In one best street

BEST A4 paper manufacturers in THAILAND ONLY!!! Copy paper 80 Gsm. Paper size A4 (210 X 297 mm.) Product details A3 (297x420 mm.) 500 sheets A4 (210x297 mm.) 40 sheets, 100 sheets and 500 sheets B4 (257 X 364 mm.) 100 sheets F14 (216 X 356 mm.) 40 sheets, 100 sheets and 500 sheets 1. Sheet Size cheap white 100% wood pulp a4 bulk copy paper: 210mm x 297mm, International Size A4 2. Quality: Imported 100% Virgin Wood Pulp 3. Whiteness = 102-104%, Natural White 4. Capability: High Speed Copying 100ppm, Laser 5. Capable, Inkjet Capable, Fax Capable. 6. Thickness: 103-110 um 7. Surface roughness TS ml/ min: 75-175 8. Surface roughness BS ml/ min: 100-200 9. Bending stiffness MD: b'>' 110 Mn 10. Bending stiffness CD: b'>' 50 Mn 11. CIE whiteness: 148-152 12. Cobb Test: 27-33 g/ m2 27-33 Price: US $0.35/ Ream. 1. PACKING DETAILS 500 Sheets per Ream 5 Reams per Box 1560 Boxes per 20ft container(With Pallet) 1600 Boxes Per 20ft container(Without Pallet) 7800 Reams Total in one 20FCL(With Pallet) 8000 Reams Total in one 20FCL(Without Pallet). WhatsApp: +1 (818) 473-5143 mail: [email protected]

THE BEATLES 4CD BOX SET * GREATEST HITS IN CONCERT 1962-'65 * Caja precintada!! THE BEATLES 4CD BOX SET * GREATEST HITS IN CONCERT 1962-'65 * Caja precintada!! Edición muy limitada con grabaciones históricas de The Beatles desde 1965 a 1965.  Contiene 4 discos en formato digipack. Una gran pieza de coleccionismo. Grabaciones algunas con sonido de la época, sin filtrar. Editado por el sello checoslovaco Coda Records. Actualmente muy difícil de encontrar.  Caja precintada de fábrica.  CD 1 The Lost Decca Audition Tapes  1 Money (That's What I Want) 2 Till There Was You 3 To Know Her Is To Love Her 4 Take Good Care Of My Baby 5 Memphis Tennessee 6 Sure To Fall In Love With You 7 Crying, Waiting, Hoping 8 Love Of The Loved 9 September In The Rain 10 Besame Mucho 11 Pete Best - The Decca Sessions 12 Pete Best - Recording Love Me Do 13 Love Me Do (With Ringo Starr) 14 Till There Was You (With Ringo Starr) 15 Memories With Pete Best 16 My Bonnie  CD 2 The Lost Abbey Road Tapes 196'64  1 Love Me Do 2 P.S. I Love You 3 There's A Place (Take 2) 4 I Saw Her Standing There (Takes 6 & 10) 5 Misery (Take 6) 6 Thank You Girl (Takes 4 & 12) 7 Don't Bother Me (Take 10) 8 Hold Me Tight (Take 28) 9 A Hard Day's Night (Take 7) 10 I'm A Loser (Take 8) 11 What You're Doing (Take 11) 12 She's A Woman (Take 2)  CD 3 The Lost Bbc Tapes And Much More  1 I Saw Her Standing There 2 Misery 3 Too Much Monkey Business 4 I'm Talking About You 5 Please Please Me 6 Hippy Hippy Shake 7 She Loves You 8 Twist And Shout 9 From Me To You 10 I'll Get You 11 She Loves You 12 Twist And Shout 13 I Want To Hold Your Hand 14 This Boy 15 All My Loving 16 Seventeen (Harmonica Version) 17 The One After 909 (Take 1) 18 Catwalk (Take 1) 19 Twist And Shout 20 Can't Buy Me Love 21 If I Fell 22 A Hard Day's Night  CD 4 New York, Miami And Philadelphia  1 All My Loving 2 Till There Was You 3 She Loves You 4 I Saw Her Standing There 5 I Want To Hold Your Hand 6 She Loves You 7 This Boy 8 All My Loving 9 I Saw Her Standing There 10 From Me To You 11 I Want To Hold Your Hand 12 Twist And Shout 13 You Can't Do That 14 All My Loving 15 She Loves You 16 Things We Said Today 17 Roll Over Beethoven 18 Can't Buy Me Love 19 If I Fell 20 I Want To Hold Your Hand 21 Boys 22 A Hard Day's Night 23 Long Tall Sally  Blackpool And Paris 196'65  1 A Hard Day's Night 2 Things We Said Today 3 You Can't Do That 4 If I Fell 5 Long Tall Sally 6 I Feel Fine 7 I'm Down 8 Act Naturally 9 Ticket To Ride 10 Yesterday 11 Help! 12 Twist And Shout 13 She's A Woman 14 I'm A Loser 15 Can't Buy Me Love 16 Baby's In Black 17 I Wanna Be Your Man 18 A Hard Day's Night 19 Everybody's Trying To Be My Baby 20 Rock 'N' Roll Music 21 Ticket To Ride 22 Long Tall Sally  Australia & Japan  1 I Saw Her Standng There 2 You Can't Do That 3 All My Loving 4 She Loves You 5 Till There Was You 6 Roll Over Beethoven 7 Can't Buy Me Love 8 This Boy 9 Twist And Shout 10 Long Tall Sally 11 Rock 'N' Roll Music 12 She's A Woman 13 If I Need Someone 14 Day Tripper 15 Baby's In Black 16 I Feel Fine 17 Yesterday 18 I Wanna Be Your Man 19 Nowhere Man 20 Paperback Writer 21 I'm Down 

