Recorded in one take

THE BEATLES 4CD BOX SET * GREATEST HITS IN CONCERT 1962-'65 * Caja precintada!! THE BEATLES 4CD BOX SET * GREATEST HITS IN CONCERT 1962-'65 * Caja precintada!! Edición muy limitada con grabaciones históricas de The Beatles desde 1965 a 1965.  Contiene 4 discos en formato digipack. Una gran pieza de coleccionismo. Grabaciones algunas con sonido de la época, sin filtrar. Editado por el sello checoslovaco Coda Records. Actualmente muy difícil de encontrar.  Caja precintada de fábrica.  CD 1 The Lost Decca Audition Tapes  1 Money (That's What I Want) 2 Till There Was You 3 To Know Her Is To Love Her 4 Take Good Care Of My Baby 5 Memphis Tennessee 6 Sure To Fall In Love With You 7 Crying, Waiting, Hoping 8 Love Of The Loved 9 September In The Rain 10 Besame Mucho 11 Pete Best - The Decca Sessions 12 Pete Best - Recording Love Me Do 13 Love Me Do (With Ringo Starr) 14 Till There Was You (With Ringo Starr) 15 Memories With Pete Best 16 My Bonnie  CD 2 The Lost Abbey Road Tapes 196'64  1 Love Me Do 2 P.S. I Love You 3 There's A Place (Take 2) 4 I Saw Her Standing There (Takes 6 & 10) 5 Misery (Take 6) 6 Thank You Girl (Takes 4 & 12) 7 Don't Bother Me (Take 10) 8 Hold Me Tight (Take 28) 9 A Hard Day's Night (Take 7) 10 I'm A Loser (Take 8) 11 What You're Doing (Take 11) 12 She's A Woman (Take 2)  CD 3 The Lost Bbc Tapes And Much More  1 I Saw Her Standing There 2 Misery 3 Too Much Monkey Business 4 I'm Talking About You 5 Please Please Me 6 Hippy Hippy Shake 7 She Loves You 8 Twist And Shout 9 From Me To You 10 I'll Get You 11 She Loves You 12 Twist And Shout 13 I Want To Hold Your Hand 14 This Boy 15 All My Loving 16 Seventeen (Harmonica Version) 17 The One After 909 (Take 1) 18 Catwalk (Take 1) 19 Twist And Shout 20 Can't Buy Me Love 21 If I Fell 22 A Hard Day's Night  CD 4 New York, Miami And Philadelphia  1 All My Loving 2 Till There Was You 3 She Loves You 4 I Saw Her Standing There 5 I Want To Hold Your Hand 6 She Loves You 7 This Boy 8 All My Loving 9 I Saw Her Standing There 10 From Me To You 11 I Want To Hold Your Hand 12 Twist And Shout 13 You Can't Do That 14 All My Loving 15 She Loves You 16 Things We Said Today 17 Roll Over Beethoven 18 Can't Buy Me Love 19 If I Fell 20 I Want To Hold Your Hand 21 Boys 22 A Hard Day's Night 23 Long Tall Sally  Blackpool And Paris 196'65  1 A Hard Day's Night 2 Things We Said Today 3 You Can't Do That 4 If I Fell 5 Long Tall Sally 6 I Feel Fine 7 I'm Down 8 Act Naturally 9 Ticket To Ride 10 Yesterday 11 Help! 12 Twist And Shout 13 She's A Woman 14 I'm A Loser 15 Can't Buy Me Love 16 Baby's In Black 17 I Wanna Be Your Man 18 A Hard Day's Night 19 Everybody's Trying To Be My Baby 20 Rock 'N' Roll Music 21 Ticket To Ride 22 Long Tall Sally  Australia & Japan  1 I Saw Her Standng There 2 You Can't Do That 3 All My Loving 4 She Loves You 5 Till There Was You 6 Roll Over Beethoven 7 Can't Buy Me Love 8 This Boy 9 Twist And Shout 10 Long Tall Sally 11 Rock 'N' Roll Music 12 She's A Woman 13 If I Need Someone 14 Day Tripper 15 Baby's In Black 16 I Feel Fine 17 Yesterday 18 I Wanna Be Your Man 19 Nowhere Man 20 Paperback Writer 21 I'm Down 

David Bowie – Live In Tokyo, 1990 -2 LP- David Bowie – Live In Tokyo, 1990 -2 LP-   More images David Bowie  – Live In Tokyo, 1990 Label: Radio Sound Broadcast  – RSB 1003/2 Format: 2 x  Vinyl, LP, Limited Edition, Unofficial Release,  purple and brown marbled Country: Released: Genre: Rock Style: Pop Rock Tracklist Hide Credits A1   Space Oddity 5:05 A2   Changes 2:55 A3   TVC 15 4:22 A4   Rebel Rebel 2:58 A5   Ashes To Ashes 5:10 B1   Starman 3:52 B2   Fashion 4:58 B3   Life On Mars? 4:02 B4   Blue Jean 3:07 C1   Let's Dance 5:03 C2   China Girl Written-By –  David Bowie,  Iggy Pop Written-By –  David Bowie,  Iggy Pop 5:44 C3   Sound And Vision 3:43 C4   Ziggy Stardust 3:22 D1   Station To Station 7:57 D2   Young Americans 6:19 D3   Suffragette City 3:19 D4   Fame Written-By –  Alomar *,  Bowie *,  Lennon * Written-By –  Alomar *,  Bowie *,  Lennon * 5:55   Companies, etc. Licensed From  –  SoniK Enterprises Recorded At  –  Tokyo Dome Credits Bass Guitar, Backing Vocals  –  Erdal Kizilcay Drums  –  Michael Hodges Guitar, Backing Vocals, Music Director  –  Adrian Belew Keyboards, Backing Vocals  –  Rick Fox Vocals, Guitar, Saxophone  –  David Bowie Notes Subtitles: Recorded Live At Tokyo Dome, May 16, 1990 Westwood One Co 90-47 Limited edtion 300 copies. Gatefold thick cover. All songs written by David Bowie except where indicated. Barcode and Other Identifiers Matrix / Runout (Runout side A, etched): RSB 1003-A Matrix / Runout (Runout side B, etched): RSB 1003-B Matrix / Runout (Runout side C, etched): RSB 1003-C Matrix / Runout (Runout side D, etched): RSB 1003-D Barcode: 8 026575 003613

