One or other

HOJAS, LP, THE OTHER ONE + 11, AÑO 1975 HOJAS, LP, THE OTHER ONE + 11, AÑO 1975 HOJAS, LP, THE OTHER ONE / SHE MADE ME CRY / THE WORLD´S TRUTH / THE BEAUTY OF YOUR SOUL / MY MISTAKE / DEAD FACES /// IN MY WAY / I NEVER DID BEFORE / IT´S GONNA BE HARD / YOUR MOTHER REALLY DOESN´T APPRECIATE TOO MUCH OUR FRIENDSHIP BUT I DON´T MIND / ANGEL´S SPRING / THE KING´S WALK, AÑO 1975, RCA VICTOR SPL1-9204 Gastos de envío por correo ordinario para España: 1 disco LP: 3,00 euros De 2 a 5 discos LP: 5,00 euros - ENVIO CERTIFICADO -  

VINILO LP - CACTUS - ONE WAY...OR ANOTHER - MADE IN FRANCE - ATCO 40 216 VINILO LP - CACTUS - ONE WAY...OR ANOTHER - MADE IN FRANCE - ATCO 40 216 VINILO LP - CACTUS - ONE WAY...OR ANOTHER - MADE IN FRANCE - ATCO 40 216 Se suministra con funda de plastico para su protección. Envío por correos desde REUS Gastos de envío: Por cuenta del comprador ENVIOS ESPAÑA Y RESTO DEL MUNDO: Los envios se realizaran a traves del servicio de TODOCOLECCION/CORREOS:, en sobres acolchados, de cartón o tubos de cartón. TARIFAS: Para envíos nacionales peninsulares, canarias e internacionales https://cloud10.todocoleccion.online/tc/correos/tarifas_feb_2020.pdf SE HACEN ENVÍOS COMBINADOS Caracteristicas del envío: FORMAS DE PAGO * Transferencia o Ingreso Bancario: OPENBANK * Pago en mano (REUS) * BIZUM *PayPal (no acepto pagar comisiones, por tanto asegúrate de hacer el pago como amigo o familiar para que no me cobren comisión, o asumir la comisión cargada). *No acepto contrareembolso No me hago responsable de perdidas en caso de escoger envío ordinario. Para cualquier duda no dudes en contactar conmigo. Nota: EL PAGO DEBE REALIZARSE ANTES DE 1 SEMANA (8 DIAS) DESPUÉS DE ADQUIRIR EL ARTICULO. EN CASO CONTRARIO PONDRE EL ARTÍCULO DE NUEVO A LA VENTA..

THE STRANGLERS - HEAVEN OR HELL (PROMO 1992) THE STRANGLERS - HEAVEN OR HELL (PROMO 1992) Edición Española / Spanish Issue SANNI Records WOK2025.   VG+/NM. Promocional+Cubierta Funda PVC / Sided Promo+Plastic Outer Sleeve. Cubierta  / Sleeve:  VG+ -->  Huella etiqueta y algo sucia portada; buen estado general  - ver foto -; ligeramente sucia contraportada / Sticker trace & lightly dirty front cover; good condition overall - see picture - lightly dirty back cover.  Vinilo  (Promo 1 Cara)   /  Vinyl  (Sided Promo):  EX++ -->  Apenas usado; excelente copia promo / Hardly used; excellent promo copy. No dudes en pedir más información o fotos adicionales   / Don't hesitate to ask for more information or additional pictures. Gastos de envío (correo certificado) y embalaje: España--> 5€ - EU--> 6,50€  (Elige otros vinilos y ahorra en gastos de envío)  /  Shipping (certified mail) and handling charges:  EU--> 6,50€ - Rest--> 7€ (Choose other vinyls and save on postage).

