S uk

Londonbeat ‎– A Better Love / K.I.S.S. UK & Europe,1990 Londonbeat ‎– A Better Love / K.I.S.S. UK & Europe,1990

PETER GABRIEL STEAM BOX/CD/S UK 1993 PDELUXE PETER GABRIEL STEAM BOX/CD/S UK 1993 PDELUXE MUY BUENO.RARA EDICION LIMITADA CD/SINGLE CON 4 TEMAS + DE 20`, EN CAJA FORMATO CASA.

Slade ‎– My Baby Left Me But That's Alright Mama / O.H.M.S., UK 1977 Barn Records Slade ‎– My Baby Left Me But That's Alright Mama / O.H.M.S., UK 1977 Barn Records

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP OSCAR PETERSON: TRAVELLIN' ON [UK 1969] LP (MPS - Polydor)  1969  made in UK cat. num.  583 772 #jazz   A1 Travellin' On 2:25 A2 Emily 10:08 A3 Quiet Nights 7:20 B1 Sax No End 5:52 B2 When Lights Are Low 10:49   This is yet another memorable concert by  the Oscar Peterson Trio  recorded in  Hans Georg Brunner-Schwer 's excellent studio. With bassist  Sam Jones  and drummer  Bobby Durham,  Peterson  tears into the old gospel favorite "Travelin' On" with a passion second to none. Following it is a beautiful treatment of  Johnny Mandel 's timeless ballad "Emily," which runs for over ten minutes but never loses its impact.  Durham  sets the pace with his soft percussion to set up  Antonio Carlos Jobim 's "Corcovado" (later known as "Quiet Nights"), though  Peterson  devours the song whole with a breathtaking display of his formidable technique.  Francy Boland 's "Sax No End" was a relatively new composition, having been recorded for the first time just the previous year by the Kenny Clarke-Francy Boland Big Band. But one can almost hear a larger ensemble by listening to  Peterson 's virtuoso interpretation in an uptempo setting, assisted by  Jones ' agile bass and  Durham 's steady percussion.  Peterson  cools off his audience with an extended exploration of  Benny Carter 's "When Lights Are Low," though his fresh approach makes it seem like a brand new composition. Like other releases in  Oscar Peterson 's Exclusively for My Friends series,  Travelin' On  is warmly recommended.

MARIAH CAREY - The Ballad's CD - CD EP - UK 1994 - Columbia ‎- 659919 5 MARIAH CAREY - The Ballad's CD - CD EP - UK 1994 - Columbia ‎- 659919 5   Artist:  MARIAH CAREY Title:  The Ballad's CD Format:  CD EP Year:  1994 - UK   Condition: (See photos)   CD Case: Good   CD: Very Good   Insert: Very Good          Shipping costs: (always registered)    Europe (1-2 CD's): 10,5€   Spain  (1-2 CD's): 6€   Rest of the world (1-2 CD's): 15€    Each Additional items:     Europe: add 1,5€   Spain: add 1€   Rest of the world: add 2,5€

THE BEATLES LOVE ME DO/P.S.I LOVE YOU SINGLE UK 1982.PICTURE DISC EDICION LIMITADA 20TH PDELUXE THE BEATLES LOVE ME DO/P.S.I LOVE YOU SINGLE UK 1982.PICTURE DISC EDICION LIMITADA 20TH PDELUXE THE BEATLES LOVE ME DO/P.S.I LOVE YOU  SINGLE UK 1982 COMO NUEVO.PICTURE DISC EDICION LIMITADA 20TH

ZOOT MONEY'S BIG ROLL BAND Zoot! 1966 UK ORIGINAL LP MONO ZOOT MONEY'S BIG ROLL BAND Zoot! 1966 UK ORIGINAL LP MONO ZOOT MONEY'S BIG ROLL BAND   LP  ZOOT! COLUMBIA  SX 6075 - UK 1966 - MONO COVER/RECORD: VG+/EX to M- ORIGINAL 1st PRESSING British Rhythm & Blues. Flipback/laminated cover, bumped corners, some creases, light cover wear. Small sticker on label.

