Just form music

Just Luis ?– Heartache-LP-CNR Music ?– 4900171-ESPAÑA-1996-ELECTRONIC,TRANCE Just Luis ?– Heartache-LP-CNR Music ?– 4900171-ESPAÑA-1996-ELECTRONIC,TRANCE Just Luis ‎– Heartache-LP-CNR Music ‎– 4900171-ESPAÑA-1996-ELECTRONIC,TRANCE BUEN ESTADO

TOMMY JAMES ··· Three times in love / I just wanna play the music - (single 45 rpm) ··· NUEVO TOMMY JAMES ··· Three times in love / I just wanna play the music - (single 45 rpm) ··· NUEVO 1: Three times in love                      2: I just wanna play the music La portada está NUEVA, el vinilo está NUEVO. Editado en España. Año 1980, RCA VICTOR XB 1785. Sleeve is NEW, vinyl is NEW. Year 1980, RCA VICTOR XB 1785. Spanish pressing. ·· I accept the payment for PAYPAL / Bank transfer.

TRAPEZE - YOU ARE THE MUSIC...WE´RE ARE JUST THE BAND LP EDICION U.S.A. - THRESHOLD RECORDS 1972 - TRAPEZE - YOU ARE THE MUSIC...WE´RE ARE JUST THE BAND LP EDICION U.S.A. - THRESHOLD RECORDS 1972 - DISCO DE TRAPEZE EDITADO POR  THRESHOLD RECORDS  EL AÑO 1972 CON NUMERO DE REFERENCIA. THS-8 EN STEREO. (P&C  1972) THRESHOLD RECORDS LTD. DISTRIBUTED BY LONDON RECORDS, INC. 539 WEST 25TH STREET, NEW YORK, NEW YORK., 10001 - QUEENS LITHO IN U.S.A. - EN EL LABEL CON EL LOGO DE LA THRESHOLD RECORDS, EL NUMERO DE REFERENCVIA THS 8 STEREO. (P  1972) THRESHOLD RECORDS, LTD. - MADE IN U.S.A. - DISCO EN MUY BUEN ESTADO CON MUY POCAS SEÑALES DE USO, EL SONIDO ES NITIDO, LIMPIO Y CLARO, SUENA SIN APENAS NINGUN TIPO DE RUIDO, ESTA MUY BIEN. VG++ (VERY GOOD)(4). PORTADA EN BUEN ESTADO CON SEÑALES DE USO NORMAL, NO TIENE ESCRITOS, DESGARRONES NI ARAÑAZOS, TIENE DESGATE EN LOS CANTOS Y EL DESGASTE TIPICO DE LOS AÑOS PERO ESTA MUY ENTERA. VG+ (VERY GOOD+)(3) VER FOTOGRAFIAS ADICIONALES. LABELS COMO NUEVAS (MINT)(5). VER FOTOGRAFIAS ADICIONALES. CONSERVA LA FUNDA INTERIOR (INNER SLEEVE) ORIGINAL GENERICA DE LA LONDON RECORDS EN MUY BUEN ESTADO CON POCAS SEÑALES DE USO. VG++ (VERY GOOD++)(4). VER FOTOGRAFIAS ADICIONALES.  

CD PAOLO CONTE Impressioni di Jazz, MEMBRAN MUSIC, 2004, Nuevo y precintado, 4011222209955 CD PAOLO CONTE Impressioni di Jazz, MEMBRAN MUSIC, 2004, Nuevo y precintado, 4011222209955 CD PAOLO CONTE Impressioni di Jazz PAOLO CONTE WITH DOCTOR DIXI JAZZ BAND MEMBRAN MUSIC 2004 Nuevo y precintado SHEIK OF ARABY SWEET GEORGIA BROWN GEORGIA OH MY MIND JUST IN TIME MEDLEY: TISHOMING BLUES,ROYAL GARDEN BLUES, I'VE FOUND A NEW BABY IN A SENTIMENTAL MOOD SAVOY BLUES MOONGLOW JEEP'S BLUES CHRISTOPER COLUMBUS FLYING HOME I CAN'T GIVE YOU ANYTHING BUT LOVE **Realizamos solo envíos certificados usando en convenio de TODOCOLECCION-CORREOS  para ofrecerle el costo mas bajo posible en los envío.   -Si te gustan mas de mis artículos puedo ponerte todo en un mismo paquete para que ahorres en gastos de envío.   1. Sheik of Araby  2. Sweet Georgia brown  3. Georgia on my mind  4. Just in time  5. I've found a new baby  6. In a sentimental mood  7. Savoy blues  8. Moonglow  9. Jeep's blues  10. Christopher Columbus  11. Flying home  12. I can't give you anything but love

