Telecaster classic vibe
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SQUIER BY FENDER CLASSIC VIBE 70'S TELECASTER CUSTOM GUITARRA ELÉCTRICA - ARCE - 3 COLORES SUNBURST
- 100% diseñado por Fender,
- Inspirado en los modelos Telecaster de la era de los años 70
- Fender - Pastillas de alnico diseñadas
- Acabado de cuello brillante tintado vintage
- Herrajes niquelados
- Orientación de la mano: derecha
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FENDER SQUIER CLASSIC VIBE 60S TELECASTER THINLINE MN NATURAL. GUITARRA ELÉCTRICA
- 100% diseñado por Fender
- Inspirado en los modelos Telecaster Thinline de la década de 1960
- Pastillas Alnico diseñadas por guardabarros
- Acabado de cuello brillante tintado vintage
- Herrajes niquelados
- Orientación de la mano: derecha
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FENDER SQUIER CLASSIC VIBE 50S TELECASTER MN BUTTERSCOTCH BLONDE LH. GUITARRA ELÉCTRICA PARA ZURDOS
- 100% diseñado por Fender
- Inspirado en los modelos Telecaster de los años 50
- Pastillas Alnico diseñadas para guardabarros
- Acabado de cuello brillante con tinte vintage
- Herrajes chapados en níquel
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FENDER - GUITARRA ELÉCTRICA SQUIER CLASSIC VIBE STRATOCASTER, ESTILO AÑOS 70
- 100% Diseñada Por Fender
- Inspirado Por Los Modelos Stratocaster De 1970 De La Era
- Fender-Diseñado Aleación De Acero Pastillas
- Vintage Teñida De Acabado De Cuello Brillo
- Hardware Niquelado
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FENDER SQUIER CLASSIC VIBE 60S CUSTOM TELECASTER LRL 3 SUNBURST GUITARRA ELÉCTRICA
- 1 unidad
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SQUIER CLASSIC VIBE '50S TELECASTER WBL · GUITARRA ELÉCTRICA
- 1 unidad.
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SQUIER BY FENDER AFFINITY SERIES TELECASTER, DIAPASÓN DE ARCE, RUBIO BUTTERSCOTCH
- Cuerpo fino y ligero
- Puente de cuerda
- Perfil de cuello en forma de C delgado y cómodo
- Dos pastillas Squier de bobina única
- Máquinas de afinación selladas con ejes divididos
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FENDER JAPAN EXCLUSIVE SERIES / CLASSIC 50S TELECASTER SPECIAL OWB
- ▼▼▼ Aviso: lamentamos que el producto se agote cuando lo ordenes. En ese caso nos pondremos en contacto con usted.▼▼
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FENDER SQUIER BULLET TELECASTER LRL BROWN SUNBURST. GUITARRA ELÉCTRICA
- 1 unidad
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SQUIER BY FENDER CLASSIC VIBE 50'S TELECASTER - DIAPASÓN DE ARCE - BUTTERSCOTCH BLONDE
- 100% diseñado por Fender.
- Inspirado en los modelos de Telecaster de 1950
- Pastillas de alnico diseñadas para guardabarros, moderno "C", material de tuerca hueso sintético
- Acabado de cuello brillante de tinte vintage, longitud de la escala de 648 mm, tamaño de traste mediano Jumbo con 22 trastes.
- Herrajes niquelados.
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España (Todas las ciudades)
Conjunto de seis clavijeros para Telecaster y Stratocaster American Vintage, Classic y Road Worn. Ovalillos y accesorios de montaje incluidos.
6.100 €
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España (Todas las ciudades)
Conjunto de seis férulas de cadena Para los modelos de Telecaster de cadena a través de American Vintage y Classic series
1.500 €
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España (Todas las ciudades)
Cuerpo de aliso Acabado de poliéster brillante Enrutamiento SS Sin orificios de montaje para batidores Montaje de puente estilo vintage de cuatro tornillos Soporte de bolsillo con cuello de cuatro pernos Clip de retención Jack instalado
39.000 €
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Girona (Girona)
CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley "Cannonball And Eight Giants" LPx2 (Milestone) 1974 made in Spain cat. num. MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44 "Portait Of Cannonball" This fine Riverside debut by Adderley was cut just a few months after the alto saxophonist had contributed to Miles Davis ' stellar Milestones release. Joining Adderley for the six tracks here are fellow Davis alumni Philly Joe Jones on drums and Bill Evans on piano. These three are augmented by the wonderful and often-underrated Blue Mitchell on trumpet and the equally illustrious Sam Jones on bass. Everyone is in top form on a varied set that takes in two Adderley originals (the fine ballad "Straight Life" and "A Little Taste"), a classic Gigi Gryce number ("Minority"), and Miles ' oft-covered "Nardis." Filling out the program, we have a rare Sam Jones -penned cut, "Blue Funk," and a lone standard in the Rogers & Hammerstein chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto Cannonball Adderley is considered one of the masters of his craft. Here he joins forces with Modern Jazz Quartet co-founder Milt Jackson on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of Wynton Kelly on piano, Percy Heath on bass, and the one and only Art Blakey on drums. The moody "Blues Oriental" opens the set with Jackson immediately diving in with his trademark fluid runs and shimmering intonation. Adderley counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between Adderley and Jackson sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during Adderley 's voracious solos. "Sidewalks of New York" bops freely as Jackson unleashes some sublime licks against a hearty and equally boisterous sax. Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from Adderley 's earliest canon. The album concludes with a jumping reading of Cole Porter 's "Just One of Those Things." While Wynton Kelly has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]
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