Van Morrison Lost In A Fugitives Dream 2-CD Moontunes label Cambridge 1995 Van Morrison Lost In A Fugitives Dream 2-CD Moontunes label Cambridge 1995 VAN MORRISON Lost In A Fugitives Dream Doble CD, original del año 1995 en el label "Moontunes" CD-1 1 Sweet Thing 5:55 2 Did Ye Get Healed / It's All In The Game / Make It Real One More Time 7:36 3 I Believe To My Soul 3:25 4 Whenever God Shines His Light 3:48 5 My Name Is Raincheck 4:45 6 See Me Through / Soldier Of Fortune / Thank You Falettinme Be Mice Elf Again 7:40 7 Ain't That Loving You Baby? 4:38 8 Stormy Monday / Going Down Slow / Baby What You Want Me To Do? 5:33 9 Real Real Gone 3:50 10 Days Like This 3:38 11 Vanlose Stairway 4:48 12 Hungry For Your Love 3:54 13 You Don't Know Me 3:58 14 Help Me 6:30 15 Tupelo Honey / Why Must I Always Explain? 7:16 CD-2 1 Moondance / Blue Moon / Fever / My Funny Valentine 8:45 2 I'll Take Care Of You / When The Clock Strikes / It's Hustle Time 8:30 3 It's A Man's, Man's, Man's, World 8:42 4 Lonely Avenue / 4 O'Clock In The Morning / Be Bop A Lula / Down The Line / Nothing But The Blues 6:42 5 In The Garden / You Send Me Vocals – Brian Kennedy 10:53 6 Melancholia 5:01 7 Northern Muse (Solid Ground) / No Prima Donna - All Change 8:10 8 Gloria 7:45 9 Have I Told You Lately Featuring – Sinéad O'Connor, The Chieftains 4:17 10 Did Ye Get Healed / All In The Game / Make It Real One More Time Recordings: Cambridge Corn Exchange, Cambridge, UK April 14th 1995 Track 9 Disc 2 - David Letterman Show Track 10 Disc 2 - E.M.A Awards, Belfast, April 13th 1995 Número de Catálogo:  MOON 011/12 Estado: Excelente

Eric Clapton – Just One Night DOBLE LP RSO SPAIN 1980 PEPETO Eric Clapton – Just One Night DOBLE LP RSO SPAIN 1980 PEPETO E ric Clapton – Just One Night Label: Polydor – 26 58 135, RSO – 26 58 135 Format: 2 x Vinyl, LP, Album Country: Spain Released: 1980 Genre: Rock Style: Blues Rock, Country Rock, Classic Rock Tracklist A1   Tulsa Time Written-By – D. Flowers * A2   Early In The Morning Arranged By – E. Clapton * Written-By – Trad. * A3   Lay Down Sally Written-By – E. Clapton *, G. Terry *, M. Levy * A4   Wonderful Tonight Written-By – E. Clapton * B1   If I Don't Be There By Morning Written-By – B. Dylan *, H. Springs * B2   Worried Life Blues Written-By – M. Merriweather * B3   All Our Past Times Written-By – E. Clapton *, R. Danko * B4   After Midnight Written-By – J.J. Cale C1   Double Trouble Written-By – O. Rush * C2   Setting Me Up Vocals – Albert Lee Written-By – M. Knopfler * C3   Blues Power Written-By – E. Clapton *, L. Russell * D1.1   Rambling On My Mind Arranged By – E. Clapton * Written-By – Trad. * D1.2   Have You Ever Loved A Woman Written-By – B. Myles * D2   Cocaine Written-By – J.J. Cale D3   Further On Up The Road Written-By – D.D. Robey *, J.M. Veasey * Companies, etc. Record Company – Polydor, S.A. Distributed By – Polydor, S.A. Manufactured By – COFASA Phonographic Copyright ℗ – Montgrove Management Ltd. Phonographic Copyright ℗ – RSO Records Ltd. Copyright © – RSO Records Ltd. Printed By – Gráficas Foco, S.A. Recorded At – Budokan Credits Art Direction, Design [Cover] – David Stewart (8) Bass – Dave Markee Drums – Henry Spinetti Guitar, Vocals – Eric Clapton Guitar, Vocals, Keyboards – Albert Lee Illustration – Ken Konno Keyboards – Chris Stainton Mixed By – Phil Chapman Photography By – Dave Brown (28), Koichiro Hiki Producer, Engineer, Mixed By – Jon Astley

Blackberry Smoke – Stoned -LP- Blackberry Smoke – Stoned -LP-   More images Blackberry Smoke  – Stoned Label: 3 Legged Records  – 3LG15LP Format: Vinyl, LP,  Transparent red w/black smoke Country: US Released: Nov 26, 2021 Genre: Rock Style: Classic Rock,  Southern Rock Tracklist Hide Credits A1   All Down The Line A2   Sway A3   Can’t You Hear Me Knockin’ B1   Tumbling Dice B2   Just My Imagination (Running Away With Me) Songwriter –  Barrett Strong,  Norman Whitfield Songwriter –  Barrett Strong,  Norman Whitfield B3   I Got The Blues B4   Street Fighting Man   Companies, etc. Marketed By  –  Thirty Tigers Marketed By  –  The Orchard Distributed By  –  Thirty Tigers Distributed By  –  The Orchard Recorded At  –  Welcome To 1979 Phonographic Copyright ℗  –  3 Legged Records Copyright ©  –  3 Legged Records Credits Cover [Front]  –  Phil Guy Engineer  –  Jeremy Bernstein (5) Engineer [Assistant]  –  Nick Molino Layout, Design  –  Perry Shall Mastered By  –  Margaret Luthar Songwriter  –  Keith Richards,  Mick Jagger Notes Record Store Day Black Friday release Limited to 2500 copies Pressed On Red Vinyl With Black Smoke "This album was