To its

The human brain an introduction to its functional anatomy ISBN: 0323041310 Autor: John Nolte Editorial: Mosby/Elsevier Tapa: Tapa blanda Estado: Poco usado

Paganini its a long way to the top LP VINILO Paganini its a long way to the top LP VINILO

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TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE RY COODER: BOP TILL YOU DROP [ESP 1984] LP/RE Ry Cooder   "Bop Till You Bop"  LP (Warner)  1984  made in Spain cat. num.  LB 56691 #rock  #blues rock  #rock&roll   Little Sister 3:49 Go Home, Girl 5:10 The Very Thing That Makes Your Rich 5:32 I Think It's Going To Work Out Fine 4:43 Down In Hollywood 4:14 Look At Granny Run Run 3:09 Trouble You Can't Fool Me 4:55 Don't You Mess Me Up A Good Thing 4:08 I Can't Win 4:16   Following his conceptual 1978 release,  Jazz,  Ry Cooder  returned the next year with the R&B/soul-based  Bop Till You Drop. The first major-label, digitally recorded album,  Bop  is a nice set of moderately known to obscure tunes from the '50s and '60s (along with a  Cooder / Tim Drummond  original) that doesn't always live up to its promise.  Cooder  and his excellent band, which includes the rhythm section of  Tim Drummond  and  Jim Keltner  along with guitarist  David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to  Cooder  is due to the digital recording. If you check out the live version of  Bop Till You Drop 's opener, "Little Sister," from the No Nukes record (using the same band), you can see what surely could have been. Still,  Bop  is worthwhile given  Cooder 's penchant for choosing great tunes, as well as the tight performances, brilliant guitar work, and a handful of great guest vocalists (including  Chaka Khan). A few of the highlights include his arrangement of the early-'60s  Elvis  hit "Little Sister," the soulful "The Very Thing That Makes You Rich (Makes Me Poor)," an instrumental take on  Ike & Tina Turner 's "I Think It's Gonna Work Out Fine," and "I Can't Win," featuring  Cooder 's longtime cohort  Bobby King  on lead vocal.

Enjoy the best image quality on a screen manufactured with cutting-edge technology, you will be able to fully immerse yourself in that movie that you want to see so much, in addition, thanks to its Dolby Digital Plus sound system, with box speaker, you will be able to feel skin deep the cries of the stadium when your team plays.

It is winter, 1991. Inspector Kurt Wallander's team at the Ystad police station face a new challenge: two corpses, frozen together in a gruesome embrace, have been washed ashore on the remote Swedish coastline. The dead men were Eastern European criminals, but what looks like a gangland hit takes on a much more sinister aspect when Wallander travels across the Baltic Sea to Latvia, a nation in the throws of the massive upheaval that will lead to its independence from the Soviet Union. Wallander is thrown into an icy, alien world of police surveillance, veiled threats and lies, coming to unders

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Oxford. UK. Año 1951.

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).

