Stand stretch cover

HK AUDIO SPEAKER STAND STRETCH COVER Cubierta elástica para soporte de altavoz. Permite ocultar con estilo y elegancia los soportes de trípode con el fin de integrarlos estéticamente en los diferentes entornos. Ha sido creada por Hk Audio. Solo se suministra una unidad.

COVERUP SOPORTE STAND KORG ELECTRIBE La segunda generación de Korg Electribe merecía su soporte a medida. Adaptamos las dimensiones de nuestros soportes MAX para esta gran caja de ritmos/sampler. Tiene la inclinación justa para lograr mejor visibilidad del display. Diseñamos el soporte para que sea compatible con el cover protector Coverup. Cada pie del soporte tiene en su parte inferior patitas de goma 3M para que no raye ni resbale.

CASIO PX-5S PRIVIA Equipado con la nueva tecnología de producción de sonido AiR desarrollada por CASIO, el PX-5S proporciona sonidos de piano acústicos ricos en detalles y con un realismo sin precedentes. La variedad de sonidos de la tecnología AiR se amplía mediante una novedosa gama de auténticos sonidos vintage de pianos eléctricos y clavinets clásicos. En combinación con un potente y novedoso módulo de efectos, el PX-5S dispone de un inmenso arsenal de sonidos de piano tanto acústicos como electrónicos. Como si todo esto fuera poco, el PX-5S ofrece tonos Hex Layer procedentes del galardonado sintetizador XW-P1. Como piano de escenario, el PX-5S no tiene rival, el instrumento dispone de cuatro zonas de teclado maestro así como cuatro potenciómetros y seis deslizadores que pueden configurarse libremente, dos entradas de pedal, una rueda de modulación y una de inflexión. Además, gracias a los cuatro arpegiadores programables e independientes entre sí y un secuenciador de frases con ocho pistas, las interpretaciones solistas alcanzarán niveles sin parangón. Todo esto se integra en una carcasa extraordinaria y ligera, de solo 11,1 kilogramos. EAN: 4971850361930 Keyboard 88 keys, Tri-sensor Scaled Hammer Action Keyboard II, Touch Sensitivity 3 sensitivity levels, off High Resolution Velocity 16,256 Steps Key-Off Velocity Yes Hammer-Response Yes Sound Source Multi-dimensional Morphing AiR Sound Source*1 Maximum Polyphony 256 Melody Tones Acoustic Piano 20 preset, 20 user Keyboard Instrument (including Electric Piano) 30 Preset, 20 User Hex Layer 50 Preset, 50 User Organ 30 Preset, 20 User Strings / Brass 70 Preset, 20 User Gitarre / Bass 40 Preset, 20 User Synth / Various 80 Preset, 50 User Drum Sets 20 Preset, 20 User System Effects String Resonance Yes Damper Resonance Yes Delay yes Reverb 4 types Chorus 4 types Master Effects Master Equalizer 4 bands Compressor Yes DSP 4 lines, 20 types Stage Settings Memories 100 User Zone 4 (maximum) Phrase Sequencer Phrase 1 Songs 10 Playback Mode One-time, loop Memory Capacity One phrase up to 8 KB (approximately 1,600 notes); 1,000 phrases totaling a maximum of 1 MB Other Overdubbing, Note-Quantize Demonstration-only Songs 4 songs Audio Recording / Playback Max. 100 songs, approx. 25 min/song Format 44.1 kHz stereo WAV format SMF playback Yes Mixer 16 channel + 1 channel (external input） Other Functions Transpose ±1 octaves (-12 semitones ~ 0 ~ +12 semitones) Octave Shift ± 3 octaves Tuning A4 = 415.5 - 440.0 - 465.9 Hz Scale Function Temperaments: 17 preset Stretch Tuning 8 types Arpeggios 100 preset, 100 user Operation Lock Yes Controllers 4 knobs, 6 sliders, bender wheel, modulation wheel, 2 pedal jacks Envelope Response Pedal Yes Full-dot LCD Display with Backlight Yes MIDI 16 multi-timbre received, GM level 1 standard Connectivity and Storage AUDIO IN (Stereo Mini Jack) Yes PHONES (Stereo Standard Jack) 2 LINE OUT (Standard Jack) 2 (L/MONO, R) LINE IN (Standard Jack) 2 (L/MONO, R) USB Host Port Yes USB Flash Drive Port Yes MIDI MIDI In, MIDI Out/Thru Pedal 2 (Assignable) Power Supply 2-way Batterie Zink-Kohle- oder Alkalibatterien Größe AA Battery Life Approximately 3 hours (alkaline batteries, using the headphones) AC Adaptor 12V 1.5A Size Dimensions 1,322 x 286 x 135 mm (not including protruding parts) With Optional Stand 1,322 × 286 × 760 mm (without corner brackets) Weight 11.1 kg (without optional stand, batteries) With Optional Stand 21.1 kg (without batteries) Included Accessories AC Adaptor, Pedal (SP-3)

