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We now take it for granted that aspects of the monastic life can sustain our daily lives in the world, but we owe this understanding to John Main, whose vision of a monastery without walls has grown into a worldwide network of people who today practice Christian meditation.. Darton, Longman b'&' Todd. UK. Año 1980. 1ª edición

IN TUA NUA - Seven into the sea / Loosin' Winnin' (Single 45 rpm) - NUEVO IN TUA NUA - Seven into the sea / Loosin' Winnin' (Single 45 rpm) - NUEVO IN TUA NUA                                       1 - Seven into the sea                                         2 - Loosin' Winnin' La portada está NUEVA, el vinilo está NUEVO. Editado en UK, año 1986, VIRGIN VS 885. Sleeve is NEW, vinyl is NEW. Year 1986, VIRGIN VS 885.  UK  pressing

ROCKIN INTO THE 70´S LP - EDICION ESPAÑOLA - FONOGRAM RECORDS 1977 - STEREO - ROCKIN INTO THE 70´S LP - EDICION ESPAÑOLA - FONOGRAM RECORDS 1977 - STEREO - DISCO RECOPILATORIO EDITADO POR LA ALL YOU NEED IS LOVE / FONOGRAM RECORDS EN EL AÑO 1977 CON NUMERO DE RFERENCIA 91 99 992 STEREO. EN LA CONTRAPORTADA CON EL LOGO DE LA ALL YOU NEED IS LOVE RECORDS. EDITADO POR FONOGRAM, S.A. MADRID. IMPRESO EN ESPAÑA POR FOCO, S.A. DEPOSITO LEGAL M. 37191-1977  - (P  1977) FABRICADO POR COFASA, FONOGRAM, S.A DISCO EN BUEN ESTADO CON SEÑALES DE USO NORMAL. VG+ (VERY GOOD+)(3). PORTADA EN MUY BUEN ESTADO CON POCAS SEÑALES DE USO. VG++(VERY GOOD++)(4). VER FOTOGRAFIAS ADICIONALES. LABELS NUEVAS (MINT)(5). VER FOTOGRAFIAS ADICIONALES.

THE GROOVE FARM (MX) SURFIN’ INTO YOUR HEART +5 TRACKS AÑO 1987 – EDICION U.K. THE GROOVE FARM (MX) SURFIN’ INTO YOUR HEART +5 TRACKS AÑO 1987 – EDICION U.K.   THE GROOVE FARM (MX) SURFIN’ INTO YOUR HEART +5 TRACKS AÑO 1987 – EDICION U.K. SE CONTESTARAN TODAS LAS PREGUNTAS Y SE COLGARAN FOTOS COMPLEMENTARIAS EN CASO DE SER SOLICITADAS EL ENVIO SE REALIZARA POR CORREOS CON ENTREGA EN DOMICILIO.    NOTA:  "EL CONTENIDO DISCOGRAFICO DE ESTA PAGINA ESTA EN CONSTRUCCION, PERMANENTEMENTE SE IRAN INCORPORANDO LOS MILES DE TITULOS QUE HAY DISPONIBLES.".   All questions will be answered and we also upload complementary pictures in case of demands   The whole music content is under construction. We are permanently including miles of new avaliable titles.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

