Top pop

LP JOE LOSS - Top Pop Dance Time - H.M.V. CSD 3644 - UK press (EX+/EX+) LP JOE LOSS - Top Pop Dance Time - H.M.V. CSD 3644 - UK press (EX+/EX+) M9

ELLIE POP THE FIRST ALBUM OF ELLIE POP LP USA PEPETO TOP ELLIE POP THE FIRST ALBUM OF ELLIE POP LP USA PEPETO TOP MUY BUENO.REEDICION EN GRAN VINILO (180GRS) LABEL MAINSTREAN.PSICODELIA USA SIXTIES.

The Fabulous Top Of The Poppers – 50 All Time Pop Hits 2LP UK 1977- 50 temas The Fabulous Top Of The Poppers – 50 All Time Pop Hits 2LP UK 1977- 50 temas Condition Media: Very Good Plus (VG+) Sleeve: Very Good Plus (VG+)

José Luis Rodríguez LP TOP HITS 1980 EDICION REP. DOMINICANA - Atrevete - BALADA LATIN POP José Luis Rodríguez LP TOP HITS 1980 EDICION REP. DOMINICANA - Atrevete - BALADA LATIN POP LIGERAS SEÑALES DE USO

SHAKER'S In The Studio Again 1971 POP ORIGINAL LP EX-THE SHAKERS SHAKER'S In The Studio Again 1971 POP ORIGINAL LP EX-THE SHAKERS SHAKER'S   LP  IN THE STUDIO AGAIN PARLOPHONE  SPBA 13.026 - BRAZIL 1971 COVER/RECORD: EX/M- ORIGINAL 1st PRESSING Rare stereo. Original outer plastic sleeve in top condition, complete and clean.  Crease on top right corner. Original gold sticker. NM labels.

OS MUTANTES OS MUTANTES CD BRASIL 1968 Pepeto Top OS MUTANTES OS MUTANTES CD BRASIL 1968 Pepeto Top MUY BUENO. ES UNA REEDICIONN PERO LA FECHA IMPRESA ES 1968 Y NO LLEVA CODIG DE BARRAS.EDITA POLYDOR.CON RITA LEE. TEMAS DE CAETANO VELOSO, VERSION DE JOHN PHILIPS. ……EL POP DE BRASIL.

THE E-TYPES INTRODUCING…….E-TYPES CD USA1995 Pepeto Top THE E-TYPES INTRODUCING…….E-TYPES CD USA1995 Pepeto Top BUENO.22 TEMAS. VARIAS VERSIONES DE BEATLES Y CLASICOS DEL POP.EDITA SUNDAZED.ORIGINAL DE 1965/66,

THE POETS SCOTLAND'S Nº 1 GROUP CD UK 2000 PEPETO TOP THE POETS SCOTLAND'S Nº 1 GROUP CD UK 2000 PEPETO TOP BUENO.RAREZA GRUPO POP ESCOCES PRODUCIDOS E INTRODUCIDOS POR ANDREW L.OLDHAM.EDITA DYNOVOX.GHRABACION ORIGINAL DE 1965/66.

THE OHIO EXPRESS BEG, BORROW & STEAL LP USA 1967 Pepeto top THE OHIO EXPRESS BEG, BORROW & STEAL LP USA 1967 Pepeto top BUENO.EDICION CARTON USA LABEL CAMEO CS-20000. EL SONIDO CHICLE, HACIENDO POP DE CALIDAD.RARA EDICION.KASENETZ & KATZ.

CREAM. (Gigantes del pop) (vinilo Lp español 1981) CREAM. (Gigantes del pop) (vinilo Lp español 1981) VINILO LP ESPAÑOL 1981 Ref.2479256 CREAM Cara A 1.I feel free 2.Sitting on top of the world 3.Sunshine of your love 4.Strange brew 5.I'm so glad Cara B 1.Sleepy time time 2.Spoonful 3.N.S.U. 4.White room 5.After midnight Gastos de envio par 1ó2 vinilos ESPAÑA EUROPA RESTO DEL MUNDO De 350 a 1.000grs 5,70 € 14,09€ 21,50€

