Not was

WAS NOT WAS (PAPA WAS A ROLLING STONE) MAXI -SINGLE UK 1990 (VIN-X) WAS NOT WAS (PAPA WAS A ROLLING STONE) MAXI -SINGLE UK 1990 (VIN-X)                                                           AHORRA EN GASTOS ADQUIRIENDO OTROS ARTICULOS DE MI TIENDA SI TIENES DUDAS PREGUNTAME, TE ATENDERÉ ENCANTADO SAVE SHIPPING COSTS BY BUYING MORE ARTICLES FROM MY SHOP IF YOU HAVE ANY DOUBTS DO NOT HESITATE TO CONTACT ME Entra en mi tienda!!!    COME IN !!!!! www.todocoleccion.net/tienda/turboshop

WAS NOT WAS/PAPA WAS A ROLLING STONES/SINGLE. WAS NOT WAS/PAPA WAS A ROLLING STONES/SINGLE. FONTANA 1990. EN BUEN ESTADO/ETIQUETA EN CARPETA Y GALLETA. ENVIO CERTIFICADO:5,95€.                     ORDINARIO:2,50€.                                        

WAS NOT WAS - WHEEL ME OUT. SINGLE PROMOCIONAL, EDICIÓN USA. WAS NOT WAS - WHEEL ME OUT. SINGLE PROMOCIONAL, EDICIÓN USA. En perfecto estado, prácticamente mint  

WAS NOT WAS - SPY IN THE HOUSE OF LOVE - MAXI - UK - FONTANA - PLS 190 - L - WAS NOT WAS - SPY IN THE HOUSE OF LOVE - MAXI - UK - FONTANA - PLS 190 - L -

disco lp vinilo Was (Not Was) - Was (Not Was), edición española de 1981 disco lp vinilo Was (Not Was) - Was (Not Was), edición española de 1981

LP ALBUM, WAS, WAS NOT WAS, IMPORT. USA LP ALBUM, WAS, WAS NOT WAS, IMPORT. USA

SINGLE / EP. WAS (NOT WAS) SHAKE YOUR HEAD. I BLEW UP THE UNITED STATES. 1992, GERMANY SINGLE / EP. WAS (NOT WAS) SHAKE YOUR HEAD. I BLEW UP THE UNITED STATES. 1992, GERMANY PEDIDO MÍNIMO: 6€ MARCAS DE SUPERFICIE EN EL VINILO           

Cryptopsy Once was not Cryptopsy Once was not Cryptopsy  "  Once was not  "   Gastos de envio siempre certificados:   50 a 100 grms.  4,30 €   100 a 500 grms.  5,55 €   500 a 1.000 grms.  8,20 €   1.000 a 2.000 grms.  8,65 

TOM JONES - NOT RESPONSABLE - ONCE THERE WAS A TIME / STOP BREAKING MY HEART-NEVER GIME AWAY LOVE TOM JONES - NOT RESPONSABLE - ONCE THERE WAS A TIME / STOP BREAKING MY HEART-NEVER GIME AWAY LOVE SEGUN FOTOS.  PORTADA VG DISCO VG Gastos de envio: 4,25 € paquete standard península o 1,95 euro correo ordinario (en este caso bajo responsabilidad del comprador en caso se pérdida).  

STARS, LP, THAT WAS YESTERDAY + 7, AÑO 1976 STARS, LP, THAT WAS YESTERDAY + 7, AÑO 1976 STARS, LP. THAT WAS YESTERDAY / NOTHING EVER COMES THAT EASY / GOING DOWN (FOR THE THIRD TIME) / HEART OF STONE /// PLATFORM SOUL / MR. PUSH - ME - PULL - YA / PUNISHMENT PARK / NOT FADE AWAY, AÑO 1976, BARCLAY S 32.796   Gastos de envío por correo ordinario para España: 1 disco LP: 3,00 euros De 2 a 5 discos LP: 5,00 euros - ENVIO CERTIFICADO -      

JAMES AND BOBBY PURIFY, SG, I CAN REMEMBER (NOT TOO LONG AGO) + 1, AÑO 1968 JAMES AND BOBBY PURIFY, SG, I CAN REMEMBER (NOT TOO LONG AGO) + 1, AÑO 1968 JAMES AND BOBBY PURIFY, SG, I CAN REMEMBER (NOT TOO LONG AGO) / I WAS BORN TO LOSE OUT,  AÑO 1968, STATESIDE SSL 404   Gastos de envío por correo ordinario:  1 disco SG: 1,80 euros De 2 a 7 discos SG: 3,00 euros       

