Jazz bass in mejico

VAN MORRISON - 48º MONTREUX JAZZ FESTIVAL, AUDITORIUM STRAVINSKY, 15 July 2014 (2CD) VAN MORRISON - 48º MONTREUX JAZZ FESTIVAL, AUDITORIUM STRAVINSKY, 15 July 2014 (2CD) VAN MORRISON - 48º MONTREUX JAZZ FESTIVAL, AUDITORIUM STRAVINSKY, 15 July 2014 (2CD)  concierto inédito (bootleg - NOT SILVER 2CD) VAN MORRISON 48th Montreux Jazz Festival Guests: Shana Morrison and Maceo Parker Auditorium Stravinsky, Montreux, Switzerland Tuesday, 15 July 2014 Setlist: CD 1: 01 - I Am A Rose (Shana Morrison) 02 - Cry Me A River (Shana Morrison) 03 - Higher And Higher (Shana Morrison) 04 - Celtic Swing 05 - Open The Door (To Your Heart) 06 - Back On Top 07 - So Quiet In Here 08 - Queen Of The Slipstream 09 - What Would I Do 10 - Satisfied 11 - Keep It Simple 12 - Little Village 13 - Who Can I Turn To 14 - Rough God Goes Riding CD 2: 01 - Higher Than The World 02 - Moondance 03 - It's All In The Game/No Plan B/Burning Ground 04 - In The Garden 05 - Ballerina 06 - Help Me Big Hand for The Band! Chris White (Saxophone) Alistair White (Trombone) Dave Keary (Guitar) Paul Moore (Bass) Paul Moran (Keyboards) Bobby Ruggiero (Drums) Shana Morrison (Vocals) Special Guest: Maceo Parker (Saxophone) -------------------------------------------     Excelent audience recording, Concierto inedito, unpublished concert, not silver CD-R Se aplican gastos de envio por Correo Certificado, según tarifas oficiales del Servicio de  Correos. (Envío certificado de varios artículos con los mismos gastos) Se puede solicitar envío por correo ordinario, más barato (consultar) Formas de pago admitidas: transferencia, giro y paypal como amigos y familiares (sin tarifa) Se hacen envíos internacionales.  

MARCUS MILLER V7 SWAMP ASH-5 LEFTHAND (2ND GEN) TS TOBACCO SUNBURST Bajo Para Zurdos Marcus Miller Bass. 2Nd Gen. Zurdo. 5 Cuerdas. Cuerpo: Fresno. Forma: New Marcus Miller Jazz Type. Mástil: 1 Pieza De Arce (Satinado). Forma: C-Shape. Escala: 34''. Diapasón (Rolled Edges): Arce. Radio Diapasón: 9. 5''. Trastes: 2. 4 Medium. Cejuela: 5 String - Natural Bone 46Mm Width. Binding: 1 Ply Ivory. Incrustaciones: Wh Pearloid Block. Unión Del Mástil: 4 Bolt Steel Square Plate. Pastillas: Marcus Super-J Revolution Set. Electrónica: Marcus Heritage-3 With Middle Frequency Control. Controles: Volume / Tone(Dual Pot) Pickup Blender Treble Middle / Middle Frequency (Dual Pot) Bass, Mini Toggle(Active / Passive). Potenciómetros: Plastic Jazz Type In Black. Puente: Marcus Miller Heavy Mass Standard. Clavijeros: Premium Open-Gear. Herrajes: Chrome. Golpeador: Ivory Pearl. Acabado Tobacco Sunburst.

MARCUS MILLER V7 VINTAGE ALDER-5 LEFTHAND (2ND GEN) BMR MET.RED Bajo Para Zurdos Marcus Miller Bass. 2Nd Gen. Zurdo. 5 Cuerdas. Cuerpo: Aliso Americano. Forma: New Marcus Miller Jazz Type. Mástil: 1 Pieza De Arce (Brillante). Forma: C-Shape. Escala: 34''. Diapasón (Rolled Edges): Arce. Radio Diapasón: 7. 25''. Trastes: Medium Small, 20 Trastes. Cejuela: 5 String - Natural Bone 46Mm Width. Binding: 1 Ply Ivory. Incrustaciones: Black Block. Unión Del Mástil: 4 Bolt Steel Square Plate. Pastillas: Marcus Vintage-J Revolution Set. Electrónica: Marcus Heritage-3 With Middle Frequency Control. Controles: Volume / Tone(Dual Pot) Pickup Blender Treble Middle / Middle Frequency (Dual Pot) Bass, Mini Toggle(Active / Passive). Potenciómetros: Plastic Jazz Type In Black. Puente: Marcus Miller Vintage-S. Clavijeros: Premium Open-Gear. Herrajes: Chrome. Golpeador: Black. Acabado Metallic Red.

