To that music playing

THE BEATLES, ROCK AND ROLL MUSIC, DOBLE LP, PORTADA DESPLEGABLE, EX EX THE BEATLES, ROCK AND ROLL MUSIC, DOBLE LP, PORTADA DESPLEGABLE, EX EX Rock 'n' Roll Music  es un álbum recopilatorio de  The Beatles. El concepto del álbum deja fuera canciones de géneros como el  rock psicodélico,  beat,  pop rock  o  folk rock, enfocándose en canciones más pesadas como sus primeras grabaciones de  rock and roll  y canciones de  hard rock  o  blues rock. 2 ​ Este  álbum recopilatorio  fue lanzado el  7 de junio  de  1976  en  Estados Unidos  por  Capitol Records  (SKBO 11537) y el  10 de junio  en el  Reino Unido  por  Parlophone  (PCSP 719); en este álbum se encuentran algunas versiones de la banda inglesa como « Kansas City / Hey-Hey-Hey-Hey! », « Twist and Shout » y « Roll Over Beethoven » al igual que sus piezas más roqueras como « Back in the U.S.S.R. », « I Wanna Be Your Man », o « Helter Skelter ». canciones: Disco 1 Cara 1N.ºTítuloDuración1.« Twist and Shout »  (Medley — Russell) 2:322.« I Saw Her Standing There »2:503.« You Can't Do That »2:334.« I Wanna Be Your Man »1:595.« I Call Your Name »2:096.« Boys »  (Dixon — Farrell) 2:247.« Long Tall Sally »  (Johnson — Penniman — Blackwell) 2:00 16:27 Cara 2N.ºTítuloDuración1.« Rock and Roll Music »  (Berry) 2:342.« Slow Down »  (Williams) 2:543.« Kansas City »  (Leiber—Stoller /Penniman) 2:304.« Money (That's What I Want) »  (Bradford — Gordy) 2:475.« Bad Boy »  (Williams) 2:176.« Matchbox »  (Perkins) 1:577.« Roll Over Beethoven »  (Berry) 2:44 17:43 Disco 2 Cara 3N.ºTítuloDuración1.« Dizzy Miss Lizzy »  (Williams) 2:512.« Any Time at All »2:103.« Drive My Car »2:254.« Everybody's Trying to Be My Baby »  (Perkins) 2:245.« The Night Before »2:336.« I'm Down »2:307.« Revolution »3:21 18:14 Cara 4N.ºTítuloDuración1.« Back in the U.S.S.R. »2:452.« Helter Skelter »4:303.« Taxman »  (Harrison) 2:364.« Got to Get You into My Life »2:315.« Hey Bulldog »3:096.« Birthday »2:407.« Get Back »3:09 21:20 14 canciones por disco escogidas en un recopilatorio basico.

0721- NOW THAT WHAT I CALL MUSIC 14 VARIOS 2 VINILO LP POR VG DIS VG 1989 0721- NOW THAT WHAT I CALL MUSIC 14 VARIOS 2 VINILO LP POR VG DIS VG 1989 HACEMOS ENVIO A TODO EL MUNDO  ENTRA EN NUESTRA TIENDA Y ENCONTRARÁS MILES DE ARTICULOS DE COLECCIONISMO MUSICAL Y VIDEOJUEGOS ENVIO NACIONAL  SOLO SE REALIZAN ENVIOS A TRAVES DE EMPRESA DE MENSAJERIA SI EL COMPRADOR QUIERE ENVIO ORDINARIO SOLO SE REALIZARA BAJO EXPRESA PETICION DEL COMPRADOR Y SU RESPONSABILIDAD A LOS GASTOS DE ENVIO ORDINARIO SE LE SUMARA LA CANTIDAD DE 1,50 EUROS EN CONCEPTO DE TRASLADO Y ENTREGA EXPRESA EN OFICINA DE CORREOS  SI NO ESTA DE ACUERDO CON ESTAS CONDICIONES NO COMPRE EL ARTICULO   CERTIFICADO EMPRESA MENSAJERIA:   PRECIO DE ENVIO: / 1-2: VINILOS 6,90 €                                 : / 1-3: SINGLES 7" 5,90 €                                 : / 1-3:     CD"S    5,90 €                                                                       REALIZAMOS ENVIOS COMBINADOS PARA AHORRAR PORTES       INTERNACIONAL CERTIFICADO COMUNIDAD EUROPEA:   0-100GR: 7.50€  101-500GR: 12.70€  501- 1000GR: 18.20€  1001-2000GR: 27.10€  ENVIO INTERNACIONAL RESTO DEL MUNDO:  0-100GR: 8.5€  101-500GR: 15.65€  501- 1000GR: 26.55€  1001-2000GR: 42.60€ WE SEND TO ALL THE WORLD  ENTERS IN OUR STORE AND YOU WILL FIND THOUSANDS OF ITEMS OF MUSICAL COLLECTING AND VIDEO GAMES NATIONAL   INTERNATIONAL SHIPPING CERTIFICATE EUROPEAN COMMUNITY:  0-100GR: 7.50€  101-500GR: 12.70€  501-1000GR: 18.20€  1001-2000GR: 27.10€   INTERNATIONAL SHIPPING REST OF THE WORLD:  0-100GR: 8.5€  101-500GR: 15.65€  501-1000GR: 26.55€  1001-2000GR: 42.60€  

