Moody blues this is

THE MOODY BLUES - TIMELESS FLIGHT (BOX-SET) 4 CD *IMPECABLE* THE MOODY BLUES - TIMELESS FLIGHT (BOX-SET) 4 CD *IMPECABLE* Estuche con libreto de 41 paginas en color repletas de fotografias del grupo + 4 Cds recogiendo  lo mejor de su trayectoria musical Listado de canciones: Disk: 1   1. Love And Beauty   2. Dawn Is A Feeling   3. Peak Hour   4. Tuesday Afternoon   5. The Night: Nights in White Satin   6. Departure   7. Ride My See–Saw   8. The Actor – Full Version   9. Legend Of A Mind   10. Voices In The Sky   11. What Am I Doing Here – Alternate Mix   12. A Simple Game   13. In The Beginning   14. Lovely To See You   15. Dear Diary   16. Never Comes The Day   17. Are You Sitting Comfortably   18. The Dream   19. Have You Heard (Part 1)   20. The Voyage   21. Have You Heard (Part 2) – Full Version   Disk: 2   1. Higher And Higher   2. Gypsy   3. Eternity Road   4. Watching And Waiting – Justin Hayward & John Lodge   5. Question – Full Version   6. And The Tide Rushes In   7. Don't You Feel Small – Original Mix – Justin Hayward   8. Dawning Is The Day   9. Melancholy Man – Full Version   10. It's Up to You – Tony Clarke Mix   11. The Story In Your Eyes   12. After You Came   13. One More Time To Live   14. I'm Just A Singer (In A Rock And Roll Band)   15. New Horizons   16. For My Lady   17. You And Me   18. When You¿re A Free Man – Tony Clarke's Stereo Mix Edit   Disk: 3   1. Isn't Life Strange – Original Version   2. Island   3. I Dreamed Last Night – Justin Hayward & John Lodge   4. Blue Guitar – Justin Hayward & John Lodge   5. Who Are You Now – Live At Lancaster University / 1975 – The Blue Jays   6. Driftwood – Edit Version   7. Steppin' In A Slide Zone – Album Version   8. The Day We Meet Again   9. Forever Autumn – Justin Hayward   10. The Voice – Full Version   11. Gemini Dream – Full Version   12. Veteran Cosmic Rocker   13. Blue World   14. Sitting At The Wheel – Album Version   15. Running Water – Live At The Forum / 1983   16. The Other Side Of Life – Single Version   17. Your Wildest Dreams – Single Edit Version   Disk: 4    1. I Know You¿re Out There Somewhere   2. Lean On Me (Tonight)   3. Say It With Love   4. Highway   5. New Horizons – Live "Red Rocks" Version   6. Emily's Song – Live / Red Rocks   7. Legend Of A Mind – Live "Red Rocks" Version   8. This Is The Moment   9. Eternity Road – Live At The NEC / 1997   10. Question – Live At The NEC / 1997   11. English Sunset   12. Strange Times   13. The Swallow   14. December Snow   IMPECABLE Gastos de envio Certificado para este articulo: 5 Euros compres la cantidad de CDs que compres POR FAVOR, si algo no le convence NO COMPRE

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

Revista This is rock Numero 92 Black Sabbath Revista This is rock Numero 92 Black Sabbath           · 92. 2012. Black Sabbath          4-6 Frank Zappa, 8-25 Backline: Van Halen, Paul Rodgers, The Doors, Toro, Tori Sparks, Three Seasons, AC/DC, Blue Mammoth, Gnaposs, Zach Williams, Time Horizon, Amigos de Barra, 26-27 Dream Theater, 28-29 Paul Rodgers, 30-41 Black Sabbath, 42-45 Mick Fleetwood, 46-49 Opeth, 50-57 Magnum, 58-69 Lynyrd Skynyrd, 70-75 Gavin Harrison (Porcupine Tree), 76-79 Blind Guardian, 80-81 Ray Wilson, 82-91 Críticas: Motley Crue, Slash, Tori Sparks, Peter Gabriel, Gary Moore, Paul Rodgers, Rolling Stones, Amalgama, Slash, Evergrey, Rammstein, Placebo, Mick Fleetwood blues band, Sunstorm, Deep Purple, Ozzy Osbourne, Paul McCartney, The devil’s blood, Mr.Big, Ian Hunter band & Mick Ronson, Skin, Three Seasons, Talking heads, 94-95 Essential: Beatles, 96-98 On stage: Guns and Roses, Ray Wilson, Lenny Kravitz, Rhapsody on fire, Michael Schenker, The Last Vegas   Como en todos mis artículos, hazme una oferta (hasta un 25%) y yo la aceptaré o te haré una contraoferta, nunca rechazo ninguna. Si buscas información (artículos, entrevistas, etc) sobre algún grupo o artista házmelo saber y te pasaré un listado con ese contenido de todas las revistas que vendo. Los gastos de envío, en correo certificado, son cinco euros, cuatro si compras a partir de dos artículos y otras ofertas en relación a los artículos que te interesen y a la cantidad que compres. Las formas de pago son: transferencia bancaria, bizum y en persona si eres de Barcelona Todos mis artículos están en perfectas condiciones salvo algunas pocas excepciones, las cuales están descritas en los anuncios.  