Revista Popular 1 1990 el año del mestizaje Revista Popular 1 1990 el año del mestizaje         · 209. 1991. 1990 el año del mestizaje         3 Sumario, 4-6 Noticias, 7 Ramones, 8-9 Led Zeppelin, 10 Words, 11 Elektra, 12 Video concerts, 14-15 big audio dynamite, 16-17 Inxs, 18 The mission, 22-23 Jazz internacional, 24-25 They might be giants, 26-27 Héroes del silencio, 28-39 Resumen del 90: el año del mestizaje, 40-41 ZZ Top, 42-43 An emotional fish, 44-45 Was not was, 46-47 Prefab sprout, 48-49 Van Morrison, 50-51 Smithereens, 52-53 Mike Kennedy, 54 Proscritos, 54-55 Fura dels baus, 56-57 Dinamita pa los pollos, 58-59 Vaya con dios, 60-61 Sesión continua, 61 Cinema news, 62-67 Críticas: Robert Palmer, Héroes del silencio, Elton John, Van Morrison, Kings’x, 68-71 Correo, 74 Mermelada Como en todos mis artículos, hazme una oferta (hasta un 25%) y yo la aceptaré o te haré una contraoferta, nunca rechazo ninguna. Si buscas información (artículos, entrevistas, etc) sobre alguien en particular (grupo, artista, personaje, deportista, etc), házmelo saber y te pasaré un listado con ese contenido de todas las revistas que vendo. Los gastos de envío, en correo certificado, son cinco euros, cuatro si compras a partir de dos artículos y otras ofertas (como envíos gratuitos y revistas de regalo) en relación a los artículos que te interesen y a la cantidad que compres. Las formas de pago son: transferencia bancaria, bizum, pay pal y en persona si eres de Barcelona Todos mis artículos están en perfectas condiciones salvo algunas pocas excepciones, las cuales están descritas en los anuncios.

Not so very long ago, Eragon - Shadeslayer, Dragon Rider - was nothing more than a poor farm boy, and his dragon, Saphira, only a blue stone in the forest.. Doubleday.. Año 2011. 1ª edición