MARCUS MILLER V7 VINTAGE ALDER-4 LEFTHAND (2ND GEN) TS TOBACCO SUNBURST Bajo Para Zurdos Marcus Miller Bass. 2Nd Gen. Zurdo. Cuerpo: Aliso Americano. Forma: New Marcus Miller Jazz Type. Mástil: 1 Pieza De Arce (Brillante). Forma: C-Shape. Escala: 34''. Diapasón (Rolled Edges): Arce. Radio Diapasón: 7. 25''. Trastes: Medium Small, 20 Trastes. Cejuela: 4 String - Natural Bone 38Mm Width. Binding: 1 Ply Ivory. Incrustaciones: Black Block. Unión Del Mástil: 4 Bolt Steel Square Plate. Pastillas: Marcus Vintage-J Revolution Set. Electrónica: Marcus Heritage-3 With Middle Frequency Control. Controles: Volume / Tone(Dual Pot) Pickup Blender Treble Middle / Middle Frequency (Dual Pot) Bass, Mini Toggle(Active / Passive). Potenciómetros: Plastic Jazz Type In Black. Puente: Marcus Miller Vintage-S. Clavijeros: Premium Open-Gear. Herrajes: Chrome. Golpeador: Black. Acabado Tobacco Sunburst.

MARCUS MILLER V7 SWAMP ASH-4 LEFTHAND (2ND GEN) NAT NATURAL Bajo Para Zurdos Marcus Miller Bass. 2Nd Gen. Zurdo. Cuerpo: Fresno. Forma: New Marcus Miller Jazz Type. Mástil: 1 Pieza De Arce (Satinado). Forma: C-Shape. Escala: 34''. Diapasón (Rolled Edges): Arce. Radio Diapasón: 9. 5''. Trastes: 2. 4 Medium. Cejuela: 4 String - Natural Bone 38Mm Width. Binding: 1 Ply Ivory. Incrustaciones: Wh Pearloid Block. Unión Del Mástil: 4 Bolt Steel Square Plate. Pastillas: Marcus Super-J Revolution Set. Electrónica: Marcus Heritage-3 With Middle Frequency Control. Controles: Volume / Tone(Dual Pot) Pickup Blender Treble Middle / Middle Frequency (Dual Pot) Bass, Mini Toggle(Active / Passive). Potenciómetros: Plastic Jazz Type In Black. Puente: Marcus Miller Heavy Mass Standard. Clavijeros: Premium Open-Gear. Herrajes: Chrome. Golpeador: Ivory Pearl. Acabado Natural.

MARCUS MILLER V7 SWAMP ASH-4 LEFTHAND (2ND GEN) SHERWOOD GREEN Bajo Para Zurdos Marcus Miller Bass. 2Nd Gen. Zurdo. Cuerpo: Fresno. Forma: New Marcus Miller Jazz Type. Mástil: 1 Pieza De Arce (Satinado). Forma: C-Shape. Escala: 34''. Diapasón (Rolled Edges): Arce. Radio Diapasón: 9. 5''. Trastes: 2. 4 Medium. Cejuela: 4 String - Natural Bone 38Mm Width. Binding: 1 Ply Ivory. Incrustaciones: Wh Pearloid Block. Unión Del Mástil: 4 Bolt Steel Square Plate. Pastillas: Marcus Super-J Revolution Set. Electrónica: Marcus Heritage-3 With Middle Frequency Control. Controles: Volume / Tone(Dual Pot) Pickup Blender Treble Middle / Middle Frequency (Dual Pot) Bass, Mini Toggle(Active / Passive). Potenciómetros: Plastic Jazz Type In Black. Puente: Marcus Miller Heavy Mass Standard. Clavijeros: Premium Open-Gear. Herrajes: Chrome. Golpeador: Ivory Pearl. Acabado Sherwood Green.