The Miracles / Smokey Robinson / LP 180g * Hi We're The Miracles * Precintado!! The Miracles / Smokey Robinson / LP 180g * Hi We're The Miracles * Precintado!! The Miracles (también conocido como Smokey Robinson and the Miracles de 1965 a 1972) fue un grupo vocal estadounidense de rhythm and blues que fue el primer acto de grabación exitoso para Motown Records de Berry Gordy , y uno de los grupos más importantes e influyentes del pop., rock and roll , historia de la música soul y R&B . Conocidos como el "supergrupo de soul" de Motown, The Miracles registraron 26 éxitos Top 40 Pop, dieciséis de los cuales alcanzaron el Billboard Top 20, siete sencillos Top 10 y un sencillo número uno  CARA A A1 Who's Lovin' You 3:06 A2 Depend On Me 3:08 A3 Heart Like Mine 2:06 A4 Shop Around 2:50 A5 Won't You Take Me Back 2:40 A6 Cause I Love You 2:25 CARA B B1 Your Love 2:51 B2 After All 2:47 B3 Way Over There 2:57 B4 Money 3:48 B5 Don't Leave Me 2:43

PRINCE: THIEVES IN THE TEMPLE [DEU 1990] 12” PRINCE: THIEVES IN THE TEMPLE [DEU 1990] 12” Prince   "Thieves In The Temple"  12" (Paisley Park - Warner)  1990  made in Germany cat. num.  7599-21598-0 #funk  #p-funk  #r&b   A Thieves In The Temple (Remix) (Extended LP Version) 8:03 B1 Thieves In The Temple (Thieves In The House Mix - Junior Vasquez Rmx) 6:50 B2 Thieves In The Temple (Temple House Dub) (Fade)     While Prince's second movie, Graffiti Bridge, didn't earn much critical praise, the soundtrack was another matter. The multi-artist affair spawned several hits. The first single was Prince's "Thieves in the Temple," a track in which the artist played all the instruments and performed all the vocals. Though some fans may have taken a pass on the movie, they spurred "Thieves in the Temple" to gold status, going to number one R&B and number six pop in the fall of 1990. The Top Ten R&B/pop Graffiti Bridge soundtrack went gold, spawning the single "New Power Generation" and the million-selling Top Five R&B/number 12 pop single "Round and Round" by Tevin Campbell.

Revista Rock N Roll Popular 1 - Nº 278 - Marilyn Manson, Iggy Pop, Pearl Jam, 091, ZZ Top, Motorhead Revista Rock N Roll Popular 1 - Nº 278 - Marilyn Manson, Iggy Pop, Pearl Jam, 091, ZZ Top, Motorhead Año XXIV / Diciembre / 1996 /

PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP Pablo Cruise   "Part Of The Game"  LP (A&M)  1979  made in Canada cat. num.  SP-3712 #rock   Part Of The Game 3:36 I Want You Tonight 5:29 When Love Is At Your Door 4:35 Givin' It Away 5:16 Tell Me That You Love Me 4:50 Lonely Nights 5:09 How Many Tears? 6:05 For Another Town 4:25   Pablo Cruise  achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of  Stoneground  and  It's a Beautiful Day: guitarist  Dave Jenkins, keyboardist  Cory Lerios, bassist  Bud Cockrell, and drummer  Steve Price. The group was praised for its compositional and instrumental skill on the albums  Pablo Cruise  and  Lifeline, and was rewarded with the Top Ten hit "Whatcha Gonna Do?" in 1977 from  A Place in the Sun.  Cockrell  left and was replaced by former  Santana  bassist  Bruce Day.  Worlds Away  went platinum, as did its predecessor, and produced three hit singles, including the Top Ten "Love Will Find a Way." By the time the '80s rolled around, the new wave movement was in full swing on the pop charts, and the group fell out of favor with the record-buying public. Several  Pablo Cruise  songs were used as soundtrack material for sports programs on ABC, CBS, and NBC, and the band's work also appeared in the films Free Ride, An Unmarried Woman, and Dreamer.

FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 En una época en la que muchas bandas resultaban inclasificables, Fischer Z destaca por su particular estilo a medio camino entre el Punk, el Reggae y la New Wave. En Inglaterra se les comparó rápidamente con Talking Heads, pero fue en Alemania y Austria donde este grupo causó furor más que en su tierra natal. Hablar de Fischer Z es hablar, en cierto modo, de su líder y fundador John Watts, un músico intelectual y enigmático que supo combinar melodías pegadizas con letras de marcado carácter psicológico, social y político. El grupo lo forma en 1976 junto a su compañero de estudios Steve Skolnik. Completarían la banda el bajista David Graham y el batería Steve Liddle. Era una época en la que el punk arrasaba con todo en Inglaterra y sin embargo Fischer Z ofrecían algo más. Primero porque John Watts era un tipo muy culto y muy preocupado por los problemas sociales del momento. El estilo de Fischer Z fue rápidamente comparado como decíamos  con Talking Heads o The Police. En 1979 lanzaron su primer disco “Word Salad”, que incluía temas como el que acabamos de oír, y lograron una actuación en directo para el mítico programa musical británico “Top of the Pops”. Esta actuación resulta un desastre y perjudica a las ventas del disco. En 1980 llegará “ So Long ”, probablemente su canción más conocida gracias a la cual todavía conservan cierta fama. A mediados de ese mismo año Skolnik, el teclista, abandona el grupo y éste queda reducido a un trío en el Watts plasta definitivamente todas sus obsesiones. Aquí llegaría su disco más destacado “Red Skies Over Paradise”, un trabajo cuya inspiración reside en la guerra fría y la amenaza nuclear. Otro tema impresionante de este gran disco es “ Berlin ”. Llegados a 1990, su antigua compañía de discos la EMI Electrola Records lanza al mercado un disco recopilatorio bajo el titulo de Going red for a salad (The UA years). Este disco recopilatorio venia a recoger los mayores éxitos de la banda a lo largo de su paso por esta compañía de discos, destacando los mejores temas también de los primeros álbumes de John Watts. Dos años mas tarde de nuevo se vuelve a editar un nuevo disco de la banda bajo el titulo de Destination paradise. Con este trabajo la formación se consolido como una de las mejores de la época, ya que las temáticas de las letras hablaban de lo cotidiano, desde la guerra del golfo hasta canciones de amor en clave de humor. Tras este disco comienzan una nueva y extensa gira mundial, con la única intención de captar nuevo fans. Como mejores temas de estos discos vamos a destacar en primer lugar un tema antiguo llamado Wax dolls, y después los temas nuevos del otro disco titulados Destination paradise, y Will you be there?.   Pistas: 1 – So Long  5:01  2 – Acrobats  2:42  3 – The Worker  3:35  4 – Wax Dolls  2:46  5 – Remember Russia  3:38  6 – Going Deaf For A Living  3:32  7 – Room Service  3:44  8 – Pretty Paracetamol  3:59   9 – Marliese  3:52  10 – You'll Never Find Brian Here  2:10  11 – Berlin  4:34  12 – Battalions Of Strangers  5:06  13 – Bathroom Scenario  3:50  14 – Wristcutters Lullaby  2:49  15 – Crazy Girl  4:27  16 – Limbo  2:15 Fischer-Z were a British rock band formed in 1976 by John Watts and Steve Skolnik at Brunel University. The original line-up consisted of Watts (vocals, guitar), Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums). The band's name is pronounced "fɪʃə zɛd" (fisher zed), a pun on "fish's head" with the "h" dropped, as is usual in many British regional accents. The pun also relies on leaving the "r" unpronounced as in common British non-rhotic accents. Fischer-Z's first hit was "The Worker" from the album Word Salad which firmly established Watts' ability to convey worldly political issues in narrative songs against a background of quirky pop and reggae-influenced music. In an interview in Record Mirror in 1981, Watts put this down to the remix of the song from the album version, which put the emphasis on the keyboards rather than his guitar. Skolnik departed after their second album Going Deaf for a Living, leaving Watts to take over keyboards. Watts' lyrics draw heavily on his experiences of studying clinical psychology and as a mental health care worker. Several songs on their third album Red Skies Over Paradise in 1981, such as "Berlin" and "Red Skies Over Paradise" were about the Cold War and the song "Cruise Missiles" was about the nuclear arms race and the mutual threat of the superpowers with nuclear war. Fischer-Z were more popular in mainland Europe than their native UK, especially in Germany, Belgium, The Netherlands, and Portugal (two top 10 hits and a No. 3 album). Fischer-Z were also successful in Australia, where they achieved two Top 20 hits with "So Long" from the album Going Deaf for a Living and "The Perfect Day" from Reveal.[2] After the album Red Skies over Paradise Watts dissolved the band in mid-1981, deciding his art could not evolve within a band context.

