Production on either

Five decades after it was first published, Jack Kerouac's seminal Beat novel On the Road finally finds its way to the big screen, in a production from award-winning director Walter Salles. Penguin Books Limited.. Año 2008. 1ª edición

BOB DYLAN – BLOOD ON THE TRACKS One Step Master MFSL 45RPM 2LP Box Nuevo y Precintado BOB DYLAN – BLOOD ON THE TRACKS One Step Master MFSL 45RPM 2LP Box Nuevo y Precintado BOB DYLAN BLOOD ON THE TRACKS One Step Original Master Recording 180g 2LP 45rpm MFSL Edición Limitada y Numerada Nuevo y Precintado DESCATALOGADO     BOB DYLAN BLOOD ON THE TRACKS One Step Original Master Recording 180g 2LP 45rpm MFSL Numbered Limited Edition New and Sealed OUT OF PRINT     DESCRIPCIÓN: US 2019 Mobile Fidelity Sound Lab  UD1S 2-006   La revista Rolling Stone incluyó este álbum en su lista de los 500 mejores álbumes de todos los tiempos (461/500).   Bob Dylan estuvo en varias encrucijadas a mediados de los años 70. Artísticamente, se le dio por perdido en gran parte  por haber pasado su mejor momento. Emocionalmente, estaba sufriendo un doloroso divorcio de su entonces esposa Sara Lowndes. Creativamente, Dylan parecía estar  en un punto muerto. Las décadas anteriores de brillantez transformacional parecían haber terminado. Luego llegó Blood on the Tracks. El álbum representa un ciclo de principio a fin y documenta la búsqueda, el conflicto y la pérdida de una mujer por parte de su amante. Este vigoroso e íntimo esfuerzo de 1975 sigue siendo uno de los álbumes sobre una ruptura más completos jamás realizados.   Características: • Edición Limitada y Numerada Manualmente: estrictamente limitada a solo 9000 copias.   • El número de la copia que se muestra en la foto de la contraportada no necesariamente debe corresponder con el número de la copia actual en venta.   • MoFi SuperVinyl Pressing.   • UltraDisc One-Step.   • Edición Speed de 45rpm.   • Caja de 2LP.   • Fiel a los gráficos originales.   • Producción y masterización por Mobile Fidelity Sound Lab.   • Nuevo y Precintado de Fábrica.   DESCATALOGADO     DESCRIPTION: US 2019 Mobile Fidelity Sound Lab  UD1S 2-006   Ranked #117 on Rolling Stone's 500 Greatest Albums of All Time List.   Bob Dylan was at several crossroads in the mid-1970s. Artistically, he was largely written off as being past his prime.Emotionally, he was suffering through a painful divorce from his then-wife Sara Lowndes. Creatively, he appeared at a stalemate, his previous decades unprecedented run of transformational brilliance finished. Then came Blood on the Tracks. A start-to-finish cycle that documents a lovers pursuit of, entanglement with, and loss of a woman, the bracingly intimate 1975 effort remains one of the most encompassing break-up albums ever made.       Features:   • Hand Numbered, Limited Edition – Strictly limited to only 9000 Copies.   • The copy number shown in the photo of the back cover does not necessarily have to correspond to the number of the current copy for sale.   • MoFi SuperVinyl Pressing.   • UltraDisc One-Step.   • 45rpm Speed Edition.   • 2LP Box Set.   • Housed in an opulent box.   • Faithful to original graphics.   • Production and Mastering by Mobile Fidelity Sound Lab.   • New and Factory sealed.   • SOLD OUT!     Track Listing:   SIDE A   1. TANGLED UP IN BLUE   2. SIMPLE TWIST OF FATE   SIDE B   1. YOU’RE A BIG GIRL NOW   2. IDIOT WIND   3. YOU’RE GONNA MAKE ME LONESOME WHEN YOU GO   SIDE C   1. MEET ME IN THE MORNING   2. LILY, ROSEMARY AND THE JACK OF HEARTS   SIDE D   1. IF YOU SEE HER, SAY HELLO   2. SHELTER FROM THE STORM   3. BUCKETS OF RAIN              ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)     

MUTINY ON THE BOUNTY - A RANDOM HOUSE BOOK - 1962 MUTINY ON THE BOUNTY - A RANDOM HOUSE BOOK - 1962 36 un-numbered pages, 8 1/2" x 11". Rare souvenir explains the movie, as well as the sailors who stayed on Pitcairn Island. Includes pictures as well as list of cast and production staff.  Bookseller in Spain I usually ship within 24 hours of receiving payment.

