Its time

JIVE BUNNY AND THE MASTERIXERS - ITS PARTY TIME (UK LP) 1990 JIVE BUNNY AND THE MASTERIXERS - ITS PARTY TIME (UK LP) 1990 En perfecto estado. Se entrega encelofanado

2 Maxi DR ALBAN ITS MY LIFE LOGIC RECORDS 1992 + THIS TIME TODD TERRY REMIX 2 Maxi DR ALBAN ITS MY LIFE LOGIC RECORDS 1992 + THIS TIME TODD TERRY REMIX Portadas con marcas vinilos en buen estado.Envío certificado 5€.

LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band   "Time Exposure"  LP (Capitol - Emi)  1981  made in Germany cat. num.  10C 064-400 042 #rock     The Night Owls   Man On Your Mind   Take It Easy On Me   Ballerina   Love Will Survive   Full Circle   Just Say That You Love Me   Suicide Boulevard   Orbit Zero   Don't Let The Needle Win   Guiding Light   When  Little River Band  formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer  Glenn Shorrock  had made his name in mid-'60s group  the Twilights, a  Beatles -sounding pop group that scored a national number one record with its version of  the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969,  Shorrock  became lead singer of  Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple.  LRB 's  Beeb Birtles  had been the bass player for a popular  Twilights -era pop group called  Zoot  (Rick Springfield was a later member). When that group broke up, in search of musical credibility,  Birtles  auditioned as the bass player, but was instantly elevated to a front-line position alongside  Graham Goble. Even  LRB 's manager was well-known.  Glenn Wheatley  had been the bassist with another of Australia's bands, and possibly its most legendary,  the Masters Apprentices. Given all that background, when  Shorrock  and  Birtles  revealed they were forming a group with  Goble, managed by  Wheatley, it was major event in Australian music.

Enjoy the content without reflections Display Mate Forget reflections, light will no longer be an impediment to enjoy every detail clearly. You will be able to appreciate the details of each painting. It's time to enjoy art and your TV as it should be. Designed to look like a true work of art The minimalist design of The Frame blends with your decoration. Its slimmer profile, multiple frame options, and single nearly invisible cable offer a sophisticated look from any angle. Your frame, your style Customizable Frame With The Frame TV you have the power to decide. Choose the frame color that best suits your space and your tastes. Thanks to its magnetic mounting you can customize your TV in the blink of an eye. Colors available in white, brown and teak. Frame your favorite moments My collection Upload and display your photos or family portraits easily. You just have to send them to The Frame through your phone or via USB. The Frame detects your presence Motion sensor The TV automatically turns on its screen to show your works of art when it detects your entry into the room. Also, when you leave it, it will turn off to save energy. Horizontal or vertical? It's up to you! Rotating studio stand Joining your Studio base together with the Rotating Wallmount will allow you to choose the position of your screen, put it in a horizontal or vertical position in a single turn. So you can enjoy your favorite content your way. Experience more at the same time Multi View Want to catch up on last week's episode while you work out? There is no need to stop seeing one for the other. Set up two channels on the screen so you can watch or even hear both at the same time, and adjust the size to help you focus. The Frame gives you the freedom to see everything your way. TV and sound bar in perfect harmony Q-Symphony Combine the audio from your TV with that from your sound bar, creating an immersive atmosphere around you. Enjoy multi-dimensional sound without the need to connect additional speakers to your TV.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

Colonial and Postcolonial Literature: Migrant Metaphors (Elleke Boehmer) Colonial and Postcolonial Literature: Migrant Metaphors (Elleke Boehmer) TÍTULO: Colonial and Postcolonial Literature: Migrant Metaphors AUTOR: Elleke Boehmer EDITORIAL: Oxford University Press AÑO DE EDICIÓN: 2005 PÁGINAS: 360 FORMATO: Rústica, 14 x 22 cm. Second edition. Colonial and Postcolonial Literature, the leading critical overview of colonial and postcolonial literary studies, is an ideal historical introduction to the field. Highly praised from the time of its first publication for its lucidity, breadth, and insight, the book has itself played a crucial part in founding and shaping this rapidly expanding field. Elleke Boehmer, an internationally renowned postcolonial critic, provides a broad contextualizing narrative about the............

PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP Pablo Cruise   "Part Of The Game"  LP (A&M)  1979  made in Canada cat. num.  SP-3712 #rock   Part Of The Game 3:36 I Want You Tonight 5:29 When Love Is At Your Door 4:35 Givin' It Away 5:16 Tell Me That You Love Me 4:50 Lonely Nights 5:09 How Many Tears? 6:05 For Another Town 4:25   Pablo Cruise  achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of  Stoneground  and  It's a Beautiful Day: guitarist  Dave Jenkins, keyboardist  Cory Lerios, bassist  Bud Cockrell, and drummer  Steve Price. The group was praised for its compositional and instrumental skill on the albums  Pablo Cruise  and  Lifeline, and was rewarded with the Top Ten hit "Whatcha Gonna Do?" in 1977 from  A Place in the Sun.  Cockrell  left and was replaced by former  Santana  bassist  Bruce Day.  Worlds Away  went platinum, as did its predecessor, and produced three hit singles, including the Top Ten "Love Will Find a Way." By the time the '80s rolled around, the new wave movement was in full swing on the pop charts, and the group fell out of favor with the record-buying public. Several  Pablo Cruise  songs were used as soundtrack material for sports programs on ABC, CBS, and NBC, and the band's work also appeared in the films Free Ride, An Unmarried Woman, and Dreamer.

Since its first publication in two volumes between 1918-1923, The Decline of the West has ranked as one of the most widely read and most talked about books of our time. In all its various editions, it has sold nearly 100,000 copies. A twentieth-century Cassandra. Oxford University Press. UK. Año 1991.

ALAN SILVESTRI - PREDATOR Banda Sonora Original Edición Limitada 900 copias 2LP Color Precintado ALAN SILVESTRI - PREDATOR Banda Sonora Original Edición Limitada 900 copias 2LP Color Precintado ALAN SILVESTRI PREDATOR Banda Sonora Original Edición Limitada 900 copias Blood Red & 'Predator Dreads' Blue Splatter 2LP Set Nuevo y Precintado       ALAN SILVESTRI PREDATOR Original Soundtrack Limited Edition 1000 copies Blood Red & 'Predator Dreads' Blue Splatter 2LP Set New and Sealed       DESCRIPCIÓN: US 2018 Real Gone Music RGM-0601    La partitura magistral de Alan Silvestri para la película de 1987 Predator ha sido una de las bandas sonoras de películas de acción más buscadas de todos los tiempos. Aunque ridiculizada como poco original cuando salió, Predator solo ha crecido en reputación como una de las grandes películas de acción / ciencia ficción, que marcó el pleno florecimiento de Arnold Schwarzenegger como genuina estrella de cine. La banda sonora de Alan Silvestri (Regreso al futuro parte II y III, Forrest Gump, contacto; The Avengers; Avengers: Infinity War, entre muchos otros) también se ha convertido en un favorito de culto. La música de Silvestri es tan brutal e impactante como la película misma, empleando una orquesta completa, hábiles toques electrónicos y una contundente percusión. El lanzamiento de vinilo de Real Gone Music presenta una portada personalizada para esta edición de Rafal Wechterowicz que representa al depredador en toda su sangrienta gloria. • Edición limitada - 1000 copias (2LP). • Blood Red & 'Predator Dreads' Blue Splatter Vinyl. • Doble carpeta. • Cubierta ilustrada personalizada. • Nuevo y Precintado de fábrica.       DESCRIPTION: US 2018 Real Gone Music RGM-0601        Alan Silvestri’s masterful score to the 1987 film Predator has been one of the most sought-after action film soundtracks of all time. Though derided as derivative when it came out, Predator has only grown in reputation as one of the great action/sci-fi films, and marked the full flowering of Arnold Schwarzenegger as a genuine movie star. The soundtrack by Alan Silvestri (Back to the Future Part II & III, Forrest Gump, Contact; The Avengers; Avengers: Infinity War, among many others) has also become a cult favourite. Silvestri’s score is every bit as brutal and hard-hitting as the film itself, employing a full orchestra, deft electronic touches, and bruising percussion. Real Gone Music’s vinyl release features custom front cover art by Rafal Wechterowicz depicting the predator in all its gory glory. • Limited Edition - 1000 Copies (2LP). • Blood Red & 'Predator Dreads' Blue Splatter Vinyl. • Gatefold jacket (also includes production stills). • Custom illustrated cover. • New and Factory sealed.     Track Listing: SIDE A FOX FANFARE (Arranged By – Elliot Goldenthal / Composed By – Alfred Newman) MAIN TITLE SOMETHING ELSE; CUT ‘EM DOWN; PAYBACK TIME THE TRUCK JUNGLE TREK  SIDE B GIRL’S ESCAPE BLAINE’S DEATH WHAT HAPPENED? HE’S MY FRIEND WE’RE GONNA DIE BUILDING THE TRAP THE WAITING SIDE C 1. THE TRASHMEN/ THE AGENCY 2. MAIN TITLE 3. THE HELICOPTER ARRIVES 4. RUN TO THE SHED AND CHASE 5. MATRIX CAPTURED/JENNY TIED UP 6. INTO THE PLANE SIDE D PREDATOR INJURED HAND TO HAND COMBAT PREDATOR’S DEATH THE AFTERMATH; THE PICK-UP AND END CREDITS                 ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)           