Revista This is Rock Numero 179 Peter Gabriel Revista This is Rock Numero 179 Peter Gabriel         · 179. 2019. Peter Gabriel         6-20 Backline: Steven Wilson, Black label society, Motorhead, Rory Gallagher, Traffic, Methuselah, Tad, Thomas Thielen, Myrath, Jupiter, Blind Guardian, 21 Gong, 23 Twin temple, 25 Per Wiberg, 26-27 The mute gods, 28-29 Capsula, 30-33 Tesla, 34-45 Peter Gabriel, 46-49 Glenn Hugues, 50-55 The butterfield blues band, 56-59 Foreigner, 60-67 Dee Purple, 68-71 Howie G, 72-73 Ghost bound, 74-83 Rock and roll circus, 84-87 Toto, 88-89 Abdul vas, 90-91 Brant Bjork, 92-105 Críticas: Willie and the bandits, Yngwie Malmsteen, Santana, Diamond head, Earth, The Byrds, Whitesnake, King Kobra, Saint vitus, Van der graaf generator, Foreigner, Monocluster, Steve Jones, The Quill, Astral doors, Nick Turner, Kiss, Eagles, 106-107 The essential: Steven Wilson, 108-113 On stage: Kiss, Gorilla riot, Haken, The neal morse band, Como en todos mis artículos, hazme una oferta (hasta un 25%) y yo la aceptaré o te haré una contraoferta, nunca rechazo ninguna. Si buscas información (artículos, entrevistas, etc) sobre alguien en particular (grupo, artista, personaje, deportista, etc), házmelo saber y te pasaré un listado con ese contenido de todas las revistas que vendo. Los baremos de gastos de envío son los siguientes: Pedidos de hasta 5 euros – 5 euros de gastos de envío (10 para Baleares y Canarias) Pedidos de 5 a 15 euros – 4 euros de gastos de envío (8 para Baleares y Canarias) Pedidos de 15 a 40 euros – 2 euros de gastos de envío (6 para Baleares y Canarias) Pedidos superiores a 40 euros- envío gratuito (2 euros para Baleares y Canarias) Pedidos superiores a 50 euros- envío gratuito y revista de regalo (cualquiera cuyo importe no supere los 4 euros. La revista de regalo es un extra, es decir, no puede formar parte de lo ya comprado) (envío gratuito y revista de regalo para Baleares y Canarias) A partir del tercer pedido se adquiere la condición de comprador habitual y hay mayores ventajas en cuanto a gastos de envío y revistas de regalo Todos los envíos son mediante correo certificado a través Correos. Utilizamos sobres de cartón y cajas de cartón de doble canal (si son varios artículos, entonces también hay protección interior) Las formas de pago son: transferencia bancaria, bizum, pay pal y en persona si eres de Barcelona Todos mis artículos están en perfectas condiciones salvo algunas pocas excepciones, las cuales están descritas en los anuncios.        