Vinilo Primal Fear ‎– Best Of Fear. Triple vinilo, 2017. Vinilo Primal Fear ‎– Best Of Fear. Triple vinilo, 2017. Excelente estado, aún precintado, triple vinilo 2017. A1 Area16 1:41 A2 Predator 4:01 A3 If Looks Could Kill 4:06 A4 Thrill Of Speed 4:01 A5 The End Is Near 4:28 A6 Strike 4:39 B1 Sign Of Fear 4:47 B2 In Metal We Trust 3:33 B3 When Death Comes Knocking 6:58 B4 Six Times Dead 4:00 B5 Angels Of Mercy 3:35 C1 Unbreakable 6:05 C2 Riding The Eagle 4:58 C3 Rulebreaker 4:38 C4 King For A Day 3:44 C5 Bad Guys Wear Black 3:30 D1 Everytime It Rains (Feat. Simone Simons) 3:52 D2 We Walk Without Fear 10:44 D3 Fighting The Darkness (Long Version) 8:43 E1 Hands Of Time 4:31 E2 One Night In December 9:18 E3 The Sky Is Burning 4:45 E4 Where Angels Die 8:09 F1 Black Rain 6:07 F2 Born With A Broken Heart (Feat. Liv Kristine Remix) 4:36 F3 Born Again 4:48 F4 The Man (That I Don't Know) 6:10    

Pearl Bailey – The One And Only Pearl Bailey Sings, 1ª Edicion UK 1957 Mercury Pearl Bailey – The One And Only Pearl Bailey Sings, 1ª Edicion UK 1957 Mercury Lista de Títulos A1   Porter’s Love Song To A Chambermaid A2   Man Is A Necessary Evil A3   The Gypsy Goofed A4   My Man A5   You Waited Too Long A6   Sweet Georgia Brown B1   Easy Street B2   I Can’t Rock And Roll To Save My Soul B3   There’s A Man In My Life B4   Everybody Loves My Baby B5   There’s Plenty More Where That Came From B6   That’s My Weakness

The Mamas & The Papas ‎– Best Of… Monday Monday The Mamas & The Papas ‎– Best Of… Monday Monday The Mamas & The Papas ‎– Best Of… Monday Monday   Sounds Superb ‎– SPR 90025, Music For Pleasure ‎– SPR 90025   Vinilo NM / Portada NM   UK - 1974   Folk Rock, Pop Rock   A1 Monday Monday A2 Words Of Love A3 Go Where You Wanna Go A4 Spanish Harlem A5 Sing For Your Supper A6 My Girl B1 Dedicated To The One I Love B2 Do You Wanna Dance B3 Trip Stumble And Fall B4 California Earthquake B5 For The Love Of Ivy B6 Dream A Little Dream Of Me   Made in Great Britain   Front cover laminated.   Matrix / Runout (Variant 1: Runout side A, stamped): 1 SSPR 90025 A-1 TR