ZZ TOP / AFTERBURNER 1985 !! ORG USA EDIT, CONTIENE ENCARTE + 1ª LABEL ORIGINAL !! TODO EXC ZZ TOP / AFTERBURNER 1985 !! ORG USA EDIT, CONTIENE ENCARTE + 1ª LABEL ORIGINAL !! TODO EXC BUEN ESTADO, ESTA EDICION CONTIENE EL ENCARTE INTERIOR Y TAMBIEN EL BONITO LABEL CON EXCLUSIVO DISEÑO El productor Bill Ham, que se había encargado de esa tarea con Zz Top desde su primer trabajo fué el elegido también de orientar el sonido del trio tejano hacía derroteros desconocidos para cualquier fan de la banda a comienzos de los ochenta. La unión del Blues- Hard- Rock Sureño añejo con las nuevas tecnologías musicales, parecía utópico tratandose de una banda como esta, pero "Eliminator", publicado en 1983, demostraria lo contrario. Después de semejante éxito la banda y su sequito decidieron dejarse llevar y explotar el filón al máximo, "Afterburner", que salió al mercado el 28 de Octubre de 1985, ahondará aun más en los terrenos electrónicos tan de moda en aquella época y que tan buenos resultados les habian dado. Para ello cuentan nuevamente con temas muy comerciales, en "Sleeping Bag" se covijan guitarras y rítmos sintetizados, baterías electrónicas, los excesos de "Eliminator" elevados al cubo. Un año antes de que saliese este disco, Eddie Van Halen, quizás animado por el resultado satisfatorio del disco de Zz Top, banda por la que sentía una admiración total, graba "Jump". "Stages", tiene bastante en común con el tema estrella de "1984", pero sus melodías son incluso más aoreras. De todas formas, que nadie piense que Billy Gibbons se ha quedado dormido, a lo largo de la canción sus riffs están bien presentes. Como en la siguiente "Woke Up With Wood", entre la inicial "Sleeping Bag" (Otra vez esos sintetizadores) y el sonido global de "Eliminator". En este nuevo trabajo descubrimos algo inédito en Zz Top, las "Power Ballads". Ciertamente, "Rough Boy" es empalagosa y Aor hasta decir basta. El tema, tubo su repercusión mediatica sobre todo en el canal televisivo de moda "Mtv". Pero no debemos encender las alarmas, Dusty Hill recupera el encanto nuevamente con la roquera y efectiva "Can't Stop Rockin'", cargada de topicazos pero con una garra descomunal. "Plantet Of Woman", es uno de los temas a los que mejor le ha sentado el nuevo diseño sonoro de Zz Top. Las poderosas guitarras son las acompañantes ideales de una estrofa y estribillo con muchísimo gancho y comercialidad. Quizás el mejor tema de "Afterburner" con el permiso de "Dipping Low (In The Lap Of Luxuri)", otra canción super "Cool" calcada al mejor repertorio de "Eliminator". El no va más de los rejuvenecios barbudos, para bien o para mal, según se mire las componen "I Got The Message" y "Velcro Fly". En ellas, los sintetizadores ya han tomado el control total. Para los puristas fans de "Fandango" o "Tres Hombres", esto quizás pueda ser la gota que colma el vaso. La despedida con la potente "Delirious", seguro que dejará un buen sabor de boca para todo tipo de seguidores de la banda, los antiguos y los que les descubrimos con este disco. Autor: Caído En Little Big Horn ZZ Top, cariñosamente conocido por sus fans como "The Little Ol' Band from Texas", es un grupo estadounidense de southern rock y hard rock formado en 1969 en Houston, Texas. Los miembros del grupo son Billy Gibbons (voz y guitarra), Dusty Hill (bajo y voz) y Frank Beard (batería). Tienen el mérito de ser uno de los pocos grupos de rock que todavía conserva sus miembros originales después de 40 años, además de haber mantenido al mismo manager y productor, Bill Ham. Alcanzaron la cima de su éxito comercial en los 70 y los 80, pero todavía hoy continúan girando y lanzando discos. ZZ Top entró en el Rock and Roll Hall of Fame el 15 de marzo de 2004. Gibbons y Hill también son famosos por las peculiares guitarras que utilizan, muchas de ellas codiseñadas con el maestro luthier John Bolin. Gibbons y Hill siempre son retratados llevando gafas de sol (un gesto a su canción de 1979 Cheap Sunglasses), ropa parecida (o en ocasiones idéntica), y sus larguísimas barbas. En 1984 la firma Gillette ofreció a Gibbons y a Hill un millón de dólares por afeitarse en un anuncio de televisión. Declinaron la oferta Tracks: -- 1: Sleeping Bag -- 2: Stages -- 3: Woke Up With Wood -- 4: Rough Boy -- 5: Can't Stop Rockin' -- 6: Planet Of Women -- 7: I Got The Message -- 8: Velcro Fly -- 9: Dipping Low (In The Lap Of Luxury) -- 10: Delirious Notes: ZZ Top: Billy Gibbons (vocals, guitar); Dusty Hill (vocals, bass); Frank Beard (drums). After scoring its biggest hit ever with its eighth release, 1983's polished ELIMINATOR, ZZ Top decided to continue in the same mainstream direction for its next release two years later, AFTERBURNER. Another big hit for the band, the album did spawn several hits, yet wasn't as strong overall as its predecessor. It was impossible to avoid the following ZZ hits on either MTV or radio between 1985-'86--the ballad "Rough Boy" (which innovative video was based on AFTERBURNER's space-age cover art), the synth stomper "Velcro Fly," the melodic "Sleeping Bag," or the rocking "Stages." 15 years after the band's debut release, AFTERBURNER found ZZ Top more popular than ever. Engineer: Bob Ludwig; Joe Hardy Producer: Bill Ham

CASETE CASSETTE (Céline Dion – Let's Talk About Love) 1997 Columbia - LETRA DE LAS CANCIONES CASETE CASSETTE (Céline Dion – Let's Talk About Love) 1997 Columbia - LETRA DE LAS CANCIONES A1 – Céline Dion The Reason Bass –  Trevor Barry Drums –  Ian Thomas Electric Piano [Fender Rhodes] –  Richard Cottle Guitar –  Robbie MacIntosh * Orchestrated By, Conductor –  George Martin Piano –  Carole King Producer [Additional Vocal Production] –  Humberto Gatica Producer [Assistant] –  Giles Martin Written-By –  Carole King,  Greg Wells,  Mark Hudson 5:01 A2 – Céline Dion Immortality Arranged By, Keyboards, Synthesizer [Synth Bass], Drum Programming [Drum And Rhythm Programming], Organ [Hammond B-3] –  Walter Afanasieff Backing Vocals –  The Bee Gees * Backing Vocals [Additional] –  Jim Gilstrap,  Lynn Davis,  Phillip Ingram Guitar –  Michael Landau Keyboards [Additional], Drum Programming [Additional Drum And Rhythm Programming], Technician [Sound Design], Computer [Programming] –  Dan Shea Programmed By [Additional] –  Stu Brawley * Written-By –  Barry Gibb, Robin Gibb, Maurice Gibb * 4:11 A3 – Céline Dion Treat Her Like A Lady Arranged By –  Ric Wake,  Richie Jones Drums –  Dennis Johnson,  Richie Jones Guitar –  David Spinozza Keyboards –  Eric Kupper Vocals [Guest] –  Brownstone,  Diana King Written-By –  Andy Marvel,  Billy Mann,  Céline Dion,  Diana King 4:05 A4 – Céline Dion Why Oh Why Arranged By, Keyboards –  David Foster Backing Vocals –  Sherree Ford-Payne Guitar –  Al McKay Mixed By [Mix Assisted By] –  Stu Brawley * Programmed By [Synclavier] –  Simon Franglen Written-By –  Danny Sembello,  Marti Sharron 4:51 A5 – Céline Dion Love Is On The Way Arranged By –  Ric Wake Arranged By [String] –  Leon Pendarvis Arranged By, Keyboards, Drum Programming, Guitar, Backing Vocals –  Peter Zizzo Backing Vocals –  Curtis King Jr. *,  Dana Calitri,  Eric Troyer,  Rachelle Cappelly *,  Vaneese Thomas Bass –  Pino Palladino Drums –  Shawn Pelton Guitar –  David Spinozza,  Mark Schulman * Keyboards –  Jeff Bova Percussion –  Bashiri Johnson Written-By –  Denise Rich,  Peter Zizzo,  Tina Shafer 4:26 A6 – Céline Dion  Duet With  Barbra Streisand Tell Him Arranged By [Strings] –  William Ross Arranged By, Keyboards [Additional] –  David Foster Arranged By, Keyboards, Drum Programming –  Walter Afanasieff Backing Vocals –  Cleytoven Richardson *,  Konesha Owens *,  Jeanie Tracy,  Leslie Ellis,  Skyler Jett Guitar –  Dann Huff Mixed By [Mix Assisted By] –  Chris Brooke,  Stu Brawley * Programmed By [Synths] –  Dan Shea Vocals –  Barbra Streisand Written-By –  David Foster,  Linda Thompson (2),  Walter Afanasieff 4:51 A7 – Céline Dion Amar Haciendo El Amor Acoustic Guitar [Nylon String] –  Chieli Minucci Arranged By –  Ric Wake Arranged By [Background Vocal] –  Manny Bentio * Backing Vocals –  Angie Chirino,  Olga Chirino,  Rita Quintero Bass –  Gary Headman Haase * Drums –  Omar Hakim Keyboards [Additional] –  Shane Keister Keyboards, Drum Programming –  Steve Skinner Percussion –  Bashiri Johnson Producer [Additional Vocal Production] –  Humberto Gatica Written-By –  Billy Mann,  Denise Rich,  Manny Benito 4:10 A8 – Céline Dion When I Need You Arranged By [Strings] –  William Ross Arranged By, Keyboards –  David Foster Electric Guitar –  Michael Thompson