Revista This is Rock Numero 114 The Beatles Revista This is Rock Numero 114 The Beatles         · 114. 2014. Beatles         6-7 In solitude, 8-21 Backline: Michael Schenker, Eric Clapton, Muse, Ramones, The Eagles, Iced Earth, Depeche mode, Dream Theater, Casablanca, Melodic rock festival, Freddie Mercury, David Bowie, Asfalto, Topo, Metalilca, Marcela Ferrari, JD Overdrive, Vidunder, Indicco, 22-23 The flower king, 24-25 Nightwish, 26-33 The Beatles, 34-39 Roger Taylor, 40-43 After bridge, 44-47 Sparks, 48-53 Ted Nugent, 54-59 Allman brothers band, 60-63 The Mission, 64-67 Haken, 68-71 Starship, 72-73 Osada vida, 74-77 Black trip, 78-81 Ayreon, 82-89 Críticas: Paul McCartney, Roger Taylor, Triana, David Bowie, Vengeance, The flower kings, The temperance movement, Megadeth, Black label society, Ayreon, Steven Wilson, Alter bridge, Akron, Sherpa, Vargas blues band, The Beatles, Scorpions, Mike and the mechanics, Stryper, Gordon Giltrap, Wild Turkey, 90-91 The essential: Lou Reed, 92-97 On stage: Steven Wilson, God save the Queen, Calella rockfest, Volbeat, Obsidian kingdom, Orphaned land Como en todos mis artículos, hazme una oferta (hasta un 25%) y yo la aceptaré o te haré una contraoferta, nunca rechazo ninguna. Si buscas información (artículos, entrevistas, etc) sobre alguien en particular (grupo, artista, personaje, deportista, etc), házmelo saber y te pasaré un listado con ese contenido de todas las revistas que vendo. Los baremos de gastos de envío son los siguientes: Pedidos de hasta 5 euros – 5 euros de gastos de envío (10 para Baleares y Canarias) Pedidos de 5 a 15 euros – 4 euros de gastos de envío (8 para Baleares y Canarias) Pedidos de 15 a 40 euros – 2 euros de gastos de envío (6 para Baleares y Canarias) Pedidos superiores a 40 euros- envío gratuito (2 euros para Baleares y Canarias) Pedidos superiores a 50 euros- envío gratuito y revista de regalo (cualquiera cuyo importe no supere los 4 euros. La revista de regalo es un extra, es decir, no puede formar parte de lo ya comprado) (envío gratuito y revista de regalo para Baleares y Canarias) La cantidad máxima para un envío es de 16-18 revistas, si el pedido supera esa cantidad, entonces abrimos un segundo envío en el que las ofertas empiezan a contar desde cero. A partir del tercer pedido se adquiere la condición de comprador habitual y hay mayores ventajas en cuanto a gastos de envío y revistas de regalo. Además, tenemos ofertas para los artículos de 1 euro, muchos de ellos podrán ser gratuitos con compras superiores a 20 euros! Todos los envíos son mediante correo certificado a través Correos. Utilizamos sobres de cartón y cajas de cartón de doble canal (si son varios artículos, entonces también hay protección interior) Las formas de pago son: transferencia bancaria, bizum, pay pal y en persona si eres de Barcelona Todos mis artículos están en perfectas condiciones salvo algunas pocas excepciones, las cuales están descritas en los anuncios.     

Inga Rumpf ?– My Life Is A Boogie Inga Rumpf ?– My Life Is A Boogie Inga Rumpf ‎– My Life Is A Boogie   RCA ‎– PL -28321   Vinilo VG+ / Portada VG+   España - 1978   Blues Rock, Pop Rock, Funk   A1 My Life Is A Boogie A2 Keep On Knocking A3 I Don't Wanna Harm You A4 Hideaway A5 I Took The Worst B1 Let The Children Live B2 Don't Treat Me This Way B3 There's Always One Who Loves You B4 This Night B5 Jukebox Place   Bass – Alan Spenner Drums – Gerry Conway Guitar – Robert Awaii Keyboards – Paul Carrack Lead Guitar – Neil Hubbard Piano – Vince Weber Slide Guitar – Vocals – Inga Rumpf Written-By, Arranged By, Producer – Inga Rumpf, UHU-Music   Second record from Inga Rumpf, lyrics on back of cover, Orange RCA

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

BOOKER LITTLE & BOOKER ERVIN: SOUNDS OF INNER CITY [ESP 1985] LP BOOKER LITTLE & BOOKER ERVIN: SOUNDS OF INNER CITY [ESP 1985] LP Booker Little & Booker Ervin   "Sounds Of Inner City"  LP (Doblon)  1985  made in Spain cat. num.  50.1892 #jazz   A1 Souchie 5:20 A2 Cycles 4:44 A3 Stardust 3:41 B1 The Confined Few 6:52 B2 Blues De'Tambour 3:38 B3 Witch Fire 4:34   Two masters of hard bop, trumpeter  Booker Little  and tenor saxophonist  Booker Ervin, square off on this 1960 session reissued by Collectables as  Sounds of the Inner City. This date has been released under various titles over the years since its original inception as  Teddy Charles' New Directions Quartet Featuring Booker Little and Booker Ervin. Most of the material is straight-ahead bop under the leadership of vibraphonist  Teddy Charles  with  Mal Waldron  on piano,  Addison Farmer  on bass, and Ed Shaunesssy on drums. This is a noteworthy reissue considering that there are so few instances of  Little 's lyrical trumpet style and  Ervin 's passionate tenor recorded together. Original compositions include  Ervin 's "Scoochie,"  Little 's "The Confined Few" and "Witch Fire," Shaunessy's "Blues de Tambour," pianist  Ahmad Jamal 's "Cycles," plus the standard "Stardust" (receiving an especially melancholy treatment.) The only complaint is the lack of liner notes, which excludes information on personnel and session history.

THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable RARA 1ª EDIC. ORIG. CONTIENE EL ENCARTE INTERIOR... todo un musico legendario,,un superviviente, uno de los tipos con mas gusto musical de todos los tiempos..!! lider y fundador de los byrds, aqui lo tienes en solitario,acompañado por musicos increibles que consiguen redondear su lp debut en solitario. TODO EN IMPECABLE CONDICION. !!! NUESTRA MEJOR COPIA HASTA LA FECHA bonito debut en solitario de Roger McGuinn qué me fascina. The Byrds habían echado el cierre de una manera ya más bien lánguida, porque todo acaba estropeándose, y este jefe de operaciones enorme quiso refrendar su apabullante pedigrí haciendo lo que le dio la real gana. Impresiona la facilidad con la que, en aquellos aún iniciales años setenta, este hombre podía tirar de agenda. La armónica que abre la inaugural ‘I’m so restless’, sin ir más lejos, corresponde a un tal Dylan, mientras que el saxofonista que irrumpe para alborotar el canónico folk-rock de ‘My new woman’ es cortesía del mismísimo Charles Lloyd. No se detienen ahí las sorpresas: ‘Draggin’ no es solo un evidente tributo a los Beach Boys, sino que las armonías las aporta Bruce Johnston, uno de los Chicos de la Playa. ‘Time cube’ mira hacia la tradición más pura de estrofa repetida, aunque extrañamente coloreada con un sintetizador Moog. Pero es de autoría propia, a diferencia del epílogo del álbum, la célebre tonada tradicional ‘The water is wide’. El modo más campestre, con ‘slide’ de por medio, le sirve a ‘Bag full of money’ para abrir la cara B, donde a su vez se cuela el desmadre fronterizo de ‘Mi linda’ o el ‘blues’ a la vieja usanza de ‘Hanoi Hannah’. Y es toda esa mezcolanza, su permanente carácter híbrido, las decisiones extrañas (el coro infantil de ‘Stone’), lo que quizá no hiciese de este LP un referente de su década. Y eso, a pesar de que piezas como ‘Lost my drivin’ wheel’ revivieran todo el músculo y la chispa de los mejores Byrds. Aquellos que fueron, y siempre serán, puritita gloria. Bob Dylan - harmonica Gene Clark - vocals David Crosby - guitar,harmony vocals Chris Hillman - bass Leland Sklar - bass David Vaught - bass Chris Ethridge - bass Bruce Johnston - piano, harmony vocals Spanky McFarlane - vocals Mike Wofford - piano Charles Lloyd - sax Hal Blane - percussion John Guerin - drums Jim Gordon - drums Michael Clarke - drums Jerry Cole - guitar Buddy Emmons - steel guitar Spooner Oldham - keyboards Charles Lloyd - saxophone The Jimmy Joyce Children Chorus - vocals     I'm So Restless My New Woman Lost My Drivin' Wheel Draggin' Time Cube Bag Full of Money Hannoi Hannah Stone Heave Away M'Linda The Water Is Wide Roger McGuinn's 1973 self-titled solo debut was in most respects a breath of fresh air after the final days of the Byrds, in which the group was floundering in directionless mediocrity. In a sense, it's a back-to-basics album that emphasizes much of what McGuinn does so well: his forceful reedy vocals, his guitar playing, and his skills at both writing earnest folk-rock material (usually with future Bob Dylan collaborator Jacques Levy here) and interpreting unusual traditional and contemporary songs. Never was it folkier than on the acoustic "I'm So Restless," which benefited from harmonica by Dylan himself (about whom the song was partially about). All four of the other original Byrds play on "My New Woman," which is virtually a reunion of the original quintet, with the addition of saxophone by jazzman Charles Lloyd; David Crosby makes unobtrusive cameos on some other tracks. As likable as it is, however, the album isn't an unqualified triumph. Some of the songs aren't so hot, some of the Moog synthesizer (by McGuinn) is unnecessary, his vocals sometimes seem to have been recorded with too much brittleness, and none of this is as good as the best of the Byrds. Unexpected influences make themselves heard in the Beach Boys harmonies of "Draggin'" (with Bruce Johnston of the Beach Boys on piano and backup harmonies), the Vietnam blues of "Hanoi Hannah," and the gospel-rock of "Stone." The 2004 CD reissue adds two previously unissued bonus tracks: a solo acoustic cover of the traditional folk song "John, John" and a less pleasing cover of Jackson Browne 's "Jamaica, Say You Will." It also has historical liner notes with plenty of quotes on the sessions and songs from McGuinn himself. ~ Richie Unterberger, All Music Guide