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

SCOTT WALKER * 2 CD * Classics & Collectibles * PRECINTADO!! SCOTT WALKER * 2 CD * Classics & Collectibles * PRECINTADO!!  Doble disco con 45 temas de la carrera de Scott Walker, tanto al frente de los Walker Brothers como en solitario. Incluye 20 canciones inéditas hasta la fecha en CD y una versión alternativa del clásico The Sun Ain't Gonna Shine Anymore (El sol no va a brillar nunca más), su tema más conocido y todo un presagio de lo oscuras que serían su música y su vida misma. Imprescindible. Precintado de fábrica. TRACKLIST: DISC 1 1-1 Scott Walker – If You Go Away Directed By [Accompaniment] – Wally Stott Written-By – Jacques Brel, Rod McKuen 4:56 1-2 Walker Brothers, The – I Will Wait For You (Theme From Les Parapluies Cherbourg) Directed By [Accompaniment] – Reg Guest Written-By – Jacques Demy, Michel Legrand, Norman Gimbel  3:38 1-3 Walker Brothers, The – In My Room Written-By – Joaquin Prieto, Lee Julien Pockriss*, Paul Vance 2:30 1-4 Walker Brothers, The – The Sun Ain't Gonna Shine Anymore (Mono - Alternative Vocal) Written-By – Bob Crew*, Bob Gaudio  2:22 1-5 Scott Walker – It's Over  Written-By – Rodgers* 3:18 1-6 Scott Walker – Joanna  Written-By – Jackie Trent, Tony Hatch3:50 1-7 Scott Walker – Angel Of Ashes  Directed By [Accompaniment] – Peter Knight (5) Written-By – Scott Walker  4:22 1-8 Scott Walker – Mathilde  Arranged By, Conductor – Wally Stott Written-By – Gerard Jouannest*, Jacques Brel, Shuman*  2:39 1-9 Scott Walker – Winter Night  Directed By [Accompaniment] – Wally Stott Written-By – Scott Walker 1:44 1-10 Walker Brothers, The – Orpheus  Directed By [Accompaniment]  – Reg Guest Written-By – Scott Walker 3:27 1-11 Scott Walker – Jackie  Arranged By, Conductor – Wally Stott Written-By – Gerard Jouannest*, Jacques Brel, Mort Shuman 3:22 1-12 Scott Walker – The Bridge  Written-By – Scott Walker 2:50 1-13 Scott Walker – It's Raining Today  Written-By – Scott Walker  4:01 1-14 Walker Brothers, The – Once Upon A Summertime Directed By [Accompaniment] – Reg Guest Written-By – Eddie Barclay, Eddy Marnay, Johnny Mercer, Michel Legrand 3:49 1-15 Scott Walker – Such A Small Love   Arranged By, Conductor – Wally Stott Written-By – Scott Walker  4:54 1-16 Scott Walker – Rhymes Of Goodbye Directed By [Accompaniment] – Keith Roberts Written-By – Scott Walker 3:04 1-17 Scott Walker – Big Louise  Directed By [Accompaniment] – Wally Stott Written-By – Scott Walker  3:11 1-18 Scott Walker – Next  Written-By – Jacques Brel, Shuman* 2:51 1-19 Scott Walker – Til The Band Comes In Written-By – Ady Semel, Scott Walker  3:50 1-20 Scott Walker – Plastic Palace People  Written-By – Scott Walker 6:08 1-21 Scott Walker – Butterfly  Written-By – Scott Walker 1:43 1-22 Walker Brothers, The – Just Say Goodbye  Directed By [Accompaniment] – Reg Guest Written-By – Petula Clark, Pierre Delanoë, Tony Hatch 3:34   DISC 2 2-1 Scott Walker – The Me I Never Knew  Written-By – Don Black, John Barry 3:39 2-2 Scott Walker – We Could Be Flying Written-By – Michel Colombier, Paul H. Williams* 4:20 2-3 Scott Walker – I Have Dreamed Written-By – Oscar Hammerstein II, Richard Rogers* 2:37 2-4 Walker Brothers, The – The Gentle Rain Written-By – Luiz Bonfa*, Matt Dubey 2:41 2-5 Scott Walker – I Still See You  Written-By – Hal Sharper, Michel Legrand 3:15 2-6 Scott Walker – Loss Of Love (Theme From 'Sunflower') Written-By – George Robert Merrill*, Henry Mancini 3:07 2-7 Scott Walker – Do I Love You Written-By – Alain Legovic, Maxime Jean Germa Piolot*,  Michel Albert Louis PeLay*, Paul Anka, Y. Dessca*  2:53  2-8 Scott Walker – Country Girl  Written-By – Robert Farnon 3:05 2-9 Scott Walker – Come Saturday Morning (Theme From 'Pookie') Written-By – Dory Previn, Fred Karlin  3:34 2-10 Scott Walker – When The World Was Young Written-By – Angele Vannier*, Johnny Mercer, Gerard Philippe* 4:00 2-11 Scott Walker – That Night (Theme From 'The Fox') Written-By – Lalo Schifrin, Norman Gimbel 2:50 2-12 Scott Walker – This Way Mary (Theme From 'Mary Queen Of Scots') Written-By – Don Black, John Barry 2:30 2-13 Scott Walker – Someone To Light Up My Life Written-By – Antonio Carlos Jobim, Gene Lees, Vinicius De Moraes 2:11 2-14 Scott Walker – The Impossible Dream Written-By – Joseph Darion*, Mitch Leigh 3:00 2-15 Scott Walker – Who (Will Take My Place) Written-By – Charles Aznavour, Herbert Kretzmer 3:17 2-16 Scott Walker – When You Get Right Down To It Written-By – Barry Mann 2:59 2-17 Scott Walker – A Face In The Crowd (Theme From 'Le Mans') Written-By – Alan Bergman, Marilyn Bergman, Michel Legrand 3:22 2-18 Scott Walker – Cowboy  Written-By – Randy Newman 2:30 2-19 Scott Walker – If She Walked Into My Life  Written-By – Jerry Herman 3:49 2-20 Scott Walker – All My Love's Laughter  Written-By – Jimmy Webb 4:05 2-21 Scott Walker – Speak Softly Love (Theme From 'The Godfather') Written-By – Larry Kusik, Nino Rota  3:50 2-22 Scott Walker – Easy Come, Easy Go (Theme From 'They Shoot Horses Don't They?') Written-By – Edward Heyman, John W. Green*  3:00 2-23 Scott Walker – Lost In The Stars Written-By – Kurt Weill, Maxwell Anderson   Notes Track: 1-3 from the Walker Brothers album 'Portrait' (1966). Track: 2-4 from the Scott side of the 'Solo John, Solo Scott' E.P. (1966). Track: 1-4 from the Walker Brothers single 'A' side sessions for 'The Sun Ain't Gonna Shine Anymore' (1966). This version with alternative vocal appears to be previously unreleased because it has a 2005 publishing credit and is not merely a mono version of the final single. Tracks: 1-2, 1-10, 1-14 & 1-22 from the Walker Brothers album 'Images' (1967). Tracks: 1-8 & 1-15 from the Scott Walker album 'Scott' (1967). Tracks: 1-11, 1-12, 1-18 & 1- 20 from the Scott Walker album 'Scott 2' (1968). Track: 1-6 'A' side of the Scott Walker single 'Joanna' (1968). Tracks: 1-1, 1-9, 1-13, 1-17 & 1-21 from the Scott Walker album 'Scott 3' (1969). Tracks: 2-3, 2-8, 2-10, 2-14, 2-15, 2-19 & 2-23 from the Scott Walker album 'Scott Sings Songs From His T.V. Series' (1969). Tracks: 1-7 & 1-16 from the Scott Walker album 'Scott 4' (1969). Tracks: 1-5 & 1-19 from the Scott Walker album 'Til The Band Comes In' (1970). Track: 2-5 'A' side of the Scott Walker single 'I Still See You' (Love-Theme from the film 'The Go Between') (1971). Tracks: 2-7, 2-9, 2-11, 2-12, 2-21 & 2-22 from the Scott Walker album 'The Moviegoer' (1972). Tracks: 2-1, 2-2, 2-16, 2-18, 2-20 from the Scott Walker album 'Any Day Now' (1973). 'Loss Of Love' was released in 1972, not 1969. Similarly, 'The Me I Never Knew' was released in 1973, not 1969. This single and album track also featured in the film 'Alice's Adventures In Wonderland'. 'Come Saturday Morning' & 'That Night' were released in 1972, not 1969. 'This Way Mary' & 'A Face In The Crowd' were released in 1972, not 1970. The incorrect dates appear in the notes. 

BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL Burt Bacharach   "BSO Lost Horizon"  LP (Bell - Columbia)  1973  made in UK cat. num.  SYBEL 8000 #soundtrack  #easy listening   Introduction 0:30 Lost Horizon 1:58 Share The Joy 2:42 The World Is A Circle 3:25 Living Together, Growing Together 3:21 I Might Frighten Her Away 2:38 The Things I Will Not Miss 3:13 If I Could Go Back 4:07 Where Knowledge Ends (Faith Begins) 3:43 Question Me An Answer 5:27 I Come To You 1:29 Reflections 1:50   When the motion picture musical Lost Horizon was unleashed upon the world in 1973, the reviews were unbelievably harsh and much of the criticism was aimed at composer  Burt Bacharach  and lyricist  Hal David. However, even though many of the songs on this soundtrack are not as memorable as their more popular collaborations, this album is not that bad. In fact, many of the songs are quite catchy, including "The World Is a Circle" and "Reflections." Some of the vocals are sung by the actors, including  Sally Kellerman  and the late  Bobby Van.  Burt Bacharach  has a certain knack for production of not-so-great singers (himself included) and, fortunately, it shows here with the actors. Other actors had their singing parts dubbed by more seasoned vocalists.  Shawn Phillips  is the singer on the title track.

GARY SHEARSTON: DINGO [ESP 1974] LP GARY SHEARSTON: DINGO [ESP 1974] LP Gary Shearston   "Dingo"  LP (Charisma)  1974  made in Spain cat. num.  63 69 958 #folk rock  #pop rock   Dingo   Back Of Beyond   Witnessing   I Get A Kick Out Of You   The Lightkeeper Of America   Seagull And Swan   The Ballad Of Blasted Creek   Lump In The Bed   Aborigine   Without A Song   b. 9 January 1939, Inverell, New South Wales, Australia. This singer-songwriter was also proficient on guitar and harmonica. Shearston moved with his family to Sydney at the age of 12, after his father’s farm was destroyed by drought. By the time Shearston was 19 he was a professional singer performing traditional Australian music in pubs, clubs and on radio and television. In the late 50s he made his first recording, for the Festival label, and this was followed by a number of albums for CBS Records in the early to mid-60s. Two of these albums were described as ‘among the best records of traditional music ever made in Australia’. In 1965, Shearston received an award for the best composition of the year when ‘Sometime Lovin’’ was covered by a number of artists including Peter Paul And Mary. In the mid-60s, together with Martyn Wyndham-Read, he recorded a live album on the Australian Score record label, although CBS would not let Shearston appear on the album. In addition, he had his own folk music television programme.  Shearston then travelled to the USA in 1968 and lived there for the next four years. During the mid-70s Shearston relocated to Britain, where he recorded two albums for Charisma Records. Shearston’s one major hit in the UK came in 1974, when ‘I Get A Kick Out Of You’ made the Top 10. This single made Shearston the first Australian artist to have a simultaneous hit in Britain and Australia. Despite the long gap between albums he carried on and worked the folk clubs of Europe. Returning to Australia from England in 1988, Shearston was made a Deacon of the Anglican Church in December 1991, and has served in the parishes of Narrandera, Deniliquin, Hay, and Bangalow. In 2001, he released his first new studio album in over a decade.