ISAAC HAYES - THE VERY BEST OF - CD 1991 FANTASY PLANETA AGOSTINI ISAAC HAYES - THE VERY BEST OF - CD 1991 FANTASY PLANETA AGOSTINI Lista de Títulos 1 Theme From "Shaft"   2 Walk On By   3 Ain´t That Lovin' You (For More Reasons Than One)   4 I Don't Want To Be Right (If Loving You Is Wrong)   5 I Stand Accused   6 Never Can Say Goodbye   7 The Look Of Love   8 Joy   9 Let´s Stay Together   10 I'll Never Fall In Love Again

Bob Marley & the Wailers - Legend (the best of) - Precintado - Incluye vale MP3 Bob Marley & the Wailers - Legend (the best of) - Precintado - Incluye vale MP3 Nuestra tienda:   http://www.todocoleccion.net/killersdiscos_vendedorTC Por favor, consulte las ''formas de pago y envío'' antes de realizar su compra. Ahorre en los envíos agrupando pedidos o recogiendo su compra en nuestra tienda. Tracklist A1 Is This Love 3:52 A2 No Woman No Cry 4:02 A3 Could You Be Loved 3:35 A4 Three Little Birds 2:58 A5 Buffalo Soldier 2:43 A6 Get Up Stand Up 3:14 A7 Stir It Up 3:38 B1 One Love / People Get Ready 2:53 B2 I Shot The Sheriff 3:46 B3 Waiting In Vain 4:06 B4 Redemption Song 3:46 B5 Satisfy My Soul 3:49 B6 Exodus 4:16 B7 Jamming 3:17

Bang Your Head!!! Festival - Best Of... Motörhead, Doro, Dio, Sodom, Saxon, U.D.O., Y&T, Axxis... Bang Your Head!!! Festival - Best Of... Motörhead, Doro, Dio, Sodom, Saxon, U.D.O., Y&T, Axxis... 1-1     –Motörhead - Dr. Rock (2005) 1-2     –Doro - All We Are (2005) 1-3     –Krokus - Long Stick Goes Boom (2005) 1-4     –Mike Tramp's White Lion  Wait (2005) 1-5     –Axel Rudi Pell - Fool Fool (2005) 1-6     –Twisted Sister - The Price (2005) 1-7     –Death Angel - Kill As One (2004) 1-8     –Magnum - Kingdom Of Madness (2004) 1-9     –Sebastian Bach - Youth Gone Wild (2004) 1-10   –Annihilator - Alison Hell (2003) 1-11   –Axxis - Brother Moon (2003) 1-12   –Bitch - Live For The Whip (2003) 1-13   –Brainstorm - Shiva's Tears (2003) 1-14   –Dokken - Breaking The Chains (2003) 1-15   –Dio -  Rainbow In The Dark (2003) 2-1     –Twisted Sister  - I Wanna Rock (2003) 2-2     –Overkill - Necroshine (2003) 2-3     –Hirax - Bombs Of Death (2003) 2-4     –Pink Cream 69 - Keep Your Eye On The Twisted (2003) 2-5     –Sodom -The Saw Is The Law (2003) 2-6     –Y & T -Dirty Girl (2003) 2-7     –U.D.O. - Man & Machine (2003) 2-8     –Candlemass  - Samarithan (2002) 2-9     –Bonfire -  Under Blue Skies (2002) 2-10   –Saxon  - Killing Ground (2002) 2-11   –Vicious Rumors- On The Edge (2001) 2-12   –Armored Saint -Can U Deliver (2001) 2-13   –Six Feet Under - Feasting On The Blood Of The Insane (2001) 2-14   –Uriah Heep - Bird Of Prey (2001) 2-15   –Dee Snider -  S.M.F. (2001)