SKIP BIFFERTY s/t 1967 UK PSYCHEDELIA SKIP BIFFERTY s/t 1967 UK PSYCHEDELIA SKIP BIFFERTY   LP  SKIP BIFFERTY RCA VICTOR  SF 7941 - UK 1967 COVER/RECORD: G+ to VG-/M- 1st PRESSING OF ORANGE LABEL UK psychedelic rock. Orange label. Cover wear, creases, bumped corners. Top center seam split, well repaired from inner cover. M- labels.

Marty Wilde. Tomorrow’s clown/ The Hellions. Philips, UK 1961 single Marty Wilde. Tomorrow’s clown/ The Hellions. Philips, UK 1961 single Marty Wilde. Tomorrow’s clown/ The Hellions. Philips, UK 1961 single + cubierta genérica vinilo usado pero sin problemas (ver fotos)

Carl Perkins. Ol' blue suede's back. Jet, UK 1978 LP + encarte (UATV 30146) Carl Perkins. Ol' blue suede's back. Jet, UK 1978 LP + encarte (UATV 30146) Carl Perkins. Ol' blue suede's back. Jet, UK 1978 LP + encarte (UATV 30146) usado pero en buen estado de conservación (escritos en las traseras y marca de etiqueta en el label, ver fotos)

Adam Faith. Someone Else's baby/ Big time Parlophone, UK 1960 single Adam Faith. Someone Else's baby/ Big time Parlophone, UK 1960 single Adam Faith. Someone Else's baby/ Big time Parlophone, UK 1960 single + cubierta genérica vinilo usado pero sin problemas

Choir Of King's College, Cambridge - Carols From King's (HMV Classics, UK, 1997) Choir Of King's College, Cambridge - Carols From King's (HMV Classics, UK, 1997) Choir Of King's College, Cambridge - Carols From King's (HMV Classics, UK, 1997)

Trini Lopez - Trini Lopez At PJ's (Reprise Records, UK, 1963) Trini Lopez - Trini Lopez At PJ's (Reprise Records, UK, 1963) Trini Lopez - Trini Lopez At PJ's (Reprise Records, UK, 1963)

Reg Varney - Reg's Party (One-Up ‎, UK, 1973) Reg Varney - Reg's Party (One-Up ‎, UK, 1973) Reg Varney - Reg's Party (One-Up ‎, UK, 1973)

Woody Herman - Woody's Winners (CBS, UK, 1966) Woody Herman - Woody's Winners (CBS, UK, 1966) Woody Herman - Woody's Winners (CBS, UK, 1966)

Ben Webster - Webster's Dictionary (Philips, UK, 1970) Ben Webster - Webster's Dictionary (Philips, UK, 1970) Ben Webster - Webster's Dictionary (Philips, UK, 1970)

Chris Barber And His Band - Barber's Best (Decca, UK, 1961) Chris Barber And His Band - Barber's Best (Decca, UK, 1961) Chris Barber And His Band - Barber's Best (Decca, UK, 1961)

Nat King Cole -The Golden Hits Of (Reader's Digest, UK, 1985) Nat King Cole -The Golden Hits Of (Reader's Digest, UK, 1985) Nat King Cole -The Golden Hits Of (Reader's Digest, UK, 1985)

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

Bob Dylan Studs Terkel's Wax Museum 2-LP UK 2012 Gatefold vinilo 180 gramos PRECINTADO Bob Dylan Studs Terkel's Wax Museum 2-LP UK 2012 Gatefold vinilo 180 gramos PRECINTADO BOB DYLAN Studs Terkel's Wax Museum 2-LP edición original inglesa del año 2012. Porgada gatefold, vinilo 180 gramos.  SIDE A Farewell  Conversation Pt.1  A Hard Rain's A-Gonna Fall  SIDE B Conversation Pt.2  Bob Dylan's Dream  Conversation Pt.3   SIDE C Boots Of Spanish Leather  Conversation Pt.4  John Brown   SIDE D Conversation Pt.5  Who Killed Davey Moore  Conversation Pt.6  Blowin' In The Wind     Numero de catalogo: LETV034LP Estado: Nuevo todavía precintado