AVERAGE WHITE BAND PICK OF THE PIECES: THE VINYL COLLECTION Ltd. y Numerada 180g vinilo Blanco Nuevo AVERAGE WHITE BAND PICK OF THE PIECES: THE VINYL COLLECTION Ltd. y Numerada 180g vinilo Blanco Nuevo AVERAGE WHITE BAND PICK OF THE PIECES: THE VINYL COLLECTION Edición Ltd. y Numerada 180g vinilo Blanco 5LP Box Set Nuevo y Precintado       AVERAGE WHITE BAND PICK OF THE PIECES: THE VINYL COLLECTION Numbered Limited Edition 180g White Vinyl 5LP   Box Set New and Sealed       DESCRIPCIÓN: UK 2018 Demon Music Group Ltd. 5014797896673 Average White Band Pick Of The Pieces: The Vinyl Collection comes in a rigid slipcase that houses 5 selected classic AWB albums. Each title will be on white 180g heavyweight vinyl, with printed inner sleeves. Each box set is individually numbered and contains a print signed by the classic line-up of Alan Gorrie, Hamish Stuart, Molly Duncan, Onnie McIntyre, Roger Ball and Steve Ferrone. These five albums contain numerous hit songs including "Pick Up The Pieces", "Queen Of My Soul", "Cut The Cake", and "Let's Go 'Round Again".   Features: • Edición Numerada y Limitada (500 copias). • Contiene 5LPs prensados en vinilo blanco de 180g. • Los 5 álbumes clásicos de AWB vienen alojados en un estúche rigido. • Fundas interiores impresas. • Fotografía firmada por la formación clásica de la banda. • Nuevo y Precintado de fábrica.   DESCRIPTION: UK 2018 Demon Music Group Ltd. 5014797896673   Average White Band Pick Of The Pieces: The Vinyl Collection comes in a rigid slipcase that houses 5 selected classic AWB albums. Each title is pressed on white 180g heavyweight vinyl, with printed inner sleeves. Each box set is individually numbered and contains a print signed by the classic line-up of Alan Gorrie, Hamish Stuart, Molly Duncan, Onnie McIntyre, Roger Ball and Steve Ferrone. These five albums contain numerous hit songs including "Pick Up The Pieces", "Queen Of My Soul", "Cut The Cake", and "Let's Go 'Round Again".   Features: • Numbered, Limited Edition (500 copies). • 5LP Box Set pressed on  180g White Vinyl. • Rigid Slipcase houses 5 classic AWB albums. • Printed Inner Sleeves. • Print signed by the band’s classic line-up. • New and Factory sealed.       Track Listing: AWB (1974) SIDE A: 1. YOU GOT IT 2. GOT THE LOVE 3. PICK UP THE PIECES 4. PERSON TO PERSON 5. WORK TO DO SIDE B: 1. NOTHING YOU CAN DO 2. JUST WANNA LOVE YOU TONIGHT 3. KEEPIN' IT TO MYSELF 4. I JUST CAN'T GIVE YOU UP 5. THERE'S ALWAYS SOMEONE WAITING   CUT THE CAKE (1975) SIDE A: 1. CUT THE CAKE 2. SCHOOL BOY CRUSH 3. IT'S A MYSTERY 4. GROOVIN' THE NIGHT AWAY 5. IF I EVER LOSE THIS HEAVEN SIDE B: 1. WHY 2. HIGH FLYIN' WOMAN 3. CLOUDY 4. HOW SWEET CAN YOU GET 5. WHEN THEY BRING DOWN THE CURTAIN   SOUL SEARCHING (1976) SIDE A: 1. OVERTURE 2. LOVE YOUR LIFE 3. I'M THE ONE 4. A LOVE OF YOUR OWN 5. QUEEN OF MY SOUL SIDE B: 1. SOUL SEARCHING 2. GOIN' HOME 3. EVERYBODY'S DARLING 4. WOULD YOU STAY 5. SUNNY DAYS (MAKE ME THINK OF YOU) 6. DIGGING DEEPER (FINALE)   FEEL NO FRET (1979) SIDE A: 1. WHEN WILL YOU BE MINE 2. PLEASE DON'T FALL IN LOVE 3. WALK ON BY 4. FEEL NO FRET SIDE B: 1. STOP THE RAIN 2. ATLANTIC AVENUE 3. ACE OF HEARTS 4. TOO LATE TO CRY 5. FIRE BURNING   SHINE (1980) SIDE A: 1. OUR TIME HAS COME 2. FOR YOU, FOR LOVE 3. LET'S GO 'ROUND AGAIN 4. WHATCHA' GONNA DO FOR ME 5. INTO THE NIGHT SIDE B: 1. CATCH ME (BEFORE I HAVE TO TESTIFY) 2. HELP IS ON THE WAY 3. IF LOVE ONLY LASTS FOR ONE NIGHT 4. SHINE 5. INTO THE NIGHT (REPRISE)     ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)                 

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

Jimmy's back in the electrifying sequel to "Jimmy Coates: Killer". Stand back for this new high-speed adventure, packed with surprises, danger and escape against the odds. "Jimmy's fingers were slipping. Smeared with blood, he had hardly any grip. He had to hold on. Mitchell chopped his hand down hard into Jimmy's shoulder, cutting off the nerves to his fingers. Staring up into Mitchell's ice-cold eyes, Jimmy fell into the shredder." Jimmy Coates is still on the run and this time NJ7 are pulling no punches. They're out for blood, and even though Jimmy has gone into hiding in France, they still