recorded, mixed and mastered live to a vinyl master in one take on the evening of November 6, 2020 at Welcome to 1979. There were no overdubs, edits, punch-ins, remixes or remastering. This type of recording is very rare due to the technical and creative difficulty associated with recording live to a vinyl master. Once the recording has started it cannot stop until the end of the side. You are hearing one complete take per side of the record, which is no easy feat for all involved. Enjoy!" Barcode and Other Identifiers Barcode (Scanned): 793888432505 Barcode (Text): 7 93888 43250 5 Matrix / Runout (Label - Side A/B): 3LP15LP Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-A2 ML201106 Welcome to 1979 Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-B2 ML201106 Welcome to 1979      

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 THE CURE - CONCERT (THE CURE LIVE) - ALBUM VINILO ORIGINAL PRIMERA EDICION POLYDOR 1984 Concert es el primer álbum en vivo de la banda británica de rock, The Cure. La edición en cassette fue doble, ya que contenía el resto de caras B y se tituló Curiosity (Killing the Cat): Cure Anomalies 1977–1984. El disco es el resultado de las grabaciones de los conciertos que dio la banda en el actual Hammersmith Apollo de Londres y en Oxford en mayo de 1984. La portada fue diseñada por el mismo Robert Smith, bajo el seudónimo de Toberr, con un fotograma de vídeo de una emisión de televisión en directo el 25 de agosto de 1984 durante el concierto que The Cure ofrecieron en el Barrowland Ballroom situado en Glasgow, Escocia y que tenía la intención de que ilustrase un disco pirata de la banda. Algunos de los temas que los Cure tocaron en los conciertos de mayo de 1984 en Oxford y Londres durante la gira promocional del álbum "The Top", se inmortalizarían en el primer directo oficial de la banda de Robert Smith. Así, de lo poco que se podía salvar del mediocre y antes mencionado "The top", se incluyeron " Shake dog shake " y " Give me it ". También, una revisión más acorde con su estilo del hit discotequero " The walk ". Del oscuro y taciturno "Pornography" dejarían patente una intensidad épica con " One hundred years " y " The hanging garden ". Del tétrico y tormentoso "Faith" se incluiría la menos tenebrosa, esa fantástica " Primary ". Además, la inclusión de " Charlotte sometimes " permitió conocer más ampliamente una de las rarezas inéditas publicadas en formato single de The Cure. Del frío y experimental "Seventeen seconds" se recogería " A forest " en una psicodélica versión que se convertiría a posteriori en la joya del siniestro afterpunk. Finalmente, para cerrar este álbum " 10:15 Saturday night " y " Killing an arab ", los dos temas de su primer single con aquel primerizo powerpop característico. En definitiva, en "Concert - The Cure Live" se recogían las mayores virtudes del primer y más interesante período de una de las bandas más exitosas de la década de los 80. Listado de canciones: 1. «Shake Dog Shake» 4:14 2. «Primary» 3:29 3. «Charlotte Sometimes» 4:06 4. «The Hanging Garden» 4:05 5. «Give Me It» 2:49 6. «The Walk» 3:31 7. «One Hundred Years» 6:48 8. «A Forest» 6:46 9. «10:15 Saturday Night» 3:44 10. «Killing an Arab» 2:51 In 1984, the Cure released The Top, a generally psychedelic album on which Smith played all the instruments except the drums—played by Andy Anderson—and the saxophone—played by returnee Porl Thompson. The album was a Top 10 hit in the UK, and was their first studio album to break the Billboard 200 in the US, reaching number 180. Melody Maker praised the album as "psychedelia that can't be dated", while pondering, "I've yet to meet anyone who can tell me why the Cure are having hits now of all times." The Cure then embarked on their worldwide Top Tour with Thompson, Anderson and producer-turned-bassist Phil Thornalley on board. Released in late 1984, The Cure's first live album, Concert consisted of performances from this tour. Near the tour's end, Anderson was fired for destroying a hotel room and was replaced by Boris Williams. Thornalley also left because of the stress of touring. However, the bassist slot was not vacant long, for a Cure roadie named Gary Biddles had brokered a reunion between Smith and former bassist Simon Gallup, who had been playing in the band Fools Dance. Soon after reconciling, Smith asked Gallup to rejoin the band. Concert: The Cure Live is the first live album of English rock band The Cure. It was recorded in 1984 at the Hammersmith Odeon in London and in Oxford. Its cassette tape edition featured on the B-side a twin album of anomalies, titled Curiosity (Killing the Cat): Cure Anomalies 1977–1984.