MARCUS MILLER V7 VINTAGE SWAMP ASH-4 LEFTHAND (2ND GEN) NAT NATURAL Bajo Para Zurdos Marcus Miller Bass. 2Nd Gen. Zurdo. Cuerpo: Fresno. Forma: New Marcus Miller Jazz Type. Mástil: 1 Pieza De Arce (Brillante). Forma: C-Shape. Escala: 34''. Diapasón (Rolled Edges): Arce. Radio Diapasón: 7. 25''. Trastes: Medium Small, 20 Trastes. Cejuela: 4 String - Natural Bone 38Mm Width. Binding: 1 Ply Ivory. Incrustaciones: Black Block. Unión Del Mástil: 4 Bolt Steel Square Plate. Pastillas: Marcus Vintage-J Revolution Set. Electrónica: Marcus Heritage-3 With Middle Frequency Control. Controles: Volume / Tone(Dual Pot) Pickup Blender Treble Middle / Middle Frequency (Dual Pot) Bass, Mini Toggle(Active / Passive). Potenciómetros: Plastic Jazz Type In Black. Puente: Marcus Miller Vintage-S. Clavijeros: Premium Open-Gear. Herrajes: Chrome. Golpeador: Black. Acabado Natural.

MARCUS MILLER V7 ALDER-4 LEFTHAND (2ND GEN) LAKE PLACID BLUE Bajo Para Zurdos Marcus Miller Bass. 2Nd Gen. Zurdo. Cuerpo: Aliso Americano. Forma: New Marcus Miller Jazz Type. Mástil: 1 Pieza De Arce (Satinado). Forma: C-Shape. Escala: 34''. Diapasón (Rolled Edges): Ébano. Radio Diapasón: 9. 5''. Trastes: 2. 4 Medium. Cejuela: 4 String - Natural Bone 38Mm Width. Binding: 1 Ply Ivory. Incrustaciones: Wh Pearloid Block. Unión Del Mástil: 4 Bolt Steel Square Plate. Pastillas: Marcus Super-J Revolution Set. Electrónica: Marcus Heritage-3 With Middle Frequency Control. Controles: Volume / Tone(Dual Pot) Pickup Blender Treble Middle / Middle Frequency (Dual Pot) Bass, Mini Toggle(Active / Passive). Potenciómetros: Plastic Jazz Type In Black. Puente: Marcus Miller Heavy Mass Standard. Clavijeros: Premium Open-Gear. Herrajes: Chrome. Golpeador: Tortoise. Acabado Lake Placid Blue.

MARCUS MILLER V7 ALDER-5 LEFTHAND (2ND GEN) BLK BLACK Bajo Para Zurdos Marcus Miller Bass. 2Nd Gen. Zurdo. 5 Cuerdas. Cuerpo: Aliso Americano. Forma: New Marcus Miller Jazz Type. Mástil: 1 Pieza De Arce (Satinado). Forma: C-Shape. Escala: 34''. Diapasón (Rolled Edges): Ébano. Radio Diapasón: 9. 5''. Trastes: 2. 4 Medium. Cejuela: 5 String - Natural Bone 46Mm Width. Binding: 1 Ply Ivory. Incrustaciones: Wh Pearloid Block. Unión Del Mástil: 4 Bolt Steel Square Plate. Pastillas: Marcus Super-J Revolution Set. Electrónica: Marcus Heritage-3 With Middle Frequency Control. Controles: Volume / Tone(Dual Pot) Pickup Blender Treble Middle / Middle Frequency (Dual Pot) Bass, Mini Toggle(Active / Passive). Potenciómetros: Plastic Jazz Type In Black. Puente: Marcus Miller Heavy Mass Standard. Clavijeros: Premium Open-Gear. Herrajes: Chrome. Golpeador: Tortoise. Acabado Black.