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.

Connie Francis: Gold (2 CD) (Compilación) Connie Francis: Gold (2 CD) (Compilación) Polydor/Universal, 2005. CDs completos en su caja. Estado de los discos: como nuevos. El conjunto presenta el aspecto de haber sido recién desprecintado y escuchado una o muy pocas veces. Los discos no presentan el menor desperfecto bajo cualquier ángulo de luz. El libreto y la carátula están completos y su apariencia es impoluta. Gastos de envío: 2 €.  Si se adquieren cinco o más títulos, los gastos de envío corren a cargo del vendedor.  Consulta los demás artículos que tengo a la venta. Tracklist: 1-1. Who's Sorry Now.  1-2. I'm Sorry I Made You Cry.  1-3. Stupid Cupid.  1-4. Fallin'.  1-5. My Happiness.  1-6. If I Didn't Care.  1-7. Lipstick On Your Collar.  1-8. Frankie.  1-9. You're Gonna Miss Me.  1-10. Among My Souvenirs.  1-11. God Bless America.  1-12. Mama.  1-13. Teddy.  1-14. Everybody's Somebody's Fool.  1-15. Jealous Of You: Tango Della Gelosia.  1-16. My Heart Has A Mind Of Its Own.  1-17. Malaguena.  1-18. Many Tears Ago.  1-19. Where The Boys Are.  1-20. Breakin' In A Brand New Broken Heart.  1-21. Together.  1-22. He's My Dreamboat.  1-23. Hollywood.  1-24. When The Boy In Your Arms (Is The Boy In Your Heart).  1-25. Baby's First Christmas.  2-1. Don't Break The Heart That Loves You.  2-2. Second Hand Love.  2-3. Vacation.  2-4. I Was Such A Fool (To Fall In Love With You).  2-5. I'm Gonna Be Warm This Winter.  2-6. Al Di La.  2-7. Follow The Boys.  2-8. If My Pillow Could Talk.  2-9. Drownin' My Sorrows.  2-10. Your Other Love.  2-11. In The Summer Of His Years.  2-12. Blue Winter.  2-13. Be Anything (But Be Mine).  2-14. Looking For Love.  2-15. Don't Ever Leave Me.  2-16. Whose Heart Are You Breaking Tonight?.  2-17. For Mama: La Mamma.  2-18. Forget Domani.  2-19. Jealous Heart.  2-20. When The Boys Meet The Girls.  2-21. Spanish Nights And You.  2-22. Time Alone Will Tell: Non Pensare A Me.  2-23. Born Free.  2-24. The Wedding Cake.  2-25. Zingara: Gypsy

