On any sunday

Any Trouble - Any Trouble on tour with Joan Armatrading - Lp Germany 1983 - EMI America Any Trouble - Any Trouble on tour with Joan Armatrading - Lp Germany 1983 - EMI America Cuarto registro de la banda de Manchester en su edición germana con la singularidad de que impreso en portada aparece la coletilla "On tour with  Joan Armatrading". Vinilo con señales de uso, reproduce con normalidad sin saltos ni enganches. Portada barnizada en buena forma.

The Simms Wheeler Vintage Jazz Band. Never on sunday/ Ma curly headed Babby. Polydor, UK 1960 single The Simms Wheeler Vintage Jazz Band. Never on sunday/ Ma curly headed Babby. Polydor, UK 1960 single The Simms Wheeler Vintage Jazz Band. Never on sunday/ Ma curly headed Babby. Polydor, UK 1960 single + cubierta genérica del sello discográfico vinilo usado pero sin problemas (ver fotos)

Bertice Reading - Sunday morning / Lean on me - editado por CBS. año 1.974 Bertice Reading - Sunday morning / Lean on me - editado por CBS. año 1.974 Bertice Reading - Sunday morning / Lean on me - editado por CBS. año 1.974

PETER GABRIEL - RECOPILATORIO PARA THE MAIL ON SUNDAY (ED. CARTÓN DE 2007) PETER GABRIEL - RECOPILATORIO PARA THE MAIL ON SUNDAY (ED. CARTÓN DE 2007) Lista de Títulos 1 Father, Son 2 The Tower That Ate People (Remix) 3 Of These, Hope 4 The Rhythm Of The Heat 5 No Self Control 6 Don't Break This Rhythm 7 I Grieve 8 Secret World 9 I Have The Touch (Robbie Robertson Remix) 10 Red Rain 11 Solsbury Hill 12 Sledgehammer 13 Don't Give Up 14 In Your Eyes (Live In Athens)

CD PROMO CLUB TIEMPO (LA MEJOR MÚSICA DE BROADWAY - ANDERW LLOYD WEBBER)1995 MOVIEPLAY- BUEN ESTADO CD PROMO CLUB TIEMPO (LA MEJOR MÚSICA DE BROADWAY - ANDERW LLOYD WEBBER)1995 MOVIEPLAY- BUEN ESTADO 1 Mary Carewe – Don't Cry For Me Argentina (Evita) Lyrics By –  T. Rice * Lyrics By –  T. Rice * 5:452 Stephanie Benavente  &  Michael Contwell * – Seeing Is Believing (Aspects Of Love) Lyrics By –  Hart *,  D. Black * Lyrics By –  Hart *,  D. Black * 5:003 Stephanie Benavente – Come Back With The Same Look In Your Eyes (Song And Dance) Lyrics By –  D. Black * Lyrics By –  D. Black * 4:244 Lindsey Danvers – With One Look (Sunset Boulevard) Lyrics By –  C. Hampton *,  Black * Lyrics By –  C. Hampton *,  Black * 4:005 Samantha Shaw – Memory (Cats) Lyrics By –  T. S. Eliot,  T. Num * Lyrics By –  T. S. Eliot,  T. Num * 4:106 Samantha Shaw – Tell Me On A Sunday (Tell Me On A Sunday) Lyrics By –  D. Black * Lyrics By –  D. Black * 4:267 Samantha Shaw  &  John Duliev * – All I Ask For You (The Phantom Of The Opera) Lyrics By –  C. Hart *,  R. Stilgoe * Lyrics By –  C. Hart *,  R. Stilgoe * 4:138 Lindsey Danvers – Don't Know How To Love Him (Jesus Christ Superstar) Lyrics By –  T. Rice * Lyrics By –  T. Rice * 5:279 Robert Fardell – Music Of The Night (The Phantom Of The Opera) Lyrics By –  C. Hart *,  R. Stilgoe * Lyrics By –  C. Hart *,  R. Stilgoe * 4:5010 Mary Carewe – Take That Look Of Your Face (Tell Me On A Sunday) Lyrics By –  D. Black * Lyrics By –  D. Black * 3:36