Roland V-1200HDSET Mezclador de Vídeo Multiformato con Pantalla Táctil LCD y 16 canales Combina las características de un conmutador de producción con el poder de un conmutador de presentación. Las entradas de vídeo y el mezclador de audio de 16 canales integrado se pueden ampliar con las tarjetas de expansión XI-Series de audio y vídeo. Cuenta con una interfaz de usuario intuitiva con puntos de cruce asignables y nombres en pantalla, que garantiza la máxima flexibilidad para la producción en vivo o durante transmision. VIDEO Procesamiento 4:4:4 (Y/Pb/Pr / RGB), 10-bit 4:2:2 (Y/Pb/Pr), 10 bits Conectores de entrada 3G/HD-SDI: BNC typx 10  * cumple con el SMPTE 424M (SMPTE 425M-AB), 292M HDMI: tipo A × 2  * conectores 1 y 2 no admiten HDCP HDMI: tipo A × 2  * conectores 3 y 4 soportan HDCP, multi-formato Conectores de salida 3G/HD-SDI: tipo BNC × 6  * cumple con la norma SMPTE 424M (SMPTE 425M-AB), 292M HDMI: tipo A × 2  * conectores 1 y 2 soportan HDCP HDMI: tipo A × 1  * conector MULTI-VIEW 1 no requiere HDCP, 1080/59.94p HDMI: tipo A × 1  * conector MULTI-VIEW 2 requiere HDCP, 1080/59.94p AUDIO Procesamiento Frecuencia de muestreo: 24 bits/48 kHz Conec tores Entrada:  3G/HD-SDI: tipo BNC × 4 (Ch7-10), HDMI: tipo A × 4 (XLR/TRS) L (1/2), R (3/4) * Audio analógico o AES/EBU Salida:  3G/HD-SDI: tipo BNC × 4 (Ch1-4), HDMI: tipo A × 2 (XLR/TRS) L (1/2), R (3/4) * Audio analógico o AES/EBU OTROS Ranura de expansión:  2 × slots de expansión Referencia Entrada: Tipo BNC x 1 *Black Burst (Sync to frames), Bi-Level, Tri-Level Salida/Pasaje: Tipo BNC x 1 *Black Burst (Sincronización con frames) Conectores externos RS-232: Tipo DB-9 (macho) × 1  * para el control remoto RS-422: tipo DB-9 (hembra) × 1  * para el control VISCA TALLY/GPIO: tipo DB-25 (hembra) × 1 (entrada: 8, salida/cuento: 16) LAN: RJ45 100BASE-TX (Conectar a V-1200HDR) SUPERFICIE DE CONTROL PARA V-1200HD: Controle toda la funcionalidad avanzada de su conmutador V-1200HD con la superficie de control opcional V-1200HDR. El V-1200HDR proporciona una superficie de control físico profesional para el V-1200HD con pantallas táctiles de doble LCD para la monitorización y el control, una gran barra en T para efectos y transiciones, personalización y funcionamiento de los buses de efectos de mezcla, salidas de vídeo HDMI y muchos botones para la conmutación de fuentes. Pantalla gráfica LCD en color de 7 pulgadas (pantalla táctil) × 2 Entrada de vídeo HDMI (tipo A) × 2  * Soporta HDCP USB: Tipo A × 1  * Memoria USB USB: Tipo B × 1  * Uso para futura expansión LAN: RJ45 100Base-TX (Conectar a V-1200HD) Conector de audio analógico estéreo de 1/4 de pulgadas × 1 (80 mW + 80 mW, 32 ohmios) Altavoz mono interno Especificaciones técnicas: VIDEO Processing 4: 4: 4 (Y/Pb/Pr / RGB), 10-bit / 4: 2: 2 (Y/Pb/Pr), 10-bit Input Connectors 3G/HD-SDI: BNC typx 10 * Conforms to SMPTE 424M (SMPTE 425M-AB), 292M HDMI: type A x 2 (HDMI INPUT 1--2) * HDCP Not supported HDMI: type A x 2 (HDMI INPUT 3--4) * HDCP Supported., Multi-format Supported. Output Connectors 3G/HD-SDI: BNC type x 6 * Conforms to SMPTE 424M (SMPTE 425M-AB), 292M HDMI: type A x 2 (HDMI OUTPUT 1--2) * HDCP Supported HDMI: type A x 2 (HDMI OUTPUT MULTI-VIEW 1 * HDCP Not required, 1080/59.94p) (HDMI OUTPUT MULTI-VIEW 2 * HDCP Required, 1080/59.94p) Formats SDI: 1080/59.94p, 1080/50p * Conforms to SMPTE 274M HDMI: 480/59.94i, 576/50i, 480/59.94p, 576/50p, 