On their latest

Amy Winehouse – Tears Dry On Their Own Single NM/NM Limited Edition 2007 Amy Winehouse – Tears Dry On Their Own Single NM/NM Limited Edition 2007

One of the most famous American books of the century. Love, jazz, and excitement! These are all part of Sal Paradise's adventures "on the road" with wild friend Dean Moriarty, and their crazy companions, as they travel across the USA.. Pearson Education.. Año 2008.

Herman's Hermits...Their Second Album! Herman's Hermits On Tour.(MGM Records 1965) Usa Herman's Hermits...Their Second Album! Herman's Hermits On Tour.(MGM Records 1965) Usa vinyl,Lp,album.Stereo ref: SE-4295 Vg+/ Vg+ (Buen estado.Tanto caratula como vinilo con señales de uso normal.Buen sonido sin saltos.Algun tic esporadico y Ligero ruido en algun momento puntual..Copia muy maja) Forma de pago transferencia.(ING y la Caixa)  y Bizum. Paypal NO  

Dire Straits Live On Us Radio 10/11/92 2CD EXC Nimes 1992 EXC- Ultrararo! Dire Straits Live On Us Radio 10/11/92 2CD EXC Nimes 1992 EXC- Ultrararo! Ultraro Dire Straits ‎– Live On Us Radio 10/11/92 DST 9201/9202 2CD  Les Arenes, Nimes, France  Muy buen estado, CD1 ligerísimas  marcas, Cd 2 perfecto, comprobados. 1-1Calling Elvis 1-2Walk Of Life 1-3Heavy Fuel 1-4Romeo And Juliet (part 1) 1-5Romeo And Juliet (part 2) 1-6Romeo And Juliet (part 3) 1-7The Bug 1-8Private Investigations 1-9Sultans Of Swing (part 1) 1-10Sultans Of Swing (part 2) 2-1Your Latest Trick 2-2On Every Street 2-3Two Young Lovers 2-4Telegraph Road 2-5Money For Nothing (part 1) 2-6Money For Nothing (part 2) 2-7Brothers In Arms 2-8Solid Rock 2-9Wild Theme

THE DOOR TO THEIR DREAMS ••• Varios - (LP) ¡NUEVO! THE DOOR TO THEIR DREAMS ••• Varios - (LP) ¡NUEVO! THE DOOR TO THEIR DREAMS Incluye: WHITNEY HOUSTON (For the love of you) / FOUR TOPS (Let's jam) / KASHIF AND MELISA MORGAN (Love changes) / DIONNE WARWICK (Cry on me) / JERMAINE STEWART (Don't ever leave me) / LA, LA (I don't wanna go) / BILLY OCEAN (Pleasure) / ARETHA FRANKLYN (Until you say you love me) / JERMAINE JACKSON (Words into action) / KIARA (Just like magic) / WHODINI (One love). La portada está NUEVA (marca de descatalogado), el vinilo está NUEVO. Editado en USA, año 1988, ARISTA AL-8562. Sleeve is NEW, vinyl is NEW. Year 1988, ARISTA AL-8562. USA pressing. ·· I accept the payment for PAYPAL / Bank transfer.

HEAVEN 17: SUNSET NOW [ESP 1984] EP 12' HEAVEN 17: SUNSET NOW [ESP 1984] EP 12' Heaven 17   "Sunset Now"  EP 12" (Virgin)  1984  made in Spain cat. num.   F-601510 #synth pop   A1 Sunset Now (Extended Version) 5:21 A2 Flame Down 3:14 B1 Counterforce 3:02 B2 Sunset Now (Album Version) 3:40 B3 Counterforce II   It all came together for  Heaven 17  on this release, and as a result it is by far their strongest, most brilliant ep. Combining their various influences (including R&B, pop, dance, electronica),  Heaven 17  fused these styles together to made an almost perfect sound. A strong melody, stunning vocals from  Glenn Gregory, and tight production equal a fascinating glimpse into the human struggle. Adding a number of session players, including a guitarist,  Heaven 17  was able to expand and build on their solid sound.  Gregory  is also allowed to branch out on this album and write more personal and political statements that were not clearly heard on their first two albums. Fans will not be disappointed, and in fact, this could be the album to win new fans over. "Sunset Now," and "Flamedown," are just a few of the reasons for this ep greatness.

FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 En una época en la que muchas bandas resultaban inclasificables, Fischer Z destaca por su particular estilo a medio camino entre el Punk, el Reggae y la New Wave. En Inglaterra se les comparó rápidamente con Talking Heads, pero fue en Alemania y Austria donde este grupo causó furor más que en su tierra natal. Hablar de Fischer Z es hablar, en cierto modo, de su líder y fundador John Watts, un músico intelectual y enigmático que supo combinar melodías pegadizas con letras de marcado carácter psicológico, social y político. El grupo lo forma en 1976 junto a su compañero de estudios Steve Skolnik. Completarían la banda el bajista David Graham y el batería Steve Liddle. Era una época en la que el punk arrasaba con todo en Inglaterra y sin embargo Fischer Z ofrecían algo más. Primero porque John Watts era un tipo muy culto y muy preocupado por los problemas sociales del momento. El estilo de Fischer Z fue rápidamente comparado como decíamos  con Talking Heads o The Police. En 1979 lanzaron su primer disco “Word Salad”, que incluía temas como el que acabamos de oír, y lograron una actuación en directo para el mítico programa musical británico “Top of the Pops”. Esta actuación resulta un desastre y perjudica a las ventas del disco. En 1980 llegará “ So Long ”, probablemente su canción más conocida gracias a la cual todavía conservan cierta fama. A mediados de ese mismo año Skolnik, el teclista, abandona el grupo y éste queda reducido a un trío en el Watts plasta definitivamente todas sus obsesiones. Aquí llegaría su disco más destacado “Red Skies Over Paradise”, un trabajo cuya inspiración reside en la guerra fría y la amenaza nuclear. Otro tema impresionante de este gran disco es “ Berlin ”. Llegados a 1990, su antigua compañía de discos la EMI Electrola Records lanza al mercado un disco recopilatorio bajo el titulo de Going red for a salad (The UA years). Este disco recopilatorio venia a recoger los mayores éxitos de la banda a lo largo de su paso por esta compañía de discos, destacando los mejores temas también de los primeros álbumes de John Watts. Dos años mas tarde de nuevo se vuelve a editar un nuevo disco de la banda bajo el titulo de Destination paradise. Con este trabajo la formación se consolido como una de las mejores de la época, ya que las temáticas de las letras hablaban de lo cotidiano, desde la guerra del golfo hasta canciones de amor en clave de humor. Tras este disco comienzan una nueva y extensa gira mundial, con la única intención de captar nuevo fans. Como mejores temas de estos discos vamos a destacar en primer lugar un tema antiguo llamado Wax dolls, y después los temas nuevos del otro disco titulados Destination paradise, y Will you be there?.   Pistas: 1 – So Long  5:01  2 – Acrobats  2:42  3 – The Worker  3:35  4 – Wax Dolls  2:46  5 – Remember Russia  3:38  6 – Going Deaf For A Living  3:32  7 – Room Service  3:44  8 – Pretty Paracetamol  3:59   9 – Marliese  3:52  10 – You'll Never Find Brian Here  2:10  11 – Berlin  4:34  12 – Battalions Of Strangers  5:06  13 – Bathroom Scenario  3:50  14 – Wristcutters Lullaby  2:49  15 – Crazy Girl  4:27  16 – Limbo  2:15 Fischer-Z were a British rock band formed in 1976 by John Watts and Steve Skolnik at Brunel University. The original line-up consisted of Watts (vocals, guitar), Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums). The band's name is pronounced "fɪʃə zɛd" (fisher zed), a pun on "fish's head" with the "h" dropped, as is usual in many British regional accents. The pun also relies on leaving the "r" unpronounced as in common British non-rhotic accents. Fischer-Z's first hit was "The Worker" from the album Word Salad which firmly established Watts' ability to convey worldly political issues in narrative songs against a background of quirky pop and reggae-influenced music. In an interview in Record Mirror in 1981, Watts put this down to the remix of the song from the album version, which put the emphasis on the keyboards rather than his guitar. Skolnik departed after their second album Going Deaf for a Living, leaving Watts to take over keyboards. Watts' lyrics draw heavily on his experiences of studying clinical psychology and as a mental health care worker. Several songs on their third album Red Skies Over Paradise in 1981, such as "Berlin" and "Red Skies Over Paradise" were about the Cold War and the song "Cruise Missiles" was about the nuclear arms race and the mutual threat of the superpowers with nuclear war. Fischer-Z were more popular in mainland Europe than their native UK, especially in Germany, Belgium, The Netherlands, and Portugal (two top 10 hits and a No. 3 album). Fischer-Z were also successful in Australia, where they achieved two Top 20 hits with "So Long" from the album Going Deaf for a Living and "The Perfect Day" from Reveal.[2] After the album Red Skies over Paradise Watts dissolved the band in mid-1981, deciding his art could not evolve within a band context.