AEROSMITH. Pandora's box (casetes 1991) AEROSMITH. Pandora's box (casetes 1991) 3 CASSETTES + LIBRO  1991        Ref...469293 4 AEROSMITH CASSETTE1 1.When I needed you 2.Make it 3.Movin' out 4.One way street 5.On the road again 6.mama kin 7.Same old song and dance 8.Train kept a rollin' 9.Seasons of wither 10.Writte me a letter 11.Dream on 12.Pandora's box 13.Rattlesnake shake 14.Walkin' the dog 15.Lord of the thighs CASSETTE 2 1.Toys in the attic 2.Round and round 3.Krawhitham 4.You see me crying 5.Sweet emotion 6.No more, no more 7.Walk this way 8.I wanna know why 9.Big ten-inch record 10.Rats in the cellar 11.Last child 12.All your love 13.Soul saver 14.Nobody's fault 15.Lock and a promise 16.Adam's apple 17.Draw the line 18.Critical mass CASSETTE 3 1.Kings and queens 2.Milcow blues 3.I live in Connecticut 4.Three mile smile 5.Let it slide 6.Cheese cake 7.Bone to bone (Coney island white fish boy) 8.No surprize 9.Come together 10.Downtown Charlie 11.Sharpshooter 12.Shit house shuffle 13.South station blues 14.Riff & roll 15.Jailbait 16.Major Barbara 17.Chip away the stone 18.Helter skelter 19.Back in the saddle Gastos de envio                                                ESPAÑA     EUROPA    RESTO DEL MUNDO Hasta 1000grs                         6,76€           14,69€          22,94€

Blackberry Smoke – Stoned -LP- Blackberry Smoke – Stoned -LP-   More images Blackberry Smoke  – Stoned Label: 3 Legged Records  – 3LG15LP Format: Vinyl, LP,  Transparent red w/black smoke Country: US Released: Nov 26, 2021 Genre: Rock Style: Classic Rock,  Southern Rock Tracklist Hide Credits A1   All Down The Line A2   Sway A3   Can’t You Hear Me Knockin’ B1   Tumbling Dice B2   Just My Imagination (Running Away With Me) Songwriter –  Barrett Strong,  Norman Whitfield Songwriter –  Barrett Strong,  Norman Whitfield B3   I Got The Blues B4   Street Fighting Man   Companies, etc. Marketed By  –  Thirty Tigers Marketed By  –  The Orchard Distributed By  –  Thirty Tigers Distributed By  –  The Orchard Recorded At  –  Welcome To 1979 Phonographic Copyright ℗  –  3 Legged Records Copyright ©  –  3 Legged Records Credits Cover [Front]  –  Phil Guy Engineer  –  Jeremy Bernstein (5) Engineer [Assistant]  –  Nick Molino Layout, Design  –  Perry Shall Mastered By  –  Margaret Luthar Songwriter  –  Keith Richards,  Mick Jagger Notes Record Store Day Black Friday release Limited to 2500 copies Pressed On Red Vinyl With Black Smoke "This album was recorded, mixed and mastered live to a vinyl master in one take on the evening of November 6, 2020 at Welcome to 1979. There were no overdubs, edits, punch-ins, remixes or remastering. This type of recording is very rare due to the technical and creative difficulty associated with recording live to a vinyl master. Once the recording has started it cannot stop until the end of the side. You are hearing one complete take per side of the record, which is no easy feat for all involved. Enjoy!" Barcode and Other Identifiers Barcode (Scanned): 793888432505 Barcode (Text): 7 93888 43250 5 Matrix / Runout (Label - Side A/B): 3LP15LP Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-A2 ML201106 Welcome to 1979 Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-B2 ML201106 Welcome to 1979      

A selection of the best pieces of the italian and spanish sculpture in one book.. Corvina. Budapest. Año 1977. 1ª edición