MILES DAVIS & THE LIGHTHOUSE ALL-STARS: AT LAST! [EEC 1985] LP/RE MILES DAVIS & THE LIGHTHOUSE ALL-STARS: AT LAST! [EEC 1985] LP/RE Miles Davis & The Lighthouse All-Stars  "At Last!"  LP (Contemporary) 1985  Made in E.E.C cat. num. COP001 #jazz  #cool jazz   Infinity Promenade 12:10 'Round Midnight 5:40 Night In Tunisia 11:55 Drum Conversation 3:50 At Last 5:06   This set has odds and ends recorded at the Lighthouse on a Sunday when  Miles Davis  was in town. He jams with the regular sextet (which included trumpeter  Rolf Ericson, altoist  Bud Shank,  Bob Cooper on tenor and drummer  Max Roach) on two numbers and has "'Round Midnight" as his feature.  Max Roach  takes "Drum Conversation" unaccompanied and trumpeter  Chet Baker  plays "At Last" with pianist  Russ Freeman. The recording quality is merely okay but the viable and occasionally exciting historical music makes this a set worth picking up.  

Barracudas ‎– Through The Mysts Of Time ‎*** RARO LP US 1999 * GRAN ESTADO *** SURF GARAGE POWER POP Barracudas ‎– Through The Mysts Of Time ‎*** RARO LP US 1999 * GRAN ESTADO *** SURF GARAGE POWER POP     PAGO POR TRANFERENCIA BANCARIA, PAYPAL O BIZUM, POSIBILIDAD DE ENTREGA EN MANO EN BARCELONA CIUDAD GASTOS DE ENVÍO PARA ESPAÑA:  6 EUROS (4 ORDINARIO) ***************  LOS GASTOS DE ENVÍO NO SUBEN POR COMPRAS MÚLTIPLES Tracklist A1 Don't Let Go Written-By –  R. Wills *   A2 Neighbourhood Girls Written-By –  R. Wills *   A3 Rendezvous Written-By –  R. Wills *   A4 (I Wish It Could Be) 1965 Again Written-By –  Gluck *,  Wills *   A5 His Last Summer Written-By –  Gluck *,  Wills *   A6 Surfers Are Back Written-By –  R. Wills *   A7 Little Red Book Written-By –  Bacharach And David   B1 I Want My Woody Back Written-By –  Gluck *,  Wills *   B2 Subway Surfin' Written-By –  Gluck *,  Wills *   B3 Tokyo Rose Written-By –  R. Wills *   B4 Summer Fun Written-By –  R. Wills *   B5 Grammar Of Misery Written-By –  Gluck *,  Wills *   B6 On A Sunday Written-By –  R. Wills *   B7 Ballad Of A Liar Written-By –  Gluck *,  Wills *   Companies, etc. Phonographic Copyright (p)  –  Bomp Records Copyright (c)  –  Bomp Records Published By  –  EMI Publishing Published By  –  Copyright Control Published By  –  UA Publishing Published By  –  Cells Publishing Published By  –  Sparta-Florida Music Mastered At  –  Catasonic Studios Pressed By  –  Rainbo Records  – S-41682 Pressed By  –  Rainbo Records  – S-41683 Credits Coordinator [Project Coordinator]  –  Terry Banks (2) Design  –  Jim Horan,  Patrick Boissel,  Terry Banks Liner Notes  –  Jeremy Gluck,  Robin Wills Mastered By  –  Mark Wheaton Notes Rarities 1978-81 4 Great Guys 3 Great Chords 14 Great Songs Made in U.S.A. Barcode and Other Identifiers Matrix / Runout (Side A): VLP-2072-A S-41682 Matrix / Runout (Side B): VLP-2072-B S-41683

Any 2054. Europa s'ha convertit en una societat uniforme, on la varietat de llengües i cultures és ja un record del passat. Sara Mettmann, membre de l'organització que ho controla tot des de l'ombra, viatja a Galícia en companyia de David, el seu fill adolescent, per a examinar uns enigmàtics petroglifs. Quan David desapareix misteriosament, Sara es veu arrossegada a una aventura fascinant en la qual el que està en joc és la destinació de la humanitat.. Edicions Bromera, S.L.. Barcelona. Año 2011.