musica lp the moody blues the other side of life ñc musica lp the moody blues the other side of life ñc DISCOGRAFICA:  polydor urss AÑO DE EDICION: 1987   REF  ESTADO:  BUENO Vinilo: VG +  (MUY BUENO) Funda.vg -   ( BUENO)     La evaluación del estado que realizamos para la posterior clasificación  se basa en el sistema oficial americano Goldmine. Mint - (M) Absolutamente perfecto en todos los sentidos. Seguramente sin haberse usado y posiblemente aún precintado. Esta clasificación debe usarse con responsabilidad, en todo caso   Near mint- (NM or M-)   Una buena descripción de un registro NM es ¨que parece que acaba de llegar de una tienda y que se abrió por primera vez¨ Un vinilo casi perfecto. Muchos vendedores nunca utilizan un grado de clasificación más alto, lo que implica (tal vez con razón) de que  no exista un vinilo o funda perfecto. Los vinilos NM son brillantes, sin defectos visibles. No tienen escrituras, pegatinas u otras marcas en la etiqueta, no deben tener más de los defectos más leves, como el desgaste del anillo casi invisible u otros signos de una ligera manipulación. En audición lo hará sin ruido de superficie (los vinilos NM no tienen que ser "nunca escuchados", un vinilo utilizado en una excelente plato puede permanecer NM después de muchas audiciones si se cuida bien)  Una funda no debe tener arrugas, pliegues, u otros defectos similares perceptibles. Y, por supuesto, lo mismo debería para otros insertos, como carteles, fundas líricas y similares.   Very good plus (VG+)   A excepción de un par de detalles menores un VG+ podría ser un NM. La mayoría de los coleccionistas que escuchan sus vinilos estarían contentos con un VG+, especialmente si es hacia el extremo alto de la nota (a veces llamada VG + + o + E). Estos vinilos pueden mostrar leves señales de desgaste, incluyendo pequeñas rozaduras o levísimos arañazos que no afectan al sonido. Las pequeñas deformaciones del vinilo se aceptan siempre y cuando no afecten a la reproducción musical. También se aceptan marcas de haber sido utilizado, como una leve decoloración o rozadura en la etiqueta: En general hablamos de pequeñas señales apenas apreciables. Las fundas VG+, deben tener desgastes muy leves. Se acepta la típica rotura del canto, siempre que no supere más o menos dos centímetros.   Very goog-(VG)   Muchos de los defectos encontrados en un VG+ serán más pronunciados en un VG. El ruido de superficie será evidente en la escucha, sobre todo en los partes tranquilas  y al comienzo y final de las canciones, pero de ningún modo el ruido predominara sobre la música.El desgaste de los surcos es apreciable, al igual que con los rasguños ligeros (lo suficientemente profundos como para sentirlos con la uña) que afectarán al sonido. Las etiquetas pueden tener marcas de escritura o pegatinas. Las fundas tiene signos evidentes de uso, es apreciable la marca circular del vinilo por roce, o cantos muy desgastados o un poco rotos.   Good (G)   Bueno no significa malo! Un registro de buena condición se puede poner sobre un plato y reproducirse sin que salte en ningún punto a lo largo de la audición.  La funda tendrá roturas, especialmente en la parte inferior o en la columna vertebral. Cinta, escritura, desgaste del anillo u otros defectos comienzan a desbordar el objeto.    Poor-(P), Fair-(F)   El disco está rajado, muy deformado y en la audición presenta saltos. La funda está muy estropeada por el desgaste y la escritura, dañada por el agua, presenta rotura por los tres laterales y apenas mantiene el vinilo en su interior   gastos de envio 2016: ver condiciones de pago y envio  Rogamos nos dejen un teléfono  para el mensajero  Y por favor informen del pago gracias  POR  FAVOR ROGAMOS NO HAGAN OFERTAS. MI MARGEN ES MUY AJUSTADO, MUCHAS GRACIAS NO ACEPTAMOS OFERTAS, NO INSISTA. LOS PRECIOS SE AJUSTAN AL ESTADO Y CARACTERISTICAS DEL ARTICULO ACEPTAMOS PAYPAL + 1 EURO COMISION

ALEX TRACK ONE - TANGO - MAXI - VINILO - MANDO RECORDS - 2003 ALEX TRACK ONE - TANGO - MAXI - VINILO - MANDO RECORDS - 2003 Gastos de en vío certificado para España 5€.                                                                       International Buyers ask for the costs of shipment and other information. Puedes realizar el pago a traves de ingreso o transferencia en cuenta corriente y a traves de Paypal. Tiempo estimado de entrega para España 3 días una vez recíbido el pago.