SINGLE THE BEATLES. I'M HAPPY JUST TO DANCE WITH YOU. EXTRACTOS DEL LP REEL MUSIC. EMI 1982 SINGLE THE BEATLES. I'M HAPPY JUST TO DANCE WITH YOU. EXTRACTOS DEL LP REEL MUSIC. EMI 1982

PETER BROWN (MAXI) (LOVE IS JUST) THE GAME (2 TRACKS) AÑO 1981 – EDICION U.S.A. PETER BROWN (MAXI) (LOVE IS JUST) THE GAME (2 TRACKS) AÑO 1981 – EDICION U.S.A. PETER BROWN (MAXI) (LOVE IS JUST) THE GAME (2 TRACKS) AÑO 1981 – EDICION U.S.A.   SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREO CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands The whole music content is under construction. We are permanently including miles of new avaliable titles.

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

Jeff Buckley * 2LP 180G You And I * Gatefold * Covers B. Dylan, Led Zepellin, Smiths...Precintado! Jeff Buckley * 2LP 180G You And I * Gatefold * Covers B. Dylan, Led Zepellin, Smiths...Precintado! Las primeras sesiones para Columbia Records de Jeff Buckley, You and I, se  descubieron en los archivos de Sony Music. En este trabajo de estudio inédito del artista, se incluyen versiones de canciones de Bob Dylan, Sly & the Family Stone, the Smiths, Bukka White y Led Zeppelin, entre otros. El 11 de Marzo de 2016, Columbia/Legacy Recordings, publicó " You and I", las primeras grabaciones de estudio realizadas por Jeff Buckley para Columbia Records. Estas 10 canciones (la mayor parte de ellas realizadas en el estudio Shelter Island Sound de Steve Addabbo en Febrero de 1993) no han sido escuchadas por nadie en más de dos décadas. Recientemente descubiertas en los archivos de Sony Music durante la búsqueda de material para la edición 20º aniversario del álbum Grace de Buckley, las interpretaciones que aparecen en You and I son una revelación, un retrato íntimo del artista interpretando versiones de canciones de otros músicos además de música original que expresan emociones canalizadas a través de su singular sensibilidad. Las canciones en You and I revelan, en parte, el alcance ecléctico del extraordinario talento y gusto musical de Jeff Buckley. Las versiones del álbum incluyen las personales interpretaciones de Jeff de canciones escritas por Bob Dylan ("Just Like a Woman"); Sylvester Stewart ("Everyday People," grabada por Sly & the Family Stone); Joe Green ("Don't Let the Sun Catch You Cryin'," grabada por Louis Jordan, Ray Charles y otros); Bob Telson ("Calling You," grabada por Jevetta Steele para la película de 1987 Bagdad Café); Morrissey y Johnny Marr ("The Boy with the Thorn in His Side" y "I Know It's Over," grabada por The Smiths); Booker T. Washington "Bukka" White ("Poor Boy Long Way from Home," de una grabación ‘de campo’ de 1939 realizada por John Lomax) y John Paul Jones/Jimmy Page/Robert Plant ("Night Flight," grabada por Led Zeppelin). "Cada vez que hago una versión de una canción, es porque tiene algo que ver con mi vida y todavía marca un momento en el que necesitaba esa canción más que cualquier otra cosa." Jeff Buckley, entrevista para Plane Truth de 1994. Completan You and I dos piezas de música original: la primera grabación de estudio de su famosa canción, "Grace" y "Dream of You and I," una misteriosa y encantadora pieza que conforma el profundamente íntimo y personal estado de ánimo del álbum. A pesar de haberse rumoreado durante mucho tiempo sobre su existencia aunque nunca se escucharan fuera del estudio, las interpretaciones que aparecen en You and I nunca han sido publicadas de contrabando o de cualquier otra forma. Estas primeras grabaciones son el Santo Grial de todo fan, una única oportunidad de escuchar a Jeff Buckley en plena forma, desarrollando su talento a través de fascinantes interpretaciones solistas, cada una de ellas capturada con un sonido impecable y al detalle. You and I es sencillamente eso, sólo Jeff Buckley y el oyente juntos en el estudio mientras él toca y canta la música más importante para él en ese momento de su vida. Las canciones interpretadas en solitario de You and I dan muestra del carácter sobrenatural su de voz excepcional, trascendiendo la técnica, estableciendo una conexión directa entre lo terrenal y lo divino. Nombrado por la revista Rolling Stone “Uno de los 100 Mejores Cantantes de Todos los Tiempos,” Buckley también era un consumado guitarrista, y los acompañamientos de 6 cuerdas en estas grabaciones añaden profundidad y una dimensión emocional sublime a estas inolvidables interpretaciones. Nacido el 17 de Noviembre de 1966, Jeff Buckley trabajó durante varios años como guitarrista de estudio en Los Angeles. Tras establecerse en Nueva York a principios de los 1990s, un fiel grupo de fans comenzó a seguirlo cuando tocaba en pequeños recintos, especialmente en Sin-é en The East Village. Su repertorio incluía canciones de género folk, rock, R&B, blues y jazz. Jeff Buckley completó un solo álbum de estudio, Grace, de 1994, antes de que su vida y carrera terminaran de forma trágica ahogándose accidentalmente en Memphis el 29 de Mayo de 1997. Las grabaciones de estudio recientemente encontradas que aparecen en You and I representan una incorporación esencial a la discografía de uno de los mejores artistas musicales Americanos del siglo XX, una mirada reveladora al proceso creativo de un genio en desarrollo. Edición en doble vinilo de lujo. 2LP con carpeta gatefold y vinilos de 180 gramos.  Está precintado de fábrica. Un disco imprescindible en las mejores colecciones. A 1.Just Like A Woman 2.Everyday People 3.Don't Let The Sun Catch You Cryin' B 1.Grace 2.Calling You 3.Dream Of You And I C 1.The Boy With The Thorn In His Side 2.Poor Boy Long Way From Home D 1.Night Flight 2.I Know It's Over