Mixed By [Mix Assisted By] –  Chris Brooke Programmed By [Synths] –  Dan Shea Written-By –  Albert Hammond,  Carole Bayer Sager 4:12 B1 – Céline Dion Miles To Go (Before I Sleep) Backing Vocals –  Celine Dion *,  Dorian Sherwood Bass, Guitar –  John Pierce Drums –  Kenny Aronoff Guitar –  Michael Thompson,  Sylvain Quesnel Keyboards –  Corey Hart,  Jeff Bova,  C.J. Vanston * Percussion –  Raphaël Padilla * Written-By –  Corey Hart 4:39 B2 – Céline Dion Us Acoustic Guitar –  Ramon Stagnaro Arranged By [Strings] –  Bill Ross * Bass –  Nathan East Drum Programming [Drum And Percussion Programming] –  Billy Pace Drums –  Mike Baird,  Vinnie Colaiuta Electric Guitar –  Michael Thompson Electric Guitar, Acoustic Guitar –  Michael Landau Mixed By [Mix Assisted By], Engineer [Additional] –  Stu Brawley * Percussion –  Paulinho Da Costa Producer [Additional Production] –  Jim Steinman Written-By –  Billy Pace 5:46 B3 – Céline Dion Just A Little Bit Of Love Arranged By –  Ric Wake Arranged By, Drum Programming, Programmed By [Additional] –  Richie Jones Backing Vocals –  Audrey L. Wheeler *,  Earl Robinson,  Eddie Stockley,  Keith Fluitt,  Kenny Bobien,  Maria Christensen,  Nikki Richards * Keyboards –  Eric Kupper Written-By –  Arnie Roman,  Arthur Jacobson,  Maria Christensen 4:06 B4 – Céline Dion My Heart Will Go On (Love Theme From 'Titanic') Arranged By –  Walter Afanasieff Backing Vocals –  Cleytoven Richardson *,  Konesha Owens *,  Jeanie Tracy,  Leslie Ellis,  Skyler Jett Fiddle [Irish] –  Paul Peabody Guitar –  Dann Huff Keyboards, Synthesizer [Synth Bass], Drum Programming [Drum And Rhythm Programming], Technician [Sound Design], Computer [Programming] –  Dan Shea Orchestrated By, Conductor –  William Ross Other [Orchestra Contractor] – Emilie Charlap Tin Whistle [Pennywhistle] –  Tony Hinnigan Written-By –  James Horner,  Will Jennings 4:40 B5 – Céline Dion Where Is The Love Backing Vocals –  Dorian Sherwood Bass –  John Pierce Drums –  Kenny Aronoff Guitar –  Tim Pierce Keyboards –  Corey Hart,  Jeff Bova,  C.J. Vanston * Percussion –  Rafael Padilla Written-By –  Corey Hart 4:55 B6 – Céline Dion Be The Man Acoustic Guitar –  Dean Parks Arranged By –  David Foster Arranged By [Strings] –  Chris Boardman,  David Foster Backing Vocals –  Kuk Harrell,  Sue Ann Carwell Drums –  John Robinson (2) Electric Guitar –  Michael Thompson Keyboards –  David Foster Programmed By [Synths] –  Felipe Elgueta Written-By –  David Foster,  Junior Miles 4:39 B7 – Céline Dion  Duet With  Luciano Pavarotti I Hate You Then I Love You Acoustic Guitar [Additional] –  Ramon Stagnaro Arranged By –  Tony Renis Arranged By [Strings] –  William Ross Arranged By, Keyboards –  David Foster Bass –  Nathan East Drums –  Vinnie Colaiuta Electric Guitar –  Michael Landau Guitar –  Dean Parks Percussion –  Paulinho Da Costa Programmed By [Synths] –  Felipe Elgueta Vocals –  Luciano Pavarotti Written-By –  Alberto Testa,  Fabio Testa,  Manuel De Falla,  Norman Newell,  Tony Renis 4:43 B8 – Céline Dion Let's Talk About Love Arranged By [Strings] –  William Ross Arranged By, Keyboards –  David Foster Bass –  Nathan East Choir [Kids] –  Malibu High School Choir Drums –  Michael Baird * Guitar –  Michael Landau,  Michael Thompson Mixed By [Mix Assisted By] –  Stu Brawley * Programmed By [Synths] –  Steve Porcaro Written-By –  Bryan Adams,  Elliott Kennedy *,  Jean-Jacques Goldman 5:12

Can -Technical Space Composer's Crew – Canaxis 5 -LP- Can -Technical Space Composer's Crew – Canaxis 5 -LP- Technical Space Composer's Crew  – Canaxis 5 Label: Revisited Rec. (2)  – SRS 002Format: Vinyl, LP, Album, Unofficial Release Country: Germany Released: 2018 Genre: Electronic,  Rock,  Classical,  Folk, World, & Country Style: Experimental Tracklist Hide Credits A1Ho-Mai-Nhi (The Boat Woman Song) Composed By –  Czukay *,  Dammers * Composed By –  Czukay *,  Dammers * 17:20B1Shook Eyes Ammunition Composed By –  Czukay *,  Dammers * Composed By –  Czukay *,  Dammers * 24:30 Credits Co-producer  –  Ro Dammers * Performer, Co-producer  –  Ho Szukay * Notes Exact LP repro edition. From the back cover: CANAXIS 5 was written in the light year 77, sometimes called the year of Galactical Score Expedition.Time elapsed between the first founding