THE OFFSPRING - CONSPIRACY OF ONE - CD ALBUM - SONY - 2000 THE OFFSPRING - CONSPIRACY OF ONE - CD ALBUM - SONY - 2000 Gastos de en vío certificado para España 4€.                                                                       International Buyers ask for the costs of shipment and other information. Puedes realizar el pago a traves de ingreso o transferencia en cuenta corriente y a traves de Paypal. Tiempo estimado de entrega para España 3 días una vez recíbido el pago.

SIN CD. Classic / British English. Three stories, three ghosts. A young woman marries an older man. His first wife is dead. Or is she...' Why does a dead man walk through his house each night? An old woman has a house with a tower. Why does she visit a young man in his dreams?. Pearson Education.. Año 2008. 1ª edición

For three hundred years, the ghost of Canterville Chase frightened everybody in the house. Then, one day, an American family come to live there.. Pearson Education. UK. Año 2000. 1ª edición

PAULA ABDULL PAULA ABDULL Single del sello VIRGIN de 1988 Temas Cold hearted / One or the other

Enjoy the content without reflections Display Mate Forget reflections, light will no longer be an impediment to enjoy every detail clearly. You will be able to appreciate the details of each painting. It's time to enjoy art and your TV as it should be. Designed to look like a true work of art The minimalist design of The Frame blends with your decoration. Its slimmer profile, multiple frame options, and single nearly invisible cable offer a sophisticated look from any angle. Your frame, your style Customizable Frame With The Frame TV you have the power to decide. Choose the frame color that best suits your space and your tastes. Thanks to its magnetic mounting you can customize your TV in the blink of an eye. Colors available in white, brown and teak. Frame your favorite moments My collection Upload and display your photos or family portraits easily. You just have to send them to The Frame through your phone or via USB. The Frame detects your presence Motion sensor The TV automatically turns on its screen to show your works of art when it detects your entry into the room. Also, when you leave it, it will turn off to save energy. Horizontal or vertical? It's up to you! Rotating studio stand Joining your Studio base together with the Rotating Wallmount will allow you to choose the position of your screen, put it in a horizontal or vertical position in a single turn. So you can enjoy your favorite content your way. Experience more at the same time Multi View Want to catch up on last week's episode while you work out? There is no need to stop seeing one for the other. Set up two channels on the screen so you can watch or even hear both at the same time, and adjust the size to help you focus. The Frame gives you the freedom to see everything your way. TV and sound bar in perfect harmony Q-Symphony Combine the audio from your TV with that from your sound bar, creating an immersive atmosphere around you. Enjoy multi-dimensional sound without the need to connect additional speakers to your TV.