SPARKS - No.1 IN HEAVEN Edición Limitada LP Vinilo Blanco Translúcido Nuevo y Precintado SPARKS - No.1 IN HEAVEN Edición Limitada LP Vinilo Blanco Translúcido Nuevo y Precintado SPARKS No.1 IN HEAVEN No.1 IN HEAVEN Edición Limitada LP Vinilo Blanco Translúcido Nuevo y Precintado     SPARKS No.1 IN HEAVEN Limited Edition Translucent White vinyl LP New and Sealed     DESCRIPCIÓN: U E 2018 Repertoire Records V277   Primera colaboración desde 1979 con el legendario Giorgio Moroder. Aunque solamente llegó al nº 73 en las listas del Reino Unido, el álbum tuvo mucha influencia más allá de sus ventas en su momento. The Sparks definieron el formato ‘synth duo’ adoptado posteriormente por Pet Shop Boys, Erasure, Bronski Beat y muchos más.  El álbum contiene grandes éxitos como "The Number 1 Song in Heaven" (Reino Unido nº 14) y "Beat The Clock". '(Reino Unido nº10), los singles más grandes de Sparks desde su apogeo a mediados de los 70.   • Reedición. • LP prensado en Vinilo Blanco Translúcido. • Edicion limitada • Nuevo y Precintado de fábrica.     DESCRIPTION: EU 2018 Repertoire Records V277   First collaboration from 1979 with legendary Giorgio Moroder. Although No.73 in the UK charts, the album was influential far beyond its sales at time.The Sparks defined the synth duo format subsequently followed by Pet Shop Boys, Erasure, Bronski Beat and so many more. Contains smash hits ‘The Number 1 Song in Heaven’ (UK #14) and ‘Beat The Clock’ (UK #10), Sparks biggest singles since their mid-70s heyday and still career highlights to this day.   • Reissue • LP pressed on 180g Translucent White Vinyl. • Limited edition. • New and Factory sealed.     Track Listing: SIDE A 1. TRYOUTS FOR THE HUMAN RACE   2. ACADEMY AWARD PERFORMANCE   3. LA DOLCE VITA   SIDE B   1. BEAT THE CLOCK   2. MY OTHER VOICE   3. THE NUMBER ONE SONG IN HEAVEN       ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)    