0921- Various - Read My Lips (New Music That Leaves You Speechless) Vinyl, LP, 0921- Various - Read My Lips (New Music That Leaves You Speechless) Vinyl, LP, HACEMOS ENVIO A TODO EL MUNDO  ENTRA EN NUESTRA TIENDA Y ENCONTRARÁS MILES DE ARTICULOS DE COLECCIONISMO MUSICAL Y VIDEOJUEGOS ENVIO NACIONAL      REALIZAMOS ENVIOS COMBINADOS PARA AHORRAR PORTES    WE SEND TO ALL THE WORLD  ENTERS IN OUR STORE AND YOU WILL FIND THOUSANDS OF ITEMS OF MUSICAL COLLECTING AND VIDEO GAMES NATIONAL    

A fascinating exploration of the relationship between music and the mind;and the role of melodies in shaping our lives Whether you load your iPod with Bach or Bono, music has a significant role in your life;even if you never realized it. Why does music evoke such powerful moods? The answers are at last be- coming clear, thanks to revolutionary neuroscience and the emerging field of evolutionary psychology. Both a cutting-edge study and a tribute to the beauty of music itself, This Is Your Brain on Musicunravels a host of mysteries that affect everything from pop culture to our understanding

Editado en 1997. Contiene 14 canciones, interpretadas por otros tantos intérpretes. CD muy difícil de encontrar. En Zaragoza puedo entregar en mano. Gastos de envío a cargo del comprador: correo ordinario 3 euros, correo certificado 6 euros.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

The Definitive Drifters (compilación) The Definitive Drifters (compilación) Atlantic, 2003. El CD se entrega completo en su caja. Estado del disco: excelente. Presenta mínimas señales bajo ciertos ángulos de luz, sin afectar en absoluto a la calidad de sonido. El libreto y la carátula están completos y su apariencia es impoluta. Gastos de envío: 1 €. Si se adquieren cinco o más títulos, los gastos de envío corren a cargo del vendedor.  Consulta los demás artículos que tengo a la venta. Track listing 1: Under The Boardwalk 2: Kissin' In The Backrow Of The Movies 3: Up On The Roof 4: Save The Last Dance For Me 5: There Goes My First Love 6: Come On Over To My Place 7: You're More Than A Number In My Little Red Book 8: Sweets For My Sweet 9: Saturday Night At The Movies 10: At The Club 11: Dance With Me 12: This Magic Moment 13: I Count The Tears 14: Some Kind Of Wonderful 15: Please Stay 16: When My Little Girl Is Smiling 17: Let The Music Play 18: Money Honey 19: Bip Bam 20: Adorable 21: Ruby Baby 22: Drip Drop 23: There Goes My Baby 24: I'll Take You Home 25: I'll Take You Whee The Music Playing 26: Like Sister And Brother 27: Down On The Beach Tonight 28: Can I Take You Home Little Girl? 29: On Broadway