Beck – Sea Change -2 LP- Beck – Sea Change -2 LP- Beck  – Sea Change Label: DGC  – 00602557034905 Format: 2 x  Vinyl, LP, Album, Reissue,  180 gram Country: Europe Released: Nov 2016 Genre: Rock Style: Alternative Rock Tracklist Hide Credits A1   The Golden Age Glockenspiel –  Beck,  Roger * Glockenspiel –  Beck,  Roger * 4:36 A2   Paper Tiger Guitar –  Jason Faulkner * Percussion –  Nigel * Guitar –  Jason Faulkner * Percussion –  Nigel * 4:35 A3   Guess I'm Doing Fine Backing Vocals –  Joey * Harmonica –  Beck Synthesizer –  Nigel * Backing Vocals –  Joey * Harmonica –  Beck Synthesizer –  Nigel * 4:49 B1   Lonesome Tears Guitar –  Justin * Keyboards –  Beck Guitar –  Justin * Keyboards –  Beck 5:37 B2   Lost Cause Banjo –  Beck Glockenspiel –  Justin * Percussion, Backing Vocals –  Smokey * Banjo –  Beck Glockenspiel –  Justin * Percussion, Backing Vocals –  Smokey * 3:47 B3   End Of The Day Acoustic Guitar [Slide] –  Smokey * Acoustic Guitar [Slide] –  Smokey * 5:03 C1   It's All In Your Mind Cello –  Suzie Katayama Electric Piano [Wurlitzer] –  Beck Cello –  Suzie Katayama Electric Piano [Wurlitzer] –  Beck 3:05 C2   Round The Bend Arranged By [Strings] –  Beck Featuring [String Treatment] –  Nigel * Arranged By [Strings] –  Beck Featuring [String Treatment] –  Nigel * 5:15 C3   Already Dead 2:58 D1   Sunday Sun Acoustic Guitar [Slide], Piano, Saxophone [Bamboo], Tape, Voice [Megamouth], Percussion –  Smokey * Electronic Drums –  Joey * Harmonium, Banjo, Banjo [Indian] –  Roger * Piano, Glockenspiel –  Beck,  Justin * Acoustic Guitar [Slide], Piano, Saxophone [Bamboo], Tape, Voice [Megamouth], Percussion –  Smokey * Electronic Drums –  Joey * Harmonium, Banjo, Banjo [Indian] –  Roger * Piano, Glockenspiel –  Beck,  Justin * 4:44 D2   Little One Backing Vocals –  Joey * Guitar, Percussion, Backing Vocals –  Jason Faulkner * Backing Vocals –  Joey * Guitar, Percussion, Backing Vocals –  Jason Faulkner * 4:26 D3   Side Of The Road Acoustic Guitar [Slide] –  Smokey * Acoustic Guitar [Slide] –  Smokey * 3:23   Companies, etc. Phonographic Copyright ℗  –  Geffen Records Copyright ©  –  Geffen Records Pressed By  –  Optimal Media GmbH  – BG46884 Published By  –  Youthless Published By  –  Kobalt Music Publishing Recorded At  –  Record One, Los Angeles Produced At  –  Ocean Way Recording Engineered At  –  Ocean Way Recording Mixed At  –  Ocean Way Recording Mastered At  –  Gateway Mastering Credits Art Direction, Design  –  Beck,  Kevin Reagan Artwork  –  Jeremy Blake Engineer [Assistant]  –  Darrell Thorp Lacquer Cut By  –  GOLDEN * Mastered By  –  Bob Ludwig Performer [Players]  –  Beck Hansen,  James Gadson,  Jason Falkner,  Joey Waronker,  Justin Meldal-Johnsen,  Nigel Godrich,  Roger Manning *,  Smokey Hormel Photography By [Cover Photo]  –  Autumn De Wilde * Producer, Engineer, Mixed By  –  Nigel Godrich Words By, Music By  –  Beck Hansen Notes Gatefold: Produced, engineered & mixed at Ocean Way Studio except track 8 (C2) and the strings on track 2 (A2) recorded at Record One. © 2002 Geffen Records Backsleeve: ℗ © 2016 Geffen Records. Made in Germany Gatefold sleeve with poly-lined white inner-sleeves Comes with download voucher (mp3 or Hi-Res WAV files) of full album Barcode and Other Identifiers Barcode: 602557034905 Label Code: LC 01846 Rights Society: BIEM/SDRM Matrix / Runout (Side A runout, etched): B0025355-01-LP01-A BG46884-01 A1 5713989 Matrix / Runout (Side A runout, stamped, X-ed out): P. USA - 41121 - Matrix / Runout (Side B runout, etched): B0025355-01-LP01-B BG46884-01 B1 5713989 Matrix / Runout (Side B runout, stamped, X-ed out): - 41121 - P. USA - 41121 - Matrix / Runout (Side C runout, etched): B0025355-01-LP-02-C BG46884-02 C1 5713990 Matrix / Runout (Side D runout, etched): B0025355-01-LP-02-D 5713990 BG46884-02 D1 Matrix / Runout (Sides C & D runout, stamped, X-ed out): P. USA - 41122 - Matrix / Runout (Sides A to D, stamped): GOLDEN  