ARTHUR BROWN - CRAZY WORLD OF ARTHUR BROWN 1968, FIRE !! 1º LP !! RARO, EDIC ORG, VINILO IMPECABLE ! ARTHUR BROWN - CRAZY WORLD OF ARTHUR BROWN 1968, FIRE !! 1º LP !! RARO, EDIC ORG, VINILO IMPECABLE ! INCREIBLE ESDTADO PARA ESTA RARA 1ª EDIC ORG EDITADO POR EL SELLO POLYDOR RECORDS EN 1968 The Crazy World of Arthur Brown es el álbum debut homónimo de estudio de la banda de rock psicodélico inglés Crazy World of Arthur Brown. El álbum fue producido por el gerente de Who, Kit Lambert, con la producción asociada de Pete Townshend. El álbum fue lanzado en junio de 1968 en el sello Lambert's Track Records, El álbum fue lanzado en los Estados Unidos en septiembre. (Las primeras copias norteamericanas del álbum, aunque distribuidas por Atlantic, llevaban la impresión de Track Records; más tarde se publicaron las prensas en el sello de Atlantic). El álbum alcanzó el número 7 en la lista de álbumes Pop de Billboard, el número 2 en las listas del Reino Unido y el número 6 en Canadá. El primer sencillo del álbum, 'Fire', fue un éxito mundial, alcanzando el número 1 en el Reino Unido en agosto de 1968, el número 2 en el Billboard Hot 100 en Norteamérica en octubre de 1968, el número 1 en Canadá también en octubre, y No. 19 en Australia nuevamente en octubre. PRECIOSO 1º PRENSAJE CON LA GRUESA CARPETA LAMINADA EN INCREIBLE ESTADO, SIN DESGASTES, NI ROCES...TODOS LOS CANTOS PERFECTOS  EL VINILO EN ESTADO PARACTICAMENTE IMPECABLE.., NUESTRA MEJOR COPIA HASTA LA FECHA. todo un personaje..!!! su furiosa y misteriosa voz..(el fue el autor del clasico lp,Crazy World of Arthur Brown).. El mundo loco de Arthur Brown suena como si todas las figuras significativas de la psicodelia de finales de los sesenta se unieran para hacer el último álbum de psic-rock. Tiene el enfoque teatral de Alex Harvey, la entonación vocal y las inclinaciones de jazz de fusión de Frank Zappa, la aparente inestabilidad mental de Syd Barrett o Roky Erickson, el estilo poético críptico de Jim Morrison, y parece que está siendo respaldado por un conglomerado de Iron Butterfly o Deep Purple con Horny Horns de Fred Wesley. Tiene todas las excentricidades sinfónicas del sargento. Pepper's Lonely Hearts Club Band pero como un álbum conceptual de Satan and Hell. Necesariamente, el alma trastornada de Screamin 'Jay Hawkins aparece El sonido de este álbum es increíble, todo el órgano delirante, ritmos de batería jazzy y una gran cantidad de pequeños toques orquestales. La dramática actuación de Arthur Brown está constantemente salpicada de momentos en los que grita una frase o hace pronunciamientos aterradores, incluido el icónico 'YO SOY EL DIOS DEL INFIERNO Y TE TRAIGO...' Sin embargo, el 'Fuego' en sí es probablemente uno de los más moderados. canciones en el lado A, tan palpitante e insistente como es. Las otras canciones son mucho más estruendosas y desquiciadas. 'Ven y compra' en particular, con su introducción demoníaca 'Dios, hermano... mientes' está especialmente ahí afuera, con una sección de puente que suena inquietantemente como Zappa. Side one     "Prelude/Nightmare" (Arthur Brown) – 3:28     "Fanfare/Fire Poem" (Brown, Vincent Crane) – 1:51     "Fire" (Brown, Crane, Mike Finesilver, Peter Ker)[7] – 2:54     "Come and Buy" (Brown, Crane) – 5:40     "Time" (Brown) – 3:07     "Confusion" (Crane) – 2:08 Side two     "I Put a Spell on You" (Screamin' Jay Hawkins) – 3:41     "Spontaneous Apple Creation" (Brown, Crane) – 2:54     "Rest Cure" (Brown, Crane) – 2:44     "I've Got Money" (James Brown) – 3:09     "Child of My Kingdom" (Brown, Crane) – 7:01 (Original North American releases of the album contained a 6:25 edit of this track, but incorrectly list its length as 5:05; the UK mono edition contains a 6:04 edit)

Poison: Gold Poison: Gold Vendo Doble CD de la banda americana Poison en estado impecable.En este CD con lo que os vais a encontrar es con lo mejor de Poison incluyendo, entre otros temas, los éxitos Every Rose Has Its Thorn, Unskinny Bop y Nothin’ But A Good Time entre otros grandes éxitos de esta gran banda que tuvo un éxito más que notable durante la década de los 80 y buena parte de los 90.Muy recomendable para los fans de este grupo por la calidad de sonido y su buena selección de temas. Asimismo, contiene un pequeño libreto de 10 páginas.Gastos de envío incluidos.

