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THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

This is an Upper Level title in a series of ELT readers comprising a wide range of stories - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures. The books are divided into five levels: Starter Level, with about 300 basic words; Beginner Level (600 basic words); Elementary Level (1100); Intermediate Level (1600); and Upper Level (2200). Some of the titles are also available on cassette.. Heinemann.. Año 1995. 1ª edición

This is a Beginner Level story in a series of ELT readers comprising a wide range of titles - some original and some simplified - from modern and classic novels, and designed to appeal to all age-groups, tastes and cultures.. Heinemann. UK. Año 1992. 1ª edición

JOY DIVISION - SUBSTANCE 1977 - 1980 - VINILO ORIGINAL NUEVOS MEDIOS 1988 JOY DIVISION - SUBSTANCE 1977 - 1980 - VINILO ORIGINAL NUEVOS MEDIOS 1988 Substance 1977-1980 es un álbum recopilatorio de la banda británica de post-punk Joy Division, publicado por Factory Records en 1988. Fue acompañado también de un recopilatorio de New Order titulado Substance. Alcanzó el puesto número 7 en las listas de ventas del Reino Unido1 y el puesto 146 en el Billboard 200. También alcanzó el puesto 15 en Nueva Zelanda y el 53 en Australia en agosto de 1988. Substance compila los cuatro sencillos lanzados por la banda que no aparecían en ningún álbum. Estos son: "Transmission", "Komakino", "Love Will Tear Us Apart" y "Atmosphere", todos con sus respectivos lados B. También recoge las canciones publicadas en los EP, el primer lanzamiento (An Ideal for Living) y dos temas publicados por Factory Records, en A Factory Sample y Earcom 2: Contradiction. El sencillo "Atmosphere" originalmente fue lanzado en Francia con el título "Licht und Blindheit" con "Dead Souls" como lado B. Después de la muerte de Ian Curtis, fue reeditado un sencillo póstumo de "She's Lost Control", el cual es una versión alternativa a la que anteriormente había sido publicada en el álbum de estudio Unknown Pleasures. El disco de vinilo omite el sencillo "Komakino". Lista de canciones: Todas las canciones compuestas por Joy Division. LP (Factory FACT 250) 1."Warsaw" – 2:25 Relanzado en An Ideal for Living 2."Leaders of Men" – 2:35 Relanzado en An Ideal for Living 3."Digital" – 2:50 Relanzado en A Factory Sample 4."Autosuggestion" – 6:08 Relanzado en Earcom 2: Contradiction 5."Transmission" – 3:36 Sencillo FAC 13 6."She's Lost Control" – 4:45 B-side del sencillo FACUS 2 "Atmosphere" 7."Incubation" – 2:52 Lado B instrumental del sencillo FAC 28 "Komakino" 8."Dead Souls" – 4:56 Lado B del single "Atmosphere" in France 9."Atmosphere" – 4:10 Sencillo FACUS 2 10."Love Will Tear Us Apart" – 3:25 sencillo FAC 23 Substance compiles the four singles released by the band that did not appear on albums - "Transmission", "Komakino", "Love Will Tear Us Apart ", and " Atmospher e" - as well as their B-sides. It also collects tracks released on extended play singles, the band's first release An Ideal for Living, and two samplers issued by Factory Records, A Factory Sample and Earcom 2: Contradiction. The single "Atmosphere" had been originally issued in France as "Licht und Blindheit" with "Dead Souls" on the B-side. Following the death of Ian Curtis, it was reissued as a posthumous B-side of the "She's Lost Control" single in an alternate version from the track that had previously appeared on Unknown Pleasures. The vinyl version omits the single "Komakino" and does not include the complete titles from the extended plays. Later CD pressings issued by London Records contain a previously unreleased mix of "She's Lost Control" that is slightly different from the original single release. More guitar is mixed within the song, the synthesizer melody is shortened and starts at a later point, and the ending of the song is extended by 15 seconds and doesn't fade out. Substance was digitally remastered in 2015 containing the alternate mix of "She's Lost Control" and two additional tracks: "As You Said" (the second b-side of Komakino) and the b-side mix of "Love Will Tear Us Apart".

ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA A finales de 1984, ABC, formados en ese momento solo por Fry y White, aumentados por varios músicos de sesión, publicaron (How to be a) Zillionaire,con otro marcado cambio de estilo, en este caso más orientado hacia los ritmos bailables y samples empleados a mediados de los 80. Tras la edición de este disco, el dúo se trasladó a Nueva York, donde se les añadieron David Yarritu y Eden (Fiona Russell-Powell) al grupo, sólo para los efectos visuales, sin tocar ningún instrumento ni cantar. A principios de 1985 se publicó el brillante y pegadizo single Be near me, que subió hasta el puesto 26 de las listas británicas. Debido al éxito del single, How to be a...millionaire! consiguió entrar en el Top 30 tanto en Reino Unido como en Estados Unidos. Be near me se publicó a finales de 1985 en Estados Unidos, convirtiéndose en el primer Top 10 del grupo en este país. A pesar de los éxitos regulares del grupo durante 1985, los siguientes singles, Vanity kills y Ocean blue, se estancaron en los charts. ABC fue una de las primeras bandas que utilizó la técnica del video scratching para algunos vídeos de How to be a... Zillionaire, como el de Be near me. Este hecho fue destacado en las noticias de la cadena musical MTV, aunque no hayan tenido excesiva repercusión popular por ello. Track listing: All songs written and composed by Martin Fry and Mark White. Side one 1. "Fear of the World"   3:50 2. "Be Near Me"   3:37 3. "Vanity Kills"   3:28 4. "Ocean Blue"   3:36 5. "15 Storey Halo"   5:36 Side two 1. "A to Z"   2:49 2. "(How to Be A) Millionaire"   3:34 3. "Tower of London"   3:36 4. "So Hip It Hurts"   4:17 5. "Between You and Me"   3:16 How to Be a...Zillionaire! is an album by the band ABC. It was released in the autumn of 1985. Four singles were released from this album, "(How to Be A) Millionaire " (UK: 49, US: 20), " Be Near Me " (UK singles chart: 26, US Billboard Hot 100: 9), " Vanity Kills " (UK: 74, US: 91), and the fourth was " Ocean Blue ", (UK: 54). The album peaked on the UK Albums Chart at 28 and on the Billboard 200 at 30. On the cover the album's title is in the foreground lit up like a spotlight against a tri-tone background on which various quotes of the album's lyrics can be seen. There is also a drop shadow behind the title. No dialogue at the start of the song " Vanity Kills ". Eden (see band line up in next section) does the harmony vocal on the song " Ocean Blue ". Guitars completely absent from Side Two/Tracks 6–10. No cursing from Eden in the song "A to Z". Four seconds of silence between "A to Z" and "(How to Be a) Millionaire". Eden performs the breakdown vocal and plays the instrumental solo in the song "(How to Be a) Millionaire".

