Its on display you

RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE Ry Cooder   "Bop Till You Bop"  LP (Warner)  1984  made in Spain cat. num.  LB 56691 #rock  #blues rock  #rock&roll   Little Sister 3:49 Go Home, Girl 5:10 The Very Thing That Makes Your Rich 5:32 I Think It's Going To Work Out Fine 4:43 Down In Hollywood 4:14 Look At Granny Run Run 3:09 Trouble You Can't Fool Me 4:55 Don't You Mess Me Up A Good Thing 4:08 I Can't Win 4:16   Following his conceptual 1978 release,  Jazz,  Ry Cooder  returned the next year with the R&B/soul-based  Bop Till You Drop. The first major-label, digitally recorded album,  Bop  is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a  Cooder / Tim Drummond  original) that doesn't always live up to its promise.  Cooder  and his excellent band, which includes the rhythm section of  Tim Drummond  and  Jim Keltner  along with guitarist  David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to  Cooder  is due to the digital recording. If you check out the live version of  Bop Till You Drop 's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still,  Bop  is worthwhile given  Cooder 's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including  Chaka Khan). A few of the highlights include his arrangement of the early-'60s  Elvis  hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on  Ike & Tina Turner 's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring  Cooder 's longtime cohort  Bobby King  on lead vocal.

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

Enjoy the content without reflections Display Mate Forget reflections, light will no longer be an impediment to enjoy every detail clearly. You will be able to appreciate the details of each painting. It's time to enjoy art and your TV as it should be. Designed to look like a true work of art The minimalist design of The Frame blends with your decoration. Its slimmer profile, multiple frame options, and single nearly invisible cable offer a sophisticated look from any angle. Your frame, your style Customizable Frame With The Frame TV you have the power to decide. Choose the frame color that best suits your space and your tastes. Thanks to its magnetic mounting you can customize your TV in the blink of an eye. Colors available in white, brown and teak. Frame your favorite moments My collection Upload and display your photos or family portraits easily. You just have to send them to The Frame through your phone or via USB. The Frame detects your presence Motion sensor The TV automatically turns on its screen to show your works of art when it detects your entry into the room. Also, when you leave it, it will turn off to save energy. Horizontal or vertical? It's up to you! Rotating studio stand Joining your Studio base together with the Rotating Wallmount will allow you to choose the position of your screen, put it in a horizontal or vertical position in a single turn. So you can enjoy your favorite content your way. Experience more at the same time Multi View Want to catch up on last week's episode while you work out? There is no need to stop seeing one for the other. Set up two channels on the screen so you can watch or even hear both at the same time, and adjust the size to help you focus. The Frame gives you the freedom to see everything your way. TV and sound bar in perfect harmony Q-Symphony Combine the audio from your TV with that from your sound bar, creating an immersive atmosphere around you. Enjoy multi-dimensional sound without the need to connect additional speakers to your TV.

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP Pablo Cruise   "Part Of The Game"  LP (A&M)  1979  made in Canada cat. num.  SP-3712 #rock   Part Of The Game 3:36 I Want You Tonight 5:29 When Love Is At Your Door 4:35 Givin' It Away 5:16 Tell Me That You Love Me 4:50 Lonely Nights 5:09 How Many Tears? 6:05 For Another Town 4:25   Pablo Cruise  achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of  Stoneground  and  It's a Beautiful Day: guitarist  Dave Jenkins, keyboardist  Cory Lerios, bassist  Bud Cockrell, and drummer  Steve Price. The group was praised for its compositional and instrumental skill on the albums  Pablo Cruise  and  Lifeline, and was rewarded with the Top Ten hit "Whatcha Gonna Do?" in 1977 from  A Place in the Sun.  Cockrell  left and was replaced by former  Santana  bassist  Bruce Day.  Worlds Away  went platinum, as did its predecessor, and produced three hit singles, including the Top Ten "Love Will Find a Way." By the time the '80s rolled around, the new wave movement was in full swing on the pop charts, and the group fell out of favor with the record-buying public. Several  Pablo Cruise  songs were used as soundtrack material for sports programs on ABC, CBS, and NBC, and the band's work also appeared in the films Free Ride, An Unmarried Woman, and Dreamer.