Van Morrison – The Healing Game -LP- Van Morrison – The Healing Game -LP- Van Morrison  – The Healing Game Label: Legacy  – 88985428411,  Exile  – 88985428411 Format: Vinyl, LP, Album, Reissue Country: Europe Released: Mar 22, 2019 Genre: Rock Style: Blues Rock,  Folk Rock,  Acoustic Tracklist Hide Credits A1   Rough God Goes Riding A2   Fire In The Belly A3   This Weight A4   Waiting Game A5   Piper At The Gates Of Dawn Acoustic Guitar –  Van Morrison Guitar [Dobro] –  Peter O'Hanlon Piano –  Phil Coulter Pipe [Uillean], Whistle –  Paddy Maloney * Recorded By –  Enda Walsh Acoustic Guitar –  Van Morrison Guitar [Dobro] –  Peter O'Hanlon Piano –  Phil Coulter Pipe [Uillean], Whistle –  Paddy Maloney * Recorded By –  Enda Walsh B1   Burning Ground Rap –  Brian Kennedy,  Pee Wee Ellis,  Van Morrison Rap –  Brian Kennedy,  Pee Wee Ellis,  Van Morrison B2   It Once Was My Life B3   Sometimes We Cry B4   If You Love Me B5   The Healing Game Drums –  Ralph Salmins Percussion –  Geoff Dunn Drums –  Ralph Salmins Percussion –  Geoff Dunn   Companies, etc. Licensed To  –  Sony Music Entertainment Distributed By  –  Sony Music Entertainment Distributed By  –  Sony Music Entertainment International Services GmbH Produced For  –  Exile Productions Ltd. Phonographic Copyright ℗  –  Exile Productions Ltd. Copyright ©  –  Exile Productions Ltd. Pressed By  –  MPO Recorded At  –  Westland Studios Recorded At  –  Windmill Lane Studios Mixed At  –  The Wool Hall Mastered At  –  Metropolis Mastering Lacquer Cut at  –  SST GmbH Credits Lacquer Cut By  –  Kr * Mastered By  –  Tim Young Photography By  –  Paul Cox (5) Producer, Written-By  –  Van Morrison Recorded By, Mixed By  –  Walter Samuel Notes Includes printed cardboard inner sleeve with photos, lyrics and credits. Some copies come with hype sticker: The 20th Anniversary Of This Iconic Album - FEATURING - "Rough God Goes Riding", "'Fire In The Belly" & "The Healing Game". Includes Digital Download 88985428411S1 The back cover text differs from that on  Van Morrison - The Healing Game. ⓒ 1997, 2017 Made in the EU. Barcode and Other Identifiers Barcode (Text): 8 8985-42841-1 4 Barcode (Scanned): 889854284114 Label Code: LC02361 Rights Society: BIEM/GEMA Other (On sticker): 88985428411S1 Other (On inner sleeve): 88985428411SW1 Matrix / Runout (Runout side A, etched [11 mirrored]): 17-0147NL _ 889 8542 8411 A Kr SST MPO 11 Matrix / Runout (Runout side B, etched [13 mirrored]): 17-0147NL _ 889 8542 8411 B Kr SST 13 MPO  