OSCAR PETERSON: Montreux '77 [UK 1977] LP OSCAR PETERSON: Montreux '77 [UK 1977] LP Oscar Peterson Jam   "Montreux '77"   LP (Pablo)   1977 made in UK cat. num.  2308 208 #jazz   Ali And Frazier 9:20 If I Were A Bell 10:39 Things Ain't What They Used To Be 12:42 Just In Time 9:49   One of many Pablo albums taken from the 1977 Montreux Jazz Festival, this outing teams pianist  Oscar Peterson, bassist  Niels Pedersen, and drummer  Bobby Durham  with tenorman  Eddie "Lockjaw" Davis  and trumpeters  Clark Terry  and  Dizzy Gillespie. The talented (and very competitive) players really dig into the opening uptempo blues ("Ali and Frazier") and they continue cooking on "If I Were a Bell,"  "Things Ain't What They Used to Be," and "Just in Time." As often happens in this type of situation, the musicians mutually inspire each other. This is one of  Dizzy Gillespie 's better sessions of the '70s; in fact, there are no losers during these battles.

Mike Bloomfield & The Electric Flag, Otis Spann * Vinilo + Fascículo con guía de escucha Mike Bloomfield & The Electric Flag, Otis Spann * Vinilo + Fascículo con guía de escucha Perteneciente a la fabulosa colección "Las grandes estrellas del Rock". Este vinilo más fascículo, nos presenta unos temas que a pesar de su extraordinaria calidad, actualmente son dificilísimos de encontrar y mantienen un gran valor cultural y musical. Las dos últimas páginas del fascículo nos presenta una útil guía de escucha    sobre los intérpretes y los temas que aparecen en el vinilo. Como digo, son de una gran utilidad a la hora de disfrutar del disco y conocer la genuina historia del Rock.  CARA A A1 –Mike Bloomfield & The Electric Flag Kansas City A2 –Mike Bloomfield & The Electric Flag Linda Lou A3 –Mike Bloomfield & The Electric Flag Blues In B Flat A4 –Mike Bloomfield & The Electric Flag Selección: Darktown Strutter's Ball/Mop Mop/Call Me A Dog A5 –Mike Bloomfield & The Electric Flag Great Gifts From Heaven CARA B B1 –Otis Spann This Is The Blues B2 –Otis Spann Evil Ways B3 –Otis Spann Walking The Blues B4 –Otis Spann The Hard Way