of the lunar calender with with the man's first cough on the moon cow settlement.Leaving behind a flag that waved in a strong moon storm!Plastic man turned himself around on the planet of the moon,trying to reach CANAXIS 5.Which is the galaxy of the sound expedition? It was lightning's stroke procedure onto a 45 track recorder,engineered by the robots Ho and Ro.Their laboratory was a stationary space with an orbit outside of the planet KO –––,produced with a better equipment which was connected electronically with the Inner Space Production's Sound Space Team in a little village in Vietnam. There you can find a secret computer center of all greater kinds of coloured lightnings. New from SCHEISSHOUSE RECORDS PRODUCTION: MONSTER MOVIE-made in a castle with better equipment by THE CAN on MUSIC FACTORY SRS 001 The voices of the women singing on track A1 were taken from  Various - Music Of Viet Nam  (Folkways Records ‎– FE 4352, 1965), A side, track #7. So track A1 should not be named Ho-Mai-Nhi (The Boat Woman Song) but Doh Dam Tara (Love Song). (Ho-Mai-Nhi is track B11 of  Various - Music Of Viet Nam). This song belongs to the traditions of the Cham people, based in southern Viet Nam and Cambodia. "Cham folklore has many love songs--they are called DODAM DARA. These are poems sung to sad melodies." (Music of Viet Nam by Pham Duy, Ⓒ 1965 Folkways records & Services Corp.) Other Versions (5 of 18) View All

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JOHN MAYALL / BARE WIRES 69 !! MICK TAYLOR / RARA ORIG USA EDIT !! SUPER GRUESA DOBLE CARPETA ! EXC JOHN MAYALL / BARE WIRES 69 !! MICK TAYLOR / RARA ORIG USA EDIT !! SUPER GRUESA DOBLE CARPETA ! EXC ABSOLUTA EDIC. ORIG. USA LONDOM PS 537 PRECIOSA DOBLE Y SUPER GRUESA CARPETA,.. ademas fue el primer disco que grabó con Mick Taylor..toda una joya en cualquier buena coleccion de blues britanico EXCELENTE ESTADO !! uno de sus discos claves con una formacion de lujo, no solo por contra con el joven mick taylor que lo borda con su guitarra, siempre fue una de esas figuras que se mericia mucho mas,, tambien el saxo chris merver (traffic) y el legendario dick heckstall smith y jon hiseman de (coloseum) hasta perter green esta tocando un tema y otro bestia como keef harley,,,todo un supergrupo de verdad..un albun que es un documento vital del gran blues britanico,, recomendado al 100% Side oneNo.    Title    Length 1.    "Bare Wires Suite" (Medley)     a. "Bare Wires" (1:25)     b. "Where Did I Belong" (3:05)     c. "I Started Walking" (2:20)     d. "Open Up a New Door" (3:00)     e. "Fire" (3:45)     f. "I Know Now" (5:35)     g. "Look in the Mirror" (2:51)"     22:58 Side twoNo.    Title    Writer(s)    Length 1.    "I'm a Stranger"         5:14 2.    "No Reply"    Mayall, Mick Taylor    3:09 3.    "Hartley Quits"    Taylor    2:55 4.    "Killing Time"         4:48 5.    "She's Too Young"         2:22 6.    "Sandy"         3:50 John Mayall's Bluesbreakers     John Mayall – vocals, harmonica, piano, harpsichord, organ, harmonium, guitar on tracks 1 - 7 and 10 - 13:     Mick Taylor – lead guitar, Hawaiian guitar     Chris Mercer – tenor, baritone saxophone     Dick Heckstall-Smith – tenor, soprano saxophone     Jon Hiseman – drums, percussion     Henry Lowther – cornet, violin     Tony Reeves – string bass, bass guitar     Peter Green – guitar on "Picture on the Wall" and "Jenny"     Keef Hartley – drums on "Picture on the Wall" Production[2]     Mike Vernon, John Mayall – producers     Derek Varnals – engineer     Pete Smith, Jan Persson – photography

Manfred Mann's Earth Band ‎– Chance -LP / Spain- Manfred Mann's Earth Band ‎– Chance -LP / Spain-   More images Manfred Mann's Earth Band  – Chance Label: Bronze  – I·202970,  Bronze  – I-202.970 Format: Vinyl, LP, Album Country: Spain Released: 1981 Genre: Rock Style: Pop Rock,  Prog Rock Tracklist Hide Credits A1   Lies (Through The 80's) Vocals –  Chris Thompson Written-By –  D. Newman * Vocals –  Chris Thompson Written-By –  D. Newman * 4:33 A2   On The Run Vocals –  Chris Thompson Written By –  Manfred Mann - T. Ashton - F. Palmer Written-By –  F. Palmer *,  Manfred Mann (2),  T. Ashton * Vocals –  Chris Thompson Written By –  Manfred Mann - T. Ashton - F. Palmer Written-By –  F. Palmer *,  Manfred Mann (2),  T. Ashton * 3:52 A3   For You Vocals –  Chris Thompson Written-By –  B. Springsteen * Vocals –  Chris Thompson Written-By –  B. Springsteen * 5:42 A4   Adolescent Dream Vocals –  Manfred Mann (2) Written-By –  Manfred Mann (2) Vocals –  Manfred Mann (2) Written-By –  Manfred Mann (2) 2:41 A5   Fritz The Blank Written-By –  Manfred Mann (2) Written-By –  Manfred Mann (2) 2:51 B1   Stranded Vocals –  Peter Marsh Written By –  Manfred Mann - Mike Heron Written-By –  Manfred Mann (2),  Mike Heron (2) Vocals –  Peter Marsh Written By –  Manfred Mann - Mike Heron Written-By –  Manfred Mann (2),  Mike Heron (2) 5:46 B2   Hello, I Am Your Heart Vocals –  Steve Waller Written-By –  D. Linde * Vocals –  Steve Waller Written-By –  D. Linde * 5:16 B3   No Guarantee Vocals –  Dyan Birch Written-By –  Manfred Mann (2) Vocals –  Dyan Birch Written-By –  Manfred Mann (2) 3:51 B4   Heart On The Street Vocals –  Willy Finlayson Written-By –  Tom Gray Vocals –  Willy Finlayson Written-By –  Tom Gray 4:49   Companies, etc. Manufactured By  –  Iberofon, S.A. Made By  –  Ariola Eurodisc S.A. Phonographic Copyright ℗  –  Bronze Records Ltd. Distributed By  –  Ariola Eurodisc S.A. Printed By  –  T.G. Hostench, S.A. Recorded At  –  The Workhouse Studios Recorded At  –  Casa Das Flores Credits Artwork [Cover]  –  Ole Kortzau Backing Vocals [Additional]  –  Carol Stocker Bass, Bass [Pedals]  –  Pat King Co-producer [Associate]  –  Trevor Rabin Co-producer [Portugal: Production Assistance]  –  Bernie Clarke Design  –  Martin Poole Drums  –  John Lingwood Engineer  –  Rik Walton Engineer [Other]  –  Edwin Cross,  Laurie Latham,  Robert Stewart (3) Engineer [Other], Tape Op [Tape-op]  –  David Barratt Engineer [Portugal]  –  Peter Schwier *,  Tim Summerhayes Guitar  –  Geoff Whitehorn,  Mick Rogers,  Robbie McIntosh,  Steve Waller,  Trevor Rabin Keyboards, Liner Notes  –  Manfred Mann (2) Producer  –  Manfred Mann (2) Saxophone  –  Barbara Thompson Vocals [Others]  –  Dyan Birch Notes Info from cover (rear): Cat# variation I·202970 appears. ℗ 1980 Original Sound Recordings by Bronze Records Ltd. Editado y distribuido por Ariola-Eurodisc, S.A. c/Aragón, 204 Barcelona (11) - España T.G. Hostench, S.A. Córcega, 231-233, Barcelona (36) 1981 Recorded at The Workhouse Studios London. & Casa das Flores Albufeira Portugal. Trevor Rabin courtesy of Chrysalis Records. Carol Stocker (Courtesy of U.A. Records). Chris Thompson appears courtesy of Planet Records & 'Night' Cover: 'Deckchairs' Screen print, edition of 500. Courtesy of Thumb Gallery, London. Info from inner sleeve: All lyrics reproduced by kind permission of copyright owners as follows: Side one: Lies (Through The 80's) + Adolescent Dream-Scalehand Ltd © 1980, On The Run-Scalehand Ltd/Chappells Music Ltd/Pendulum Music Ltd © 1980, For You-Intersong Music Ltd © 1973. Side two: Stranded-Hitsong Ltd © 1980, Hello, I Am Your Heart-EMI Music Pub. Ltd/Keith Prowse Music Ltd © 1973, No Guarantee-Samain Artists Management B.V. © 1980, Heart On The Street-George Gluck Music Ltd © 1980. Info from centre label Side A: Edita y Distrib. Ariola Eurodisc S.A. Impuesto de lujo a metalico Made in Spain Info from centre label Side B: Fab. en España por Iberofón, S.A. Info found on both centre labels: Cat# variation I-202.970 appears. ℗ 1980 Original Sound Recordings Made by Bronze Records Ltd. Barcode and Other Identifiers Matrix / Runout (Side A runout etched): Ⅰ-202.970-A-1N¹ Matrix / Runout (Side B runout etched): Ⅰ-202.970-B-1N¹ Rights Society: B.I.E.M. Depósito Legal: B-36759-1980 Other (Impuesto de lujo a Metalico): Permiso 6.649 Other (Fabricado por Iberofon, S.A.): Perm. 5854