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

THE BEATLES 4CD BOX SET * GREATEST HITS IN CONCERT 1962-'65 * Caja precintada!! THE BEATLES 4CD BOX SET * GREATEST HITS IN CONCERT 1962-'65 * Caja precintada!! Edición muy limitada con grabaciones históricas de The Beatles desde 1965 a 1965.  Contiene 4 discos en formato digipack. Una gran pieza de coleccionismo. Grabaciones algunas con sonido de la época, sin filtrar. Editado por el sello checoslovaco Coda Records. Actualmente muy difícil de encontrar.  Caja precintada de fábrica.  CD 1 The Lost Decca Audition Tapes  1 Money (That's What I Want) 2 Till There Was You 3 To Know Her Is To Love Her 4 Take Good Care Of My Baby 5 Memphis Tennessee 6 Sure To Fall In Love With You 7 Crying, Waiting, Hoping 8 Love Of The Loved 9 September In The Rain 10 Besame Mucho 11 Pete Best - The Decca Sessions 12 Pete Best - Recording Love Me Do 13 Love Me Do (With Ringo Starr) 14 Till There Was You (With Ringo Starr) 15 Memories With Pete Best 16 My Bonnie  CD 2 The Lost Abbey Road Tapes 196'64  1 Love Me Do 2 P.S. I Love You 3 There's A Place (Take 2) 4 I Saw Her Standing There (Takes 6 & 10) 5 Misery (Take 6) 6 Thank You Girl (Takes 4 & 12) 7 Don't Bother Me (Take 10) 8 Hold Me Tight (Take 28) 9 A Hard Day's Night (Take 7) 10 I'm A Loser (Take 8) 11 What You're Doing (Take 11) 12 She's A Woman (Take 2)  CD 3 The Lost Bbc Tapes And Much More  1 I Saw Her Standing There 2 Misery 3 Too Much Monkey Business 4 I'm Talking About You 5 Please Please Me 6 Hippy Hippy Shake 7 She Loves You 8 Twist And Shout 9 From Me To You 10 I'll Get You 11 She Loves You 12 Twist And Shout 13 I Want To Hold Your Hand 14 This Boy 15 All My Loving 16 Seventeen (Harmonica Version) 17 The One After 909 (Take 1) 18 Catwalk (Take 1) 19 Twist And Shout 20 Can't Buy Me Love 21 If I Fell 22 A Hard Day's Night  CD 4 New York, Miami And Philadelphia  1 All My Loving 2 Till There Was You 3 She Loves You 4 I Saw Her Standing There 5 I Want To Hold Your Hand 6 She Loves You 7 This Boy 8 All My Loving 9 I Saw Her Standing There 10 From Me To You 11 I Want To Hold Your Hand 12 Twist And Shout 13 You Can't Do That 14 All My Loving 15 She Loves You 16 Things We Said Today 17 Roll Over Beethoven 18 Can't Buy Me Love 19 If I Fell 20 I Want To Hold Your Hand 21 Boys 22 A Hard Day's Night 23 Long Tall Sally  Blackpool And Paris 196'65  1 A Hard Day's Night 2 Things We Said Today 3 You Can't Do That 4 If I Fell 5 Long Tall Sally 6 I Feel Fine 7 I'm Down 8 Act Naturally 9 Ticket To Ride 10 Yesterday 11 Help! 12 Twist And Shout 13 She's A Woman 14 I'm A Loser 15 Can't Buy Me Love 16 Baby's In Black 17 I Wanna Be Your Man 18 A Hard Day's Night 19 Everybody's Trying To Be My Baby 20 Rock 'N' Roll Music 21 Ticket To Ride 22 Long Tall Sally  Australia & Japan  1 I Saw Her Standng There 2 You Can't Do That 3 All My Loving 4 She Loves You 5 Till There Was You 6 Roll Over Beethoven 7 Can't Buy Me Love 8 This Boy 9 Twist And Shout 10 Long Tall Sally 11 Rock 'N' Roll Music 12 She's A Woman 13 If I Need Someone 14 Day Tripper 15 Baby's In Black 16 I Feel Fine 17 Yesterday 18 I Wanna Be Your Man 19 Nowhere Man 20 Paperback Writer 21 I'm Down 

Amplificador de guitarra en formato combo 20w de potencia Ideal como amplificador de practica y para tocar en en conciertos de pequeño formato 2 canales (Clean/Overdrive) Reverb de muelles con control independiente Tecnología VTC (Virtual Tube Circuit) que reproduce la dinámica y la sensación de un amplificador a válvulas real. Ecualizador a 3 bandas Canal limpio con control independiente de volumen Canal Overdrive con control de ganancia Altavoz custom Bugera de 8” Salida de auriculares con salida emulada de pantalla para practica en silencio Entrada auxiliar para la conexión de fuentes externas como Mp3 o cajas de ritmo.   HA-20R Whether you’re just getting started on electric guitar, or you’ve been playing for years, the compact HA-20R is the ideal choice for the discerning, tone conscious guitarist, looking for a portable 20-Watt guitar combo – with an equally-small price. Although small in size, the HA-20R delivers huge performance and represents excellent value for money, offering a powerful 20-Watt solid state solution for home use, recording and live gigs. Ultimate Tone Shaping The HA-20R features two independent channels that provide all the gain you need from sparkling cleans to super-fat high gain overdrives and everything in-between. Dial-in your clean tone with the extremely powerful 3-band EQ and dedicated volume control to shape lows, mids and highs for recapturing vintage edge, pristine cleans or use as the perfect pedal platform solution. Engage the overdrive channel with independent gain and volume controls to fire up a high-gain drive circuit, with a wide scope, capable of vintage crunch, fat riffs, soaring lead tones and heavy metal. Secret Weapon Big Tone, that’s what it all comes down to – and the HA-20R really delivers! Under the hood of this compact beast, is our revolutionary VTC (Virtual Tube Circuit) technology. Designed to reproduce the saturation and compression of those larger-than-life classic tube rigs, delivering truly tube-like tone, touch and feel from this meticulously crafted solid state amplifier.