ZZ TOP / AFTERBURNER 1985 !! ORG USA EDIT, CONTIENE ENCARTE + 1ª LABEL ORIGINAL !! TODO EXC ZZ TOP / AFTERBURNER 1985 !! ORG USA EDIT, CONTIENE ENCARTE + 1ª LABEL ORIGINAL !! TODO EXC BUEN ESTADO, ESTA EDICION CONTIENE EL ENCARTE INTERIOR Y TAMBIEN EL BONITO LABEL CON EXCLUSIVO DISEÑO El productor Bill Ham, que se había encargado de esa tarea con Zz Top desde su primer trabajo fué el elegido también de orientar el sonido del trio tejano hacía derroteros desconocidos para cualquier fan de la banda a comienzos de los ochenta. La unión del Blues- Hard- Rock Sureño añejo con las nuevas tecnologías musicales, parecía utópico tratandose de una banda como esta, pero "Eliminator", publicado en 1983, demostraria lo contrario. Después de semejante éxito la banda y su sequito decidieron dejarse llevar y explotar el filón al máximo, "Afterburner", que salió al mercado el 28 de Octubre de 1985, ahondará aun más en los terrenos electrónicos tan de moda en aquella época y que tan buenos resultados les habian dado. Para ello cuentan nuevamente con temas muy comerciales, en "Sleeping Bag" se covijan guitarras y rítmos sintetizados, baterías electrónicas, los excesos de "Eliminator" elevados al cubo. Un año antes de que saliese este disco, Eddie Van Halen, quizás animado por el resultado satisfatorio del disco de Zz Top, banda por la que sentía una admiración total, graba "Jump". "Stages", tiene bastante en común con el tema estrella de "1984", pero sus melodías son incluso más aoreras. De todas formas, que nadie piense que Billy Gibbons se ha quedado dormido, a lo largo de la canción sus riffs están bien presentes. Como en la siguiente "Woke Up With Wood", entre la inicial "Sleeping Bag" (Otra vez esos sintetizadores) y el sonido global de "Eliminator". En este nuevo trabajo descubrimos algo inédito en Zz Top, las "Power Ballads". Ciertamente, "Rough Boy" es empalagosa y Aor hasta decir basta. El tema, tubo su repercusión mediatica sobre todo en el canal televisivo de moda "Mtv". Pero no debemos encender las alarmas, Dusty Hill recupera el encanto nuevamente con la roquera y efectiva "Can't Stop Rockin'", cargada de topicazos pero con una garra descomunal. "Plantet Of Woman", es uno de los temas a los que mejor le ha sentado el nuevo diseño sonoro de Zz Top. Las poderosas guitarras son las acompañantes ideales de una estrofa y estribillo con muchísimo gancho y comercialidad. Quizás el mejor tema de "Afterburner" con el permiso de "Dipping Low (In The Lap Of Luxuri)", otra canción super "Cool" calcada al mejor repertorio de "Eliminator". El no va más de los rejuvenecios barbudos, para bien o para mal, según se mire las componen "I Got The Message" y "Velcro Fly". En ellas, los sintetizadores ya han tomado el control total. Para los puristas fans de "Fandango" o "Tres Hombres", esto quizás pueda ser la gota que colma el vaso. La despedida con la potente "Delirious", seguro que dejará un buen sabor de boca para todo tipo de seguidores de la banda, los antiguos y los que les descubrimos con este disco. Autor: Caído En Little Big Horn ZZ Top, cariñosamente conocido por sus fans como "The Little Ol' Band from Texas", es un grupo estadounidense de southern rock y hard rock formado en 1969 en Houston, Texas. Los miembros del grupo son Billy Gibbons (voz y guitarra), Dusty Hill (bajo y voz) y Frank Beard (batería). Tienen el mérito de ser uno de los pocos grupos de rock que todavía conserva sus miembros originales después de 40 años, además de haber mantenido al mismo manager y productor, Bill Ham. Alcanzaron la cima de su éxito comercial en los 70 y los 80, pero todavía hoy continúan girando y lanzando discos. ZZ Top entró en el Rock and Roll Hall of Fame el 15 de marzo de 2004. Gibbons y Hill también son famosos por las peculiares guitarras que utilizan, muchas de ellas codiseñadas con el maestro luthier John Bolin. Gibbons y Hill siempre son retratados llevando gafas de sol (un gesto a su canción de 1979 Cheap Sunglasses), ropa parecida (o en ocasiones idéntica), y sus larguísimas barbas. En 1984 la firma Gillette ofreció a Gibbons y a Hill un millón de dólares por afeitarse en un anuncio de televisión. Declinaron la oferta Tracks: -- 1: Sleeping Bag -- 2: Stages -- 3: Woke Up With Wood -- 4: Rough Boy -- 5: Can't Stop Rockin' -- 6: Planet Of Women -- 7: I Got The Message -- 8: Velcro Fly -- 9: Dipping Low (In The Lap Of Luxury) -- 10: Delirious Notes: ZZ Top: Billy Gibbons (vocals, guitar); Dusty Hill (vocals, bass); Frank Beard (drums). After scoring its biggest hit ever with its eighth release, 1983's polished ELIMINATOR, ZZ Top decided to continue in the same mainstream direction for its next release two years later, AFTERBURNER. Another big hit for the band, the album did spawn several hits, yet wasn't as strong overall as its predecessor. It was impossible to avoid the following ZZ hits on either MTV or radio between 1985-'86--the ballad "Rough Boy" (which innovative video was based on AFTERBURNER's space-age cover art), the synth stomper "Velcro Fly," the melodic "Sleeping Bag," or the rocking "Stages." 15 years after the band's debut release, AFTERBURNER found ZZ Top more popular than ever. Engineer: Bob Ludwig; Joe Hardy Producer: Bill Ham