720/59.94p, 720/50p, 1024x768/60 (*1), 1280x720/60 (*1), 1280x800/60 (*1), 1366x768/60 (*1), 1280x1024/60 (*1), 1400x1050/60 (*1),1600x1200/60, 1920x1080/60, 1920x1200/60 * Conforms to CEA-861-E, VESA DMT Version 1.0 Revision 11 * The output format of HDMI1,2 and SDI is always the same. * Frame rate is 59.94(NTSC) or 50(PAL) * MULTI-VIEW 1,2 output is 1080/60p always. Output refresh rate is 75 Hz when frame rate is set to 50Hz. Effects (4:2:2 Processing) M/E: 1M/E, 1.5M/E, 2M/E (9 types) Transition: Mix, NAM (*2), FAM (*2), Cut, Wipe Composition (Keyer): 4 (PinP, Luminance Key, Chroma Key, External Key supported) AUX: 2 Others: Output Fade, Output Freeze, Output Capture, Composition Edit, SDI Output Patchbay *These effects depends on M/E type. (*2) PGM/PST only Effects (4:4:4 Processing) M/E: 1M/E, Matrix, Scaler Input: 4 (4:2:2 Processing outputs x 2, HDMI INPUT 3, HDMI INPUT 4) Transition: Mix, Cut Composition (Keyer): 1 (PinP, Luminance Key) Others: HDCP Supported, Output Fade, Output Cropping, Signal Generator. *These effects depends on M/E type. Still Image Still Image Inputs: 2, Internal Memory: 16, Maximum 1920x1080 pixels Format: Windows Bitmap File (.bmp) 24 bit per pixel, uncompressed, Portable Network Graphic File (.png) * Alpha channel Supported. Multiviewer MULTI-VIEW 1 (4:2:2 Processing): 16/10 screens, Label, Tally * HDCP Supported MULTI-VIEW 2 (4:4:4 Processing): 4 screens, Label, Tally, OSD Setup Menu * HDCP Required AUDIO Processing Sampling Rate: 24 bits/48 kHz Input Connectors 3G/HD-SDI: BNC type x 4 (Ch7-10), HDMI: type A x 4, AUDIO IN (XLR/TRS) L (1/2),R (3/4) * Analog Audio or AES/EBU Output Connectors 3G/HD-SDI: BNC type x 4 (Ch1-4), HDMI: type A x 2, AUDIO OUT (XLR/TRS) L (1/2),R (3/4) * Analog Audio or AES/EBU Input Level and Impedance AUDIO IN: +4dBu (Maximum: +22dBu, 15k ohms) Output Level and Impedance AUDIO OUT: +4dBu (Maximum: +22dBu, 600 ohms) Formats SDI: Linear PCM, 24bits, 48kHz, 16ch * Conforms to SMPTE 299M HDMI: Linear PCM, 24bits, 48kHz, 2ch AES/EBU: Linear PCM, 24bits, 48kHz, 4ch Effects Patchbay: 92 inputs x 92 outputs Delay: 16ch Mixer: 16ch, channel Effects: 3-Band EQ, Delay Master Effects: Mastering, 3-Band EQ, Reverb OTHERS Expansion Slot Slot: 2 *The video a maximum of 2 inputs 2 outputs and the audio a maximum of 16 inputs 16 outputs can treat in 2 slots sum total. Reference Input: BNC type x 1 *Black Burst (Sync to frames), Bi-Level, Tri-Level Output/Through: BNC type x 1 *Black Burst (Sync to frames) External Connectors RS-232: DB-9 type (Male) x 1 *for Remote Control RS-422: DB-9 type (Female) x 1 *for VISCA Control TALLY/GPIO: DB-25 type (Female) x 1 (Input: 8, Output/Tally: 16) LAN: RJ45 100BASE-TX (Connect to V-1200HDR or Computer (V-1200HD RCS)) USB: A type *USB Memory Memory 8 * Last Memory Function User Function Button 32 * 16 buttons x 2 banks Remote Camera Control RS-422: D-Sub 9 pin type x 1 Protocol: VISCA Remote Controller V-1200HDR Control Surface * Option V-1200HD RCS * Windows7 or later / Mac OSX Power Supply AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz) DC 24 V (XLR-4-32 type) * Redundant Power Supply Operation Temperature +0 to +40 degrees Celsius +32 to +104 degrees Fahrenheit Dimensions 482 (W) x 357 (D) x 133 (H) mm 19 (W) x 14-1/16 (D) x 5-1/4 (H) inches * EIA-3U rack mount size Weight 9.0 kg 19 lbs 14 oz Accessories Power Cord, Rubber Feet (4), Owner’s Manual

