Its beat time

JIVE BUNNY AND THE MASTERIXERS - ITS PARTY TIME (UK LP) 1990 JIVE BUNNY AND THE MASTERIXERS - ITS PARTY TIME (UK LP) 1990 En perfecto estado. Se entrega encelofanado

MATT COLLINS AND HIS BEAT BAND - IT'S BEAT TIME MATT COLLINS AND HIS BEAT BAND - IT'S BEAT TIME SOMERSET. GERMAN PRESS

2 Maxi DR ALBAN ITS MY LIFE LOGIC RECORDS 1992 + THIS TIME TODD TERRY REMIX 2 Maxi DR ALBAN ITS MY LIFE LOGIC RECORDS 1992 + THIS TIME TODD TERRY REMIX Portadas con marcas vinilos en buen estado.Envío certificado 5€.

LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band   "Time Exposure"  LP (Capitol - Emi)  1981  made in Germany cat. num.  10C 064-400 042 #rock     The Night Owls   Man On Your Mind   Take It Easy On Me   Ballerina   Love Will Survive   Full Circle   Just Say That You Love Me   Suicide Boulevard   Orbit Zero   Don't Let The Needle Win   Guiding Light   When  Little River Band  formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer  Glenn Shorrock  had made his name in mid-'60s group  the Twilights, a  Beatles -sounding pop group that scored a national number one record with its version of  the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969,  Shorrock  became lead singer of  Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple.  LRB 's  Beeb Birtles  had been the bass player for a popular  Twilights -era pop group called  Zoot  (Rick Springfield was a later member). When that group broke up, in search of musical credibility,  Birtles  auditioned as the bass player, but was instantly elevated to a front-line position alongside  Graham Goble. Even  LRB 's manager was well-known.  Glenn Wheatley  had been the bassist with another of Australia's bands, and possibly its most legendary,  the Masters Apprentices. Given all that background, when  Shorrock  and  Birtles  revealed they were forming a group with  Goble, managed by  Wheatley, it was major event in Australian music.

T. R. D. 1100 BEAT BOX T. R. D. 1100 BEAT BOX Lps 1VanessaCrazy For You1:13–Gipsy Queen*Action0:25–VanessaCrazy For You0:15–Gipsy Queen*Action1:19–VanessaBe My Lady1:05–Rose (2)I Wanna Be Your Love1:30–Gipsy Queen*Plaza Del Sol1:44–Fred VenturaImagine2:03–Lisa JohnsonSay Good-Bye1:05–Fred VenturaLost In Paris1:25–AlephBlack Out1:22–Gipsy Queen*Love1:41–ChesterDon't Get Away2:18–Dr Money*Time After Time1:26–AtriumMidnight Dancer0:56–AlephFly To Me1:29–Albert OneFor Your Love1:48–VirginTell Me Why1:24–Joe YellowLove At First0:50–Ricky Maltese*Warriors2:04–T.H. VirginNew Lover1:49–AtriumDoctor Jeckyll2:11–Stop Limit LineColonel0:50–SophieSame1:44–Tommy KerischSpeedy Life2:09–Ago (2)Computer2:04–AtriumFunny Dancer1:16–AtriumWeek End1:16–Alan BarryCome On2:19–Gipsy & Queen*Brown Sugar1:45

MAGIC MARMALADE/DON'T STOP THE BEAT/VINILO. MAGIC MARMALADE/DON'T STOP THE BEAT/VINILO. ORIGINAL TIME 1992. EN BUEN ESTADO. ENVIO CERTIFICADO:6,45€. ORDINARIO:2,70€.  