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

JETHRO TULL: UNDER WRAPS [ESP 1984] LP JETHRO TULL: UNDER WRAPS [ESP 1984] LP (Chrysalis)  1984  made in Spain cat. num.  CDL 1461 #rock  #progressive rock  #folk rock   A1 Lap Of Luxury   A2 Under Wraps #1   A3 European Legacy   A4 Later, That Same Evening   A5 Saboteur   A6 Radio Free Moscow   B1 Nobody's Car   B2 Heat   B3 Under Wraps #2   B4 Paparazzi   B5 Apogee   Ian Anderson 's  Walk into Light  (1983) was an uncharacteristic venture into the world of drum machines and synthesizers, and was partly a collaboration with keyboardist  Peter-John Vettese. The next year the two cut the similar-sounding  Under Wraps  using the  Jethro Tull  banner. Most of the work, including drum programming, was done by  Anderson  in his home studio before guitar and (scant) bass guitar were added. The group members were excited about their latest sounds, which brought a cold edginess to the usual intricate music (the acoustic "Under Wraps No. 2" being one exception). Lyrically,  Anderson  was letting go of his Olde English façade; here he showed his fascination with Cold War-era espionage. While the British audiences didn't mind the changes, U.S. buyers pretty much hated the album. Compared to the U.S. number 19 position of 1982's  The Broadsword and the Beast,  Under Wraps  never got past number 76. (Crest of a Knave, three years later, shot up to number 33.) The original release had 11 tracks, with "Astronomy," "Tundra," "Automotive Engineering," and "General Crossing" appearing as B-sides and bonus tracks around the world. Now the standard release carries all 15 tracks.

ART GARFUNKEL: ANGEL CLARE [ESP 1984] LP/RE ART GARFUNKEL: ANGEL CLARE [ESP 1984] LP/RE Art Garfunkel   "Angel Clare"  LP (CBS)  1984  made in Spain cat. num.  S 32076 #folk rock  #soft rock  #simon&garfunkel   A1 Travelling Boy 5:00 A2 Down In The Willow Garden 4:03 A3 I Shall Sing 3:36 A4 Old Man 3:24 A5 Feuilles-Oh / Do Space Men Pass Dead Souls On Their Way To The Moon? 3:09 B1 All I Know 3:46 B2 Mary Was An Only Child 3:28 B3 Woyaya 3:18 B4 Barbara Allen 5:25 B5 Another Lullaby 3:32   Garfunkel  (he was billed without his first name here) had a lot riding on his debut solo album, and  Angel Clare, named after a character in  Thomas Hardy 's novel Tess of the d'Urbervilles, lived up to the heightened expectations for the man who had sung "Bridge Over Troubled Water" and other  Simon & Garfunkel  favorites.  Garfunkel  took no chances, issuing as the first single  Jimmy Webb 's "All I Know," which was arranged in a similar style to "Bridge" and made the Top Ten. Elsewhere on the record,  Garfunkel  took a more spirited approach, notably on a version of  Van Morrison 's "I Shall Sing" that was reminiscent of  Simon & Garfunkel 's "Cecilia" and made the Top 40. Certainly, there was enough firepower on the record, which featured guitarists  Jerry Garcia  and  J.J. Cale. But much of it was filled with stately, orchestra-laden ballads, sung by  Garfunkel  in his naïve, breathy tenor. If  Simon & Garfunkel  had been the thinking man's  Everly Brothers,  Garfunkel  alone turned out to be the thinking man's  Johnny Mathis.  

There are many books on British butterflies but none on their general biology. A few authors..... London. Año 1946. 1ª edición

Amy Winehouse Back To Black - LP Vinilo Nuevo y precintado envió certificado España 3 € Amy Winehouse Back To Black - LP Vinilo Nuevo y precintado envió certificado España 3 € 1. Rehab 2. You Know I'M No Good 3. Me & Mr Jones 4. Just Friends 5. Back To Black 6. Love Is A Losing Game 7. Tears Dry On Their Own 8. Wake Up Alone 9. Some Unholy War 10. He Can Only Hold Her

LP Garfunkel - Angel Clare LP Garfunkel - Angel Clare LP editado por CBS en 1973. Portada en buen estado. El disco tiene algunas marcas que no dificultan el audio. Se disfruta sin problemas. 01.- Traveling Boy 02.- Down In The Willow Garden 03.- I Shall Sing 04.- Old Man 05.- Feuilles-Oh / Do Space Men Pass Dead Souls On Their Way To The Moon? 06.- All I Know 07.- Mary Was An Only Child 08.- Woyaya 09.- Barbara Allen 10.- Another Lullaby

Dolly the carthorse comes to the rescue when the old steam train breaks down and Poppy, Sam and Rust are stranded on their school outing. Ages 5-7.. Usborne Publishing, Limited. UK. Año 2004.