RIVER CITY PEOPLE - THIS IS THE WORLD - VINILO ORIGINAL 1991 PRIMEA EDICION EMI RIVER CITY PEOPLE - THIS IS THE WORLD - VINILO ORIGINAL 1991 PRIMEA EDICION EMI River City People fue un grupo de folk-rock de vida y éxito efímeros. Con sus dos estupendos albumes, sonaron bastante en las emisoras del Reino Unido y otros países (España, entre ellos), y llegaron a actuar en varias ciudades europeas. Pero lo que condenó a la banda de Liverpool fue, probablemente, que llegaron tarde a la fiesta. La segunda mitad de los 80 fue un momento dulce para el pop-rock inglés e irlandés, que consolidó a grupos como U2, Simple Minds, Dire Straits o Simply Red. Pero los RCP se subieron al carro en 1989, cuando el movimiento languidecía, y a pocos meses de la explosión, al otro lado del Atlántico, del fenómeno grunge. La banda aguantó como pudo el desinterés por el folk-rock, y aunque llegó a lanzar en 1991 un segundo gran LP, acabó deshaciéndose pocos meses después. El primer disco es una maravilla y este   THIS IS THE WORLD esta muy bien. Tracklist: 01. River City People - Standing In The Need Of Love [3:30] 02. River City People - Special Way [3:14] 03. River City People - Act Like A Child [3:46] 04. River City People - Hurt You [3:57] 05. River City People - Driver [3:24] 06. River City People - Move A Mountain [4:41] 07. River City People - Mile High Cafe [4:31] 08. River City People - True Stories From The Revolution [3:42] 09. River City People - The Sea [3:40] 10. River City People - High Tide [3:28] 11. River City People - This Is The World [4:57] River City People were a folk rock quartet formed in Liverpool, England in 1986, by vocalist Siobhan Maher, guitarist Tim Speed, his drummer brother Paul Speed, and bassist Dave Snell. Siobhan, Tim and Dave had both been with Liverpool Band "Peep Show" until summer 1987 - at one point both bands co-existed. The group appeared on Channel 4's The Chart Show and soon afterward signed with EMI, releasing their debut single "(What's Wrong With) Dreaming?" in mid 1989. Their album Say Something Good followed a few months later, recorded in Los Angeles and produced by legendary producer Don Gehman. In the summer of 1990, the band scored their biggest hit with a cover of The Mamas & the Papas' "California Dreamin'". This was a double A-side with "Carry the Blame". " This is the World " followed in late 1991, but the group disbanded shortly after. Maher then teamed with ex-Bangle Debbi Peterson in the duo Kindred Spirit, releasing a self-titled 1995 album on Capitol Records. She released a solo album in 2002 called Immigrant Flower.

Lindsey Buckingham: Seeds We Sow Lindsey Buckingham: Seeds We Sow Lindsey Buckingham: Seeds We Sow. Eagle Records, 2011. En contenedor tipo díptico con dos bolsillos, uno de los cuales aloja el disco, y el otro un libreto de 16 páginas con las letras de las canciones (en inglés). Estado de la caja, libreto y disco: impecable, todo como nuevo. El disco no presenta el menor desperfecto bajo cualquier ángulo de luz. Gastos de envío península: 1 €. Si se adquieren cinco o más títulos, los gastos de envío corren a cargo del vendedor. Consulta los demás artículos que tengo a la venta. Track listing: "Seeds We Sow" – 3:43 "In Our Own Time" – 4:20 "Illumination" – 2:19 "That's the Way That Love Goes" – 3:56 "Stars Are Crazy" (Lindsey Buckingham, Lisa Dewey) – 4:50 "When She Comes Down" – 4:48 "Rock Away Blind" – 3:57 "One Take" – 3:28 "Gone Too Far" – 3:24 "End of Time" – 3:57 "She Smiled Sweetly" (Mick Jagger, Keith Richards) – 2:53

Santana Santana 1st Spain Press 1971 Gatefold Full Orange CBS S69015 Santana Santana 1st Spain Press 1971 Gatefold Full Orange CBS S69015 Santana Santana Gatefold Cover and Record in Excellent+ condition Full Orange CBS   Santana ‎– Santana Label:CBS ‎– S 69015 Format:Vinyl, LP, Album, Gatefold  Country:Spain Released:1971 Genre:Rock, Latin Style:Psychedelic Rock   Tracklist A1 Batuka A2 No One To Depend On A3 Taboo A4 Toussaint L'Overture B1 Everybody's Everything B2 Guajira B3 Jungle Strut B4 Everything's Coming Our Way B5 Para Los Rumberos   Companies, etc. Record Company – Discos CBS, S.A., Madrid Manufactured By – COFASA Printed By – Offset ALG, S.A. Recorded At – Columbia Studios   Credits Backing Vocals, Percussion [Assistance] – Coke Escovedo Bass – David Brown (5) Congas, Vocals, Percussion, Tambourine – Michael P. R. Carabello* Design [Album] – Joan Chase, Mary Ann Mayer Drums, Percussion, Vibraphone [Vibes] – Michael Shrieve Engineer – Glen Kolotkin Guitar – Neal Schon Guitar, Vocals – Carlos Santana Photography By [Inside] – Joan Chase Piano, Organ, Vocals – Gregg Rolie Producer – Santana Recorded By – Mike Larner Timbales, Congas, Percussion, Drums, Vocals, Flugelhorn [Fiscornio] – José Chepito Areas*   POSTAGE & PAYMENTS  Payment: Only Paypal is accepted.  