Bob Cort Skiffle Featuring Ken Sykora. Ain't It A Shame (To Sing Skiffle On Sunday) Decca UK 1957 LP Bob Cort Skiffle Featuring Ken Sykora. Ain't It A Shame (To Sing Skiffle On Sunday) Decca UK 1957 LP Bob Cort Skiffle Group Featuring Ken Sykora. Ain't It A Shame (To Sing Skiffle On Sunday) Decca, UK 1957 LP mono (LK 4222) vinilo en muy buen estado de conservación/ carpeta con rotura en la parte inferior del frontal (ver fotos)

THE MOVE ST 1st France Press LP Stateside 1968 Roy Wood SSSX 340685 ARCHIVE MINT THE MOVE ST 1st France Press LP Stateside 1968 Roy Wood SSSX 340685 ARCHIVE MINT THE MOVE France Stateside 1968 1st pressing, Stereo, SSSX 340685.  Ultra rare in this condition, Looks Unplayed Archive Copy.  Pressed on 150 grams  Released in a laminated ''flipback'' cover with versindex. The pcitures you see are real photos of the item   MATRIX INFORMATION: Side 1: SSSX 685 A21 M6 259123 Side 2: SSSX 685 B21 M6 259124   CONDITION: COVER: NEAR MINT-.  Slight Wear SPINE: MINT. Fully readable in Perfect Condition. RECORD: MINT.   Pre ssed on 150 grams.  Vinyl shining like NEW. Under Strong Light no signs of use. PLAYBACK: MINT.  The sounds quality is superb -  nice rich stereo LABELS: MINT.  Perfect Labels. No visible spindle marks   The Move ‎– Move Label: Stateside ‎– SSSX 340685 Format: Vinyl, LP, Album, Stereo  Country: France Released: 1968 Genre: Rock Style: Pop Rock, Psychedelic Rock   Tracklist A1 Yellow Rainbow A2 Kilroy Was Here A3 (Here We Go Round) The Lemon Tree A4 Weekend A5 Walk Upon The Water A6 Flowers In The Rain A7 Hey Grandma B1 Useless Information B2 Zing Went The Strings Of My Heart B3 The Girl Outside B4 Fire Brigade B5 Mist On A Monday Morning B6 Cherry Blossom Clinic   Credits Distributed By – Pathé Marconi Design – The Fool Photography By – Bobby Davidson (2) Producer – Denny Cordell Strings, Woodwind, Brass – Tony Visconti Written-By – Don Stevenson (tracks: A7), Jerry Miller (tracks: A7), Roy Wood (tracks: A1 to A6, B1 to B6)   GRADING GUIDE: We treat grading very seriously and use the UK Record Collector grading scale with the addition of a (+) or (–) to denote a slight increase or decrease in condition.    MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklets etc are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.   NEAR MINT: Very close to Mint with only the slightest signs of play and the very lightest paper chaffing only to the surfaces of the record. The cover shows only the very slightest wear   EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.   VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.   POSTAGE & PAYMENTS  Payment: Only Paypal is accepted.  Payment must be received within 5 days of the auction ends.   Shipping & packaging: We dispatch all items within 4 working days by UPS/TNT. We will send you the Tracking Number that you will be able to use to track the progress of your order. We take great care packaging every item to ensure safe shipment to you.    Approximate Delivery Times: Europe: 4-8 working days. USA, Canada & Rest Of The World: 5-10 working days.   Please don't hesitate to ask any questions you may have.