Amplificador de guitarra en formato combo 10w de potencia Ideal como amplificador de practica y para tocar en casa sin molestar a los vecinos 2 canales (Clean/Overdrive) Tecnología VTC (Virtual Tube Circuit) que reproduce la dinámica y la sensación de un amplificador a válvulas real. Ecualizador a 3 bandas Canal limpio con control independiente de volumen Canal Overdrive con control de ganancia Altavoz custom Bugera de 6” Salida de auriculares con salida emulada de pantalla para practica en silencio Entrada auxiliar para la conexión de fuentes externas como Mp3 o cajas de ritmo.   HA-10G Whether you’re just getting started on electric guitar, or you’ve been playing for years, the super-compact HA-10G is the ideal choice for the discerning, tone conscious guitarist, looking for an ultra-portable 10-Watt guitar combo – with an equally-small price. Although small in size, the HA-10G delivers huge performance and represents excellent value for money, offering a powerful 10-Watt solid state solution for home use, rehearsals and live gigs. Ultimate Tone Shaping The HA-10G features two independent channels that provide all the gain you need from sparkling cleans to super-fat overdrives and everything in-between. Dial-in your tone with the extremely powerful 3-band EQ to shape your lows, mids and highs for recapturing vintage edge, pristine cleans or use as the perfect pedal platform solution. Engage the overdrive channel with independent gain control to fire up a vintage drive circuit, ideal for fat riffs and soaring lead tones. Secret Weapon Big Tone, that’s what it all comes down to – and the HA-10G really delivers! Under the hood of this tiny beast, is our revolutionary VTC (Virtual Tube Circuit) technology. Designed to reproduce the saturation and compression of those larger-than-life classic tube rigs, delivering truly tube-like tone, touch and feel from this meticulously crafted solid state amplifier.