Payment must be received within 5 days of the auction ends.   Shipping & packaging: We dispatch all items within 1 working day by RECORDED DELIVERY. We will send you the Tracking Number that you will be able to use to track the progress of your order. We take great care packaging every item to ensure safe shipment to you.    Approximate Delivery Times: Europe: 4-8 working days. USA, Canada & Rest Of The World: 5-10 working days.   Please don't hesitate to ask any questions you may have questions  

Cactus (3) ‎– 'Ot 'N' Sweaty -LP- Cactus (3) ‎– 'Ot 'N' Sweaty -LP-   More images Cactus (3)  – 'Ot 'N' Sweaty Label: Atlantic  – ATC 50013,  ATCO Records  – 50 013 B,  ATCO Records  – 50 013 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Europe Released: Genre: Rock Style: Hard Rock,  Rock & Roll Tracklist A1   Swim 4:40 A2   Bad Mother Boogie 4:55 A3   Our Lil Rock-N-Roll Thing 6:25 B1   Bad Stuff 3:08 B2   Bringing Me Down 5:27 B3   Bedroom Mazurka 4:33 B4   Telling You 5:10 B5   Underneath The Arches 0:30   Companies, etc. Phonographic Copyright ℗  –  Atlantic Recording Corporation Copyright ©  –  Atlantic Recording Corporation Record Company  –  Atco Record Company  –  Warner Communications Recorded At  –  Mar Y Sol Festival Recorded By  –  Wally Heider Recording Recorded At  –  Mediasound Recorded At  –  Electric Lady Studios Recorded At  –  Atlantic Studios Recorded At  –  Advantage Sound Remixed At  –  Electric Lady Studios Lacquer Cut at  –  Tonstudio Pfanz Made By  –  WEA Musik GmbH Distributed By  –  WEA Filipacchi Music Credits Arranged By  –  Cactus (3) Art Direction, Design  –  Richard Mantel Artwork [Cover Art]  –  David Willardson Bass, Backing Vocals [Background Vocals]  –  Tim Bogert Drums, Percussion, Backing Vocals [Background Vocals]  –  Carmine Appice Engineer [Assistant Engineers At Electric Lady Studios]  –  Bernie Kirsh,  Buzz Richmond,  Dick Shapiro Engineer [Recording Engineer At Advantage Sound]  –  Jim Vickers Engineer [Recording Engineer At Atlantic Recording Studios]  –  Joel Kerr Engineer [Recording Engineer At Electric Lady Studios]  –  Dave Palmer (2)  (tracks: B2 & B3) Engineer [Recording Engineer At Media Sound]  –  Michael DeLugg  (tracks: B1, B4 & B5) Engineer [Recording Engineers At The Mar Y Sol Festival]  –  Jimmy Douglass  (tracks: A1 to A3),  Ray Thompson  (tracks: A1 to A3),  Tom Scott (7)  (tracks: A1 to A3) Guitar  –  Werner Fritzschings Lacquer Cut By  –  PF * Lead Vocals  –  Peter French Organ, Piano, Electric Piano  –  Duane Hitchings Photography By [Back Cover Photos]  –  David Gahr Photography By [Inside Liner Photos]  –  David Gahr,  Jeffrey Mayer,  Wendy Lombardi * Producer  –  Geoffrey Haslam Recorded By  –  Wally Heider  (tracks: A1 to A3) Remix [Re-mixed At Electric Lady Studios]  –  Geoffrey Haslam Notes Glossy gatefold with white polylined inner sleeve. Similar to  Cactus (3) - 'Ot 'N' Sweaty  but right society is GEMA/BIEM. 1st cat. no. ATC 50013 on labels 2nd cat. no. 50 013 B on spine 3rd cat. no. 50 013 on sleeve Title variation on front cover: ON STAGE IN PUERTO RICO AND IN THE STUDIO 'OT 'N' SWEATY Side One was recorded live at the Mar Y Sol Festival in Puerto Rico on April 3, 1972. Recorded by Wally Heider Remote Unit Tracks B1, B4 and B5 were recorded at Media Sound, New York, N.Y. Tracks B2 and B3 were recorded at Electric Lady Studios, New York, N.Y. Additional recording at Atlantic Recording Studios, New York, N.Y. and at Advantage Sound, New York, N.Y. Re-mixed at Electric Lady Studios, New York, N.Y. Derived from Matrix / Runout code: On A-side lacquer processing was made at Tonstudio Pfanz [PF]. On sleeve: ATCO RECORDS 1841 BROADWAY, NEW YORK, NEW YORK 10023 DIVISION OF ATLANTIC RECORDING CORPORATION ℗ © 1972 Atlantic Recording Corporation Made in Germany by WEA Musik GmbH (//') A Warner Communications Company Barcode and Other Identifiers Matrix / Runout (Label A): (50013-A) Matrix / Runout (Label B): (50013-B) Matrix / Runout (Runout A, etched): WEA - 50013-A D PF 8 Λ4 "D" Matrix / Runout (Runout B, etched): ST-C -722578-B 5000Λ3-BXHTIGP GL PR Other (US cat. no.): (SD 7011) Rights Society (Labels, boxed): GEMA/ BIEM Rights Society (Sleeve inside, publishing): ASCAP Price Code (France, boxed): WE|3⑥1 Other (Cover back bottom right, debossed): //' logo