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

Blackberry Smoke – Stoned -LP- Blackberry Smoke – Stoned -LP-   More images Blackberry Smoke  – Stoned Label: 3 Legged Records  – 3LG15LP Format: Vinyl, LP,  Transparent red w/black smoke Country: US Released: Nov 26, 2021 Genre: Rock Style: Classic Rock,  Southern Rock Tracklist Hide Credits A1   All Down The Line A2   Sway A3   Can’t You Hear Me Knockin’ B1   Tumbling Dice B2   Just My Imagination (Running Away With Me) Songwriter –  Barrett Strong,  Norman Whitfield Songwriter –  Barrett Strong,  Norman Whitfield B3   I Got The Blues B4   Street Fighting Man   Companies, etc. Marketed By  –  Thirty Tigers Marketed By  –  The Orchard Distributed By  –  Thirty Tigers Distributed By  –  The Orchard Recorded At  –  Welcome To 1979 Phonographic Copyright ℗  –  3 Legged Records Copyright ©  –  3 Legged Records Credits Cover [Front]  –  Phil Guy Engineer  –  Jeremy Bernstein (5) Engineer [Assistant]  –  Nick Molino Layout, Design  –  Perry Shall Mastered By  –  Margaret Luthar Songwriter  –  Keith Richards,  Mick Jagger Notes Record Store Day Black Friday release Limited to 2500 copies Pressed On Red Vinyl With Black Smoke "This album was recorded, mixed and mastered live to a vinyl master in one take on the evening of November 6, 2020 at Welcome to 1979. There were no overdubs, edits, punch-ins, remixes or remastering. This type of recording is very rare due to the technical and creative difficulty associated with recording live to a vinyl master. Once the recording has started it cannot stop until the end of the side. You are hearing one complete take per side of the record, which is no easy feat for all involved. Enjoy!" Barcode and Other Identifiers Barcode (Scanned): 793888432505 Barcode (Text): 7 93888 43250 5 Matrix / Runout (Label - Side A/B): 3LP15LP Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-A2 ML201106 Welcome to 1979 Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-B2 ML201106 Welcome to 1979      

RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP RAY CHARLES: LOVE & PEACE [LONDON - ESP 1978] LP Ray Charles  "Love & Peace"  LP (London)  1978  made in Spain cat. num.  TXS 3126 #soul  #funk  #r&b   You 20th Century Fox 2:45 Take Off That Dress 3:35 She Knows 4:43 Riding Thumb 3:10 We Had It All 4:35 No Achievement Showing 3:38 A Peace That We Never Before Could Enjoy 5:19 Is There Anyone Out There 5:58 Give The Poor Man A Break 3:26   Here, unfortunately, is one of several examples of why Ray Charles has been such a frustrating record-maker over the last quarter of the 20th century at least. His powers of expression as a vocalist and keyboardist are undiminished on the second album of his return to the Atlantic fold; he could still squeeze some soul out of anything. But his ability to choose great, good, or even merely appropriate material had deserted him -- and so we hear nowhere ballads ("She Knows"), stale song ideas ("You 20th Century Fox"), empty, poorly arranged and paced rousers ("We Had It All"), and political statements that fall flat ("A Peace That We Never Before Could Enjoy," "Give the Poor Man a Break") -- nothing that even this prodigious talent can save, and all treated to a veiled, raucous mix. Other than the team of arrangers (Harry Goodnight, Roger Newman, Larry Mahoberack), there are no musician credits nor any notes. Ultimately the blame for this uninteresting record must go to the producer, the co-engineer, the lead keyboardist, and the singer -- who are all one and the same person.

