like Your Eggs In The Morning? (Dean Martin and Helen O'Connell with Dick Stabile and his Orchestra). 02.- I Get a Kick Out Of You (Frank Sinatra with Nelson Riddle and his Orchestra). 03.- Oranged Coloured Sky (Nat King Cole with Stan Kenton and his Orchestra). 04.- Rag To Riches (Tony Bennett with Percy Faith and His Orchestra). 05.- Sway (Dean Martin with Dick Stabile and his Orchestra). 06.- Just One Of Those Things (Frank Sinatra with Nelson Riddle and his Orchestra). 07.- That's Amoré (Dean Martin with Dick Stabile and his Orchestra). 08.- Papa Loves Mambo (Percy Como with Mitchell Ayres and his Orchestra).

Jeff Buckley * 2LP 180G You And I * Gatefold * Covers B. Dylan, Led Zepellin, Smiths...Precintado! Jeff Buckley * 2LP 180G You And I * Gatefold * Covers B. Dylan, Led Zepellin, Smiths...Precintado! Las primeras sesiones para Columbia Records de Jeff Buckley, You and I, se  descubieron en los archivos de Sony Music. En este trabajo de estudio inédito del artista, se incluyen versiones de canciones de Bob Dylan, Sly & the Family Stone, the Smiths, Bukka White y Led Zeppelin, entre otros. El 11 de Marzo de 2016, Columbia/Legacy Recordings, publicó " You and I", las primeras grabaciones de estudio realizadas por Jeff Buckley para Columbia Records. Estas 10 canciones (la mayor parte de ellas realizadas en el estudio Shelter Island Sound de Steve Addabbo en Febrero de 1993) no han sido escuchadas por nadie en más de dos décadas. Recientemente descubiertas en los archivos de Sony Music durante la búsqueda de material para la edición 20º aniversario del álbum Grace de Buckley, las interpretaciones que aparecen en You and I son una revelación, un retrato íntimo del artista interpretando versiones de canciones de otros músicos además de música original que expresan emociones canalizadas a través de su singular sensibilidad. Las canciones en You and I revelan, en parte, el alcance ecléctico del extraordinario talento y gusto musical de Jeff Buckley. Las versiones del álbum incluyen las personales interpretaciones de Jeff de canciones escritas por Bob Dylan ("Just Like a Woman"); Sylvester Stewart ("Everyday People," grabada por Sly & the Family Stone); Joe Green ("Don't Let the Sun Catch You Cryin'," grabada por Louis Jordan, Ray Charles y otros); Bob Telson ("Calling You," grabada por Jevetta Steele para la película de 1987 Bagdad Café); Morrissey y Johnny Marr ("The Boy with the Thorn in His Side" y "I Know It's Over," grabada por The Smiths); Booker T. Washington "Bukka" White ("Poor Boy Long Way from Home," de una grabación ‘de campo’ de 1939 realizada por John Lomax) y John Paul Jones/Jimmy Page/Robert Plant ("Night Flight," grabada por Led Zeppelin). "Cada vez que hago una versión de una canción, es porque tiene algo que ver con mi vida y todavía marca un momento en el que necesitaba esa canción más que cualquier otra cosa." Jeff Buckley, entrevista para Plane Truth de 1994. Completan You and I dos piezas de música original: la primera grabación de estudio de su famosa canción, "Grace" y "Dream of You and I," una misteriosa y encantadora pieza que conforma el profundamente íntimo y personal estado de ánimo del álbum. A pesar de haberse rumoreado durante mucho tiempo sobre su existencia aunque nunca se escucharan fuera del estudio, las interpretaciones que aparecen en You and I nunca han sido publicadas de contrabando o de cualquier otra forma. Estas primeras grabaciones son el Santo Grial de todo fan, una única oportunidad de escuchar a Jeff Buckley en plena forma, desarrollando su talento a través de fascinantes interpretaciones solistas, cada una de ellas capturada con un sonido impecable y al detalle. You and I es sencillamente eso, sólo Jeff Buckley y el oyente juntos en el estudio mientras él toca y canta la música más importante para él en ese momento de su vida. Las canciones interpretadas en solitario de You and I dan muestra del carácter sobrenatural su de voz excepcional, trascendiendo la técnica, estableciendo una conexión directa entre lo terrenal y lo divino. Nombrado por la revista Rolling Stone “Uno de los 100 Mejores Cantantes de Todos los Tiempos,” Buckley también era un consumado guitarrista, y los acompañamientos de 6 cuerdas en estas grabaciones añaden profundidad y una dimensión emocional sublime a estas inolvidables interpretaciones. Nacido el 17 de Noviembre de 1966, Jeff Buckley trabajó durante varios años como guitarrista de estudio en Los Angeles. Tras establecerse en Nueva York a principios de los 1990s, un fiel grupo de fans comenzó a seguirlo cuando tocaba en pequeños recintos, especialmente en Sin-é en The East Village. Su repertorio incluía canciones de género folk, rock, R&B, blues y jazz. Jeff Buckley completó un solo álbum de estudio, Grace, de 1994, antes de que su vida y carrera terminaran de forma trágica ahogándose accidentalmente en Memphis el 29 de Mayo de 1997. Las grabaciones de estudio recientemente encontradas que aparecen en You and I representan una incorporación esencial a la discografía de uno de los mejores artistas musicales Americanos del siglo XX, una mirada reveladora al proceso creativo de un genio en desarrollo. Edición en doble vinilo de lujo. 2LP con carpeta gatefold y vinilos de 180 gramos.  Está precintado de fábrica. Un disco imprescindible en las mejores colecciones. A 1.Just Like A Woman 2.Everyday People 3.Don't Let The Sun Catch You Cryin' B 1.Grace 2.Calling You 3.Dream Of You And I C 1.The Boy With The Thorn In His Side 2.Poor Boy Long Way From Home D 1.Night Flight 2.I Know It's Over