The second edition of the highly successful Fundamentals of Electrical Engineering is thoroughly expanded and updated. The text is divided into four parts: circuits, electronics, digital systems, and electromagnetics. Although it delves in depth into each of these topics, the text represents more than your basic survey of the basics of electrical engineering.. Oxford University Press. New York. Año 1996. 1ª edición

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

Hidden button camera wireless remote control spy student exam cheating ultimate technology our hidden button cameras, can be used anywhere and anytime with no distance limit. it works on the 3g, 4g (and future 5g) mobile data network through its connection, without cables, wi-fi tethering with the smartphone or portable router that acts as a bridge for the connection. the camera/'s very high-resolution sensor is hidden in a small shirt button and is invisible from the outside. desi...

Hidden Button Camera Wireless Remote Control Spy Student Exam Cheating Ultimate Technology Our hidden button cameras, can be used anywhere and anytime with no distance limit. It works on the 3G, 4G (and future 5G) mobile data network through its connection, without cables, Wi-Fi tethering with the Smartphone or Portable Router that acts as a bridge for the connection. The camera's very high-resolution sensor is hidden in a small shirt button and is invisible from the outside. Designed for capturi...

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

NILE RODGERS (CHIC): B-MOVIE MATINEE [ESP 1985] LP NILE RODGERS (CHIC): B-MOVIE MATINEE [ESP 1985] LP (Warner)  1985  made in Spain cat. num.   L 92 5290-1 #funk  #electro  #soul  #chic   A1 Plan-9 4:12 A2 State Your Mind 5:43 A3 The Face In The Window 4:14 A4 Doll Squad 3:50 B1 Let's Go Out Tonight 5:14 B2 Groove Master 4:38 B3 Wavelength 3:49 B4 Stay Out Of The Light   Released in 1985,  B-Movie Matinee  proved a stellar departure from  Nile Rodgers ' initial solo outing. Leaving behind the more traditional trappings of his R&B-inflected debut, he instead looked to the synthesized future, driving his organic bass and guitars into what amounted to a concept album of sorts, fueled by memories of lazy Saturday B-movie afternoons. Bright, punchy pop punctuates this set. From the quirky sci-fi of "Plan-9" and the contemporary urban groove on "State Your Mind," which is one of the album's better tracks,  Rodgers  fills the space with eminently danceable, if somewhat same-y, songs using synthesizer tricks to thrill. "Let's Go out Tonight," meanwhile, proved the album's hot prospect, dipping into the Top 100, giving  Rodgers  his only solo chart hit. Rounding things out are the ballad "Wavelength" and  Rodgers ' immaculate instrumentation -- most notably the guitar and bass, which bound through the funky "Groove Master" with glee. Perhaps a little too light on substance,  B-Movie Matinee  still manages to please. Being  Nile Rodgers  can't be easy, as the mere mention of his name conjures such strong sonic images from his  Chic  canon, and it's hard to ignore those predispositions when listening to his solo material. But that's no detriment to the fine set he's unleashed here.