atomic rooster this is (brain-1974) og aleman excelente estado atomic rooster this is (brain-1974) og aleman excelente estado PUNTUACION  DESCRIPCION  SISTEMA INTERNACIONAL 10 SSTodavía precintado  “ 9  M+  Nuevo, La portada está perfecta y el vinilo está reluciente y sin signos de uso  disco o una tapa sin ningún tipo de uso.   8“ M vinilo sin precintar con poco uso practicamente sin usar  La tapa luce como nueva, sin ningún tipo de marcas, ni stickers, ni escrituras. “ 6  EX ” La portada puede mostrar ligeras rozaduras por el uso, pero son mínimas. Pueden observarse marcas muy finas en su superficie del vinilo.  7  EX+portada casi nuevo vinilo antiguo muy bien coservado casi no se aprecia uso excelente condicion  disco o una tapa sin ningún tipo de uso. Es un estado pocas veces utilizado por la dificultad de encontrar discos usados sin ningún tipo de desgaste Coleccionable  “4  VG ” La portada muestra señales como rozaduras, marcas, descosidos en los lomos, etc.el vinilo presenta marcas.5  VG+ portada presenta pequeñas señales vinilo presenta marcas finas   puede tener ruidos intermitentes al reproducir círculo alrededor de la tapa ringwear, 3 VG- vinilo presenta muchas marcas bastante uso ruido de fondo  portada rota humedad descosido grande etc  “2 G ” en mal estado.1 G- muy mal estado puede que este roto rayado ondulado incompleto Todos los códigos anteriores pueden ir seguidos de los signos + y -, indicando variaciones entre dos grados (CC)esquina cortada(Dj) disco promocional disc jockey  imp disco de importacion (promo copia) promocional radio etc(Q) sonido  quadrofonico(2nd) pr segunda impresion(lbl9 label sello galleta impresion (7 pulgadas)single o e.p(10 pulgadas) tamaño medio disco (12pulgadas) lp maxi long play larga duracion (s) stereo (m)mono(sm) stereo mono (ang)original (re) redicion (og)original (gatefold) doble carpeta  círculo alrededor de la tapa ringwear  EXC VINILO ESCASO R1 RAREZA TIPO 1 R2 RAREZA TIPO 2 RAREZA TIPO  3 RAREZA TIPO 4 RAREZA TIPO 5 LIMITE COPIAS ACETATOS PROMO  atomic rooster this is (brain-1974) og aleman PROGUESIVO INGLES ROCK HIERBA excelente estado RIGINAL 12" VINYL - LP / 33UpM/tours/rpm ATOMIC ROOSTER -  THIS IS Rare German Release on BRAIN (BLACK) Zweitausendeins/2001 Edition Vincent Crane, Chris Farlowe                                                                                                  Label: Brain / Metronome / 2001, Nr.: Stereo 200.151 Made/printed/manufactured in Germany, Jahr / Released / VÖ: 1974  Vinyl  : ex+ Cover : ex+ Label  : ex+ Titel/Tracks: 10 Time take my life Stand by me Little bit of inner air Don't know what went wrong Never to lose Breathless Space cowboy People you can't trust All in Satan's name Close your eyes

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]