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE Mike Oldfield   "The Killing Fields"  LP (Virgin)   1984   made in Spain cat. num.  E 206 707 #progressive rock  #pop rock  #soundtrack   Pran's Theme 0:45 Requiem For A City 1:45 Evacuation 5:10 Pran's Theme - 2 1:40 Capture 2:01 Execution 4:10 Bad News 1:10 Pran's Departure 2:03 Worksite 1:18 The Year Zero 0:27 Blood Sucking 1:18 The Year Zero - 2 0:36 Pran's Escape / The Killing Fields 3:11 The Trek 1:58 The Boy's Burial / Pran Sees The Red Cross 2:40 Good News 1:44 Etude 4:38   Crack all the jokes you want about  Mike Oldfield  and his Tubular Bells becoming the hit theme song for The Exorcist. While  Oldfield  is an amazing guitarist who could play with the best of them, with a lithe synth touch that became a trademark, the bottom line is that the man is a serious composer. All the proof one needs apart from his own records like  Incantations  and  Hergest Ridge  is this killer movie score. While  Oldfield  used a purely Western and neo-classical formal approach to write the music for  Roland Joffé 's dramatization of true events, his musical mates were among the best in the business at helping him to bring it off:  David Bedford  wrote arrangements and directed the choir, while  Eberhard Schoener  helped to conduct and direct another choir (!) and master percussionist  Morris Pert  lent his talents to the mix as well. While many scores written during the 1980s come off as laughable fluff in the 21st century,  Oldfield 's score for The Killing Fields is in many ways far more memorable than the film itself. The music here is full of drama, dynamic, textures, and unexpected twists and turns even in the smallest of the incidental pieces, and carries within it a certain majesty that lacks pomp and remains graceful throughout.

JACKIE WILSON: REET PETITE - 20 GREATEST HITS [NLD 1987] LP/COMP JACKIE WILSON: REET PETITE - 20 GREATEST HITS [NLD 1987] LP/COMP Jackie Wilson   "Reet Petite 20 Greatest Hits"  LP (Masters)  1987  made in Holland cat. num.  MA 18287 #soul   A1 Reet Petite   A2 Chain Gang   A3 This Guy's In Love With You   A4 Shake, Shake, Shake   A5 Just Be Sincere   A6 I Don't Want To Lose You   A7 It's All Part Of Love   A8 Lonely Teardrops   A9 Tears Will Tell It All   A10 Alone At Last   B1 Danny Boy   B2 We Have Love   B3 Satisfy My Soul   B4 My Heart Is Calling   B5 Only You, Only Me   B6 Soul Galore   B7 Say You Will   B8 Don't Burn No Bridges   B9 Working On My Woman's Heart   B10 Because Of You   Although one really had to see  Jackie Wilson  live to truly appreciate his considerable talents as a singer and entertainer, his legacy today rests with his recordings from the late 1950s and early '60s with Brunswick Records, the key tracks of which are collected here.  Wilson  in concert was sort of a cross between  Sam Cooke  and  James Brown, putting on a riveting and strenuous show, but in the studio that very energetic and physical connection he could make with an audience didn't come so much into play, and his records are sort of  Jackie Wilson  light as a consequence. That doesn't mean they aren't good, though, and tracks here like "Reet Petite" (written by a young  Berry Gordy  -- many of  Wilson 's songs during the Brunswick years were written or co-written by  Gordy), "Lonely Teardrops," the impressive and moving "Shake Shake Shake," "I Don't Want To Lose You" and "Satisfy My Soul" are all classics and show  Wilson 's considerable stylistic versatility.  