Es handelt sich hierbei um 4x Expression 33000 Zoom im 4er Case leicht gebraucht. Diese wurden selten eingesetzt, sind im Top Zustand und haben keinerlei Fehler. Expression 33000 Zoom - RGBWA Colormixing - 8 to 40 degrees zoom function - Fast pan and tilt movement - DIM-4 technology to similute halogen dimming curve - Lightweight - Perfect price/performance ratio - Colortemperature presets (3200-10.000K) The Expression 33000 Zoom is the latest addition in the succesful Expression range. Its incredible RGBWA output of over 33000 Lux and rapid zoom from 8 to 40 degrees provides the tideal lighting tool for concerts of any size. From smooth changing using 'Dim4' technology to swift and precise movements, Expression 33000 Zoom is set to lead the forefront of LED Entertainment technology. Detail: Die Geräte dienten zur Vorführung im Showroom für kurze Zeit. Expression 33000 Zoom - RGBWA Colormixing - 8 to 40 degrees zoom function - Fast pan and tilt movement - DIM-4 technology to similute halogen dimming curve - Lightweight - Perfect price/performance ratio - Colortemperature presets (3200-10.000K) The Expression 33000 Zoom is the latest addition in the succesful Expression range. Its incredible RGBWA output of over 33000 Lux and rapid zoom from 8 to 40 degrees provides the tideal lighting tool for concerts of any size. From smooth changing using 'Dim4' technology to swift and precise movements, Expression 33000 Zoom is set to lead the forefront of LED Entertainment technology. Lumens: 5600+ Lux (@ 2m): 33000+ LED Quantity: 22x Red, 22x Green, 22x Blue, 12x White, 12x Amber Input voltage: 100-240V AC Power consumption: 310W (full output) Control: DMX-512 Dimmer: 0-100% Strobe: 0-20Hz Electronic zoom: 8 - 40 degrees Pan: 540 degrees Tilt: 270 degrees Pan/Tilt resolution: 8/16 bit Special: Pan/Tilt movement blackout, user selectable pan/tilt ranges Dimensions: 339 x 252 x 361 mm Weight: 11 kg Connection: Lockable IEC, 3 and 5 pin XLR for data IP rating: IP-20

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

Mahler: Symphony No. 5 - Orquesta Filarmónica de Málaga, Moreno Valiente (CD, Album) (2021) Mahler: Symphony No. 5 - Orquesta Filarmónica de Málaga, Moreno Valiente (CD, Album) (2021) The recording of such a complex and ambitious work as Gustav Mahler's Fifth Symphony by the Malaga Philharmonic Orchestra (OFM in Spanish) is a demonstration of the determination and enthusiasm with which the group is facing his 30th anniversary. Highly artistic work, Mahler's Fifth Symphony is of great extension and expressive intensity; it is full of deep symbolism and evident spirituality. It is a musical and intellectual monument testing the quality of an orchestra and its conductor. It is a challenge that, in a market full of references to the Austrian composer's masterpiece, the OFM faces with all the potential the work demands. In his first four symphonies, Mahler tried to identify with four ideas: the first, the power of will against destiny; the second, hope in the resurrection; in the third a certain 'Nietzschean' pantheism, and the fourth is a musical manifesto about innocence. There is in all of them that kind of youthful lyricism which its first songs have, a style that is nipped in the bud in his Fifth Symphony, completed in 1902 and premiered in Cologne by the Gürzenich Orchestra on 18 October 1904 under the direction of the author. The language he uses in his Fifth Symphony seems to be anticipating the future, in a kind of progressive tonality tending towards a certain harmonic instability and reinforcing the words of the composer himself. Envíos CD Envío Ordinario: 1,5€ (envío sin caja de plástico y con responsabilidad a cargo del comprador) Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€.  

In this book, Jennifer Ring offers a wholly new interpretation of Hannah Arendt's work, from Eichmann in Jerusalem, with its bitter reception by the Jewish community, to The Life of the Mind. Departing from previous scholarship, Ring applies the perspectives of gender and ethnicity to investigate the extent to which Arendt's identity as a Jewish woman influenced both her thought and its reception.. SUNY Press.. Año 1997.

LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band   "Time Exposure"  LP (Capitol - Emi)  1981  made in Germany cat. num.  10C 064-400 042 #rock     The Night Owls   Man On Your Mind   Take It Easy On Me   Ballerina   Love Will Survive   Full Circle   Just Say That You Love Me   Suicide Boulevard   Orbit Zero   Don't Let The Needle Win   Guiding Light   When  Little River Band  formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer  Glenn Shorrock  had made his name in mid-'60s group  the Twilights, a  Beatles -sounding pop group that scored a national number one record with its version of  the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969,  Shorrock  became lead singer of  Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple.  LRB 's  Beeb Birtles  had been the bass player for a popular  Twilights -era pop group called  Zoot  (Rick Springfield was a later member). When that group broke up, in search of musical credibility,  Birtles  auditioned as the bass player, but was instantly elevated to a front-line position alongside  Graham Goble. Even  LRB 's manager was well-known.  Glenn Wheatley  had been the bassist with another of Australia's bands, and possibly its most legendary,  the Masters Apprentices. Given all that background, when  Shorrock  and  Birtles  revealed they were forming a group with  Goble, managed by  Wheatley, it was major event in Australian music.

BUGERA Amplificador Guitarra 6262 INFINIUM Amplific Valvulas 120 W The gain structure and tonal character of the 6262 / 6262-212 are built on the same fundamentals as the 6260—but more midrange, making them perfect for 80’s rock and metal. You also get fully independent control of EQ, Presence and Reverb on both channels. Ultimate Tone Mastery A lot of amp manufacturers call their Treble/Mid/Bass knobs “tone” controls. We call ours EQ because we spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear. The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments. INFINIUM Valve Life Multiplier Technology Our revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed. If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy! CARACTERISTICAS BUGERA 6262 INFINIUM -  Hand-built 120-Watt amplifier driven by 4 x 6L6 valves (convertible to EL34) -  2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 valves for thick and screaming hi-gain -  Revolutionary INFINIUM Valve Life Multiplier technology: – Extends the life of your amplifier’s expensive power valves up to 20 times. – Provides incredible reliability and consistent tone over the complete lifespan of your valves – No need for expensive matched valve sets – Allows you to mix and match any combination of compatible valve types and brands – Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacement -  Integrated high-class reverb with dedicated Reverb control for each channel -  Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls -  Classic Presence control per channel for efficient midrange sound shaping -  Heavy-duty footswitch for Channel selection and FX Loop function included -  Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet -  High-quality components and exceptionally rugged construction ensure long life   

BUGERA Amplificador Guitarra 6262 INFINIUM Amplific Valvulas 120 W The gain structure and tonal character of the 6262 / 6262-212 are built on the same fundamentals as the 6260b'/xe2/x80/x94'but more midrange, making them perfect for 80b'/xe2/x80/x99's rock and metal. You also get fully independent control of EQ, Presence and Reverb on both channels. Ultimate Tone Mastery A lot of amp manufacturers call their Treble/Mid/Bass knobs b'/xe2/x80/x9c'toneb'/xe2/x80/x9d' controls. We call ours EQ because we spent a lot of time making sure that they each have a unique character. Treble really screams; Mid puts you about six rows into the audience; Low can add more growl than an angry Kodiak bear. The Presence control is tailored to smooth out your tone or add enough bite to cut through any cymbal. It can bring new life to darker sounding instruments. INFINIUM Valve Life Multiplier Technology Our revolutionary INFINIUM Valve Life Multiplier technology is like having your very own technician inside your amp constantly monitoring and tweaking valve performance for the ultimate in tonal integrity and reliability. This revolutionary circuit not only optimizes the performance of each output tube, it dynamically balances the drive between them to more evenly distribute the load. With INFINIUM, your tubes last up to 20 times longer, saving you substantial money over the lifespan of your amplifier. INFINIUM also compensates for the effects of aging, automatically adjusting current levels to keep your valves sounding as good as the day they were installed. If and when a valve does reach the end of its life, the system even tells you which one to replace. All you need do is replace the faulty valve and let INFINIUM take care of the rest for you. This all adds up to more consistent sound quality and longer life for your valves. Maintenance for valve amps has never been this easy! CARACTERISTICAS BUGERA 6262 INFINIUM - b'/xc2/xa0'Hand-built 120-Watt amplifier driven by 4 x 6L6 valves (convertible to EL34) - b'/xc2/xa0'2-channel preamp design (Clean/Crunch, Lead) featuring 6 x 12AX7 valves for thick and screaming hi-gain - b'/xc2/xa0'Revolutionary INFINIUM Valve Life Multiplier technology: b'/xe2/x80/x93' Extends the life of your amplifierb'/xe2/x80/x99's expensive power valves up to 20 times. b'/xe2/x80/x93' Provides incredible reliability and consistent tone over the complete lifespan of your valves b'/xe2/x80/x93' No need for expensive matched valve sets b'/xe2/x80/x93' Allows you to mix and match any combination of compatible valve types and brands b'/xe2/x80/x93' Monitors performance of each power tube continuously and displays defective valves to allow for easy and individual replacement - b'/xc2/xa0'Integrated high-class reverb with dedicated Reverb control for each channel - b'/xc2/xa0'Independent Equalizer sections for each channel with dedicated Bass, Mid and Treble controls - b'/xc2/xa0'Classic Presence control per channel for efficient midrange sound shaping - b'/xc2/xa0'Heavy-duty footswitch for Channel selection and FX Loop function included - b'/xc2/xa0'Impedance switch (4, 8 and 16 Ohms) to match virtually any speaker cabinet - b'/xc2/xa0'High-quality components and exceptionally rugged construction ensure long lifeb'/xc2/xa0' b'/xc2/xa0'