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

ENIGMA 3 - LE ROI EST MORT, VIVE LE ROI - 1996 - CD - DISCO VERIFICADO - 1997 ENIGMA 3 - LE ROI EST MORT, VIVE LE ROI - 1996 - CD - DISCO VERIFICADO - 1997 El cd tiene marcas pero se ha verificado correctamente con el programa informático Exact Audio Copy (ver informe al final) +++ Bajo ningún concepto se envía ordinario, todos los envíos son certificados Gastos de envío gratis para pedidos superiores a 30 euros con destino a España peninsular Vea coste de envío en el apartado "Formas de pago y envío" Fotos reales del artículo +++ Exact Audio Copy V1.6 from 23. October 2020 Archivo Log de extracciones desde 19. Noviembre 2021, 19:10 Enigma / Le Roi est mort, vive le Roi! Usar unidad : hp   DVDRAM GU90N  Adapter: 1 ID: 0 Modo de Lectura  :    : Seguro Utilizar corriente precisa: Sí Caché de audio por defecto: No Utilizar los punteros C2  : Sí Corrección de Desplazamiento de Lectura:   : 102 Sobreleer tanto en Lead-In como en Lead-Out  : No Rellenar las muestras faltantes con silencios: Sí Eliminar silencios inicial y final      : No Muestras nulas usadas en los calculos de CRC : Sí Interfaz usada                : Interfaz propio de Win32 para Windowns NT y 2000 Manejo de huecos               : No se detectó, por lo que anexa a la pista anterior Formato de Salida utilizado: : Rutinas WAV Internas Formato de muestra       : 44.100 Hz; 16 Bit; Estéreo TOC extraídos del CD    Pista | Inicio | Longitud | Inicio del sector | Fin del sector    ------------------------------------------------------------------     1 | 0:00.00 | 1:57.22 |      0    |    8796        2 | 1:57.22 | 5:47.63 |    8797    |   34884        3 | 7:45.10 | 0:19.12 |    34885    |   36321        4 | 8:04.22 | 5:00.03 |    36322    |   58824        5 | 13:04.25 | 4:59.27 |    58825    |   81276        6 | 18:03.52 | 4:21.15 |    81277    |   100866        7 | 22:24.67 | 5:06.05 |   100867    |   123821        8 | 27:30.72 | 4:26.05 |   123822    |   143776        9 | 31:57.02 | 3:26.18 |   143777    |   159244        10 | 35:23.20 | 3:38.37 |   159245    |   175631        11 | 39:01.57 | 4:55.13 |   175632    |   197769        12 | 43:56.70 | 1:41.05 |   197770    |   205349    Pista 1    Nombre de Archivo 01. Le Roi est mort, vive le Roi!.wav    Nivel Pico 59.1 %    Velocidad de extracción 8.0 X    Calidad de Pista 100.0 %    Comprobación CRC 3C8FE6B1    Copiar CRC 3C8FE6B1    Extraida con precisión (confidencia 63) [C77D35A6] (AR v2)    Copia OK Pista 2    Nombre de Archivo 02. Morphing Thru Time.wav    Nivel Pico 100.0 %    Velocidad de extracción 8.4 X    Calidad de Pista 100.0 %    Comprobación CRC 327ACA24    Copiar CRC 327ACA24    Extraida con precisión (confidencia 63) [FD0C7BEC] (AR v2)    Copia OK Pista 3    Nombre de Archivo 03. Third of Its Kind.wav    Nivel Pico 34.9 %    Velocidad de extracción 7.6 X    Calidad de Pista 100.0 %    Comprobación CRC 10BCC4F7    Copiar CRC 10BCC4F7    Extraida con precisión (confidencia 63) [F1C5C22F] (AR v2)    Copia OK Pista 4    Nombre de Archivo 04. Beyond the Invisible.wav    Nivel Pico 99.0 %    Velocidad de extracción 9.0 X    Calidad de Pista 100.0 %    Comprobación CRC 6F5472A6    Copiar CRC 6F5472A6    Extraida con precisión (confidencia 63) [20BAD593] (AR v2)    Copia OK Pista 5    Nombre de Archivo 05. Why!….wav    Nivel Pico 100.0 %    Velocidad de extracción 9.9 X    Calidad de Pista 100.0 %    Comprobación CRC 3F92A1D8    Copiar CRC 3F92A1D8    Extraida con precisión (confidencia 63) [073A188D] (AR v2)    Copia OK Pista 6    Nombre de Archivo 06. Shadows in Silence.wav    Nivel Pico 99.0 %    Velocidad de extracción 9.7 X    Calidad de Pista 100.0 %    Comprobación CRC 3848A3DE    Copiar CRC 3848A3DE    Extraida con precisión (confidencia 62) [94C06A14] (AR v2)    Copia OK Pista 7    Nombre de Archivo 07. The Child in Us.wav    Nivel Pico 99.3 %    Velocidad de extracción 10.7 X    Calidad de Pista 100.0 %    Comprobación CRC 36649758    Copiar CRC 36649758    Extraida con precisión (confidencia 62) [0E702CFA] (AR v2)    Copia OK Pista 8    Nombre de Archivo 08. T.N.T. for the Brain.wav    Nivel Pico 100.0 %    Velocidad de extracción 9.2 X    Calidad de Pista 99.9 %    Comprobación CRC 713CF749    Copiar CRC 713CF749    Extraida con precisión (confidencia 63) [6ABC40E1] (AR v2)    Copia OK Pista 9    Nombre de Archivo 09. Almost Full Moon.wav    Nivel Pico 99.9 %    Velocidad de extracción 11.4 X    Calidad de Pista 100.0 %    Comprobación CRC 2A9474D8    Copiar CRC 2A9474D8    Extraida con precisión (confidencia 63) [BD3B412C] (AR v2)    Copia OK Pista 10    Nombre de Archivo 10. The Roundabout.wav    Nivel Pico 99.3 %    Velocidad de extracción 10.9 X    Calidad de Pista 100.0 %    Comprobación CRC 28966C31    Copiar CRC 28966C31    Extraida con precisión (confidencia 63) [E488A8C3] (AR v2)    Copia OK Pista 11    Nombre de Archivo 11. Prism of Life.wav    Nivel Pico 99.0 %    Velocidad de extracción 12.2 X    Calidad de Pista 100.0 %    Comprobación CRC 7AB829E9    Copiar CRC 7AB829E9    Extraida con precisión (confidencia 62) [B54F3BCF] (AR v2)    Copia OK Pista 12    Nombre de Archivo 12. Odyssey of the Mind.wav    Nivel Pico 47.9 %    Velocidad de extracción 12.0 X    Calidad de Pista 100.0 %    Comprobación CRC F85C7E1F    Copiar CRC F85C7E1F    Extraida con precisión (confidencia 63) [253FD127] (AR v2)    Copia OK Todas las pistas extraidas con precisión Sin Errores Final del Informe ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: aiZ2.YFiTundYZjpkm.E7wPSbng-] found Submit result: aiZ2.YFiTundYZjpkm.E7wPSbng- has been confirmed Track | CTDB Status  1  | (154/154) Accurately ripped  2  | (153/154) Accurately ripped  3  | (153/154) Accurately ripped  4  | (152/154) Accurately ripped  5  | (153/154) Accurately ripped  6  | (153/154) Accurately ripped  7  | (153/154) Accurately ripped  8  | (153/154) Accurately ripped  9  | (152/154) Accurately ripped  10  | (153/154) Accurately ripped  11  | (151/154) Accurately ripped  12  | (153/154) Accurately ripped