Iggy Pop – New Values = Nuevos Valores -LP / Spain Iggy Pop – New Values = Nuevos Valores -LP / Spain   More images Iggy Pop  – New Values = Nuevos Valores Label: Arista  – I-201144,  Arista  – I-201.144 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Spain Released: Genre: Rock Style: Garage Rock,  Classic Rock,  Glam Tracklist A1   Tell Me A Story A2   New Values A3   Girls A4   I'm Bored A5   Don't Look Down A6   The Endless Sea B1   Five Foot One B2   How Do Ya Fix A Broken Part B3   Angel B4   Curiosity B5   African Man B6   Billy Is A Runaway   Companies, etc. Made By  –  Ariola Eurodisc S.A. Distributed By  –  Ariola Eurodisc S.A. Printed By  –  Indugraf Madrid, S.A. Credits Engineer, Mixed By  –  Peter Haden Mastered By  –  Johnny Golden * Mixed By, Producer  –  James Williamson Producer  –  James Osterberg Producer [Assistant Production]  –  Lloyd Malan Notes Very similiar to  New Values = Nuevos Valores. Appears to have the same sleeve printed by Indugraf, but rimtext on labels is different: The other version has an ongoing text that starts at 6.30 and ends at 5.30, including "Fabricado en Espana por Iberofon, S.A." at the end. In addition, on this version, the ARISTA logo on labels is lacking the ™. This version has no such credit and it's text split in two, with: - one part going from 10.30 to 1.30 and reading "Editato y distribuido por Ariola-Eurodisc, S.A. Impuesto de tujo, permiso n° 8649" and - the second part going from 2 o'clock to 10 o'clock. On rear sleeve: Editado y distribuido por ARIOLA-EURODISC, S.A. Barcode and Other Identifiers Depósito Legal: B-8341-1980 Rights Society: B.I.E.M. Other (Permiso N.º): 8649

HEAVEN 17: SUNSET NOW [ESP 1984] EP 12' HEAVEN 17: SUNSET NOW [ESP 1984] EP 12' Heaven 17   "Sunset Now"  EP 12" (Virgin)  1984  made in Spain cat. num.   F-601510 #synth pop   A1 Sunset Now (Extended Version) 5:21 A2 Flame Down 3:14 B1 Counterforce 3:02 B2 Sunset Now (Album Version) 3:40 B3 Counterforce II   It all came together for  Heaven 17  on this release, and as a result it is by far their strongest, most brilliant ep. Combining their various influences (including R&B, pop, dance, electronica),  Heaven 17  fused these styles together to made an almost perfect sound. A strong melody, stunning vocals from  Glenn Gregory, and tight production equal a fascinating glimpse into the human struggle. Adding a number of session players, including a guitarist,  Heaven 17  was able to expand and build on their solid sound.  Gregory  is also allowed to branch out on this album and write more personal and political statements that were not clearly heard on their first two albums. Fans will not be disappointed, and in fact, this could be the album to win new fans over. "Sunset Now," and "Flamedown," are just a few of the reasons for this ep greatness.

MILES DAVIS - KIND OF BLUE Edición Limitada y Numerada MFSL 2LP vinilo 180g Box Set Precintado MILES DAVIS - KIND OF BLUE Edición Limitada y Numerada MFSL 2LP vinilo 180g Box Set Precintado     MILES DAVIS KIND OF BLUE Edición Limitada Numerada a Mano 180g 2LP 45rpm MFSL Box Set Nuevo y Precintado       MILES DAVIS KIND OF BLUE Hand Numbered Limited Edition 180g 2LP 45rpm MFSL Box Set New and Sealed ATENCIÓN: En este artículo no se admiten ofertas.       DESCRIPCIÓN: USA 2015 Mobile Fidelity Sound Lab  MFSL 2-45011   La revista Rolling Stone incluyó este álbum en su lista de los 500 mejores álbumes de todos los tiempos (12/500).   Kind Of Blue es quizás el álbum de jazz definitivo. Las sesiones de grabación efectuadas en solo dos días del 1959, marcan un punto de inflexión en la historia del jazz. Miles apareció en los estudios Columbia con algunas melodías esbozadas en papel y la banda procedió a grabar cada tema en una o dos tomas, tal y como a Miles le gustaba grabar. Hoy en día, tras más de 50 años del lanzamiento del álbum resultante de aquellas dos sesiones, Kind Of Blue sigue siendo el disco más vendido en la historia del jazz: más de 4 millones de copias en todo el mundo y aún se vende una media de 5000 copias a la semana.     Características: • Edición Limitada y Numerada MFSL  2LP vinilo 180g 45rpm Box Set. • El número de copia que aparece en la fotografía de la contraportada no tiene por qué corresponder con el de la copia en venta. • Masterizado a mitad de velocidad por Mobile Fidelity Sound Lab a partir de las cintas Master originales. • Prensado en vinilo audiófilo de 180 gramos. • Los discos vienen alojados en una caja de gran resistencia. • Nuevo y Precintado de fábrica.     DESCRIPTION: US 2015 Mobile Fidelity Sound Lab MFSL 2-45011   Ranked #12 on Rolling Stone's 500 Greatest Albums of All Time List.   This is perhaps the definitive jazz record. This unrehearsed recording session from 1959 marks a great turning point in jazz history. Miles showed up to the Columbia recording studio with some rough melodies and chords jotted down on paper and the band proceeded to track each song in one or two takes.  