Allen Collins Band ‎– Here, There & Back -LP- Allen Collins Band ‎– Here, There & Back -LP-   More images Allen Collins Band  – Here, There & Back Label: MCA Records  – MCA-39000 Format: Vinyl, LP, Album Country: US Released: 1983 Genre: Rock Style: Southern Rock Tracklist Hide Credits A1   Just Trouble Written-By –  Barry Lee Harwood *,  Randall Hall Written-By –  Barry Lee Harwood *,  Randall Hall 3:57 A2   One Known Soldier Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:25 A3   Hangin' Judge Written-By –  Billy Powell,  Jimmy Dougherty Written-By –  Billy Powell,  Jimmy Dougherty 3:03 A4   Time After Time Written-By –  Jimmy Dougherty Written-By –  Jimmy Dougherty 3:40 A5   This Ride's On Me Written-By –  Barry Lee Harwood * Written-By –  Barry Lee Harwood * 4:43 B1   Ready To Move Written-By –  Barry Lee Harwood *,  Derek Hess,  Jimmy Dougherty,  Leon Wilkeson Written-By –  Barry Lee Harwood *,  Derek Hess,  Jimmy Dougherty,  Leon Wilkeson 3:28 B2   Chapter One Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:30 B3   Commitments Written-By –  Allen Collins,  Jimmy Dougherty Written-By –  Allen Collins,  Jimmy Dougherty 4:57 B4   Everything You Need Written-By –  Allen Collins,  Jimmy Dougherty,  Randall Hall Written-By –  Allen Collins,  Jimmy Dougherty,  Randall Hall 4:53   Companies, etc. Manufactured By  –  MCA Records, Inc. Produced For  –  LAC Productions Phonographic Copyright ℗  –  MCA Records, Inc. Copyright ©  –  MCA Records, Inc. Published By  –  LAC Music Co. Recorded At  –  Studio One, Doraville Mixed At  –  Studio One, Doraville Mastered At  –  Masterdisk Pressed By  –  MCA Pressing Plant, Pinckneyville Credits Art Direction  –  George Osaki Bass  –  Leon Wilkeson Design [Back Cover]  –  Tracy Veal Design [Front Cover]  –  Ramond “Rat” Turknett * Drums  –  Derek Hess Engineer  –  Greg “Fern” Quesnel * Guitar  –  Allen Collins,  Barry Lee Harwood *,  Randall Hall Illustration  –  Larry Noble Keyboards  –  Billy Powell Mastered By  –  Howie Weinberg Producer  –  Allen Collins Band Vocals  –  Jimmy Dougherty Notes Pinckneyville  pressing, blue-rainbow MCA labels. This release has only MCA-39000 as catalog number. Other U.S. releases of this album currently in database: Here, There & Back: label variant, different side specification and no parentheses on the label matrices; Here, There And Back: additional catalog number (MCA-5402) on labels; Here, There And Back: different catalogue number (MCA 4184). Runouts are etched except for Pinckneyville and Masterdisk stamps. ℗ 1983 MCA Records Inc. Barcode and Other Identifiers Matrix / Runout (Runout, side A): MCA·3369-MD4 MASTERDISK ◈-P-◈ Matrix / Runout (Runout, side B): MCA·3370-MD4 MASTERDISK ◈-P-◈ Pressing Plant ID: ◈-P-◈ Matrix / Runout (Label, side A): MCA3369 Matrix / Runout (Label, side B): MCA3370

El Mezclador digital profesional T2208 combina lo mejor de lo que una pantalla táctil LCD puede ofrecer: un mezclador digital y una interfaz familiar e intuitiva para funciones donde se requiere velocidad y precisión... para aquellos casos en VIVO en los que nada es mejor que alcanzar un fader real o una perilla. Con su potente motor DSP digital, la aplicación de software fácil de navegar y el control práctico sin concesiones, T2208 ofrece una solución completa integrada de software / hardware para aplicaciones de mezcla EN VIVO del mundo real. Características principales: Consola digital de 22 entradas y 12 buses 16 preamplificadores de micrófono premium 2 entradas de nivel de línea 8 salidas auxiliares y 2 envíos internos Interfaz de grabación / reproducción USB de 2 pistas Fader motorizado de 100 mm Pantalla táctil LCD de 7 " 32 canales DSP, cada uno con: puerta, compresor, ecualizador paramétrico de 4 bandas 2 efectos digitales Ecualizador gráfico de 31 bandas en cada salida Retardo de tiempo de hasta 300 ms en todas las salidas 6 grupos de faders DCA Control remoto de la aplicación iPad Expansión para módulos opcionales: módulo de grabación de audio USB multipista de 32 canales, módulo Dante Especificaciones técnicas: TP T2208 Microphone input Electronically balanced Frequency Response to direct Output 20Hz-20KHz at 0dBu ±1.5dB Distortion (THD&N) to Main Output SNR (Signal to Noise Ratio) 104dB Maximum Input Level +22dBu Phantom Power (+/-3V) +48VDC Line inputs Unbalanced Frequency Response to direct Output 20Hz-20KHz at 0dBu ±1.5dB Distortion (THD&N) to Main Output Gain -15dBu ~ +35dBu Maximum Input Level (Gain at OdBu) +20dBu 17-18/19-20 stereo inputs Balanced (2 stereo pair) Frequency Response to Main Output 20Hz~20KHz at +4dBu ±1.5dB Distortion (THD&N) to Main Output Gain -8 to +10dBu Maximum Input Level +22dBu Tape L/R input/USB 20Hz-20KHz at +4dBu Frequency Response to Main Output 20Hz-20KHz at +4dBu ±1.5dB Distortion (THD&N) to Main Output Gain -8 to + 10dBu Maximum Input Level +22dBu Main Outputs Maximum Output Level +20dBu AUX1-8 Outputs Maximum Output Level +20dBu Control Room Outputs Maximum Output Level +20dBu System Crosstalk Input to Output (at +4dBu 1 KHz) -87dBu Adjacent Channels (at +4dBu 1 KHz) -86dBu Noise (Bus noise) -90dBu Noise Gate Threshold Range -84dBu - 0dB Attack time 0.5mS ~ 200mS Release time 5mS ~ 2S Compressor Threshold Range -30dBu -+20dB Attack time 10mS ~ 150mS Release time 10mS-1S Ratio 1:1 to 24:1 Gain OdBu - +24dB EQ Low (LowPass or LowShelf) 21Hz~19.2KHz ±24dB Low Mid 21Hz~19.2KHz ±24dB High Mid 21Hz~19.2KHz ±24dB High (HighPass or HighShelf) 21Hz~19.2KHz ±24dB Digital Audio ADC Dynamic Range 114dB DAC Dynamic Range 114dB Internal Processor 32-bit, floating point ADC, DAC bit depth 24bit Impedances Microphone input 1.4K Ohm Channel lsert return 2.5K Ohm All other inputs 10K Ohm or greater Tape out 1K Ohm All other output 120 Ohms Operating free-air temperature range 0ºC~40ºC Storage temperature range -20ºC~60ºC