BROS- LP DE VINILO DE TITULO PUSH- ORIGINAL DEL 88- CON 10 TEMAS - TOTALMENTE NUEVO BROS- LP DE VINILO DE TITULO PUSH- ORIGINAL DEL 88- CON 10 TEMAS - TOTALMENTE NUEVO BROS- DE TITULO PUSH, LP DE VINILO- ES ORIGINAL DEL 88- CON 10 TEMAS QUE PODRAS VER EN LAS FOTOS ADICIONALES TRAE LAS LETRAS DE SUS CANCIONES- Y UNA HERMOSA FOTO EN EL INTERIOR DE LA CARPETA.. ES UNA BANDA DE POP BRITANICA QUE FUE LANZADO EN EL 88. EL ALBUM GENERO 5  SINGLES  DE EXITOS ALCANZANDO EL NUM. 1 EN EL REINO UNIDO - EL ALBUM ALCANZO EL NUM. 2 EN LA LISTA DE ALBUMES DEL REINO UNIDO Y PASO 54 SEMA- NAS EN EL TOP 75.. EL ALBUM FUE 4º PLATINO EN EL REINO UNIDO. EL ESTILO DEL DISCO ES POP ADOLESCENTE Y DANCE POP.   EL PORTE  ES POR CUENTA DEL COMPRADOR EL ENVIO POR CORREO CERTIFICADO NACIONAL   IF THE PURCHASE IS INTERNATIONAL, PLEASE CONSULT THE PRICE OF CARRIAGE BEFORE BUYING   NO ACEPTO PAGOS CON  P A Y P A L  NI REEMBOLSO SI SE PUEDE CON LA  WESTERN UNION  O CON EL GIRO INMEDIATO   EL PAGO ES MEDIANTE TRANSFERENCIA BANCARIA O INGRESO EN CUENTA, DENTRO DE LOS 3 DIAS SIGUIENTES A SU COMPRA.      

LOS HURACANES LOS HURACANES. Nº 93. LP SPAIN 1991 PEPETO TOP LOS HURACANES LOS HURACANES. Nº 93. LP SPAIN 1991 PEPETO TOP MUY BUENO.VINLO A ESTRENAR.RFª 00.0093.LABEL EL COCODRILO RECORDS.EDITA CLUB DE COLECCIONISTAS.HISTORIA DE LA MUSICA POP ESPAÑOLA.

THE OUTNUMBERED WHY ARE ALL THE GOOD PEOPLE LP USA 1985 PEPETO TOP THE OUTNUMBERED WHY ARE ALL THE GOOD PEOPLE LP USA 1985 PEPETO TOP MUY BUENO.COMO NUEVO.POWER POP DE CALIDAD.EDITA HONESTEAD RECORDS. INCLUYE ENCARTE.

LOS PAJAROS LOCOS LOS PAJAROS LOCOS.VOL.1. Nº 83 LP SPAIN 1989 PEPETO TOP LOS PAJAROS LOCOS LOS PAJAROS LOCOS.VOL.1. Nº 83 LP SPAIN 1989 PEPETO TOP MUY BUENO.VINILO A ESTRENAR.RFª 00.0083. LABEL EL COCODRILO RECORDS.EDITA EL CLUB DEL COLECCIONISTA. HISTORIA DE LA MUSICA POP ESPAÑOLA.

GEORGE DUKE: THIEF IN THE NIGHT [DEU 1985] LP GEORGE DUKE: THIEF IN THE NIGHT [DEU 1985] LP (Elektra)  1985  made in Germany cat. num.  960 398-1 #funk  #jazz funk  #disco   A1 I Surrender 3:32 A2 Thief In The Night 4:47 A3 Remembering The Sixties 4:34 A4 We're Supposed To Have Fun 4:25 B1 Ride 3:54 B2 Love Mission 4:24 B3 Jam 5:11 B4 Why 4:12 B5 La La   3:37   Duke  began the '80s with the first Clarke/Duke Project recording (with bassist  Stanley Clarke) that netted his own number Top 20 crossover hit, "Sweet Baby" (number 19 Pop, number 6 R&B). He also released the solo works  Dream On,  Guardian of the Light, and  Rendezvous  as well as another Clarke/Duke Project album before leaving Epic for Elektra in 1984. There he recorded  Thief in the Night,  George Duke, and  Night After Night.  Duke 's music delighted mainstream audiences and crossed over from pop to adult contemporary to the R&B charts effortlessly.