BUGERA Amplificador Guitarra 6262 INFINIUM Amplific Valvulas 120 W The gain structure and tonal character of the 6262 / 6262-212 are built on the same fundamentals as the 6260—but more midrange, making them perfect for 80’s rock and metal. You also get fully independent control of EQ, Presence and Reverb on both channels. Ultimate Tone Mastery A lot of amp manufacturers call their Treble/Mid/Bass knobs “tone” controls. We call ours EQ because we spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear. The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments. INFINIUM Valve Life Multiplier Technology Our revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed. If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy! CARACTERISTICAS BUGERA 6262 INFINIUM -  Hand-built 120-Watt amplifier driven by 4 x 6L6 valves (convertible to EL34) -  2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 valves for thick and screaming hi-gain -  Revolutionary INFINIUM Valve Life Multiplier technology: – Extends the life of your amplifier’s expensive power valves up to 20 times. – Provides incredible reliability and consistent tone over the complete lifespan of your valves – No need for expensive matched valve sets – Allows you to mix and match any combination of compatible valve types and brands – Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacement -  Integrated high-class reverb with dedicated Reverb control for each channel -  Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls -  Classic Presence control per channel for efficient midrange sound shaping -  Heavy-duty footswitch for Channel selection and FX Loop function included -  Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet -  High-quality components and exceptionally rugged construction ensure long life   

DIANA ROSS & THE SUPREMES / reflections 1968 !! ORIG. EDIT. USA + encarte motown !! EXCELENTE ! DIANA ROSS & THE SUPREMES / reflections 1968 !! ORIG. EDIT. USA + encarte motown !! EXCELENTE !   sin duda el mas popular grupo de chicas en los 60`s..con dian ross crearon toda una epoca y temas increibles...COLLECTORS.!!! ESTUPENDA GRUESA CARPETA SICODELICA !! ESTA EDICION TAMBIEN CONTIENE EL BONITO ENCARTE INTEROR DEL SELLO MOTOWN Siempre me ha gustado este álbum, y tiene excelentes materiales, con 3 hits en él.  temas con sonido más psicodélico, uno de los favoritos de Holland-Dozier-Holland han dicho que era Este disco tuvo bastante éxito en su lanzamiento original, habiendo alcanzado # 18 pop, y siempre fue uno de mis álbumes favoritos Supremes'. La cubierta era bastante interesante, que ofrece un collage kaleidescopic de las niñas en diferentes poses y ubicaciones. Las notas originales fueron acreditados a la señora Ross. Hay valor histórico, así, ya que este fue el primer álbum de estudio que cuentan con el apodo de "Diana Ross y The Supremes," Side one "Reflections" (Holland–Dozier–Holland) - 2:50 "I'm Gonna Make It (I Will Wait for You)" (Debbie Dean, Dennis Lussier) - 2:47 "Forever Came Today" (Holland-Dozier-Holland) - 3:14 "I Can't Make It Alone" (Holland-Dozier-Holland) - 3:14 "In and Out of Love" (Holland-Dozier-Holland) - 2:40 "Bah-Bah-Bah" (Brenda Holloway, Patrice Holloway) - 3:18 Side two "What the World Needs Now Is Love" (Burt Bacharach, Hal David) - 2:51 "Up, Up and Away" (Jimmy Webb) - 2:31 "Love (Makes Me Do Foolish Things)" (Holland-Dozier-Holland) - 2:53 "Then" (Smokey Robinson, Robert Rogers, Warren Moore) - 2:09 "Misery Makes Its Home in My Heart" (Smokey Robinson, Warren Moore) - 2:54 "Ode to Billie Joe" (Bobbie Gentry) - 4:54 Diana Ross - lead vocals Mary Wilson - backing vocals (side 1, tracks 1-2 and 4-6; side 2, tracks 1, 4, 5) Florence Ballard - backing vocals (side 1, tracks 1 and 5; side 2, tracks 1 and 5) Cindy Birdsong - backing vocals (side 1, tracks 2, 4, and 6; side 2, track 4) The Andantes (Jackie Hicks, Marlene Barrow and Louvain Demps) - backing vocals (side 1, tracks 3-5; side 2, tracks 2-3) Brian Holland, Lamont Dozier - producers on all tracks unless otherwise noted Smokey Robinson - producer on "Then" and "Misery Makes Its Home in My Heart"

LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band   "Time Exposure"  LP (Capitol - Emi)  1981  made in Germany cat. num.  10C 064-400 042 #rock     The Night Owls   Man On Your Mind   Take It Easy On Me   Ballerina   Love Will Survive   Full Circle   Just Say That You Love Me   Suicide Boulevard   Orbit Zero   Don't Let The Needle Win   Guiding Light   When  Little River Band  formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer  Glenn Shorrock  had made his name in mid-'60s group  the Twilights, a  Beatles -sounding pop group that scored a national number one record with its version of  the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969,  Shorrock  became lead singer of  Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple.  LRB 's  Beeb Birtles  had been the bass player for a popular  Twilights -era pop group called  Zoot  (Rick Springfield was a later member). When that group broke up, in search of musical credibility,  Birtles  auditioned as the bass player, but was instantly elevated to a front-line position alongside  Graham Goble. Even  LRB 's manager was well-known.  Glenn Wheatley  had been the bassist with another of Australia's bands, and possibly its most legendary,  the Masters Apprentices. Given all that background, when  Shorrock  and  Birtles  revealed they were forming a group with  Goble, managed by  Wheatley, it was major event in Australian music.