The Alan Parsons Project – I Robot -LP / Spain- The Alan Parsons Project – I Robot -LP / Spain-   The Alan Parsons Project  – I Robot Label: Arista  – 201 148-I Format: Vinyl, LP, Album, Reissue,  Gatefold Country: Spain Released: 1980 Genre: Electronic,  Rock Style: Art Rock,  Synth-pop,  Prog Rock,  Symphonic Rock Tracklist A1   I Robot 6:06 A2   I Wouldn't Want To Be Like You 3:19 A3   Some Other Time 4:05 A4   Breakdown 3:50 A5   Don't Let It Show 4:21 B1   The Voice 5:21 B2   Nucleus 3:35 B3   Day After Day (The Show Must Go On) 3:43 B4   Total Eclipse 3:05 B5   Genesis Ch.1. V.32 3:37   Companies, etc. Record Company  –  Ariola Eurodisc S.A. Recorded At  –  Abbey Road Studios Mixed At  –  Abbey Road Studios Printed By  –  Iberofon, S.A. Printed By  –  Indugraf Madrid, S.A. Credits Acoustic Guitar  –  Alan Parsons,  David Paton,  Ian Bairnson Arranged By [Orchestra, Choir], Conductor  –  Andrew Powell Bass  –  David Paton Chorus Master  –  Bob Howes * Cimbalom, Kantele  –  John Leach Contractor [Orchestral]  –  David Katz Design [Cover], Photography  –  Hipgnosis (2) Design [Robot]  –  George Hardie Drums, Percussion  –  Stuart Tosh Electric Guitar  –  Ian Bairnson Engineer  –  Alan Parsons Engineer [Assistant]  –  Chris Blair,  Pat Stapley Executive-Producer  –  Eric Woolfson Illustration  –  Richard Manning (3) Keyboards  –  Alan Parsons,  Duncan Mackay,  Eric Woolfson Mastered By  –  Chris Blair Producer  –  Alan Parsons Steel Guitar  –  B.J. Cole * Synthesizer [Projectron], Vocoder  –  Alan Parsons,  Eric Woolfson Vocals  –  Allan Clarke,  Dave Townsend,  Jack Harris,  Jaki Whitren,  Lenny Zakatek,  Peter Straker,  Steve Harley Vocals [Additional]  –  Alan Parsons,  David Paton,  Hilary Western,  Ian Bairnson,  John Perry (7),  The New Philharmonia Chorus *,  Smokey Parsons,  Stuart Calver,  Stuart Tosh,  The English Chorale,  Tony Rivers Written-By  –  Alan Parsons  (tracks: A1 to B3, B5),  Andrew Powell  (tracks: B4),  Eric Woolfson  (tracks: A1 to B3, B5) Notes I Robot... The story of the rise of the machine and the decline of man, which paradoxically coincided with his discovery of the wheel... And a warning that his brief dominance of this planet will probably end, because man tried to create a robot in his own image. Recorded & mixed at Abbey Road Studios, London, between December 1976 & March 1977. Special thanks to Mickey Shapiro, Bob Britton, Mike King, Eric Prince, John Wallace and all at Abbey Road. Seems a reissue using pressed copies from the first Spanish issue. On labels: Made in Spain. EMI-Odeon, S.A. Depósito Legal: B-30024-1977 // 10 C 066-99.168 On back sleeve: Ariola Eurodisc S.A. Calle Aragón, 204 - Barcelona-11 (España) T.G. Hostench, S.A. - Córcega, 231-233 - Barcelona (36) 1982 Barcode and Other Identifiers Matrix / Runout (Side A): E 201.48-A 2N Matrix / Runout (Side B): I 201.148-B 2N DM Rights Society: S.G.A.E. Depósito Legal: B-3.339-1980  

Tom Sawyer does not like school. He does not like work, and he never wants to get out of bed in the morning. But he likes swimming and fishing, and having adventures with his friends.. OUP Oxford. UK. Año 2007. 1ª edición

ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE (Beat Goes On)  1991  made in UK cat. num.  BGOCD41 #rock  #blues rock   1 Sail On 7:42 2 Sun's A-Risin' 4:45 3 Raindrops 2:40 4 Boom-Ba-Boom 1:20 5 Somebody Listen 6:10 6 Cross The River 4:43 7 St. James Infirmary 5:15 8 Huna Buna 2:26 9 Hard Chargin' Woman 8:40   This late-'60s Denver group is most notable as the starting point for guitarist  Tommy Bolin, who was still in his teens when they recorded their first album in 1969. A rather routine slab of bluesy, heavy rock, it made the Top 50. Aside from  Bolin 's extended hard rock riffing, it prominently featured the lead vocals of  Candy Givens, who affected a blues-wailing pose along the lines of  Janis Joplin. But she didn't have the full throat or guts to back it up, ending up closer to also-ran female psychedelic singers like  Lydia Pense  (of  Cold Blood).  Zephyr  recorded one more album before  Bolin  left for stints with  James Gang,  Deep Purple, and a solo career; the group carried on throughout the 1970s. The band's debut finds  Bolin  already developed as a skilled player, but his playing, and the largely group-penned material, lack strength or subtlety. The most distinctive trait of the band at this point, in fact, is the somewhat histrionic singing of lead vocalist  Candy Givens.