RIVER CITY PEOPLE - THIS IS THE WORLD - VINILO ORIGINAL 1991 PRIMEA EDICION EMI RIVER CITY PEOPLE - THIS IS THE WORLD - VINILO ORIGINAL 1991 PRIMEA EDICION EMI River City People fue un grupo de folk-rock de vida y éxito efímeros. Con sus dos estupendos albumes, sonaron bastante en las emisoras del Reino Unido y otros países (España, entre ellos), y llegaron a actuar en varias ciudades europeas. Pero lo que condenó a la banda de Liverpool fue, probablemente, que llegaron tarde a la fiesta. La segunda mitad de los 80 fue un momento dulce para el pop-rock inglés e irlandés, que consolidó a grupos como U2, Simple Minds, Dire Straits o Simply Red. Pero los RCP se subieron al carro en 1989, cuando el movimiento languidecía, y a pocos meses de la explosión, al otro lado del Atlántico, del fenómeno grunge. La banda aguantó como pudo el desinterés por el folk-rock, y aunque llegó a lanzar en 1991 un segundo gran LP, acabó deshaciéndose pocos meses después. El primer disco es una maravilla y este   THIS IS THE WORLD esta muy bien. Tracklist: 01. River City People - Standing In The Need Of Love [3:30] 02. River City People - Special Way [3:14] 03. River City People - Act Like A Child [3:46] 04. River City People - Hurt You [3:57] 05. River City People - Driver [3:24] 06. River City People - Move A Mountain [4:41] 07. River City People - Mile High Cafe [4:31] 08. River City People - True Stories From The Revolution [3:42] 09. River City People - The Sea [3:40] 10. River City People - High Tide [3:28] 11. River City People - This Is The World [4:57] River City People were a folk rock quartet formed in Liverpool, England in 1986, by vocalist Siobhan Maher, guitarist Tim Speed, his drummer brother Paul Speed, and bassist Dave Snell. Siobhan, Tim and Dave had both been with Liverpool Band "Peep Show" until summer 1987 - at one point both bands co-existed. The group appeared on Channel 4's The Chart Show and soon afterward signed with EMI, releasing their debut single "(What's Wrong With) Dreaming?" in mid 1989. Their album Say Something Good followed a few months later, recorded in Los Angeles and produced by legendary producer Don Gehman. In the summer of 1990, the band scored their biggest hit with a cover of The Mamas & the Papas' "California Dreamin'". This was a double A-side with "Carry the Blame". " This is the World " followed in late 1991, but the group disbanded shortly after. Maher then teamed with ex-Bangle Debbi Peterson in the duo Kindred Spirit, releasing a self-titled 1995 album on Capitol Records. She released a solo album in 2002 called Immigrant Flower.

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

Dire Straits – Brothers In Arms -2 LP- Dire Straits – Brothers In Arms -2 LP- Dire Straits  – Brothers In Arms Label: Vertigo  – 3752907Series: Back To Black Format:2 x  Vinyl, LP, Album, Remastered, Reissue,  180 Gram Country: Europe Released: 2021 Genre: Rock Style: Tracklist Hide Credits A1So Far AwayA2Money For Nothing Written-By –  Mark Knopfler,  Sting Written-By –  Mark Knopfler,  Sting B1Walk Of LifeB2Your Latest TrickC1Why WorryC2Ride Across The RiverD1The Man's Too StrongD2One WorldD3Brothers In Arms Companies, etc. Copyright ©  –  Phonogram Ltd. (London) Pressed By  –  MPO Phonographic Copyright ℗  –  Phonogram Ltd. (London) Credits Bass, Vocals  –  John Illsley Drums  –  Omar Hakim,  Terry Williams (3) Engineer  –  Neil Dorfsman Engineer [Assistant]  –  Bruce Lampcov,  David Greenberg *,  Steve Jackson (3) Guitar, Vocals  –  Mark Knopfler Keyboards  –  Alan Clark Keyboards, Vocals  –  Guy Fletcher Lacquer Cut By  –  Bernie Grundman,  Chris Bellman Painting  –  Thomas Steyer Photography By  –  Deborah Feingold Producer  –  Mark Knopfler,  Neil Dorfsman Remastered By  –  Bernie Grundman,  Bob Ludwig Sleeve  –  Sutton Cooper Vocals  –  Sting  (tracks: A2) Written-By  –  Mark Knopfler Notes 2021 MPO pressing of  Dire Straits - Brothers In Arms. Differences: Matrices only. MPO stamped ## is 21 (except LP 1 side 1 and LP 2 side 2) which points to the year of pressing. Visually exact to the original 2014/2010 reissue. Mastered from the original analogue and digital masters by Bernie Grundman and Bob Ludwig. Lacquers cut by Chris Bellman and Bernie Grunman Includes A Voucher To Download MP3 Version Of The Album. Made in the EU. Barcode and Other Identifiers Barcode: 6 02537 52907 0 Other (LP1 (Label)): 3752908 Other (LP2 (Label)): 3752909 Matrix / Runout (LP1 Side 1): 0602537529087 A² 00602537529070-A CB MPO Matrix / Runout (LP1 Side 2): 0602537529087 B² [MPO logo] 21 196887 00602537529070-B CB MPO Matrix / Runout (LP2 Side 1): 0602537529094 A² [MPO logo] 21 196356 00602537529070-C CB MPO Matrix / Runout (LP2 Side 2): 0602537529094 B² 00602537529070-D CB MPO Other Versions (5 of 443) View All