Phil Collins ‎– No Jacket Required -LP / Spain- Phil Collins ‎– No Jacket Required -LP / Spain-   More images Phil Collins  – No Jacket Required Label: WEA  – LL 25 1699-1 Format: Vinyl, LP, Album Country: Spain Released: 1985 Genre: Rock,  Funk / Soul,  Pop Style: Pop Rock Tracklist Hide Credits A1   Sussudio Arranged By [Horns] –  Tom Tom 84 Brass Band –  The Phenix Horns Guitar [Guitars] –  Daryl Stuermer Keyboards, Synthesizer [Mini Moog Bass], Drum Machine [DMX] –  David Frank Vocals, Drum Machine [Roland 909] –  P. C. * Written-By –  Phil Collins Arranged By [Horns] –  Tom Tom 84 Brass Band –  The Phenix Horns Guitar [Guitars] –  Daryl Stuermer Keyboards, Synthesizer [Mini Moog Bass], Drum Machine [DMX] –  David Frank Vocals, Drum Machine [Roland 909] –  P. C. * Written-By –  Phil Collins 4:23 A2   Only I Know And I Know Arranged By [Horns] –  Tom Tom 84 Brass Band –  The Phenix Horns Guitar [Guitars] –  Daryl Stuermer Vocals, Keyboards, Bass, Drums, Drum Machine [Linn] –  P. C. * Written-By –  Daryl Stuermer,  Phil Collins Arranged By [Horns] –  Tom Tom 84 Brass Band –  The Phenix Horns Guitar [Guitars] –  Daryl Stuermer Vocals, Keyboards, Bass, Drums, Drum Machine [Linn] –  P. C. * Written-By –  Daryl Stuermer,  Phil Collins 4:20 A3   Long Long Way To Go Backing Vocals –  P. C. *,  Sting Bass [Bass, Piccolo Bass] –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Vocals, Keyboards, Electronic Drums [Simmonds], Drum Machine [Roland 808 Percussion] –  P. C. * Written-By –  Phil Collins Backing Vocals –  P. C. *,  Sting Bass [Bass, Piccolo Bass] –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Vocals, Keyboards, Electronic Drums [Simmonds], Drum Machine [Roland 808 Percussion] –  P. C. * Written-By –  Phil Collins 4:20 A4   I Don't Wanna Know Bass –  Lee Sklar * Guitar [Guitars], Keyboards –  Daryl Stuermer Saxophone –  Gary Barnacle Vocals, Drums –  P. C. * Written-By –  Daryl Stuermer,  Phil Collins Bass –  Lee Sklar * Guitar [Guitars], Keyboards –  Daryl Stuermer Saxophone –  Gary Barnacle Vocals, Drums –  P. C. * Written-By –  Daryl Stuermer,  Phil Collins 4:12 A5   One More Night Bass –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Soloist [Sax] –  Don Myrick Vocals, Keyboards, Drum Machine [Roland 808], Backing Vocals –  P. C. * Written-By –  Phil Collins Bass –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Soloist [Sax] –  Don Myrick Vocals, Keyboards, Drum Machine [Roland 808], Backing Vocals –  P. C. * Written-By –  Phil Collins 5:13 B1   Don't Lose My Number Bass –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Keyboards [Additional] –  David Frank Vocals, Keyboards, Drums, Drum Machine [Linn] –  P. C. * Written-By –  Phil Collins Bass –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Keyboards [Additional] –  David Frank Vocals, Keyboards, Drums, Drum Machine [Linn] –  P. C. * Written-By –  Phil Collins 4:46 B2   Who Said I Would Arranged By [Horns] –  Tom Tom 84 Brass Band –  The Phenix Horns Guitar [Guitars] –  Daryl Stuermer Keyboards, Synthesizer [Mini Moog Bass] –  David Frank Soloist [Sax] –  Gary Barnacle Vocals, Keyboards [The Odd Keyboard], Vocoder, Electronic Drums [Simmonds], Kalimba –  P. C. * Written-By –  Phil Collins Arranged By [Horns] –  Tom Tom 84 Brass Band –  The Phenix Horns Guitar [Guitars] –  Daryl Stuermer Keyboards, Synthesizer [Mini Moog Bass] –  David Frank Soloist [Sax] –  Gary Barnacle Vocals, Keyboards [The Odd Keyboard], Vocoder, Electronic Drums [Simmonds], Kalimba –  P. C. * Written-By –  Phil Collins 4:01 B3   Doesn't Anybody Stay Together Anymore Guitar [Guitars] –  Daryl Stuermer Vocals, Keyboards, Drums –  P. C. * Written-By –  Daryl Stuermer,  Phil Collins Guitar [Guitars] –  Daryl Stuermer