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

NICO - Chelsea Girl. Album Playbacks MP3 Pendrive. Para Cantantes. Escucha Demos NICO - Chelsea Girl. Album Playbacks MP3 Pendrive. Para Cantantes. Escucha Demos Info > 10 Playbacks Al Estilo De Nico. Tono Mujer. Pistas Para Cantar. Escucha las Demos. Lee Español +Info. Pendrive USB. Este Pendrive contiene 10 Playbacks en MP3 / 320 kbps, para reproducir con cualquier reproductor MP3. NO SON Karaokes. Incluye también en el Pendrive todas las canciones originales y las Letras Individuales en Formato *.txt. 10 Backing Tracks In The Style Of Nico. Female Key. Listen Demos. Read English +Info. Stick Pendrive USB. This Stick contains 10 Backing Tracks MP3 / 320 kbps, to play with any MP3 player. They are not Karaoke. Also, included in the stick the original tracks and all individual lyrics in *.txt. Demos: Escucha / Listen.  +Info: Leer / Read. DEMOS > 1   The Fairest Of The Seasons (Tono Mujer / Female Key) 2   These Days (Tono Mujer / Female Key) 3   Little Sister (Tono Mujer / Female Key) 4   Winter Song (Tono Mujer / Female Key) 5   It Was A Pleasure Then (Tono Mujer / Female Key) 6   Chelsea Girls (Tono Mujer / Female Key) 7   I'll Keep It With Mine (Tono Mujer / Female Key) 8   Somewhere There's A Feather (Tono Mujer / Female Key) 9   Wrap Your Troubles In Dreams (Tono Mujer / Female Key) 10   Eulogy To Lenny Bruce (Tono Mujer / Female Key) Español +Info > ¡ATENCION! Estas Canciones Son PLAYBACKS (Pistas Para Cantar), en Formato MP3, para CANTANTES. PLAYBACK ó Pista Para Cantar: Música orquestada de acompañamiento, suena de fondo y nos permite cantar sobre ella. NO SON Karaokes. Si no sabes lo que es un  PLAYBACK, tal vez no sea esto lo que estás buscando... Arreglos Musicales Profesionales. Formato mp3 / 320 kbps. Con Nuestros Playbacks Te Sentirás SEGUR@ en el ESCENARIO. IM Digital. Al Servicio de los CANTANTES desde 1993. Incluye también en el Pendrive todas las canciones originales y las Letras Individuales en Formato *.txt. ¿Eres CANTANTE? Entonces ya sabes de lo que hablamos En IM Digital os conocemos. Llevamos desde 1993 sirviendo Playbacks a los CANTANTES. Nuestros clientes cantan en hoteles, restaurantes, salas de fiesta, en las verbenas de los pueblos y allá donde necesiten a un CANTANTE. Por eso, en IM Digital seguimos y seguimos haciendo Playbacks. Porque, muchas veces, triunfar no significa ser famoso. Triunfar también es vivir de lo que a uno le gusta. Muchos clientes de IM Digital viven de CANTAR. Son NUESTROS CANTANTES... CONSEJOS de IM Digital Por favor, haznos caso. Utiliza buenos Playbacks. En esto tenemos que insistir. No te la juegues. Sabemos que por la red hay miles de Playbacks, Midi Karaokes y Midi Files que son gratis. No arriesgues tus ilusiones. Nuestros precios son muy, muy asequibles. Con nuestros Playbacks te sentirás ARROPAD@ y SEGUR@ en el ESCENARIO. En una actuación te ven muchísimas personas. Te puede estar viendo alguien que te lleve a lo más alto. Nosotros somos músicos y sabemos lo que hacemos. Arreglos Musicales Profesionales. ¡No te la juegues! ¡Mucho ánimo para tod@s! Juan Carlos Irigoyen. "Decano" y co-fundador, en 1993, de IM Digital. English +Info > WARNING! These songs are BACKING TRACKS, in MP3 format, for SINGERS. BACKING TRACKS: Orchestrated accompaniment music, plays in the background and allows us to sing with it. They are NOT Karaokes. If you don't know what a BACKING TRACK is, maybe this isn't what you're looking for... Professional Musical Arrangements. Mp3 format / 320 kbps. With Our Backing Tracks, You'll Feel SAFE at the STAGE. IM Digital. With the SINGERS since 1993. Also, included in the pendrive the original tracks and all individual lyrics in *.txt. Are you a singer? Then you know what we are talking about In IM Digital we know you. We have been serving the SINGERS since 1993. Our clients sing in hotels, restaurants, nightclubs, festivals and wherever they need a SINGER. Therefore, in IM Digital we keep on doing Backing Tracks. Because, many times, success does not mean being famous. To succeed is also to live on what one likes. Many IM Digital customers make a living with their shows. They are OUR SINGERS... IM Digital TIPS Please pay attention to us. Use good Backing Tracks. In this we have to insist. Do not risk it. We know that there are thousands of Backing Tracks, Midi Karaoke and Midi Files that are free online. Do not risk your illusions. Our prices are very, very affordable. With Our Backing Tracks, You'll Feel SAFE at the STAGE. In a show, many people are watching you. Some of the people watching you, could take you to the top. We are musicians and we know our business. Professional Musical Arrangements. Do not risk it! Good luck for everyone! Juan Carlos Irigoyen. "Dean" and co-founder, in 1993, of IM Digital. Backing Tracks / Playbacks Links > Soy Cantante (PC y Móvil) IM Digital - La Web De Los Cantantes (Solo para PC) Playbacks Club (PC y Móvil. En Español, English, Deutsch, Italiano, Français y Português) Backing Tracks 4U (PC and Mobile. English)

DEPECHE MODE - UNIVERSITY OF LIVERPOOL, UK 1981(CD) DEPECHE MODE - UNIVERSITY OF LIVERPOOL, UK 1981(CD) DEPECHE MODE - UNIVERSITY OF LIVERPOOL, UK 1981(CD)  concierto inédito (unpublished - not SILVER)  EXCELENT SOUNDBOARD Depeche Mode - University, Liverpool, England, UK 1981-11-06 1981 UK Tour Track list: 01. [3:41] Television Set 02. [3:30] Photographic 03. [4:01] New Life 04. [3:37] Puppets 05. [3:56] Just Can't Get Enough 06. [3:09] Tora! Tora! Tora! 07. [3:51] Nodisco Total time: 25:43   Line up: Dave Gahan - lead vocals Martin Gore - keyboards, backing vocals Andrew Fletcher - keyboards, backing vocals Vince Clarke - keyboards, backing vocals     All songs written by Vince Clarke, except for "Television Set" which was written by Jason Knott, and "Tora! Tora! Tora!" which was written by Martin L. Gore.     ------------------------------------------------     Excelent Soundboard Concierto inedito, unpublished concert, not silver CD-R Se aplican gastos de envio por Correo Certificado, según tarifas oficiales del Servicio de  Correos. (Envío certificado de varios artículos con los mismos gastos) Se puede solicitar envío por correo ordinario, más barato (consultar) Formas de pago admitidas: transferencia, giro y paypal como amigos y familiares (sin tarifa) Se hacen envíos internacionales.