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

GARY SHEARSTON: DINGO [ESP 1974] LP GARY SHEARSTON: DINGO [ESP 1974] LP Gary Shearston   "Dingo"  LP (Charisma)  1974  made in Spain cat. num.  63 69 958 #folk rock  #pop rock   Dingo   Back Of Beyond   Witnessing   I Get A Kick Out Of You   The Lightkeeper Of America   Seagull And Swan   The Ballad Of Blasted Creek   Lump In The Bed   Aborigine   Without A Song   b. 9 January 1939, Inverell, New South Wales, Australia. This singer-songwriter was also proficient on guitar and harmonica. Shearston moved with his family to Sydney at the age of 12, after his father’s farm was destroyed by drought. By the time Shearston was 19 he was a professional singer performing traditional Australian music in pubs, clubs and on radio and television. In the late 50s he made his first recording, for the Festival label, and this was followed by a number of albums for CBS Records in the early to mid-60s. Two of these albums were described as ‘among the best records of traditional music ever made in Australia’. In 1965, Shearston received an award for the best composition of the year when ‘Sometime Lovin’’ was covered by a number of artists including Peter Paul And Mary. In the mid-60s, together with Martyn Wyndham-Read, he recorded a live album on the Australian Score record label, although CBS would not let Shearston appear on the album. In addition, he had his own folk music television programme.  Shearston then travelled to the USA in 1968 and lived there for the next four years. During the mid-70s Shearston relocated to Britain, where he recorded two albums for Charisma Records. Shearston’s one major hit in the UK came in 1974, when ‘I Get A Kick Out Of You’ made the Top 10. This single made Shearston the first Australian artist to have a simultaneous hit in Britain and Australia. Despite the long gap between albums he carried on and worked the folk clubs of Europe. Returning to Australia from England in 1988, Shearston was made a Deacon of the Anglican Church in December 1991, and has served in the parishes of Narrandera, Deniliquin, Hay, and Bangalow. In 2001, he released his first new studio album in over a decade.