Today,  over 50 years after it was released, "Kind of Blue" remains the bestselling jazz album of all time. More than 4 million copies have been sold, and the album still sells an average of 5,000 copies a week.     Features:   • Numbered Limited Edition 180g 45rpm 2LP Box Set. • The copy number shown in the photo of the back cover does not necessarily have to correspond to the number of the current copy for sale. • Half-Speed Production and Mastering by Mobile Fidelity Sound Lab from the Original Master Tapes. • Pressed on 180gram audiophile vinyl. • Heavy Duty Protective Packaging. • New and Factory sealed.     Personnel: Trumpet – Miles Davis Julian "Cannonball" Adderley, alto sax (except on "Blue in Green") John Coltrane, tenor sax Paul Chambers, double bass Bill Evans, piano (except "Freddie Freeloader") Wynton Kelly, piano ("Freddie Freeloader") Jimmy Cobb, drums    Track Listing: SIDE A 1. SO WHAT SIDE B 1. FREDDIE FREELOADER  2. BLUE IN GREEN  SIDE C 1. ALL BLUES SIDE D 1. FLAMENCO SKETCHES         ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)    

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

BLOOD, SWEAT & TEARS One Step Master MFSL 45RPM 2LP Box Set Out Of Print Precintado BLOOD, SWEAT & TEARS One Step Master MFSL 45RPM 2LP Box Set Out Of Print Precintado BLOOD, SWEAT & TEARS BLOOD, SWEAT & TEARS (Segundo Álbum) One Step Original Master Recording 180g 2LP 45rpm MFSL Edición Limitada y Numerada DESCATALOGADO Nuevo y Precintado     BLOOD, SWEAT & TEARS BLOOD, SWEAT & TEARS (Second Album) One Step Original Master Recording 180g 2LP 45rpm MFSL Numbered Limited Edition OUT OF PRINT New and Sealed     DESCRIPCIÓN: USA 2021 Mobile Fidelity Sound Lab UD1S 2-016        El segundo ábum de Blood, Sweat & Tears permaneció durante siete semanas  en cabeza de las listas y de él se sacaron cinco Top singles consecutivos. Vendió según la RIAA más de cuatro millones de copias solamente en Estados Unidos. En Canadá permaneció ocho semanas en el número 1 en la lista de álbums nacional RPM.        • Edición Limitada y Numerada Manualmente: estrictamente limitada a solo 6,000 copias. • El número de la copia que se muestra en la foto de la contraportada no necesariamente debe corresponder con el número de la copia actual en venta. • MoFi SuperVinyl Pressing. • UltraDisc One-Step. • Edición Speed de 45rpm. • Caja de 2LP. • Fiel a los gráficos originales. • Producción y masterización por Mobile Fidelity Sound Lab. • Nuevo y Precintado de Fábrica.  DESCATALOGADO        DESCRIPTION: US 2021 Mobile Fidelity Sound Lab UD1S 2-016     Rising to the top of the U.S. charts for seven weeks and yielding three successive Top 5 singles. It has been certified quadruple platinum by the RIAA with sales of more than four million copies in the U.S. In Canada, it stayed eight weeks at No. 1 on the RPM national album chart.       • Hand Numbered, Limited Edition – Strictly limited to only 6,000 Copies. • The copy number shown in the photo of the back cover does not necessarily have to correspond to the number of the current copy for sale. • MoFi SuperVinyl Pressing. • UltraDisc One-Step. • 45rpm Speed Edition. • 2LP Box Set. • Housed in an opulent box. • Faithful to original graphics. • Production and Mastering by Mobile Fidelity Sound Lab. • New and Factory sealed.   SOLD OUT!     Musicians:   Fred Lipsius, alto sax, piano Chuck Winfield, trumpet, flugelhorn Lew Soloff, trumpet, flugelhorn Jerry Hyman, trombone, recorder David Clayton-Thomas, lead vocals Dick Halligan, organ, piano, flute, trombone, vocals Steve Katz, guitar, harmonica, vocals Bobby Colomby, drums, percussion, vocals Jim Fielder, bass           Track Listing:   SIDE A   1. VARIATIONS ON A THEME BY ERIK SATIE   2. SMILING PHASES   3. SOMETIMES IN WINTER   SIDE B   1. MORE AND MORE   2. AND WHEN I DIE   3. GOD BLESS THE CHILD   SIDE C   1. SPINNING WHEEL   2. YOU'VE MADE ME SO VERY HAPPY   SIDE D   1. BLUES - PART II   2. VARIATIONS ON A THEME BY ERIK SATIE                ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)        

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.