Lana Del Rey – Chemtrails Over The Country Club -CD- Lana Del Rey – Chemtrails Over The Country Club -CD- Lana Del Rey  – Chemtrails Over The Country Club Label: Polydor  – 3549781,  Interscope Records  – 3549781 Format: CD, Album Country: Europe Released: Mar 19, 2021 Genre: Rock,  Pop,  Folk, World, & Country Style: Alternative Rock,  Indie Rock,  Indie Pop,  Folk Tracklist Hide Credits 1   White Dress 5:33 2   Chemtrails Over The Country Club 4:31 3   Tulsa Jesus Freak 3:35 4   Let Me Love You Like A Woman 3:20 5   Wild At Heart 4:06 6   Dark But Just A Game 3:55 7   Not All Who Wander Are Lost 4:07 8   Yosemite Drums, Percussion –  Aaron Sterling Mixed By –  Dean Reid,  Kieron Menzies Sounds –  Trevor Yasuda Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Producer, Acoustic Guitar, Keyboards, Mellotron, Bass –  Rick Nowels Drums, Percussion –  Aaron Sterling Mixed By –  Dean Reid,  Kieron Menzies Sounds –  Trevor Yasuda Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Producer, Acoustic Guitar, Keyboards, Mellotron, Bass –  Rick Nowels 5:04 9   Breaking Up Slowly Pedal Steel Guitar –  Mikey Freedom Hart Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Vocals [Additional] –  Nikki Lane Pedal Steel Guitar –  Mikey Freedom Hart Written-By, Composed By, Author –  Lana Del Rey Written-By, Composed By, Author, Vocals [Additional] –  Nikki Lane 2:57 10   Dance Till We Die Accordion –  Evan Smith (2) Accordion –  Evan Smith (2) 4:03 11   For Free Piano, Guitar, Mellotron –  Mikey Freedom Hart Vocals [Additional] –  Weyes Blood,  Zella Day Written-By –  Joni Mitchell Piano, Guitar, Mellotron –  Mikey Freedom Hart Vocals [Additional] –  Weyes Blood,  Zella Day Written-By –  Joni Mitchell 4:11   Companies, etc. Record Company  –  Universal International Music B.V. Licensed To  –  Universal Music Operations Ltd. Phonographic Copyright ℗  –  Lana Del Rey Copyright ©  –  Lana Del Rey Published By  –  Sony/ATV Songs LLC Published By  –  Ducky Donath Music Published By  –  Sony / ATV Music Publishing Published By  –  Apricot Bonfire Music Published By  –  Crazy Crow Music Recorded At  –  Conway Studios Recorded At  –  The Green Building, Santa Monica Recorded At  –  Hampstead Studios, London Mastered At  –  Sterling Sound Glass Mastered at  –  Sony DADC  – A0103302074-0101 Credits Engineer, Mixed By  –  Laura Sisk Horns  –  Evan Smith (2)  (tracks: 2, 5, 10, 11) Mastered By  –  Chris Gehringer Strings  –  Daniel Heath *  (tracks: 2) Written-By, Composed By, Author, Producer, Piano, Guitar, Bass, Drums, Mixed By, Mellotron, Keyboards, Twelve-String Guitar, Synth, Percussion, Slide Guitar, Organ  –  Jack Antonoff Written-By, Composed By, Author, Producer, Vocals  –  Lana Del Rey Notes A limited amount of copies sold through Lana Del Rey's various online stores came with a signed art card. A Polydor Records release / An Interscope Records release in the USA. Rick Nowels published by Apricot Bonfire Music; Joni Mitchell by Crazy Crow Music. Track 4 recorded & mixed at Conway Recording, Los Angeles, CA-USA; track 8 recorded at The Green Building, LA and Hampstead Studios, London. ℗ & © 2021 Lana Del Rey, under exclusive licence to Universal Music Operations Limited Made in the EU Barcode and Other Identifiers Barcode (Scanned): 602435497815 Barcode (Printed): 6 02435 49781 5 Barcode (Stickered Signed Art Card): 0 602435 713373 Matrix / Runout (Variant 1): [Universal logo] 00602435497815 A0103302074-0101 24 A00 Mastering SID Code (Variant 1): IFPI L554 Mould SID Code (Variant 1): IFPI 944P Matrix / Runout (Variant 2): [Universal logo] 00602435497815 A0103302074-0101 24 A00 Mastering SID Code (Variant 2): IFPI L554 Mould SID Code (Variant 2): IFPI 94V6 Rights Society: BIEM/SDRM Rights Society: BMI Rights Society: ASCAP  