ALAN SILVESTRI - PREDATOR Banda Sonora Original Edición Limitada 900 copias 2LP Color Precintado ALAN SILVESTRI - PREDATOR Banda Sonora Original Edición Limitada 900 copias 2LP Color Precintado ALAN SILVESTRI PREDATOR Banda Sonora Original Edición Limitada 900 copias Blood Red & 'Predator Dreads' Blue Splatter 2LP Set Nuevo y Precintado       ALAN SILVESTRI PREDATOR Original Soundtrack Limited Edition 1000 copies Blood Red & 'Predator Dreads' Blue Splatter 2LP Set New and Sealed       DESCRIPCIÓN: US 2018 Real Gone Music RGM-0601    La partitura magistral de Alan Silvestri para la película de 1987 Predator ha sido una de las bandas sonoras de películas de acción más buscadas de todos los tiempos. Aunque ridiculizada como poco original cuando salió, Predator solo ha crecido en reputación como una de las grandes películas de acción / ciencia ficción, que marcó el pleno florecimiento de Arnold Schwarzenegger como genuina estrella de cine. La banda sonora de Alan Silvestri (Regreso al futuro parte II y III, Forrest Gump, contacto; The Avengers; Avengers: Infinity War, entre muchos otros) también se ha convertido en un favorito de culto. La música de Silvestri es tan brutal e impactante como la película misma, empleando una orquesta completa, hábiles toques electrónicos y una contundente percusión. El lanzamiento de vinilo de Real Gone Music presenta una portada personalizada para esta edición de Rafal Wechterowicz que representa al depredador en toda su sangrienta gloria. • Edición limitada - 1000 copias (2LP). • Blood Red & 'Predator Dreads' Blue Splatter Vinyl. • Doble carpeta. • Cubierta ilustrada personalizada. • Nuevo y Precintado de fábrica.       DESCRIPTION: US 2018 Real Gone Music RGM-0601        Alan Silvestri’s masterful score to the 1987 film Predator has been one of the most sought-after action film soundtracks of all time. Though derided as derivative when it came out, Predator has only grown in reputation as one of the great action/sci-fi films, and marked the full flowering of Arnold Schwarzenegger as a genuine movie star. The soundtrack by Alan Silvestri (Back to the Future Part II & III, Forrest Gump, Contact; The Avengers; Avengers: Infinity War, among many others) has also become a cult favourite. Silvestri’s score is every bit as brutal and hard-hitting as the film itself, employing a full orchestra, deft electronic touches, and bruising percussion. Real Gone Music’s vinyl release features custom front cover art by Rafal Wechterowicz depicting the predator in all its gory glory. • Limited Edition - 1000 Copies (2LP). • Blood Red & 'Predator Dreads' Blue Splatter Vinyl. • Gatefold jacket (also includes production stills). • Custom illustrated cover. • New and Factory sealed.     Track Listing: SIDE A FOX FANFARE (Arranged By – Elliot Goldenthal / Composed By – Alfred Newman) MAIN TITLE SOMETHING ELSE; CUT ‘EM DOWN; PAYBACK TIME THE TRUCK JUNGLE TREK  SIDE B GIRL’S ESCAPE BLAINE’S DEATH WHAT HAPPENED? HE’S MY FRIEND WE’RE GONNA DIE BUILDING THE TRAP THE WAITING SIDE C 1. THE TRASHMEN/ THE AGENCY 2. MAIN TITLE 3. THE HELICOPTER ARRIVES 4. RUN TO THE SHED AND CHASE 5. MATRIX CAPTURED/JENNY TIED UP 6. INTO THE PLANE SIDE D PREDATOR INJURED HAND TO HAND COMBAT PREDATOR’S DEATH THE AFTERMATH; THE PICK-UP AND END CREDITS                 ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)