David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) David Chesky - Songs for a Broken World (CD, Album) (2021) (Precintado) A new large work for orchestra, choir, and soloists, David Chesky is able to capture the immeasurable difficulty that each of us have gone through this past year in his distinct compositional voice. This new album by David Chesky is a sincere statement of worries the composer feels necessary to share with the world, in which all of us live and die. Its monumental form allows us to reflect on many tragic events (such as the latest disaster of COVID-19). By entering our lives, it unavoidably demands us to define our beliefs. Chesky’s music not only concerns our preferences in aesthetics, but also demands political awareness from us (while being far away from political activism). We are confronted by phenomena we do not understand, but ultimately determine our choices - what really has, had, and still will have meaning in our lives. We have to learn separate the “important” and “unimportant” things and events. No one is obligated to go to the “barricade,” but we are simply obligated to recognize injustice in all forms and name it personally (even in silence) instead of accepting terror as something “common” and “far away from us.” Politicians, social media, opinions, commercial accusations - all of these should be seen as instruments of “terror.” If we want to remain humans with hearts and souls, we will find ourselves in tune with David Chesky’s sounds, which speak to us and awake our empathy. -Gidon Kremer (December 2020) Envíos CD Envío Ordinario: 1,5€ (envío sin caja de plástico y con responsabilidad a cargo del comprador) Envío Certificado y tarifa plana: 3,5€ Combina lotes y ahorra gastos de envío. Envíos gratuitos a partir de 40€.  

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

Stanley Clarke: Original Album Classics - 5 CD box set - Journey to Love, School Days, Modern Man... Stanley Clarke: Original Album Classics - 5 CD box set - Journey to Love, School Days, Modern Man... Stanley Clarke: Stanley Clarke, Journey to Love, School Days, Modern Man, The Clarke/Duke Project. Sony BMG / Legacy / Epic, 2007. Colección Original Album Classics. Caja con 5 CDs enfundados en réplicas de las cubiertas de los LPs originales. Estado de los discos: como nuevos. Los discos no presentan el menor desperfecto bajo cualquier ángulo de luz. Estado de las fundas: como nuevas. Estado de la caja: como nueva. Envío gratuito a península. Consulta los demás artículos que tengo a la venta.  Tracklists: CD1: Stanley Clarke (1974) 1-1 Vulcan Princess 4:00 1-2 Yesterday Princess 7:41 1-3 Lopsy Lu 7:03 1-4 Power 7:20 1-5 Spanish Phases For Strings & Bass 6:26 1-6 Life Suite 1-6.1 Part I 1:48 1-6.2 Part II 4:17 1-6.3 Part III 1:03 1-6.4 Part IV 6:41 CD2: Journey To Love (1975) 2-1 Silly Putty 4:52 2-2 Journey To Love 4:52 2-3 Hello Jeff 5:16 2-4 Song To John Pt. 1 4:22 2-5 Song To John Pt. 2 6:09 2-6 Concerto For Jazz/Rock Orchestra, Pt. 1-4 14:25 CD3: School Days (1976) 3-1 School Days 7:42 3-2 Quiet Afternoon 5:03 3-3 The Dancer 5:12 3-4 Desert Song 6:55 3-5 Hot Fun 2:51 3-6 Life Is Just A Game 8:59 CD4: Modern Man (1978) 4-1 Opening Statement 4-2 He Lives On 4-3 More Hot Fun 4-4 Slow Dance 4-5 Interlude: A Serious Occasion 4-6 Got To Find My Own Place 4-7 Dayride 4-8 Interlude: It's What She Didn't Say 4-9 Modern Man 4-10 Interlude: A Relaxed Occasion 4-11 Rock & Roll Jelly 4-12 Closing Statement CD5:The Clarke/Duke Project (con George Duke) (1981) 5-1 Wild Dog 5-2 Louie Louie 5-3 Sweet Baby 5-4 I Just Want To Love You 5-5 Never Judge A Cover By Its Book 5-6 Let's Get Started 5-7 Winners 5-8 Touch And Go 5-9 Finding My Way

SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP SIMPLE MINDS: CELEBRATION [ESP 1982] LP/COMP Simple Minds   "Celebration"  LP (Arista)  1982  made in Spain cat. num.   I-204 521 #new wave  #pop rock  #synth pop   Life In A Day   Chelsea Girl   Premonition   Factory   Calling Your Name   I Travel   Changeling   Celebrate   Thirty Frames A Second   Kaleidoscope   Originally released in 1982 by Arista in the U.K. and reissued on CD by the Dutch Disky imprint in 2001,  Celebration  serviceably culls some of the better moments from  Simple Minds ' first three albums: 1979's  Life in a Day  and  Reel to Real Cacophony  and 1980's  Empires and Dance. Given the sadly neglected status of the band's early catalog -- meaning anything that was released prior to 1982's breakthrough  New Gold Dream (81-82-83-84)  -- through the early 2000s, it is doubly unfortunate that a compilation like this remained out of print for an extended period of time. And though the studio albums remained in print in the U.K.,  Simple Minds ' early years hardly received the red carpet compilation treatment that their later works did. While nothing here came close to approaching the stadium-pleasing popularity of later smashes like "Don't You (Forget About Me)," "Alive and Kicking," or even "Promised You a Miracle,"  Celebration  might provide a little shock to an initiated someone who snaps up a copy. It's a near-definite that plenty of people who own  New Gold Dream  and/or the  Glittering Prize 81/92 compilation remain oblivious to the fact that  Simple Minds  released five albums that ranged from good to spectacular between 1979 and 1981, before  New Gold Dream  came along with its perfect balance of art and pop to connect with a mass audience. Not only was 1979-1981 a prolific period for the band, but it was a period that witnessed them blossoming from a decent guitar-based post-punk band to a far more rhythmic and experimental entity that gradually shed their influences while ambitiously building on them. And as the few brave souls who have remained devout  Simple Minds  fans from day one might tell you,  Celebration  has stood the test of time better than  Glittering Prize  track-for-track.