1961 JOVENTUTS MUSICALS TARREGA Concert: Alpiste violí, Pañella clarinet, Canela piano (ATENEU) 1961 JOVENTUTS MUSICALS TARREGA Concert: Alpiste violí, Pañella clarinet, Canela piano (ATENEU) 1961 Diumenge, 26 de Novembre a les 12,30 del migdia Saló Ateneu (Café). TARREGA - LLEIDA Jeunesses Musicales CONCERT: JOSEP Mª ALPISTE, JULI PAÑELLA, MARÍA CANELA. CURS III - CONCERT XXI MOZART, KRENEK, BRAHMS, C. FRANCK, B. BARTOK. tarjetó 158 x 121 mm. aprox....puntes tocades....rasgat a marge inf....arruga al lat. esquerre marge inf. (foto 1). +++++++++++++++++++++++++++++++++++++++++ Josep Maria Alpiste i Pérez (violí)  (Barcelona,  1941  - ?,  18 d'agost  de  2015) fou un  violinista   català. Era pare del també violinista  Sergi Alpiste. Josep M. Alpiste actuà amb èxit a diferents països europeus. Juntament amb A. Soler i J. Francesch, formaren el Trio Händel. Primerament, l'any 1967, es convertí en  concertino  de l' Orquestra Ciutat de Barcelona  i més endavant, l'any 1981, del  Teatre del Liceu. Obtingué el Premi d'Honor de  virtuosisme  quan estudiava al  Conservatori Municipal de Barcelona; va estudiar amb  Enric Ribó,  Eduard Toldrà  i J. Massià. Va morir el dia 18 d'agost de 2015, a l'edat de 74 anys, a causa d'una malaltia. ---------------------------- Juli Pañella (clarinet) 1 disc sonor: 45 rpm; 18 cm. Juli Pañella, clarinet; J. Maria Martí, piano Conté: Monologue, para clarinete solo / Ernst Krenek. Tres piezas para clarinete solo / Igor strawinsky. Cuatro piezas, para clarinete y piano / Alban Berg ------------------------------ María Canela (piano) Maria Canela i Esteve  (Asunción, 1909 –  Barcelona,  29 de setembre  de  1999) va ser una pianista i professora de música catalana. L'any 1926, amb disset anys, va participar en el  Teatre Olympia de Barcelona  en les Matinals Populars Extraordinàries, i posteriorment, el 1929, sota la direcció de  Joan Lamote de Grignon, en els Concerts Simfònics Populars. En acabar els estudis el 1935, va actuar com a solista en un cicle de concerts de la  Banda Municipal de Barcelona. Després de la  Guerra Civil, l'any 1941, obtingué una beca per ampliar estudis a  Potsdam  (Alemanya), on viatjà en companyia d'un altre becari de dots excepcionals,  Ataúlfo Argenta. A Alemanya la convidaren a donar una sèrie de concerts de música espanyola, però la  Segona Guerra Mundial  frustrà el projecte i decidí tornar a Espanya, on formà un duet instrumental amb la violoncel·lista Pilar Casals, filla d' Enric Casals  i neboda del gran  Pau Casals, amb qui feu una gira de concerts per Espanya. 

BUGERA Amplificador Guitarra 6262 INFINIUM Amplific Valvulas 120 W The gain structure and tonal character of the 6262 / 6262-212 are built on the same fundamentals as the 6260—but more midrange, making them perfect for 80’s rock and metal. You also get fully independent control of EQ, Presence and Reverb on both channels. Ultimate Tone Mastery A lot of amp manufacturers call their Treble/Mid/Bass knobs “tone” controls. We call ours EQ because we spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear. The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments. INFINIUM Valve Life Multiplier Technology Our revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed. If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy! CARACTERISTICAS BUGERA 6262 INFINIUM -  Hand-built 120-Watt amplifier driven by 4 x 6L6 valves (convertible to EL34) -  2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 valves for thick and screaming hi-gain -  Revolutionary INFINIUM Valve Life Multiplier technology: – Extends the life of your amplifier’s expensive power valves up to 20 times. – Provides incredible reliability and consistent tone over the complete lifespan of your valves – No need for expensive matched valve sets – Allows you to mix and match any combination of compatible valve types and brands – Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacement -  Integrated high-class reverb with dedicated Reverb control for each channel -  Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls -  Classic Presence control per channel for efficient midrange sound shaping -  Heavy-duty footswitch for Channel selection and FX Loop function included -  Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet -  High-quality components and exceptionally rugged construction ensure long life   