Various – The Ultimate Collection 3 CDS UK Various – The Ultimate Collection 3 CDS UK Lista de Títulos 1.1 Be - Bop   1.2. Race With The Devil (Gene Vincent)   1.3 3. Pink Thunderbird (Gene Vincent)   1.4 Cruisin' (Gene Vincent)   1.5 Crazy Legs (Gene Vincent   1.6 Flea Brain (Gene Vincent)   1.7 Double Talkin' Baby (Gene Vincent)   1.8 Who Slapped John? (Gene Vincent)   1.9 Lotta Lovin' (Gene Vincent)   1.10 Blue Jean Bop (Gene Vincent)   1.11 I've Got To Get To You Yet (Gene Vincent)   1.12 Dance To The Bop (Gene Vincent)   1.13 Baby Blue (Gene Vincent)   1.14 Somebody Help Me (Gene Vincent)   1.15 Look What You've Gone And Done To Me (Gene Vincent)   1.16. Who's Pushing Your Swing? (Gene Vincent)17   1.17 Right Now (Gene Vincent)   1.18. Brand New Beat (Gene Vincent)   1.19 Frankie And Johnny (Gene Vincent)   1.20. Say Mama (Gene Vincent)   2.1 Let's Have A Party (Wanda Jackson)   2.2 Fujiama Mama (Wanda Jackson)   2.3 Funnel Of Love (Wanda Jackson)   2.4 There's A Party Going On (Wanda Jackson)   2.5 Hot Dog That Made Him Mad (Wanda Jackson)2.6   2.6 Rock Your Baby (Wanda Jackson)   2.7 Cool Love (Wanda Jackson)   2.8 Tongue Tied (Wanda Jackson)   2.9 Mean Mean Man (Wanda Jackson)   2.10 Tweedle Dee (Wanda Jackson)   2.11 Honey Bop (Wanda Jackson)   2.12 Long Tall Sally (Wanda Jackson)   2.13 Lost Weekend (Wanda Jackson)   2.14 Hard Headed Woman (Wanda Jackson)   2.15 Baby Loves Him (Wanda Jackson)   2.16 My Baby Left Me (Wanda Jackson)   2.17 Sparklin' Brown Eyes (Wanda Jackson)   2.18 Sticks And Stones (Wanda Jackson)   2.19 Bye Bye Baby (Wanda Jackson)   2.20 Man We Had A Party (Wanda Jackson)   3.1 Blue Suede Shoes (Carl Perkins)   3.2 Dixie Fried (Carl Perkins)   3.3 Boppin' The Blues (Carl Perkins)   3.4 Put Your Cat Clothes On (Carl Perkins)   3.5 Honey Don't (Carl Perkins)   3.6 That Don't Move Me (Carl Perkins)   3.7 Movie Magg (Carl Perkins)   3.8 Matchbox (Carl Perkins)   3.9 I'm Sorry I'm Not Sorry (Carl Perkins)   3.10 Everybody's Trying To Be My Baby (Carl Perkins)   3.11 Her Love Rubbed Off (Carl Perkins)   3.12 All Mama's Children (Carl Perkins)   3.13 Glad All Over (Carl Perkins)   3.14 Tennessee (Carl Perkins)   3.15 Gone, Gone, Gone (Carl Perkins)   3.16 You Can't Make Love To Somebody (Carl Perkins)   3.17 Honky Tonk Gal (Carl Perkins)   3.18 Your True Love (Carl Perkins)   3.19 That's Right (Carl Perkins)   3.20 Roll Over Beethoven (Carl Perkins)