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

DIANA ROSS & THE SUPREMES / reflections 1968 !! ORIG. EDIT. USA + encarte motown !! EXCELENTE ! DIANA ROSS & THE SUPREMES / reflections 1968 !! ORIG. EDIT. USA + encarte motown !! EXCELENTE !   sin duda el mas popular grupo de chicas en los 60`s..con dian ross crearon toda una epoca y temas increibles...COLLECTORS.!!! ESTUPENDA GRUESA CARPETA SICODELICA !! ESTA EDICION TAMBIEN CONTIENE EL BONITO ENCARTE INTEROR DEL SELLO MOTOWN Siempre me ha gustado este álbum, y tiene excelentes materiales, con 3 hits en él.  temas con sonido más psicodélico, uno de los favoritos de Holland-Dozier-Holland han dicho que era Este disco tuvo bastante éxito en su lanzamiento original, habiendo alcanzado # 18 pop, y siempre fue uno de mis álbumes favoritos Supremes'. La cubierta era bastante interesante, que ofrece un collage kaleidescopic de las niñas en diferentes poses y ubicaciones. Las notas originales fueron acreditados a la señora Ross. Hay valor histórico, así, ya que este fue el primer álbum de estudio que cuentan con el apodo de "Diana Ross y The Supremes," Side one "Reflections" (Holland–Dozier–Holland) - 2:50 "I'm Gonna Make It (I Will Wait for You)" (Debbie Dean, Dennis Lussier) - 2:47 "Forever Came Today" (Holland-Dozier-Holland) - 3:14 "I Can't Make It Alone" (Holland-Dozier-Holland) - 3:14 "In and Out of Love" (Holland-Dozier-Holland) - 2:40 "Bah-Bah-Bah" (Brenda Holloway, Patrice Holloway) - 3:18 Side two "What the World Needs Now Is Love" (Burt Bacharach, Hal David) - 2:51 "Up, Up and Away" (Jimmy Webb) - 2:31 "Love (Makes Me Do Foolish Things)" (Holland-Dozier-Holland) - 2:53 "Then" (Smokey Robinson, Robert Rogers, Warren Moore) - 2:09 "Misery Makes Its Home in My Heart" (Smokey Robinson, Warren Moore) - 2:54 "Ode to Billie Joe" (Bobbie Gentry) - 4:54 Diana Ross - lead vocals Mary Wilson - backing vocals (side 1, tracks 1-2 and 4-6; side 2, tracks 1, 4, 5) Florence Ballard - backing vocals (side 1, tracks 1 and 5; side 2, tracks 1 and 5) Cindy Birdsong - backing vocals (side 1, tracks 2, 4, and 6; side 2, track 4) The Andantes (Jackie Hicks, Marlene Barrow and Louvain Demps) - backing vocals (side 1, tracks 3-5; side 2, tracks 2-3) Brian Holland, Lamont Dozier - producers on all tracks unless otherwise noted Smokey Robinson - producer on "Then" and "Misery Makes Its Home in My Heart"

Colonial and Postcolonial Literature: Migrant Metaphors (Elleke Boehmer) Colonial and Postcolonial Literature: Migrant Metaphors (Elleke Boehmer) TÍTULO: Colonial and Postcolonial Literature: Migrant Metaphors AUTOR: Elleke Boehmer EDITORIAL: Oxford University Press AÑO DE EDICIÓN: 2005 PÁGINAS: 360 FORMATO: Rústica, 14 x 22 cm. Second edition. Colonial and Postcolonial Literature, the leading critical overview of colonial and postcolonial literary studies, is an ideal historical introduction to the field. Highly praised from the time of its first publication for its lucidity, breadth, and insight, the book has itself played a crucial part in founding and shaping this rapidly expanding field. Elleke Boehmer, an internationally renowned postcolonial critic, provides a broad contextualizing narrative about the............