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.

Connie Francis: Gold (2 CD) (Compilación) Connie Francis: Gold (2 CD) (Compilación) Polydor/Universal, 2005. CDs completos en su caja. Estado de los discos: como nuevos. El conjunto presenta el aspecto de haber sido recién desprecintado y escuchado una o muy pocas veces. Los discos no presentan el menor desperfecto bajo cualquier ángulo de luz. El libreto y la carátula están completos y su apariencia es impoluta. Gastos de envío: 2 €.  Si se adquieren cinco o más títulos, los gastos de envío corren a cargo del vendedor.  Consulta los demás artículos que tengo a la venta. Tracklist: 1-1. Who's Sorry Now.  1-2. I'm Sorry I Made You Cry.  1-3. Stupid Cupid.  1-4. Fallin'.  1-5. My Happiness.  1-6. If I Didn't Care.  1-7. Lipstick On Your Collar.  1-8. Frankie.  1-9. You're Gonna Miss Me.  1-10. Among My Souvenirs.  1-11. God Bless America.  1-12. Mama.  1-13. Teddy.  1-14. Everybody's Somebody's Fool.  1-15. Jealous Of You: Tango Della Gelosia.  1-16. My Heart Has A Mind Of Its Own.  1-17. Malaguena.  1-18. Many Tears Ago.  1-19. Where The Boys Are.  1-20. Breakin' In A Brand New Broken Heart.  1-21. Together.  1-22. He's My Dreamboat.  1-23. Hollywood.  1-24. When The Boy In Your Arms (Is The Boy In Your Heart).  1-25. Baby's First Christmas.  2-1. Don't Break The Heart That Loves You.  2-2. Second Hand Love.  2-3. Vacation.  2-4. I Was Such A Fool (To Fall In Love With You).  2-5. I'm Gonna Be Warm This Winter.  2-6. Al Di La.  2-7. Follow The Boys.  2-8. If My Pillow Could Talk.  2-9. Drownin' My Sorrows.  2-10. Your Other Love.  2-11. In The Summer Of His Years.  2-12. Blue Winter.  2-13. Be Anything (But Be Mine).  2-14. Looking For Love.  2-15. Don't Ever Leave Me.  2-16. Whose Heart Are You Breaking Tonight?.  2-17. For Mama: La Mamma.  2-18. Forget Domani.  2-19. Jealous Heart.  2-20. When The Boys Meet The Girls.  2-21. Spanish Nights And You.  2-22. Time Alone Will Tell: Non Pensare A Me.  2-23. Born Free.  2-24. The Wedding Cake.  2-25. Zingara: Gypsy

Enjoy the best image quality on a screen manufactured with cutting-edge technology, you will be able to fully immerse yourself in that movie that you want to see so much, in addition, thanks to its Dolby Digital Plus sound system, with box speaker, you will be able to feel skin deep the cries of the stadium when your team plays.

The  hasselblad  H4D-60 Medium Format DSLR Camera The Hasselblad H4D-60 Medium Format DSLR Camera with 80mm f/2.8 HC Lens offers the ultimate in digital medium-format image capture to professional commercial, studio and fine art photographers. Built around a 60 megapixel, 40.2 x 53.7mm CCD image sensor with 16-bit color, the H4D-60 captures the subtle nuances and fine details of any subject. The chip Provides the basis for optimal lens performance with a lens factor of 1.0, With Both HC and HCD lenses. From high-profile portraiture and fashion to international travel photography, the H4D-60 Provides image professionals With the superior handling and high image quality Synonymous with the Hasselblad brand. The H4D-60 Allows you to Choose between working tethered to a computer, or untethered and storing your images on a compact flash card. A 4GB card will store acerca 50 images. LCD You can view your captured images on the 3 "double-res (460.320 pixels) TFT 24bit Color display. The H4D-60 features True Focus with APL (Absolute Position Lock), making auto-focus Substantially Easier and more accurate. The camera Flexibility has wide ISO (ISO 100-800) and a flash sync of up to 1/800th of a second. Options including GPS and Perspective Control modules, a choice of eye-level or waist-level finders, and optics from 28mm wide angle to 300mm telephoto, support the H-system philosophy of full user customization with uncompromising quality. The Hasselblad 80mm f/2.8 lens is included. Paired with Hasselblad Phocus software, the H4D-60 above dealer to complete digital image solution for all of your professional needs. Also It includes:      60 Megapixel Resolution      Includes HC 80mm f/2.8 Lens      40.2 x 53.7mm CCD Sensor      3.0 "24-Bit Color LCD      True Focus and Absolute Position Lock      16-Bit Color Definition      3FR Hasselblad RAW File Format      Compatible with H-System Components      Phocus Software Included