BUGERA Amplificador Guitarra 6262 INFINIUM Amplific Valvulas 120 W The gain structure and tonal character of the 6262 / 6262-212 are built on the same fundamentals as the 6260b'/xe2/x80/x94'but more midrange, making them perfect for 80b'/xe2/x80/x99's rock and metal. You also get fully independent control of EQ, Presence and Reverb on both channels. Ultimate Tone Mastery A lot of amp manufacturers call their Treble/Mid/Bass knobs b'/xe2/x80/x9c'toneb'/xe2/x80/x9d' controls. We call ours EQ because we spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear. The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments. INFINIUM Valve Life Multiplier Technology Our revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed. If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy! CARACTERISTICAS BUGERA 6262 INFINIUM - b'/xc2/xa0'Hand-built 120-Watt amplifier driven by 4 x 6L6 valves (convertible to EL34) - b'/xc2/xa0'2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 valves for thick and screaming hi-gain - b'/xc2/xa0'Revolutionary INFINIUM Valve Life Multiplier technology: b'/xe2/x80/x93' Extends the life of your amplifierb'/xe2/x80/x99's expensive power valves up to 20 times. b'/xe2/x80/x93' Provides incredible reliability and consistent tone over the complete lifespan of your valves b'/xe2/x80/x93' No need for expensive matched valve sets b'/xe2/x80/x93' Allows you to mix and match any combination of compatible valve types and brands b'/xe2/x80/x93' Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacement - b'/xc2/xa0'Integrated high-class reverb with dedicated Reverb control for each channel - b'/xc2/xa0'Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls - b'/xc2/xa0'Classic Presence control per channel for efficient midrange sound shaping - b'/xc2/xa0'Heavy-duty footswitch for Channel selection and FX Loop function included - b'/xc2/xa0'Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet - b'/xc2/xa0'High-quality components and exceptionally rugged construction ensure long lifeb'/xc2/xa0' b'/xc2/xa0'

JETHRO TULL: ORIGINAL ALBUM SERIES - 5 CDs BOX SET - VOLUME ONE *IMPECABLE* JETHRO TULL: ORIGINAL ALBUM SERIES - 5 CDs BOX SET - VOLUME ONE *IMPECABLE* Estuche con 5 Cds Track Listing/Description CD 1 – Songs From The Wood     1. Songs From The Wood (2003 Remastered Version)   2. Jack In The Green (2003 Remastered Version)   3. Cup Of Wonder (2003 Remastered Version)   4. Hunting Girl (2003 Remastered Version)   5. Ring Out Solstice Bells (2003 Remastered Version)   6. Velvet Green (2003 Remastered Version)   7. The Whistler (2003 Remastered Version)   8. Pibroch (Cap In Hand) [2003 Remastered Version]   9. Fire At Midnight (2003 Remastered Version)   CD 2 – Heavy Horses     1. And The Mouse Police Never Sleeps (2003 Remastered Version)   2. Acres Wild (2003 Remastered Version)   3. No Lullaby (2003 Remastered Version)   4. Moths (2003 Remastered Version)   5. Journeyman (2003 Remastered Version)   6. Rover (2003 Remastered Version)   7. One Brown Mouse (2003 Remastered Version)   8. Heavy Horses (2003 Remastered Version)   9. Weathercock (2003 Remastered Version)   CD 3 - Stormwatch     1. North Sea Oil (2004 Remastered Version)   2. Orion (2004 Remastered Version)   3. Home (2004 Remastered Version)   4. Dark Ages (2004 Remastered Version)   5. Warm Sporran (2004 Remastered Version)   6. Something's On The Move (2004 Remastered Version)   7. Old Ghosts (2004 Remastered Version)   8. Dun Ringill (2004 Remastered Version)   9. Flying Dutchman (2004 Remastered Version)   10. Elegy (2004 Remastered Version)   CD 4 - A     1. Crossfire (2004 Remastered Version)   2. Fylingdale Flyer (2004 Remastered Version)   3. Working John Working Joe (2004 Remastered Version)   4. Black Sunday (2004 Remastered Version)   5. Protect And Survive (2004 Remastered Version)   6. Batteries Not Included (2004 Remastered Version)   7. Uniform (2004 Remastered Version)   8. 4.W.D. (Low Ratio) [2004 Remastered Version]   9. The Pine Marten's Jig (2004 Remastered Version)   10. And Further On (2004 Remastered Version)   CD 5 – The Broadsword And The Beast     1. Beastie (2005 Remastered Version)   2. Clasp (2005 Remastered Version)   3. Fallen On Hard Times (2005 Remastered Version)   4. Flying Colours (2005 Remastered Version)   5. Slow Marching Band (2005 Remastered Version)   6. Broadsword (2005 Remastered Version)   7. Pussy Willow (2005 Remastered Version)   8. Watching Me Watching You (2005 Remastered Version)   9. Seal Driver (2005 Remastered Version)   10. Cheerio (2005 Remastered Version) IMPECABLE Gastos de envio Certificado para este articulo: 5 Euros compres la cantidad de CDs que compres POR FAVOR, si algo no le convence NO COMPRE

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.