THE BEATLES * DECCA TAPES * LP 180g Vinilo transparente * Nuevo THE BEATLES * DECCA TAPES * LP 180g Vinilo transparente * Nuevo 1961. Brian Epstein, mánager de una joven banda de Liverpool, se desplaza a Londres en busca de una compañía discográfica que quisiera dar una oportunidad a unos, por entonces completamente desconocidos, The Beatles. En su vehemente búsqueda trató con casas del renombre de Columbia o Philips Records, pero ninguna accedió a concederles ni tan siquiera una audición, así que mucho menos pudo lograr alguna firma. Sin embargo, el que quedara tan fascinado por Lennon, McCartney, Harrison y Pete Best (primer baterista antes de la llegada de Ringo Starr) cuando acudió una noche a un club de rock de la calle Mathew Street, conocido como The Cavern, no iba a cejar en su empeño por conseguirles, al menos, la posibilidad de que demostraran su talento. Y, finalmente, los Decca Records decidieron brindarles una pequeña oportunidad(posteriormente se supo que fue el propio Epstein quien había pagado al sello discográfico para que les posibilitara el encuentro). Fue entonces cuando el productor Dick Rowe mandó a su asistente Mike Smith a Liverpool para escuchar al grupo, también impresionado por la fe de Epstein, quien decía que “The Beatles llegarían a ser más grandes que Elvis”. Tras oírlos en directo, pactaron la audición para alrededor de veinte días después, el 1 de enero de 1962. Los Beatles decidieron emprender el viaje el día antes y pasar la noche en Londres, y aunque víspera de año nuevo no es buena fecha para viajar Neil Aspinall, compañero y amigo del colegio de McCartney y Harrison que había sido contratado en julio de ese año por la banda como road manager, puso su furgoneta con destino a la capital inglesa. No obstante, sería ese viaje el primer presagio de que la grabación con Decca no estaba destinada a convertirse en un evento que marcara un antes y un después en la historia de The Beatles, o por lo menos no de la forma que esos cuatro jóvenes británicos tendrían en mente en la parte trasera del auto de Aspinall, quien se confundió de trayecto e hizo que la travesía durara aproximadamente diez horas. Al día siguiente se produjo la famosa actuación marcada por varias circunstancias. En primer lugar la duración, ya que los Beatles sólo pudieron tocar durante alrededor de una hora. Además, las canciones que tocaron fueron las que Brian Epstein había decidido previamente, siendo sólo tres de ellas obra de John y Paul (“Like Dreamers Do”, “Hello Little Girl” y “Love of the Loved”). Sin duda uno de los puntos fuertes de en lo que se convertiría posteriormente el Fab Four era la capacidad compositiva del dúo Lennon-McCartney, un elemento que se mostró parcialmente encadenado en los estudios de Decca. El resto de piezas que tocaron fueron covers de hits célebres del momento, destacando el “Memphis, Tennessee” de Chuck Berry y el “Crying, Waiting, Hoping” de Buddy Holly, o canciones más antiguas con arreglos modernos como el “Bésame Mucho” de la mexicana Consuelo Velázquez. Es indudable que el setlist elegido por el mánager del grupo no fue el más acertado, quizás ciertamente conservador dada la naturaleza de todas las pistas, más calmada y pausada que el rock que solían tocar en The Cavern y que sería el germen de lo que se estaba cocinando. Además, como decimos, en la formación aún se encontraba un Pete Best cuya habilidad con las baquetas era bastante limitada y muy por debajo del nivel de los otros tres Beatles. Durante la audición, producida por Mike Smith, surgieron varias discrepancias, ya que la voz de los de Liverpool no era la de siempre, se mostraba dubitativa, y por ello Epstein sugirió cambios sobre la marcha que no resultaron efectivos. El cuarteto volvió a casa a la espera de la respuesta de los ejecutivos de Decca mientras en el estudio se producía ese mismo día otra sesión con The Tremeloes. Dicha respuesta se demoró varias semanas y fue, para decepción de los Beatles, negativa. La discográfica decidió rechazar al grupo alegando que la utilización de la guitarra eléctrica estaba en decadencia y acabaría en desuso, por lo que los grupos que se basaban en ese sonido no triunfarían.Además, Rowe, quien al final tomó la decisión de elegir a The Tremeloes (sin eludir a Mike Smith que influyó enormemente en la decisión puesto que era él quien había escuchado más a ambas bandas), aconsejó a Epstein que se olvidara de ellos, los dejara de lado y se dedicara a producir discos de otras bandas de su ciudad porque “Los Bealtes no tienen futuro en el negocio de la música”. Decca Records y Dick Rowe dejaron escapar la oportunidad de tener en sus filas a la que se convertiría en la banda más grande del mundo, aunque el propio McCartney declaró que pese a que en su momento su opinión era otra, ahora no le parece disparatado que no les contrataran ya que la calidad de su sesión no fue ni mucho menos extraordinaria. Lennon siempre se mantuvo enojado y rencoroso con Decca, y Harrison, paradójicamente, los ayudó y aconsejó contratar a The Rolling Stones, previniendo así que el sello cometiera un error de tal calibre dos veces. Brian Epstein por su parte no hizo caso a Decca y siguió trabajando con The Beatles para que seis meses después lograran otra audición, en este caso con Parlophone Records, una subsidiaria de EMI, con el resultado que todos sabemos. Los temas tocados no variaron mucho respecto a los que presentaron a Decca, pero no se olvidaron de “Love Me Do”, “P.S. I Love You” y “Ask Me Why”, que formarían parte de su álbum debut de 1963, “Please Please Me”. Allí conocieron a otro hombre que sería clave en su camino, George Martin, quien a la postre produciría toda su discografía excepto su último álbum, “Let It Be”, siendo Phil Spector el encargado de hacerlo. Fue él también quien desaprobó la presencia de Pete Best en el grupo, aunque la llegada de Ringo fue cosa de los propios Beatles. Si bien también han circulado varias teorías al respecto de esto, McCartney explicó que su amistad no podía comprometer su carrera profesional y en definitiva, su forma de vida. Martin supo ver lo que en Decca no hicieron, y aunque la calidad de su música aún estaba lejos de lo que podían esperar de ellos, había potencial, su sonido podía pulirse. Y así comenzó a trabajar con ellos para que poco tiempo después se convirtieran en un fenómeno de masas nacional y posteriormente mundial. Aun teniendo a los Rolling Stones, seguramente Dick Rowe, Mike Smith y toda la casa discográfica Decca estuvieron un buen tiempo dándose de cabezazos contra las paredes por dejar pasar la oportunidad de tener a unos Beatles que tampoco podemos saber si se hubieran convertido en lo que fueron sin George Martin quien, dado su peso en la trayectoria de la banda, se disputa con Epstein el título de ‘El Quinto Beatle’. Este disco único en edición muy limitada recoge todas estas grabaciones. Documento histórico.  El disco está completamente nuevo!. CARA 1: 1. Like Dreamers Do  2. Money  3. Till There Was You  4. Sheik Of Araby  5. To Know Her Is To Love Her  6. Take Good Care Of My Baby  7. Memphis  8. Sure To Fall  CARA 2: 1. Hello Little Girl  2. Three Cool Cats  3. Crying, Waiting, Hoping  4. Love Of The Loved  5. September In The Rain  6. Bésame Mucho  7. Searchin'