Vocals, Keyboards, Drums –  P. C. * Written-By –  Daryl Stuermer,  Phil Collins 4:18 B4   Inside Out Bass –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Saxophone –  Don Myrick Vocals, Keyboards, Drums –  P. C. * Written-By –  Phil Collins Bass –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Saxophone –  Don Myrick Vocals, Keyboards, Drums –  P. C. * Written-By –  Phil Collins 5:14 B5   Take Me Home Backing Vocals –  Helen Terry,  Peter Gabriel,  P. C. *,  Sting Bass [Bass, Piccolo Bass] –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Vocals, Keyboards, Drums, Drum Machine [Roland 909] –  P. C. * Written-By –  Phil Collins Backing Vocals –  Helen Terry,  Peter Gabriel,  P. C. *,  Sting Bass [Bass, Piccolo Bass] –  Lee Sklar * Guitar [Guitars] –  Daryl Stuermer Vocals, Keyboards, Drums, Drum Machine [Roland 909] –  P. C. * Written-By –  Phil Collins 5:51   Companies, etc. Record Company  –  WEA Records, S.A. Distributed By  –  Ariola Eurodisc S.A. Phonographic Copyright ℗  –  WEA International Inc. Copyright ©  –  WEA International Inc. Made By  –  PolyGram Servicios, S.A. Printed By  –  Indugraf Madrid, S.A. Recorded At  –  The Town House Recorded At  –  Old Croft Recorded At  –  Air Studios Mixed At  –  The Town House Credits Design [Album]  –  Baker Dave,  Chief Gary,  Phil Collins Engineer  –  Hugh Padgham Engineer [Assistant]  –  Steve Chase * Engineer [Strings]  –  John Jacobs * Photography By  –  Peter Ashworth Producer  –  Hugh Padgham,  Phil Collins Notes Includes paper bag with lyrics/credits. Recorded at the Townhouse, London and Old Croft, Surrey, except Strings recorded at Air Studios Engineered by John Jacobs Mixed at The Townhouse Digitally. "There is no Fairlight on this record" Edita WEA Records, S.A. Albacete, 5 - Madrid-27 A Warner Communication Company © 1982 WEA Records, S.A. ℗ 1982 WEA International Inc. Distribuido por Ariola Eurodisc S.A. Aragón, 204 - Barcelona-11 Imprime: Indugraf Madrid, S.A. (Alcorcón - Madrid). Barcode and Other Identifiers Matrix / Runout (Runout Side A - Machine Stamped): 850 251699 // 1✶A✶1 Matrix / Runout (Runout Side B - Machine Stamped): 850 251699 // 1✶B✶1 Rights Society: SGAE Depósito Legal: M. 4.115-1985 Other (Impuesto De Lujo A Metálico): Permiso Nº 7977

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

marshall tucker band / Where we all belong 74 (DOBLE LP / ORIG EDIT USA / C DANIELS,E BISHOP !! EXC marshall tucker band / Where we all belong 74 (DOBLE LP / ORIG EDIT USA / C DANIELS,E BISHOP !! EXC ** PODEMOS ENVIAR TU COMPRA HASTA TU DOMICILIO DEL MODO MAS ECONOMICO*   DOBLE LP !!!! !! 25 AÑOS VENDIENDO MATERIAL IMPORTADO ORIGINAL PARA COLECCIONISTAS DE TODO EL MUNDO !!!! * TE VENDEMOS MARCOS DE ALTA CALIDAD PARA ENMARCAR TUS DISCOS, PIDENOS INFORMACION AQUI UNO DE LOS MAS GRANDES ALBUNES DE SUREÑO DE TODOS LOS TIEMPOS..CON INVITADOS DE LUJO..COMO.. ELVIN BISHOP, CHARLIE DANIELS, PAUL HORNSBY,..ETC.. ATENCION A LA BESTIAL VERSION DEL CLASICO.. Everyday (I Have The Blues) SUREÑO GENUINO Y DEL BUENO..!!!!!! IMPRESCINDIBLE.. SENSACIONAL ALBUN,  EDICION CON LA PRECIOSA DOBLE CARPETA TEXTURADA Y CONTENIENDO LOS 2 BONITOS ENCARTES INTERIORES DEL LABEL CAPRICORN...se puede pedir mas ???, gran copia !!!! TODO EN ESTADO EXC, UNA DE NUESTRAS MEJORES COPIAS HASTA LA FECHA !! si esta buscando este albun en su mejor edic, ya la encontraste ! La Marshall Tucker, fue la banda que cerró el triángulo de oro dentro del rock sureño junto a las otras dos más representativas del género, The Allman Brothers Band y Lynyrd Skynyrd, teniendo cada una de estas formaciones caminos y orientaciones diferentes, pero tomando como base el sonido y sentimiento sureño como raíz de su música. El distintivo esencial de la Marshall y el sello único e inconfundible que marcó su obra fue el Country-Rock y la cultura "cowboy ", adoptando cierta actitud derivada del "salvaje oeste" en su música, llevada a cabo con gran acierto por los hermanos Toy y Tommy Caldwell. Nunca renunciaron a otros estilos como el rythm & blues, rock, blues o incluso el jazz, dada las aportaciones de unos magníficos, extraordinarios e incansables músicos que eran pura energía, sobre todo en sus memorables directos. Realizaban actuaciones increíbles, llegando incluso a ser delirantes para un público súper