ARTHUR BROWN - CRAZY WORLD OF ARTHUR BROWN 1968, FIRE !! 1º LP !! RARO, EDIC ORG, VINILO IMPECABLE ! ARTHUR BROWN - CRAZY WORLD OF ARTHUR BROWN 1968, FIRE !! 1º LP !! RARO, EDIC ORG, VINILO IMPECABLE ! INCREIBLE ESDTADO PARA ESTA RARA 1ª EDIC ORG EDITADO POR EL SELLO POLYDOR RECORDS EN 1968 The Crazy World of Arthur Brown es el álbum debut homónimo de estudio de la banda de rock psicodélico inglés Crazy World of Arthur Brown. El álbum fue producido por el gerente de Who, Kit Lambert, con la producción asociada de Pete Townshend. El álbum fue lanzado en junio de 1968 en el sello Lambert's Track Records, El álbum fue lanzado en los Estados Unidos en septiembre. (Las primeras copias norteamericanas del álbum, aunque distribuidas por Atlantic, llevaban la impresión de Track Records; más tarde se publicaron las prensas en el sello de Atlantic). El álbum alcanzó el número 7 en la lista de álbumes Pop de Billboard, el número 2 en las listas del Reino Unido y el número 6 en Canadá. El primer sencillo del álbum, 'Fire', fue un éxito mundial, alcanzando el número 1 en el Reino Unido en agosto de 1968, el número 2 en el Billboard Hot 100 en Norteamérica en octubre de 1968, el número 1 en Canadá también en octubre, y No. 19 en Australia nuevamente en octubre. PRECIOSO 1º PRENSAJE CON LA GRUESA CARPETA LAMINADA EN INCREIBLE ESTADO, SIN DESGASTES, NI ROCES...TODOS LOS CANTOS PERFECTOS  EL VINILO EN ESTADO PARACTICAMENTE IMPECABLE.., NUESTRA MEJOR COPIA HASTA LA FECHA. todo un personaje..!!! su furiosa y misteriosa voz..(el fue el autor del clasico lp,Crazy World of Arthur Brown).. El mundo loco de Arthur Brown suena como si todas las figuras significativas de la psicodelia de finales de los sesenta se unieran para hacer el último álbum de psic-rock. Tiene el enfoque teatral de Alex Harvey, la entonación vocal y las inclinaciones de jazz de fusión de Frank Zappa, la aparente inestabilidad mental de Syd Barrett o Roky Erickson, el estilo poético críptico de Jim Morrison, y parece que está siendo respaldado por un conglomerado de Iron Butterfly o Deep Purple con Horny Horns de Fred Wesley. Tiene todas las excentricidades sinfónicas del sargento. Pepper's Lonely Hearts Club Band pero como un álbum conceptual de Satan and Hell. Necesariamente, el alma trastornada de Screamin 'Jay Hawkins aparece El sonido de este álbum es increíble, todo el órgano delirante, ritmos de batería jazzy y una gran cantidad de pequeños toques orquestales. La dramática actuación de Arthur Brown está constantemente salpicada de momentos en los que grita una frase o hace pronunciamientos aterradores, incluido el icónico 'YO SOY EL DIOS DEL INFIERNO Y TE TRAIGO...' Sin embargo, el 'Fuego' en sí es probablemente uno de los más moderados. canciones en el lado A, tan palpitante e insistente como es. Las otras canciones son mucho más estruendosas y desquiciadas. 'Ven y compra' en particular, con su introducción demoníaca 'Dios, hermano... mientes' está especialmente ahí afuera, con una sección de puente que suena inquietantemente como Zappa. Side one     "Prelude/Nightmare" (Arthur Brown) – 3:28     "Fanfare/Fire Poem" (Brown, Vincent Crane) – 1:51     "Fire" (Brown, Crane, Mike Finesilver, Peter Ker)[7] – 2:54     "Come and Buy" (Brown, Crane) – 5:40     "Time" (Brown) – 3:07     "Confusion" (Crane) – 2:08 Side two     "I Put a Spell on You" (Screamin' Jay Hawkins) – 3:41     "Spontaneous Apple Creation" (Brown, Crane) – 2:54     "Rest Cure" (Brown, Crane) – 2:44     "I've Got Money" (James Brown) – 3:09     "Child of My Kingdom" (Brown, Crane) – 7:01 (Original North American releases of the album contained a 6:25 edit of this track, but incorrectly list its length as 5:05; the UK mono edition contains a 6:04 edit)