KC & THE SUNSHINE BAND: PLEASE DON'T GO [EPIC - ESP 1979] 7” KC & THE SUNSHINE BAND: PLEASE DON'T GO [EPIC - ESP 1979] 7” KC & The Sunshine Band  "Pease Don't Go"  single 7" (Epic - TKR)  1979 made in Spain cat. num.  TKR 7558 #funk #disco   APlease Don't Go3:43BI Betcha Didn't Know That3:57   After burning up the pop and R&B charts in 1975, 1976, and 1977,  KC & the Sunshine Band  were disappointed when 1978's decent, if unremarkable,  Who Do Ya Love  failed to provide any major hits. But 1979 turned out to be a better year for the South Florida disco/funk/soul band, who returned to the top of the singles charts that year. Released in 1979,  Do You Wanna Go Party  boasts two major singles: the infectious title track song (a number eight R&B hit) and the ballad "Please Don't Go," which soared to number one on Billboard's pop singles chart.

DAVE MASON / alone together 70 !! 1º LP !! L RUSSELL, DELANEY & BONNIE, J CAPALDI / ORIG EDIT USA,EX DAVE MASON / alone together 70 !! 1º LP !! L RUSSELL, DELANEY & BONNIE, J CAPALDI / ORIG EDIT USA,EX SU GRAN 1º LP EN SOLITARIO..ABSOLUTA OBRA MAESTRA..UNO DE LOS MEJORES DEBUTS DE LOS 70 quien podria perderse este disco que fue su debut en solitario donde el bueno de dave mason esta rodeado de buenos amigos como su ex compañero en traffic jim capaldi, tambien leon russell, don preston, delaney & bonnie,Rita Coolidge, Claudia Lennear, Chris Ethridge (ISB & Flying Burrito Brothers) y muchos otros...quien no quiere amigos como estos ROBUSTA DOBLE CARPETA, prsenta pequeño resto de pegatina en la trasera, 1º press y LABEL ALBUN....RECOMENDADO !!.UN MUSICO AL QUE ADMIRO DESDE SIEMPRE Y QUE A OFRECIO ALBNE SMARAVILLOSO QUE SEGURO AUN MUCHA GENTE NO CONOCE....EL ES UNO DE LOS MIOS...!!! Alone Together, disco con el que debutó en solitario el músico británico Dave Mason (Traffic). Publicado en octubre de 1970, el disco lanzó el exitoso single "Only you know and I know" que alcanzó el Top 40 de las listas de éxitos pop del Reino Unido Dave Mason grabó su primer disco en solitario junto a una troup de músicos que reunía a lo más granado de la escena rock del momento, amigos, colegas y compañeros de carretera que lo acompañaron también en posteriores trabajos y colaboraciones: Delaney y Bonnie Bramlett, Jim Capaldi, Leon Russell, Eric Clapton, Rita Coolidge, Carl Radle y Jim Gordon. El disco fue producido por Dave Mason y Tommy LiPuma y editado en el sello Blue Thumb. ME SIENTO UN GRAN ADMIRADOR DE ESTE EXCELENTE MUSICO Y COMPOSITOR..!! todo un maildito, un perdedor..alguien que merecio mucho mas que el exito que a tenido..pero quiza sea este el secreto de que realice discos magnificos...siempre sus discos son una maravilla y no es facil que un musico de una banda mitica como fue traffic en su carrera en solitario realice discos tan buenos y honestos..esas seria la definion....como sabes fue miembro fundador de los TRAFFIC..y un guitarra exquisito autor de celebres temas como "Feelin' Alright"......y otros muchos Dave Mason doesn't hold his guitar, he wears it like a comfortable flannel shirt; he controls his guitar like a master controls his servant; he hypnotizes it, like the snake charmer hypnotizing the snake. The notes are round and fluid, there are no sharp edges; they're huge droplets of water falling into a still pond, their effect radiates to the far reaches of the shores and the audience's collective ears. Dave's voice is a bit raspy and distinct, like a familiar friend. Only You Know and I Know (Dave Mason) - 4:05 Can't Stop Worrying, Can't Stop Loving (Dave Mason) - 3:02 Waitin' on You (Dave Mason) - 3:05 Shouldn't Have Took More Than You Gave (Dave Mason) - 6:00 World in Changes (Dave Mason) - 4:30 Sad and Deep as You (Dave Mason) - 3:35 Just a Song (Dave Mason) - 2:59 Look at You, Look at Me (Jim Capaldi, Dave Mason) - 7:22 Credits: Jim Capaldi: Drums Rita Coolidge: Vocals Dave Mason: Guitar, Vocals Leon Russell: Keyboards Don Preston: Keyboards Bonnie Bramlett: Vocals Delaney Bramlett: Guitar, Vocals Claudia Lennear: Vocals Jim Keltner: Drums John Simon: Keyboards Jim Gordon: Drums John Barbata: Drums Bruce Botnick: Engineer Mike Coolidge: Background Vocals Lou Cooper Michael DeTemple: Guitar Chris Ethridge: Bass Larry Knechtel: Organ Bob Norwood Carl Radle: Bass Jack Storti Production Credits: Dave Mason: Producer Douglas Botnick: Engineer Tommy LiPuma: Producer Al Schmitt: Mixing Tom Wilkes: Design, Photography Barry Feinstein: Design, Photography