SPARKS - No.1 IN HEAVEN Edición Limitada LP Vinilo Blanco Translúcido Nuevo y Precintado SPARKS - No.1 IN HEAVEN Edición Limitada LP Vinilo Blanco Translúcido Nuevo y Precintado SPARKS No.1 IN HEAVEN No.1 IN HEAVEN Edición Limitada LP Vinilo Blanco Translúcido Nuevo y Precintado     SPARKS No.1 IN HEAVEN Limited Edition Translucent White vinyl LP New and Sealed     DESCRIPCIÓN: U E 2018 Repertoire Records V277   Primera colaboración desde 1979 con el legendario Giorgio Moroder. Aunque solamente llegó al nº 73 en las listas del Reino Unido, el álbum tuvo mucha influencia más allá de sus ventas en su momento. The Sparks definieron el formato ‘synth duo’ adoptado posteriormente por Pet Shop Boys, Erasure, Bronski Beat y muchos más.  El álbum contiene grandes éxitos como "The Number 1 Song in Heaven" (Reino Unido nº 14) y "Beat The Clock". '(Reino Unido nº10), los singles más grandes de Sparks desde su apogeo a mediados de los 70.   • Reedición. • LP prensado en Vinilo Blanco Translúcido. • Edicion limitada • Nuevo y Precintado de fábrica.     DESCRIPTION: EU 2018 Repertoire Records V277   First collaboration from 1979 with legendary Giorgio Moroder. Although No.73 in the UK charts, the album was influential far beyond its sales at time.The Sparks defined the synth duo format subsequently followed by Pet Shop Boys, Erasure, Bronski Beat and so many more. Contains smash hits ‘The Number 1 Song in Heaven’ (UK #14) and ‘Beat The Clock’ (UK #10), Sparks biggest singles since their mid-70s heyday and still career highlights to this day.   • Reissue • LP pressed on 180g Translucent White Vinyl. • Limited edition. • New and Factory sealed.     Track Listing: SIDE A 1. TRYOUTS FOR THE HUMAN RACE   2. ACADEMY AWARD PERFORMANCE   3. LA DOLCE VITA   SIDE B   1. BEAT THE CLOCK   2. MY OTHER VOICE   3. THE NUMBER ONE SONG IN HEAVEN       ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)    

Enjoy the content without reflections Display Mate Forget reflections, light will no longer be an impediment to enjoy every detail clearly. You will be able to appreciate the details of each painting. It's time to enjoy art and your TV as it should be. Designed to look like a true work of art The minimalist design of The Frame blends with your decoration. Its slimmer profile, multiple frame options, and single nearly invisible cable offer a sophisticated look from any angle. Your frame, your style Customizable Frame With The Frame TV you have the power to decide. Choose the frame color that best suits your space and your tastes. Thanks to its magnetic mounting you can customize your TV in the blink of an eye. Colors available in white, brown and teak. Frame your favorite moments My collection Upload and display your photos or family portraits easily. You just have to send them to The Frame through your phone or via USB. The Frame detects your presence Motion sensor The TV automatically turns on its screen to show your works of art when it detects your entry into the room. Also, when you leave it, it will turn off to save energy. Horizontal or vertical? It's up to you! Rotating studio stand Joining your Studio base together with the Rotating Wallmount will allow you to choose the position of your screen, put it in a horizontal or vertical position in a single turn. So you can enjoy your favorite content your way. Experience more at the same time Multi View Want to catch up on last week's episode while you work out? There is no need to stop seeing one for the other. Set up two channels on the screen so you can watch or even hear both at the same time, and adjust the size to help you focus. The Frame gives you the freedom to see everything your way. TV and sound bar in perfect harmony Q-Symphony Combine the audio from your TV with that from your sound bar, creating an immersive atmosphere around you. Enjoy multi-dimensional sound without the need to connect additional speakers to your TV.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

Colonial and Postcolonial Literature: Migrant Metaphors (Elleke Boehmer) Colonial and Postcolonial Literature: Migrant Metaphors (Elleke Boehmer) TÍTULO: Colonial and Postcolonial Literature: Migrant Metaphors AUTOR: Elleke Boehmer EDITORIAL: Oxford University Press AÑO DE EDICIÓN: 2005 PÁGINAS: 360 FORMATO: Rústica, 14 x 22 cm. Second edition. Colonial and Postcolonial Literature, the leading critical overview of colonial and postcolonial literary studies, is an ideal historical introduction to the field. Highly praised from the time of its first publication for its lucidity, breadth, and insight, the book has itself played a crucial part in founding and shaping this rapidly expanding field. Elleke Boehmer, an internationally renowned postcolonial critic, provides a broad contextualizing narrative about the............

PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP Pablo Cruise   "Part Of The Game"  LP (A&M)  1979  made in Canada cat. num.  SP-3712 #rock   Part Of The Game 3:36 I Want You Tonight 5:29 When Love Is At Your Door 4:35 Givin' It Away 5:16 Tell Me That You Love Me 4:50 Lonely Nights 5:09 How Many Tears? 6:05 For Another Town 4:25   Pablo Cruise  achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of  Stoneground  and  It's a Beautiful Day: guitarist  Dave Jenkins, keyboardist  Cory Lerios, bassist  Bud Cockrell, and drummer  Steve Price. The group was praised for its compositional and instrumental skill on the albums  Pablo Cruise  and  Lifeline, and was rewarded with the Top Ten hit "Whatcha Gonna Do?" in 1977 from  A Place in the Sun.  Cockrell  left and was replaced by former  Santana  bassist  Bruce Day.  Worlds Away  went platinum, as did its predecessor, and produced three hit singles, including the Top Ten "Love Will Find a Way." By the time the '80s rolled around, the new wave movement was in full swing on the pop charts, and the group fell out of favor with the record-buying public. Several  Pablo Cruise  songs were used as soundtrack material for sports programs on ABC, CBS, and NBC, and the band's work also appeared in the films Free Ride, An Unmarried Woman, and Dreamer.