BUGERA Amplificador Guitarra 6262 INFINIUM Amplific Valvulas 120 W The gain structure and tonal character of the 6262 / 6262-212 are built on the same fundamentals as the 6260—but more midrange, making them perfect for 80’s rock and metal. You also get fully independent control of EQ, Presence and Reverb on both channels. Ultimate Tone Mastery A lot of amp manufacturers call their Treble/Mid/Bass knobs “tone” controls. We call ours EQ because we spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear. The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments. INFINIUM Valve Life Multiplier Technology Our revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed. If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy! CARACTERISTICAS BUGERA 6262 INFINIUM -  Hand-built 120-Watt amplifier driven by 4 x 6L6 valves (convertible to EL34) -  2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 valves for thick and screaming hi-gain -  Revolutionary INFINIUM Valve Life Multiplier technology: – Extends the life of your amplifier’s expensive power valves up to 20 times. – Provides incredible reliability and consistent tone over the complete lifespan of your valves – No need for expensive matched valve sets – Allows you to mix and match any combination of compatible valve types and brands – Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacement -  Integrated high-class reverb with dedicated Reverb control for each channel -  Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls -  Classic Presence control per channel for efficient midrange sound shaping -  Heavy-duty footswitch for Channel selection and FX Loop function included -  Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet -  High-quality components and exceptionally rugged construction ensure long life   

For the first time in Killington High School history, the Jackrabbits football team is one win away from the district championship where it will face its most vicious rival, the Elmwood Heights Badgers.. Oxford University Press. UK. Año 1994. 1ª edición

Jane Eyre is a novel written by Charlotte Brontë, published in 1847 by Smith, Elder b'&' Company, which at the time of its appearance acquired great popularity. Cat. Barcelona. Año 2009.