JOY DIVISION - SUBSTANCE 1977 - 1980 - VINILO ORIGINAL NUEVOS MEDIOS 1988 JOY DIVISION - SUBSTANCE 1977 - 1980 - VINILO ORIGINAL NUEVOS MEDIOS 1988 Substance 1977-1980 es un álbum recopilatorio de la banda británica de post-punk Joy Division, publicado por Factory Records en 1988. Fue acompañado también de un recopilatorio de New Order titulado Substance. Alcanzó el puesto número 7 en las listas de ventas del Reino Unido1 y el puesto 146 en el Billboard 200. También alcanzó el puesto 15 en Nueva Zelanda y el 53 en Australia en agosto de 1988. Substance compila los cuatro sencillos lanzados por la banda que no aparecían en ningún álbum. Estos son: "Transmission", "Komakino", "Love Will Tear Us Apart" y "Atmosphere", todos con sus respectivos lados B. También recoge las canciones publicadas en los EP, el primer lanzamiento (An Ideal for Living) y dos temas publicados por Factory Records, en A Factory Sample y Earcom 2: Contradiction. El sencillo "Atmosphere" originalmente fue lanzado en Francia con el título "Licht und Blindheit" con "Dead Souls" como lado B. Después de la muerte de Ian Curtis, fue reeditado un sencillo póstumo de "She's Lost Control", el cual es una versión alternativa a la que anteriormente había sido publicada en el álbum de estudio Unknown Pleasures. El disco de vinilo omite el sencillo "Komakino". Lista de canciones: Todas las canciones compuestas por Joy Division. LP (Factory FACT 250) 1."Warsaw" – 2:25 Relanzado en An Ideal for Living 2."Leaders of Men" – 2:35 Relanzado en An Ideal for Living 3."Digital" – 2:50 Relanzado en A Factory Sample 4."Autosuggestion" – 6:08 Relanzado en Earcom 2: Contradiction 5."Transmission" – 3:36 Sencillo FAC 13 6."She's Lost Control" – 4:45 B-side del sencillo FACUS 2 "Atmosphere" 7."Incubation" – 2:52 Lado B instrumental del sencillo FAC 28 "Komakino" 8."Dead Souls" – 4:56 Lado B del single "Atmosphere" in France 9."Atmosphere" – 4:10 Sencillo FACUS 2 10."Love Will Tear Us Apart" – 3:25 sencillo FAC 23 Substance compiles the four singles released by the band that did not appear on albums - "Transmission", "Komakino", "Love Will Tear Us Apart ", and " Atmospher e" - as well as their B-sides. It also collects tracks released on extended play singles, the band's first release An Ideal for Living, and two samplers issued by Factory Records, A Factory Sample and Earcom 2: Contradiction. The single "Atmosphere" had been originally issued in France as "Licht und Blindheit" with "Dead Souls" on the B-side. Following the death of Ian Curtis, it was reissued as a posthumous B-side of the "She's Lost Control" single in an alternate version from the track that had previously appeared on Unknown Pleasures. The vinyl version omits the single "Komakino" and does not include the complete titles from the extended plays. Later CD pressings issued by London Records contain a previously unreleased mix of "She's Lost Control" that is slightly different from the original single release. More guitar is mixed within the song, the synthesizer melody is shortened and starts at a later point, and the ending of the song is extended by 15 seconds and doesn't fade out. Substance was digitally remastered in 2015 containing the alternate mix of "She's Lost Control" and two additional tracks: "As You Said" (the second b-side of Komakino) and the b-side mix of "Love Will Tear Us Apart".

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

Can -Technical Space Composer's Crew – Canaxis 5 -LP- Can -Technical Space Composer's Crew – Canaxis 5 -LP- Technical Space Composer's Crew  – Canaxis 5 Label: Revisited Rec. (2)  – SRS 002Format: Vinyl, LP, Album, Unofficial Release Country: Germany Released: 2018 Genre: Electronic,  Rock,  Classical,  Folk, World, & Country Style: Experimental Tracklist Hide Credits A1Ho-Mai-Nhi (The Boat Woman Song) Composed By –  Czukay *,  Dammers * Composed By –  Czukay *,  Dammers * 17:20B1Shook Eyes Ammunition Composed By –  Czukay *,  Dammers * Composed By –  Czukay *,  Dammers * 24:30 Credits Co-producer  –  Ro Dammers * Performer, Co-producer  –  Ho Szukay * Notes Exact LP repro edition. From the back cover: CANAXIS 5 was written in the light year 77, sometimes called the year of Galactical Score Expedition.Time elapsed between the first founding of the lunar calender with with the man's first cough on the moon cow settlement.Leaving behind a flag that waved in a strong moon storm!Plastic man turned himself around on the planet of the moon,trying to reach CANAXIS 5.Which is the galaxy of the sound expedition? It was lightning's stroke procedure onto a 45 track recorder,engineered by the robots Ho and Ro.Their laboratory was a stationary space with an orbit outside of the planet KO –––,produced with a better equipment which was connected electronically with the Inner Space Production's Sound Space Team in a little village in Vietnam. There you can find a secret computer center of all greater kinds of coloured lightnings. New from SCHEISSHOUSE RECORDS PRODUCTION: MONSTER MOVIE-made in a castle with better equipment by THE CAN on MUSIC FACTORY SRS 001 The voices of the women singing on track A1 were taken from  Various - Music Of Viet Nam  (Folkways Records ‎– FE 4352, 1965), A side, track #7. So track A1 should not be named Ho-Mai-Nhi (The Boat Woman Song) but Doh Dam Tara (Love Song). (Ho-Mai-Nhi is track B11 of  Various - Music Of Viet Nam). This song belongs to the traditions of the Cham people, based in southern Viet Nam and Cambodia. "Cham folklore has many love songs--they are called DODAM DARA. These are poems sung to sad melodies." (Music of Viet Nam by Pham Duy, Ⓒ 1965 Folkways records & Services Corp.) Other Versions (5 of 18) View All