The Kinks ‎– Day's/She's Got Everything Single UK 1968 VG The Kinks ‎– Day's/She's Got Everything Single UK 1968 VG

GO-GO'S: Vacation. Single vinilo 7” Original UK GO-GO'S: Vacation. Single vinilo 7” Original UK Single vinilo 7” Original UK

MADNESS: Yesterday's Men. Single vinilo 7” Original UK MADNESS: Yesterday's Men. Single vinilo 7” Original UK Single vinilo 7” Original UK

FRANK SINATRA `Sings Jimmy Van Heusen and Sammy Cahn` EP UK. MONO. FRANK SINATRA `Sings Jimmy Van Heusen and Sammy Cahn` EP UK. MONO. FRANK SINATRA `Sings Jimmy Van Heusen and Sammy Cahn` EP UK. MONO. VG++/VG++ A:`All the way`- `Love and marriage` B:`(Love is) the tender trap`-´The last dance` Los gastos del envio corren de cuenta del comprador. Envio una vez recibido el pago por transferencia bancaria o giro postal. Los gastos salen más económicos cuando se piden varios discos. Para cualquier tipo de duda no dudes en contactar conmigo. Si no vas a realizar la compra no pujes, por favor. ESPAÑA, CORREO CERTIFICADO: 1 SINGLE 4€ 6 SINGLES 5€ LP´s hasta 2KG (7-8 lp´s) 7,50€ EUROPA: REGISTERED MAIL 1 SINGLE 7,50€ 6 SINGLES 8,50€ 1 LP 8,50€ 4 LP´s 14,80€

EARTH, WIND & FIRE - OPEN OUR EYES/THAT'S THE WAY OF THE WORLD + 9 BONUS 2009 UK 2 X CD * REMASTERED EARTH, WIND & FIRE - OPEN OUR EYES/THAT'S THE WAY OF THE WORLD + 9 BONUS 2009 UK 2 X CD * REMASTERED 2 X CD 2 ORIGINAL LP'S ON 2 CD'S * DIGITALLY RE-MASTERED + 9 BONUS TRACKS NUEVO, A ESTRENAR, PRECINTADO, DESCATALOGADO BRAND NEW, SEALED, OUT OF PRINT, DISCONTINUED AÑO (YEAR): 1974/1975/2009 MADE IN UK REFERENCIA (REFERENCE): BGO 889 I ACCEPT PAYPAL

ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE ZEPHYR (TOMMY BOLIN): ZEPHYR [UK 1991] CD/RE (Beat Goes On)  1991  made in UK cat. num.  BGOCD41 #rock  #blues rock   1 Sail On 7:42 2 Sun's A-Risin' 4:45 3 Raindrops 2:40 4 Boom-Ba-Boom 1:20 5 Somebody Listen 6:10 6 Cross The River 4:43 7 St. James Infirmary 5:15 8 Huna Buna 2:26 9 Hard Chargin' Woman 8:40   This late-'60s Denver group is most notable as the starting point for guitarist  Tommy Bolin, who was still in his teens when they recorded their first album in 1969. A rather routine slab of bluesy, heavy rock, it made the Top 50. Aside from  Bolin 's extended hard rock riffing, it prominently featured the lead vocals of  Candy Givens, who affected a blues-wailing pose along the lines of  Janis Joplin. But she didn't have the full throat or guts to back it up, ending up closer to also-ran female psychedelic singers like  Lydia Pense  (of  Cold Blood).  Zephyr  recorded one more album before  Bolin  left for stints with  James Gang,  Deep Purple, and a solo career; the group carried on throughout the 1970s. The band's debut finds  Bolin  already developed as a skilled player, but his playing, and the largely group-penned material, lack strength or subtlety. The most distinctive trait of the band at this point, in fact, is the somewhat histrionic singing of lead vocalist  Candy Givens.