entregado. "Where We All Belong" doble álbum y tercero en su discografía, fue publicado en 1975 y se compone de una parte grabada en estudio y otra en directo, además de suponer un punto crucial en su carrera. Comienzan con el clásico "This Ol'Cowboy", un bello tema dedicado al héroe de Toy Caldwell, el actor y mito eterno del Western, John Wayne. Como dato anecdótico, posteriormente Caldwell le compraría el caballo que utilizó en 1969 en la oscarizada "True Grit" (Valor de ley). De claro estilo country-rock, con el uso de instrumentos propios del género como el banjo, Steel- guitar, la flauta o el violín, nos encontramos temas como "Low Down Ways", o una auténtica balada romántica "In My Own Way". El resto de temas de esta parte fueron grabados en los estudios Capricorn, todos ellos soberbios y podemos destacar "Where A Country Boy Legends", que contó con la ayuda de un guitarrista excepcional llamado Elvin Bishop, que en años anteriores participó con los Allman Brothers y en esta ocasión a la slide-guitar. En la parte de estudio, la Marshall estuvo formada por Toy Caldwell a las guitarras, su hermano Tommy Caldwell (bajo), George McCorkle (guitarra y banjo), Jerry Eubanks (flauta y saxo), Doug Gray (voz) y Paul Riddle a la batería. Estos eran los integrantes originales de la banda, a la que se incorporaron un buen número de músicos de reputado prestigio como fue el caso del legendario Charlie Daniels al violín, Paul Hornsby al piano, Johnny Vernazza a la slide y entre otros, al anteriormente mencionado Elvin Bishop. La segunda parte del álbum fue capturada el 11 de julio de 1974 en el Uhlein Hall Arts Center de Milwaukee, con la banda original y la inestimable colaboración de Charlie Daniels. Abren con la incendiaria y explosiva "Ramblin'", un tema rápido con un Toy imparable a la guitarra eléctrica, equiparándose a leyendas como Duane Allman. En "24 Hours At A Time", se puede disfrutar de uno de los temas más recordados y de una formación sobresaliente, ejecutando una colosal jam que se convertiría en su himno oficial. A continuación desgranando el clásico de B.B King "Everyday (I Have The Blues)", una Marshall pletórica nos obsequia con otro espléndido tema. Y para finalizar "Take The Higway", otro de sus clásicos. Unidos bajo un mismo sentimiento, "The Marshall Tucker Band" originarios de Spartanburg en Carolina del Sur nos dejan uno de sus álbumes más célebres, siendo uno de los mejores exponentes dentro del rock-sureño y narrándonos sus epopeyas por el "viejo oeste" como si fuésemos viajando en una antigua diligencia... Esta banda maravillosa formada en 1971 en Spartanburg, Carolina del Sur, por los hermanos Caldwell, Toy a la guitarra y Tommy al bajo, el cantante Doug Gray, el guitarrista George McCorkle, el batería Paul Riddle, así como Jerry Eubanks a las flautas, combinaba a la perfección el Rock, con el country, con el blues y con el Jazz. La banda adquirió un notable reconocimiento en los años 70 (época de apogeo del Rock Sureño), pero la muerte de Tommy Caldwell en accidente de coche en 1980, y el abandono de Toy Caldwell en 1982 para iniciar una carrera en solitario llevó a que la banda se disolviera en 1983. A finales de los 80 la banda se reformó, liderada por Gray y Eubanks, y con diversas formaciones y con muchos cambios, la banda sigue hoy en día, aunque lejos del esplendor de los años 70.- Yo reconozco que le tengo un cariño especial a esta disco, que está compuesto en parte por material de estudio, y en parte por grabaciones en directo. Destacan, además de la mencionada "How can i slow down", temas como "This Ol' Cowboy", "Low down ways", o la brutal "Ramblin'". Discazo de una banda formidable, que debeis escuchar si no conoceis, porque realmente eran fantásticos   Track Listing 1. This 'Ol Cowboy 2. Low Down Ways 3. In My Own Way 4. How Can I Slow Down 5. Where A Country Boy Belongs 6. Now She's Gone 7. Try One More Time 8. Ramblin (Live) 9. 24 Hours At A Time (Live) 10. Everyday (I Have The Blues) (Live) 11. Take The Highway (Live)     Track Listing 1. This 'Ol Cowboy 2. Low Down Ways 3. In My Own Way 4. How Can I Slow Down 5. Where A Country Boy Belongs 6. Now She's Gone 7. Try One More Time 8. Ramblin (Live) 9. 24 Hours At A Time (Live) 10. Everyday (I Have The Blues) (Live) 11. Take The Highway (Live)