Since its first publication in two volumes between 1918-1923, The Decline of the West has ranked as one of the most widely read and most talked about books of our time. In all its various editions, it has sold nearly 100,000 copies. A twentieth-century Cassandra. Oxford University Press. UK. Año 1991.

ALAN SILVESTRI - PREDATOR Banda Sonora Original Edición Limitada 900 copias 2LP Color Precintado ALAN SILVESTRI - PREDATOR Banda Sonora Original Edición Limitada 900 copias 2LP Color Precintado ALAN SILVESTRI PREDATOR Banda Sonora Original Edición Limitada 900 copias Blood Red & 'Predator Dreads' Blue Splatter 2LP Set Nuevo y Precintado       ALAN SILVESTRI PREDATOR Original Soundtrack Limited Edition 1000 copies Blood Red & 'Predator Dreads' Blue Splatter 2LP Set New and Sealed       DESCRIPCIÓN: US 2018 Real Gone Music RGM-0601    La partitura magistral de Alan Silvestri para la película de 1987 Predator ha sido una de las bandas sonoras de películas de acción más buscadas de todos los tiempos. Aunque ridiculizada como poco original cuando salió, Predator solo ha crecido en reputación como una de las grandes películas de acción / ciencia ficción, que marcó el pleno florecimiento de Arnold Schwarzenegger como genuina estrella de cine. La banda sonora de Alan Silvestri (Regreso al futuro parte II y III, Forrest Gump, contacto; The Avengers; Avengers: Infinity War, entre muchos otros) también se ha convertido en un favorito de culto. La música de Silvestri es tan brutal e impactante como la película misma, empleando una orquesta completa, hábiles toques electrónicos y una contundente percusión. El lanzamiento de vinilo de Real Gone Music presenta una portada personalizada para esta edición de Rafal Wechterowicz que representa al depredador en toda su sangrienta gloria. • Edición limitada - 1000 copias (2LP). • Blood Red & 'Predator Dreads' Blue Splatter Vinyl. • Doble carpeta. • Cubierta ilustrada personalizada. • Nuevo y Precintado de fábrica.       DESCRIPTION: US 2018 Real Gone Music RGM-0601        Alan Silvestri’s masterful score to the 1987 film Predator has been one of the most sought-after action film soundtracks of all time. Though derided as derivative when it came out, Predator has only grown in reputation as one of the great action/sci-fi films, and marked the full flowering of Arnold Schwarzenegger as a genuine movie star. The soundtrack by Alan Silvestri (Back to the Future Part II & III, Forrest Gump, Contact; The Avengers; Avengers: Infinity War, among many others) has also become a cult favourite. Silvestri’s score is every bit as brutal and hard-hitting as the film itself, employing a full orchestra, deft electronic touches, and bruising percussion. Real Gone Music’s vinyl release features custom front cover art by Rafal Wechterowicz depicting the predator in all its gory glory. • Limited Edition - 1000 Copies (2LP). • Blood Red & 'Predator Dreads' Blue Splatter Vinyl. • Gatefold jacket (also includes production stills). • Custom illustrated cover. • New and Factory sealed.     Track Listing: SIDE A FOX FANFARE (Arranged By – Elliot Goldenthal / Composed By – Alfred Newman) MAIN TITLE SOMETHING ELSE; CUT ‘EM DOWN; PAYBACK TIME THE TRUCK JUNGLE TREK  SIDE B GIRL’S ESCAPE BLAINE’S DEATH WHAT HAPPENED? HE’S MY FRIEND WE’RE GONNA DIE BUILDING THE TRAP THE WAITING SIDE C 1. THE TRASHMEN/ THE AGENCY 2. MAIN TITLE 3. THE HELICOPTER ARRIVES 4. RUN TO THE SHED AND CHASE 5. MATRIX CAPTURED/JENNY TIED UP 6. INTO THE PLANE SIDE D PREDATOR INJURED HAND TO HAND COMBAT PREDATOR’S DEATH THE AFTERMATH; THE PICK-UP AND END CREDITS                 ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)