AVERAGE WHITE BAND PICK OF THE PIECES: THE VINYL COLLECTION Ltd. y Numerada 180g vinilo Blanco Nuevo AVERAGE WHITE BAND PICK OF THE PIECES: THE VINYL COLLECTION Ltd. y Numerada 180g vinilo Blanco Nuevo AVERAGE WHITE BAND PICK OF THE PIECES: THE VINYL COLLECTION Edición Ltd. y Numerada 180g vinilo Blanco 5LP Box Set Nuevo y Precintado       AVERAGE WHITE BAND PICK OF THE PIECES: THE VINYL COLLECTION Numbered Limited Edition 180g White Vinyl 5LP   Box Set New and Sealed       DESCRIPCIÓN: UK 2018 Demon Music Group Ltd. 5014797896673 Average White Band Pick Of The Pieces: The Vinyl Collection comes in a rigid slipcase that houses 5 selected classic AWB albums. Each title will be on white 180g heavyweight vinyl, with printed inner sleeves. Each box set is individually numbered and contains a print signed by the classic line-up of Alan Gorrie, Hamish Stuart, Molly Duncan, Onnie McIntyre, Roger Ball and Steve Ferrone. These five albums contain numerous hit songs including "Pick Up The Pieces", "Queen Of My Soul", "Cut The Cake", and "Let's Go 'Round Again".   Features: • Edición Numerada y Limitada (500 copias). • Contiene 5LPs prensados en vinilo blanco de 180g. • Los 5 álbumes clásicos de AWB vienen alojados en un estúche rigido. • Fundas interiores impresas. • Fotografía firmada por la formación clásica de la banda. • Nuevo y Precintado de fábrica.   DESCRIPTION: UK 2018 Demon Music Group Ltd. 5014797896673   Average White Band Pick Of The Pieces: The Vinyl Collection comes in a rigid slipcase that houses 5 selected classic AWB albums. Each title is pressed on white 180g heavyweight vinyl, with printed inner sleeves. Each box set is individually numbered and contains a print signed by the classic line-up of Alan Gorrie, Hamish Stuart, Molly Duncan, Onnie McIntyre, Roger Ball and Steve Ferrone. These five albums contain numerous hit songs including "Pick Up The Pieces", "Queen Of My Soul", "Cut The Cake", and "Let's Go 'Round Again".   Features: • Numbered, Limited Edition (500 copies). • 5LP Box Set pressed on  180g White Vinyl. • Rigid Slipcase houses 5 classic AWB albums. • Printed Inner Sleeves. • Print signed by the band’s classic line-up. • New and Factory sealed.       Track Listing: AWB (1974) SIDE A: 1. YOU GOT IT 2. GOT THE LOVE 3. PICK UP THE PIECES 4. PERSON TO PERSON 5. WORK TO DO SIDE B: 1. NOTHING YOU CAN DO 2. JUST WANNA LOVE YOU TONIGHT 3. KEEPIN' IT TO MYSELF 4. I JUST CAN'T GIVE YOU UP 5. THERE'S ALWAYS SOMEONE WAITING   CUT THE CAKE (1975) SIDE A: 1. CUT THE CAKE 2. SCHOOL BOY CRUSH 3. IT'S A MYSTERY 4. GROOVIN' THE NIGHT AWAY 5. IF I EVER LOSE THIS HEAVEN SIDE B: 1. WHY 2. HIGH FLYIN' WOMAN 3. CLOUDY 4. HOW SWEET CAN YOU GET 5. WHEN THEY BRING DOWN THE CURTAIN   SOUL SEARCHING (1976) SIDE A: 1. OVERTURE 2. LOVE YOUR LIFE 3. I'M THE ONE 4. A LOVE OF YOUR OWN 5. QUEEN OF MY SOUL SIDE B: 1. SOUL SEARCHING 2. GOIN' HOME 3. EVERYBODY'S DARLING 4. WOULD YOU STAY 5. SUNNY DAYS (MAKE ME THINK OF YOU) 6. DIGGING DEEPER (FINALE)   FEEL NO FRET (1979) SIDE A: 1. WHEN WILL YOU BE MINE 2. PLEASE DON'T FALL IN LOVE 3. WALK ON BY 4. FEEL NO FRET SIDE B: 1. STOP THE RAIN 2. ATLANTIC AVENUE 3. ACE OF HEARTS 4. TOO LATE TO CRY 5. FIRE BURNING   SHINE (1980) SIDE A: 1. OUR TIME HAS COME 2. FOR YOU, FOR LOVE 3. LET'S GO 'ROUND AGAIN 4. WHATCHA' GONNA DO FOR ME 5. INTO THE NIGHT SIDE B: 1. CATCH ME (BEFORE I HAVE TO TESTIFY) 2. HELP IS ON THE WAY 3. IF LOVE ONLY LASTS FOR ONE NIGHT 4. SHINE 5. INTO THE NIGHT (REPRISE)     ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)                 