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

MILES DAVIS - KIND OF BLUE Edición Limitada y Numerada MFSL 2LP vinilo 180g Box Set Precintado MILES DAVIS - KIND OF BLUE Edición Limitada y Numerada MFSL 2LP vinilo 180g Box Set Precintado     MILES DAVIS KIND OF BLUE Edición Limitada Numerada a Mano 180g 2LP 45rpm MFSL Box Set Nuevo y Precintado       MILES DAVIS KIND OF BLUE Hand Numbered Limited Edition 180g 2LP 45rpm MFSL Box Set New and Sealed ATENCIÓN: En este artículo no se admiten ofertas.       DESCRIPCIÓN: USA 2015 Mobile Fidelity Sound Lab  MFSL 2-45011   La revista Rolling Stone incluyó este álbum en su lista de los 500 mejores álbumes de todos los tiempos (12/500).   Kind Of Blue es quizás el álbum de jazz definitivo. Las sesiones de grabación efectuadas en solo dos días del 1959, marcan un punto de inflexión en la historia del jazz. Miles apareció en los estudios Columbia con algunas melodías esbozadas en papel y la banda procedió a grabar cada tema en una o dos tomas, tal y como a Miles le gustaba grabar. Hoy en día, tras más de 50 años del lanzamiento del álbum resultante de aquellas dos sesiones, Kind Of Blue sigue siendo el disco más vendido en la historia del jazz: más de 4 millones de copias en todo el mundo y aún se vende una media de 5000 copias a la semana.     Características: • Edición Limitada y Numerada MFSL  2LP vinilo 180g 45rpm Box Set. • El número de copia que aparece en la fotografía de la contraportada no tiene por qué corresponder con el de la copia en venta. • Masterizado a mitad de velocidad por Mobile Fidelity Sound Lab a partir de las cintas Master originales. • Prensado en vinilo audiófilo de 180 gramos. • Los discos vienen alojados en una caja de gran resistencia. • Nuevo y Precintado de fábrica.     DESCRIPTION: US 2015 Mobile Fidelity Sound Lab MFSL 2-45011   Ranked #12 on Rolling Stone's 500 Greatest Albums of All Time List.   This is perhaps the definitive jazz record. This unrehearsed recording session from 1959 marks a great turning point in jazz history. Miles showed up to the Columbia recording studio with some rough melodies and chords jotted down on paper and the band proceeded to track each song in one or two takes.  Today,  over 50 years after it was released, "Kind of Blue" remains the bestselling jazz album of all time. More than 4 million copies have been sold, and the album still sells an average of 5,000 copies a week.     Features:   • Numbered Limited Edition 180g 45rpm 2LP Box Set. • The copy number shown in the photo of the back cover does not necessarily have to correspond to the number of the current copy for sale. • Half-Speed Production and Mastering by Mobile Fidelity Sound Lab from the Original Master Tapes. • Pressed on 180gram audiophile vinyl. • Heavy Duty Protective Packaging. • New and Factory sealed.     Personnel: Trumpet – Miles Davis Julian "Cannonball" Adderley, alto sax (except on "Blue in Green") John Coltrane, tenor sax Paul Chambers, double bass Bill Evans, piano (except "Freddie Freeloader") Wynton Kelly, piano ("Freddie Freeloader") Jimmy Cobb, drums    Track Listing: SIDE A 1. SO WHAT SIDE B 1. FREDDIE FREELOADER  2. BLUE IN GREEN  SIDE C 1. ALL BLUES SIDE D 1. FLAMENCO SKETCHES         ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)    

Lucky Thompson, Cedar Walton, Sam Jones, Louis Hayes – I Giganti Del Jazz Vol. 31 LP ITALY PEPETO Lucky Thompson, Cedar Walton, Sam Jones, Louis Hayes – I Giganti Del Jazz Vol. 31 LP ITALY PEPETO Lucky Thompson, Cedar Walton, Sam Jones, Louis Hayes – I Giganti Del Jazz Vol. 31 PRECINTADO Label: Curcio – GJ-31 Series: I Giganti Del Jazz – 31 Format: Vinyl, LP, Album Country: Italy Released: 1981 Genre: Jazz Style: Bop, Post Bop, Cool Jazz, Soul-Jazz Tracklist A1 The Lucky Thompson Quartet – Home Come'n 3:34 A2 The Lucky Thompson Quartet – Tea Time 5:20 A3 The Lucky Thompson Quartet – Lazy Day 4:28 A4 The Lucky Thompson Quartet – Soul Lullaby 4:30 B1 The Lucky Thompson Quartet – Then Soul Walked In 5:03 B2 The Lucky Thompson Quartet – Fillet Of Soul 6:25 B3 The Lucky Thompson Quartet – BacK To The World 3:20 Credits Bass – Sam Jones Cover – Vittorio Antinori Drums – Louis Hayes Liner Notes – Gianni Gualberto Piano – Cedar Walton Tenor Saxophone, Soprano Saxophone, Written-By – Lucky Thompson