ALAN SILVESTRI - PREDATOR Banda Sonora Original Edición Limitada 900 copias 2LP Color Precintado ALAN SILVESTRI - PREDATOR Banda Sonora Original Edición Limitada 900 copias 2LP Color Precintado ALAN SILVESTRI PREDATOR Banda Sonora Original Edición Limitada 900 copias Blood Red & 'Predator Dreads' Blue Splatter 2LP Set Nuevo y Precintado       ALAN SILVESTRI PREDATOR Original Soundtrack Limited Edition 1000 copies Blood Red & 'Predator Dreads' Blue Splatter 2LP Set New and Sealed       DESCRIPCIÓN: US 2018 Real Gone Music RGM-0601    La partitura magistral de Alan Silvestri para la película de 1987 Predator ha sido una de las bandas sonoras de películas de acción más buscadas de todos los tiempos. Aunque ridiculizada como poco original cuando salió, Predator solo ha crecido en reputación como una de las grandes películas de acción / ciencia ficción, que marcó el pleno florecimiento de Arnold Schwarzenegger como genuina estrella de cine. La banda sonora de Alan Silvestri (Regreso al futuro parte II y III, Forrest Gump, contacto; The Avengers; Avengers: Infinity War, entre muchos otros) también se ha convertido en un favorito de culto. La música de Silvestri es tan brutal e impactante como la película misma, empleando una orquesta completa, hábiles toques electrónicos y una contundente percusión. El lanzamiento de vinilo de Real Gone Music presenta una portada personalizada para esta edición de Rafal Wechterowicz que representa al depredador en toda su sangrienta gloria. • Edición limitada - 1000 copias (2LP). • Blood Red & 'Predator Dreads' Blue Splatter Vinyl. • Doble carpeta. • Cubierta ilustrada personalizada. • Nuevo y Precintado de fábrica.       DESCRIPTION: US 2018 Real Gone Music RGM-0601        Alan Silvestri’s masterful score to the 1987 film Predator has been one of the most sought-after action film soundtracks of all time. Though derided as derivative when it came out, Predator has only grown in reputation as one of the great action/sci-fi films, and marked the full flowering of Arnold Schwarzenegger as a genuine movie star. The soundtrack by Alan Silvestri (Back to the Future Part II & III, Forrest Gump, Contact; The Avengers; Avengers: Infinity War, among many others) has also become a cult favourite. Silvestri’s score is every bit as brutal and hard-hitting as the film itself, employing a full orchestra, deft electronic touches, and bruising percussion. Real Gone Music’s vinyl release features custom front cover art by Rafal Wechterowicz depicting the predator in all its gory glory. • Limited Edition - 1000 Copies (2LP). • Blood Red & 'Predator Dreads' Blue Splatter Vinyl. • Gatefold jacket (also includes production stills). • Custom illustrated cover. • New and Factory sealed.     Track Listing: SIDE A FOX FANFARE (Arranged By – Elliot Goldenthal / Composed By – Alfred Newman) MAIN TITLE SOMETHING ELSE; CUT ‘EM DOWN; PAYBACK TIME THE TRUCK JUNGLE TREK  SIDE B GIRL’S ESCAPE BLAINE’S DEATH WHAT HAPPENED? HE’S MY FRIEND WE’RE GONNA DIE BUILDING THE TRAP THE WAITING SIDE C 1. THE TRASHMEN/ THE AGENCY 2. MAIN TITLE 3. THE HELICOPTER ARRIVES 4. RUN TO THE SHED AND CHASE 5. MATRIX CAPTURED/JENNY TIED UP 6. INTO THE PLANE SIDE D PREDATOR INJURED HAND TO HAND COMBAT PREDATOR’S DEATH THE AFTERMATH; THE PICK-UP AND END CREDITS                 ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)           

LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE LOU REED: ROCK AND ROLL HEART [DEU 1992] CD/RE (Arista - BMG)  1992  made in Germany cat. num.  262 271 #rock   1 I Believe In Love 2:42 2 Banging On My Drum 2:09 3 Follow The Leader 2:09 4 You Wear It So Well 4:47 5 Ladies Pay 4:17 6 Rock And Roll Heart 3:02 7 Chooser And The Chosen One 2:44 8 Senselessly Cruel 2:04 9 Claim To Fame 2:48 10 Vicious Circle 2:52 11 A Sheltered Life 2:17 12 Temporary Thing 5:12   Rock and Roll Heart  was  Lou Reed 's first album for Arista Records, and one senses that he wanted to come up with something saleable for his new sponsors. Uptempo numbers with pop hooks dominate the set, the 12 songs zip by in an efficient 38 minutes, and instead of  Reed 's trademark meditations on the dark side of life, the lyrics are (for the most part) lean bursts of verse and chorus, in which the artist sings the praises of good times in general and rock & roll in particular (then again, on "I Believe in Love,"  Reed  pledges his allegiance to both "good time music" and "the iron cross," a bit of perversity to remind us whose album this is). But if  Rock and Roll Heart  sounds like " Lou Reed  Lite," there are more than a few flashes of  Reed 's inarguable talent. His band is in fine form (especially  Marty Fogel  on sax and  Michael Fonfara  on keyboards). "Banging on My Drum" is a crunchy rocker that recalls his work with  the Velvet Underground; "A Sheltered Life" is an amusing bit of  VU  archeology (the Velvets demoed the song, but this marked its first appearance on record); and the closer, "Temporary Thing," is a bitter, haunting narrative that foreshadows  Reed 's next album, the harrowing masterpiece  Street Hassle.

A hurricane sweeps across southern Sweden, leaving chaos in its wake. Two men lie dead in Stockholm's Free Port, shot in the head at point-blank range. A young woman runs for her life. She finds refuge in Paradise, a foundation dedicated to people whose lives are in danger. Newpaper sub-editor Annika Bengtzon is trying to piece her life together following the violent death of her fiance. Covering the story of Paradise is the opening she needs to get her personal life and her career back on track. But, as she's about to find out, neither Paradise nor the young woman, Aida, are quite what they a