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) A new large work for orchestra, choir, and soloists, David Chesky is able to capture the immeasurable difficulty that each of us have gone through this past year in his distinct compositional voice. This new album by David Chesky is a sincere statement of worries the composer feels necessary to share with the world, in which all of us live and die. Its monumental form allows us to reflect on many tragic events (such as the latest disaster of COVID-19). By entering our lives, it unavoidably demands us to define our beliefs. Chesky’s music not only concerns our preferences in aesthetics, but also demands political awareness from us (while being far away from political activism). We are confronted by phenomena we do not understand, but ultimately determine our choices - what really has, had, and still will have meaning in our lives. We have to learn separate the “important” and “unimportant” things and events. No one is obligated to go to the “barricade,” but we are simply obligated to recognize injustice in all forms and name it personally (even in silence) instead of accepting terror as something “common” and “far away from us.” Politicians, social media, opinions, commercial accusations - all of these should be seen as instruments of “terror.” If we want to remain humans with hearts and souls, we will find ourselves in tune with David Chesky’s sounds, which speak to us and awake our empathy. -Gidon Kremer (December 2020) Envíos CD Envío Ordinario: 1,5€ (envío sin caja de plástico y con responsabilidad a cargo del comprador) Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€.  

HÄNDEL. 45 ARIAS DE ÓPERAS Y ORATORIOS. VOZ Y PIANO. TENOR - SOPRANO. VOL 1 HÄNDEL. 45 ARIAS DE ÓPERAS Y ORATORIOS. VOZ Y PIANO. TENOR - SOPRANO. VOL 1 HANDEL. 45 ARIAS FORM OPERAS AND ORATORIOS. FOR VOICE AND PIANO. SERGIUS KAGEN. HIGH. VOL. 1.  Edit. INTERNATIONAL MUSIC COMPANY. NEW YORK.  Sello exlibris en contraportada, sello de Casa Hazem, Madrid.  Envío certificado con tarifas Correos-Tc. 

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).