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

CD: Festival Sounds (Bjork, Blondie, Paul Weller, Jarvis Cocker, The Raconteurs, The Strokes...) CD: Festival Sounds (Bjork, Blondie, Paul Weller, Jarvis Cocker, The Raconteurs, The Strokes...) CD original en impecable estado, prácticamente nuevo. Se disfruta sin problemas. Contiene 12 temas: 1 – Björk Joga (Live) Written-By –  Björk 4:29 2 – Blondie Hanging On The Telephone Written-By –  Jack Lee  2:54 3 – Franz Ferdinand Outsiders (Live In Rio) Mixed By –  Michael Parker Recorded By –  Michael Parker Written-By –  Franz Ferdinand 5:49 4 – Paul Weller Come On / Let's Go (Live) Engineer –  Joeri Saal Mixed By –  Joeri Saal Producer –  Jan 'Stan' Kybert,  Paul Weller Written-By –  Paul Weller 2:58 5 – Jarvis Cocker Heavy Weather Written-By –  Jarvis Cocker 3:51 6 – The Raconteurs Yellow Sun Written By – Jack White/Brendan Benson Written-By –  Brendan Benson,  Jack White  3:19 7 – The Strokes Last Nite Written-By –  J Casablancas 3:14 8 – Archie Bronson Outfit Cherry Lips Written-By –  Archie Bronson Outfit 3:50 9 – The Stone Roses Sally Cinnamon Written By – Squire / Brown Written-By –  Ian Brown,  John Squire 3:25 10 – Fatboy Slim Champion Sound (Krafty Kuts Mix) Engineer –  Simon Thornton Mixed By –  Simon Thornton Producer –  Fatboy Slim Producer [Additional Production] –  Krafty Kuts Vocals –  Lateef Written By – Cook/Damont Written-By –  Damont,  Cook 6:25 11 – Shirley Bassey Where Is The Love (Bruno E. Urubu Jazz Remix) Bass [Electric Bass] –  Bruno E Engineer –  Bruno E. Remix –  Bruno E. Trumpet [Mute] –  Claudio Faria Written By – Ralph Macdonald/William Salter Written-By –  Ralph MacDonald,  William Salter 5:25 12 – Manic Street Preachers A Design For Life (Live At NYNEX) Composed By –  James Dean Bradfield,  Sean Moore Lyrics By –  Nick Jones 4:36  

ROY AYERS - lifeline 77 Dee Dee Bridgewater, great funk, ORG EDT USA, todo impecable ROY AYERS - lifeline 77 Dee Dee Bridgewater, great funk, ORG EDT USA, todo impecable muy rara 1ª edic org usa, tambien contiene el bonito encarte del sello atlantic solida doble carpeta, todo en impecable estadol Roy Ayers era considerado un prometedor joven vibrafonista de jazz. El álbum incluye contribuciones de los cantantes Dee Dee Bridgewater y Sylvia Cox, el tecladista Philip Woo, los guitarristas Calvin Banks, Chuck Anthony, Glenn Jeffrey y James Mason, el baterista Steve Cobb, el percusionista Chano O'Ferral, el saxofonista Justo Almario y el trompetista John Mosley.   1.    "This Side of Sunshine"    William Allen    3:16 2.    "Running Away"        Roy AyersEdwin Birdsong     3:55 3.    "Gotta Find a Lover"        Roy AyersEdwin Birdsong     7:10 4.    "I Still Love You"    Roy Ayers    4:09 5.    "Lifeline"    Roy Ayers    2:50 6.    "Cincinnati Growl"    Roy Ayers    3:54 7.    "Fruit"        Roy AyersCarl Clay     3:53 8.    "Sanctified Feeling"    Edwin Birdsong    5:42 9.    "Stranded in the Jungle"    Roy Ayers    4:30 10.    "Together"    Roy Ayers    3:39 Personnel     Roy Ayers – vocals, vibraphone, electric piano, Deagan vibraharp, arrangement (tracks: 2–7, 9–10), producer     Edwin L. Birdsong – vocals, piano, arrangement (track 8), co-producer     William Henry Allen – bass, arrangement (track 1), co-producer     Dee Dee Bridgewater|Denise Eileen Garrett – vocals     Sylvia Cox – vocals     Philip Woo – Moog synthesizer, ARP String Synthesizer, electric piano, piano     Chuck Anthony – guitar     Calvin Banks – guitar     Glenn S. Jeffrey – guitar     James Philip Mason – guitar     Kwame Steve Cobb – drums     Chano O'Ferral – congas, percussion     Justo Almario – tenor saxophone     John Clifford Mosley, Jr. – trumpet     Michael Hutchinson – engineering     David Wittman – engineering     Bruce Hensal – engineering     Jerry Solomon – engineering     James Patrick Green – engineering     Basil Pao Ho-Yun – art direction     Kathie McKinty – photography