CACTUS: BARELY CONTAINED - THE STUDIO SESSIONS. INCLUYE SUS LP´S: CACTUS, ONE WAY OR ANOTHER + RESTR CACTUS: BARELY CONTAINED - THE STUDIO SESSIONS. INCLUYE SUS LP´S: CACTUS, ONE WAY OR ANOTHER + RESTR Cactus: Barely contained - The Studio Sessions. Fabuloso Hard Rock. Incluye sus 3 LP´s: Cactus, One way or another y Restrictions. Originalmente publicados en 1970 y 1971 respectivamente 2.013 Original WOUNDED BIRD RECORDS WOW 7872. Doble CD. Incluye 2 Bonus Absolutamente nuevo (Aún precintado). Es el artículo de las fotos    

Iggy Pop – New Values = Nuevos Valores -LP / Spain Iggy Pop – New Values = Nuevos Valores -LP / Spain   More images Iggy Pop  – New Values = Nuevos Valores Label: Arista  – I-201144,  Arista  – I-201.144 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Spain Released: Genre: Rock Style: Garage Rock,  Classic Rock,  Glam Tracklist A1   Tell Me A Story A2   New Values A3   Girls A4   I'm Bored A5   Don't Look Down A6   The Endless Sea B1   Five Foot One B2   How Do Ya Fix A Broken Part B3   Angel B4   Curiosity B5   African Man B6   Billy Is A Runaway   Companies, etc. Made By  –  Ariola Eurodisc S.A. Distributed By  –  Ariola Eurodisc S.A. Printed By  –  Indugraf Madrid, S.A. Credits Engineer, Mixed By  –  Peter Haden Mastered By  –  Johnny Golden * Mixed By, Producer  –  James Williamson Producer  –  James Osterberg Producer [Assistant Production]  –  Lloyd Malan Notes Very similiar to  New Values = Nuevos Valores. Appears to have the same sleeve printed by Indugraf, but rimtext on labels is different: The other version has an ongoing text that starts at 6.30 and ends at 5.30, including "Fabricado en Espana por Iberofon, S.A." at the end. In addition, on this version, the ARISTA logo on labels is lacking the ™. This version has no such credit and it's text split in two, with: - one part going from 10.30 to 1.30 and reading "Editato y distribuido por Ariola-Eurodisc, S.A. Impuesto de tujo, permiso n° 8649" and - the second part going from 2 o'clock to 10 o'clock. On rear sleeve: Editado y distribuido por ARIOLA-EURODISC, S.A. Barcode and Other Identifiers Depósito Legal: B-8341-1980 Rights Society: B.I.E.M. Other (Permiso N.º): 8649

Writing in a conversational rather than a scholarly style, with a minimum of footnotes, urban geographer Ford bypasses the usual census data and socioeconomic categories to writes about "real" American cities and buildings--tying together architectural and social history on the one hand, and some fundamental spatial patterns and processes on the other--for urban geographers, social scientists, and other students of the American urban scene. Includes numerous bandw photos. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR. Johns Hopkins University Press. UUEE