BOB DYLAN – BLOOD ON THE TRACKS One Step Master MFSL 45RPM 2LP Box Nuevo y Precintado BOB DYLAN – BLOOD ON THE TRACKS One Step Master MFSL 45RPM 2LP Box Nuevo y Precintado BOB DYLAN BLOOD ON THE TRACKS One Step Original Master Recording 180g 2LP 45rpm MFSL Edición Limitada y Numerada Nuevo y Precintado DESCATALOGADO     BOB DYLAN BLOOD ON THE TRACKS One Step Original Master Recording 180g 2LP 45rpm MFSL Numbered Limited Edition New and Sealed OUT OF PRINT     DESCRIPCIÓN: US 2019 Mobile Fidelity Sound Lab  UD1S 2-006   La revista Rolling Stone incluyó este álbum en su lista de los 500 mejores álbumes de todos los tiempos (461/500).   Bob Dylan estuvo en varias encrucijadas a mediados de los años 70. Artísticamente, se le dio por perdido en gran parte  por haber pasado su mejor momento. Emocionalmente, estaba sufriendo un doloroso divorcio de su entonces esposa Sara Lowndes. Creativamente, Dylan parecía estar  en un punto muerto. Las décadas anteriores de brillantez transformacional parecían haber terminado. Luego llegó Blood on the Tracks. El álbum representa un ciclo de principio a fin y documenta la búsqueda, el conflicto y la pérdida de una mujer por parte de su amante. Este vigoroso e íntimo esfuerzo de 1975 sigue siendo uno de los álbumes sobre una ruptura más completos jamás realizados.   Características: • Edición Limitada y Numerada Manualmente: estrictamente limitada a solo 9000 copias.   • El número de la copia que se muestra en la foto de la contraportada no necesariamente debe corresponder con el número de la copia actual en venta.   • MoFi SuperVinyl Pressing.   • UltraDisc One-Step.   • Edición Speed de 45rpm.   • Caja de 2LP.   • Fiel a los gráficos originales.   • Producción y masterización por Mobile Fidelity Sound Lab.   • Nuevo y Precintado de Fábrica.   DESCATALOGADO     DESCRIPTION: US 2019 Mobile Fidelity Sound Lab  UD1S 2-006   Ranked #117 on Rolling Stone's 500 Greatest Albums of All Time List.   Bob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime.Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decades unprecedented run of transformational brilliance finished. Then came Blood on the Tracks. A start-to-finish cycle that documents a lovers pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made.       Features:   • Hand Numbered, Limited Edition – Strictly limited to only 9000 Copies.   • The copy number shown in the photo of the back cover does not necessarily have to correspond to the number of the current copy for sale.   • MoFi SuperVinyl Pressing.   • UltraDisc One-Step.   • 45rpm Speed Edition.   • 2LP Box Set.   • Housed in an opulent box.   • Faithful to original graphics.   • Production and Mastering by Mobile Fidelity Sound Lab.   • New and Factory sealed.   • SOLD OUT!     Track Listing:   SIDE A   1. TANGLED UP IN BLUE   2. SIMPLE TWIST OF FATE   SIDE B   1. YOU’RE A BIG GIRL NOW   2. IDIOT WIND   3. YOU’RE GONNA MAKE ME LONESOME WHEN YOU GO   SIDE C   1. MEET ME IN THE MORNING   2. LILY, ROSEMARY AND THE JACK OF HEARTS   SIDE D   1. IF YOU SEE HER, SAY HELLO   2. SHELTER FROM THE STORM   3. BUCKETS OF RAIN              ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)     

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.

When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?. Little, Brown. Uk. Año 2008.

FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 En una época en la que muchas bandas resultaban inclasificables, Fischer Z destaca por su particular estilo a medio camino entre el Punk, el Reggae y la New Wave. En Inglaterra se les comparó rápidamente con Talking Heads, pero fue en Alemania y Austria donde este grupo causó furor más que en su tierra natal. Hablar de Fischer Z es hablar, en cierto modo, de su líder y fundador John Watts, un músico intelectual y enigmático que supo combinar melodías pegadizas con letras de marcado carácter psicológico, social y político. El grupo lo forma en 1976 junto a su compañero de estudios Steve Skolnik. Completarían la banda el bajista David Graham y el batería Steve Liddle. Era una época en la que el punk arrasaba con todo en Inglaterra y sin embargo Fischer Z ofrecían algo más. Primero porque John Watts era un tipo muy culto y muy preocupado por los problemas sociales del momento. El estilo de Fischer Z fue rápidamente comparado como decíamos  con Talking Heads o The Police. En 1979 lanzaron su primer disco “Word Salad”, que incluía temas como el que acabamos de oír, y lograron una actuación en directo para el mítico programa musical británico “Top of the Pops”. Esta actuación resulta un desastre y perjudica a las ventas del disco. En 1980 llegará “ So Long ”, probablemente su canción más conocida gracias a la cual todavía conservan cierta fama. A mediados de ese mismo año Skolnik, el teclista, abandona el grupo y éste queda reducido a un trío en el Watts plasta definitivamente todas sus obsesiones. Aquí llegaría su disco más destacado “Red Skies Over Paradise”, un trabajo cuya inspiración reside en la guerra fría y la amenaza nuclear. Otro tema impresionante de este gran disco es “ Berlin ”. Llegados a 1990, su antigua compañía de discos la EMI Electrola Records lanza al mercado un disco recopilatorio bajo el titulo de Going red for a salad (The UA years). Este disco recopilatorio venia a recoger los mayores éxitos de la banda a lo largo de su paso por esta compañía de discos, destacando los mejores temas también de los primeros álbumes de John Watts. Dos años mas tarde de nuevo se vuelve a editar un nuevo disco de la banda bajo el titulo de Destination paradise. Con este trabajo la formación se consolido como una de las mejores de la época, ya que las temáticas de las letras hablaban de lo cotidiano, desde la guerra del golfo hasta canciones de amor en clave de humor. Tras este disco comienzan una nueva y extensa gira mundial, con la única intención de captar nuevo fans. Como mejores temas de estos discos vamos a destacar en primer lugar un tema antiguo llamado Wax dolls, y después los temas nuevos del otro disco titulados Destination paradise, y Will you be there?.   Pistas: 1 – So Long  5:01  2 – Acrobats  2:42  3 – The Worker  3:35  4 – Wax Dolls  2:46  5 – Remember Russia  3:38  6 – Going Deaf For A Living  3:32  7 – Room Service  3:44  8 – Pretty Paracetamol  3:59   9 – Marliese  3:52  10 – You'll Never Find Brian Here  2:10  11 – Berlin  4:34  12 – Battalions Of Strangers  5:06  13 – Bathroom Scenario  3:50  14 – Wristcutters Lullaby  2:49  15 – Crazy Girl  4:27  16 – Limbo  2:15 Fischer-Z were a British rock band formed in 1976 by John Watts and Steve Skolnik at Brunel University. The original line-up consisted of Watts (vocals, guitar), Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums). The band's name is pronounced "fɪʃə zɛd" (fisher zed), a pun on "fish's head" with the "h" dropped, as is usual in many British regional accents. The pun also relies on leaving the "r" unpronounced as in common British non-rhotic accents. Fischer-Z's first hit was "The Worker" from the album Word Salad which firmly established Watts' ability to convey worldly political issues in narrative songs against a background of quirky pop and reggae-influenced music. In an interview in Record Mirror in 1981, Watts put this down to the remix of the song from the album version, which put the emphasis on the keyboards rather than his guitar. Skolnik departed after their second album Going Deaf for a Living, leaving Watts to take over keyboards. Watts' lyrics draw heavily on his experiences of studying clinical psychology and as a mental health care worker. Several songs on their third album Red Skies Over Paradise in 1981, such as "Berlin" and "Red Skies Over Paradise" were about the Cold War and the song "Cruise Missiles" was about the nuclear arms race and the mutual threat of the superpowers with nuclear war. Fischer-Z were more popular in mainland Europe than their native UK, especially in Germany, Belgium, The Netherlands, and Portugal (two top 10 hits and a No. 3 album). Fischer-Z were also successful in Australia, where they achieved two Top 20 hits with "So Long" from the album Going Deaf for a Living and "The Perfect Day" from Reveal.[2] After the album Red Skies over Paradise Watts dissolved the band in mid-1981, deciding his art could not evolve within a band context.

FREDDIE HUBBARD: AT THE NORTHSEA JAZZ FESTIVAL [ESP 1981] LPx2 FREDDIE HUBBARD: AT THE NORTHSEA JAZZ FESTIVAL [ESP 1981] LPx2 Freddie Hubbard  "At The Northsea Jazz Festival, The Hague, Holland 1980"  LPx2 (Pablo)  1981  made in Spain cat. num.  PE 12009/10 #jazz  #hard bop   First Light   One Of Another Kind   One Of A Kind   The Summer Knows   Impressions   Happiness In Now   Red Clay   Trumpeter  Freddie Hubbard 's recording career was rather aimless by 1980 but, as shown by his playing on this live date, he was still in prime form.  Hubbard  and his quintet (which consisted of tenor-saxophonist  David Schnitter, keyboardist  Billy Childs, bassist  Larry Klein  and drummer  Sinclair Lott) play extended versions of five of his compositions plus "The Summer Knows" and "Impressions." Although these renditions of "First Light" and "Red Clay" will not make listeners forget the original versions, it is gratifying to hear the trumpeter really pushing himself. His reputation had been soiled by his Columbia funk albums but this set shows that in 1980  Hubbard  had few competitors among trumpeters. It's well worth searching for.

The United States in the 1950s and 60s was a troubled place. Black people were angry, because they did not have the same rights as whites. It was a time of angry words, of marches, of protests, a time of bombs and killings. But above the angry noise came the voice of one man - a man of peace.. OUP Oxford. UK. Año 2007.