MILES DAVIS - KIND OF BLUE Edición Limitada y Numerada MFSL 2LP vinilo 180g Box Set Precintado MILES DAVIS - KIND OF BLUE Edición Limitada y Numerada MFSL 2LP vinilo 180g Box Set Precintado     MILES DAVIS KIND OF BLUE Edición Limitada Numerada a Mano 180g 2LP 45rpm MFSL Box Set Nuevo y Precintado       MILES DAVIS KIND OF BLUE Hand Numbered Limited Edition 180g 2LP 45rpm MFSL Box Set New and Sealed ATENCIÓN: En este artículo no se admiten ofertas.       DESCRIPCIÓN: USA 2015 Mobile Fidelity Sound Lab  MFSL 2-45011   La revista Rolling Stone incluyó este álbum en su lista de los 500 mejores álbumes de todos los tiempos (12/500).   Kind Of Blue es quizás el álbum de jazz definitivo. Las sesiones de grabación efectuadas en solo dos días del 1959, marcan un punto de inflexión en la historia del jazz. Miles apareció en los estudios Columbia con algunas melodías esbozadas en papel y la banda procedió a grabar cada tema en una o dos tomas, tal y como a Miles le gustaba grabar. Hoy en día, tras más de 50 años del lanzamiento del álbum resultante de aquellas dos sesiones, Kind Of Blue sigue siendo el disco más vendido en la historia del jazz: más de 4 millones de copias en todo el mundo y aún se vende una media de 5000 copias a la semana.     Características: • Edición Limitada y Numerada MFSL  2LP vinilo 180g 45rpm Box Set. • El número de copia que aparece en la fotografía de la contraportada no tiene por qué corresponder con el de la copia en venta. • Masterizado a mitad de velocidad por Mobile Fidelity Sound Lab a partir de las cintas Master originales. • Prensado en vinilo audiófilo de 180 gramos. • Los discos vienen alojados en una caja de gran resistencia. • Nuevo y Precintado de fábrica.     DESCRIPTION: US 2015 Mobile Fidelity Sound Lab MFSL 2-45011   Ranked #12 on Rolling Stone's 500 Greatest Albums of All Time List.   This is perhaps the definitive jazz record. This unrehearsed recording session from 1959 marks a great turning point in jazz history. Miles showed up to the Columbia recording studio with some rough melodies and chords jotted down on paper and the band proceeded to track each song in one or two takes.  Today,  over 50 years after it was released, "Kind of Blue" remains the bestselling jazz album of all time. More than 4 million copies have been sold, and the album still sells an average of 5,000 copies a week.     Features:   • Numbered Limited Edition 180g 45rpm 2LP Box Set. • The copy number shown in the photo of the back cover does not necessarily have to correspond to the number of the current copy for sale. • Half-Speed Production and Mastering by Mobile Fidelity Sound Lab from the Original Master Tapes. • Pressed on 180gram audiophile vinyl. • Heavy Duty Protective Packaging. • New and Factory sealed.     Personnel: Trumpet – Miles Davis Julian "Cannonball" Adderley, alto sax (except on "Blue in Green") John Coltrane, tenor sax Paul Chambers, double bass Bill Evans, piano (except "Freddie Freeloader") Wynton Kelly, piano ("Freddie Freeloader") Jimmy Cobb, drums    Track Listing: SIDE A 1. SO WHAT SIDE B 1. FREDDIE FREELOADER  2. BLUE IN GREEN  SIDE C 1. ALL BLUES SIDE D 1. FLAMENCO SKETCHES         ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)    

Wishbone Ash ‎– Live Dates Volume Two -LP- Wishbone Ash ‎– Live Dates Volume Two -LP-   More images Wishbone Ash  – Live Dates Volume Two Label: MCA Records  – MCL 1799 Format: Vinyl, LP, Reissue Country: UK Released: Genre: Rock Style: Blues Rock,  Country Rock,  Classic Rock Tracklist A1   Doctor 5:51 A2   Living Proof 5:57 A3   Runaway 3:21 A4   Helpless 3:56 B1   F.U.B.B. 9:59 B2   The Way Of The World 10:34     Credits Backing Vocals  –  Andy Powell Bass Guitar, Lead Vocals  –  Martin Turner (2) Design [Cover]  –  Colin Elgie Drums  –  Steve Upton Electric Guitar, Vocals [Stereo Left]  –  Andy Powell Electric Guitar, Vocals [Stereo Right]  –  Laurie Wisefield Engineer [Mixing Assistant]  –  Neil Black Engineer [Mixing]  –  Rafe McKenna Photography  –  Hipgnosis-Brimson Producer  –  Wishbone Ash Written-By  –  C. Hamill *  (tracks: A2),  P. Kendrick  (tracks: A4) Notes This is the mid 80s Special Price stickered Reissue. Recorded on The Basing Street, Manor and Rolling Stones mobiles. Mixed at The Music Centre, London Track A1 recorded at Hull City Hall, 1980 Track A2 recorded at Bristol Colston Hall, 1980 Track A3 and A4 recorded at Wolverhampton Civic Hall, 1980 Track B1 recorded at London, Hammersmith Odeon, 1978 Track B2 recorded at Bristol Colston Hall, 1978   Barcode and Other Identifiers Other: MAPS 9780 Barcode: none Matrix / Runout (A-side Cat# STAMPED (another code scratched out) "A1" etched, "A" sideways): MCL 1799 A1 A Matrix / Runout (B-side Cat# STAMPED (another code scratched out) "B2" etched, "D" sideways): MCL 1799 B2 D

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.