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable RARA 1ª EDIC. ORIG. CONTIENE EL ENCARTE INTERIOR... todo un musico legendario,,un superviviente, uno de los tipos con mas gusto musical de todos los tiempos..!! lider y fundador de los byrds, aqui lo tienes en solitario,acompañado por musicos increibles que consiguen redondear su lp debut en solitario. TODO EN IMPECABLE CONDICION. !!! NUESTRA MEJOR COPIA HASTA LA FECHA bonito debut en solitario de Roger McGuinn qué me fascina. The Byrds habían echado el cierre de una manera ya más bien lánguida, porque todo acaba estropeándose, y este jefe de operaciones enorme quiso refrendar su apabullante pedigrí haciendo lo que le dio la real gana. Impresiona la facilidad con la que, en aquellos aún iniciales años setenta, este hombre podía tirar de agenda. La armónica que abre la inaugural ‘I’m so restless’, sin ir más lejos, corresponde a un tal Dylan, mientras que el saxofonista que irrumpe para alborotar el canónico folk-rock de ‘My new woman’ es cortesía del mismísimo Charles Lloyd. No se detienen ahí las sorpresas: ‘Draggin’ no es solo un evidente tributo a los Beach Boys, sino que las armonías las aporta Bruce Johnston, uno de los Chicos de la Playa. ‘Time cube’ mira hacia la tradición más pura de estrofa repetida, aunque extrañamente coloreada con un sintetizador Moog. Pero es de autoría propia, a diferencia del epílogo del álbum, la célebre tonada tradicional ‘The water is wide’. El modo más campestre, con ‘slide’ de por medio, le sirve a ‘Bag full of money’ para abrir la cara B, donde a su vez se cuela el desmadre fronterizo de ‘Mi linda’ o el ‘blues’ a la vieja usanza de ‘Hanoi Hannah’. Y es toda esa mezcolanza, su permanente carácter híbrido, las decisiones extrañas (el coro infantil de ‘Stone’), lo que quizá no hiciese de este LP un referente de su década. Y eso, a pesar de que piezas como ‘Lost my drivin’ wheel’ revivieran todo el músculo y la chispa de los mejores Byrds. Aquellos que fueron, y siempre serán, puritita gloria. Bob Dylan - harmonica Gene Clark - vocals David Crosby - guitar,harmony vocals Chris Hillman - bass Leland Sklar - bass David Vaught - bass Chris Ethridge - bass Bruce Johnston - piano, harmony vocals Spanky McFarlane - vocals Mike Wofford - piano Charles Lloyd - sax Hal Blane - percussion John Guerin - drums Jim Gordon - drums Michael Clarke - drums Jerry Cole - guitar Buddy Emmons - steel guitar Spooner Oldham - keyboards Charles Lloyd - saxophone The Jimmy Joyce Children Chorus - vocals     I'm So Restless My New Woman Lost My Drivin' Wheel Draggin' Time Cube Bag Full of Money Hannoi Hannah Stone Heave Away M'Linda The Water Is Wide Roger McGuinn's 1973 self-titled solo debut was in most respects a breath of fresh air after the final days of the Byrds, in which the group was floundering in directionless mediocrity. In a sense, it's a back-to-basics album that emphasizes much of what McGuinn does so well: his forceful reedy vocals, his guitar playing, and his skills at both writing earnest folk-rock material (usually with future Bob Dylan collaborator Jacques Levy here) and interpreting unusual traditional and contemporary songs. Never was it folkier than on the acoustic "I'm So Restless," which benefited from harmonica by Dylan himself (about whom the song was partially about). All four of the other original Byrds play on "My New Woman," which is virtually a reunion of the original quintet, with the addition of saxophone by jazzman Charles Lloyd; David Crosby makes unobtrusive cameos on some other tracks. As likable as it is, however, the album isn't an unqualified triumph. Some of the songs aren't so hot, some of the Moog synthesizer (by McGuinn) is unnecessary, his vocals sometimes seem to have been recorded with too much brittleness, and none of this is as good as the best of the Byrds. Unexpected influences make themselves heard in the Beach Boys harmonies of "Draggin'" (with Bruce Johnston of the Beach Boys on piano and backup harmonies), the Vietnam blues of "Hanoi Hannah," and the gospel-rock of "Stone." The 2004 CD reissue adds two previously unissued bonus tracks: a solo acoustic cover of the traditional folk song "John, John" and a less pleasing cover of Jackson Browne 's "Jamaica, Say You Will." It also has historical liner notes with plenty of quotes on the sessions and songs from McGuinn himself. ~ Richie Unterberger, All Music Guide

MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE Mike Oldfield   "The Killing Fields"  LP (Virgin)   1984   made in Spain cat. num.  E 206 707 #progressive rock  #pop rock  #soundtrack   Pran's Theme 0:45 Requiem For A City 1:45 Evacuation 5:10 Pran's Theme - 2 1:40 Capture 2:01 Execution 4:10 Bad News 1:10 Pran's Departure 2:03 Worksite 1:18 The Year Zero 0:27 Blood Sucking 1:18 The Year Zero - 2 0:36 Pran's Escape / The Killing Fields 3:11 The Trek 1:58 The Boy's Burial / Pran Sees The Red Cross 2:40 Good News 1:44 Etude 4:38   Crack all the jokes you want about  Mike Oldfield  and his Tubular Bells becoming the hit theme song for The Exorcist. While  Oldfield  is an amazing guitarist who could play with the best of them, with a lithe synth touch that became a trademark, the bottom line is that the man is a serious composer. All the proof one needs apart from his own records like  Incantations  and  Hergest Ridge  is this killer movie score. While  Oldfield  used a purely Western and neo-classical formal approach to write the music for  Roland Joffé 's dramatization of true events, his musical mates were among the best in the business at helping him to bring it off:  David Bedford  wrote arrangements and directed the choir, while  Eberhard Schoener  helped to conduct and direct another choir (!) and master percussionist  Morris Pert  lent his talents to the mix as well. While many scores written during the 1980s come off as laughable fluff in the 21st century,  Oldfield 's score for The Killing Fields is in many ways far more memorable than the film itself. The music here is full of drama, dynamic, textures, and unexpected twists and turns even in the smallest of the incidental pieces, and carries within it a certain majesty that lacks pomp and remains graceful throughout.