LG CM1560. Tipo: Home audio micro system, Color del producto: Negro, Tipo de carga en disco: Top disc loader. Potencia estimada RMS: 10 W, Tipo de altavoces: De 1 vía. Bandas de radio soportadas: FM. Formatos de audio soportados: FLAC,MP3,WMA. Modos de ecualización: Clásico, Jazz, Pop, Roca

DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 DEPECHE MODE - STRIPPED - CD BONG 10, (7 TRACKS), EDICION MUTE RECORDS LONDON 1991 Stripped es el décimo quinto disco sencillo del grupo inglés de música electrónica Depeche Mode, el primero desprendido de su álbum Black Celebration, publicado en 7 y en 12 pulgadas sólo en Europa en 1986. La canción " But Not Tonight " fue el lado B estándar. " Stripped " y " But Not Tonight " fueron compuestas por Martin Gore. " But Not Tonight " fue incluida en la edición estadounidense de Black Celebration. Los otros lados B fueron las canciones " Breathing in Fumes " y " Black Day ". " Breathing in Fumes " es una nueva canción utilizando samples de " Stripped " y " Black Day " es una versión acústica cantada por Martin Gore, coescrita por Alan Wilder y Daniel Miller, de la canción " Black Celebration " que dio título al álbum. Una versión extendida de " But Not Tonight " se incluyó también en la edición europea en CD del álbum Black Celebration. Por su parte, la versión larga de " Stripped ", llamada Highland Mix y que fuera durante varios años la reproducida en conciertos, fue realizada por el productor Mark Ellis Flood, quien previamente se encargara de la ingeniería del sencillo "Shake the Disease" y posteriormente trabajara con Depeche Mode produciendo sus álbumes Violator y Songs of Faith and Devotion. Mute CD Bong10,Stripped – Highland Mix 1. «Stripped» 3:51 2. «But Not Tonight» 4:16 3. «Stripped» (Highland Mix) 6:41 4. «But Not Tonight» (Extended Remix) 5:13 5. «Breathing in Fumes» 6:06 6. «Fly on the Windscreen» (Quiet Mix) 4:24 7. «Black Day» 2:37 " Stripped " is Depeche Mode's fifteenth UK single, released on 10 February 1986. It was the first single from the album Black Celebration, and the band's thirteenth overall and sixth consecutive single to hit the UK Top 20, peaking at number 15. " Stripped " is well known for its innovative use of sampling. The underlying beat is a distorted and slowed-down sound of a motorcycle engine running, while the main melody begins with a car's ignition starting, and the end uses sounds of fireworks. The band's U.S. label Sire Records, however, decided to use the B-side " But Not Tonight " on the soundtrack to the movie Modern Girls and included the song on US editions of Black Celebration. As a result, the single was flipped, and released as " But Not Tonight " in the United States to help promote the movie. The band was not happy with this decision, seeing "But Not Tonight" as a useless pop track recorded in less than a day. The single did not chart. Surprisingly, despite previous criticism of the song by the band, an acoustic version of "But Not Tonight" was sometimes performed by Martin Gore on Depeche Mode’s Delta Machine Tour and is included in the 2014 album "Live in Berlin". The other two B-Sides are " Breathing in Fumes " and " Black Day ". " Breathing in Fumes " was a new song using samples from " Stripped ", mixed by the band and Thomas Stiehler. " Black Day " is an acoustic, alternate version of "Black Celebration" sung by Martin Gore, and is co-written by him, Alan Wilder, and producer Daniel Miller – the only Depeche Mode song where Miller receives a writing credit. The " Highland Mix " of " Stripped " was mixed by Mark Ellis (better known as Flood), who in the future would produce Depeche Mode's Violator and Songs of Faith and Devotion records. Some editions of the Black Celebration CD include the extended remix of "But Not Tonight" along with "Black Day" and "Breathing in Fumes" as bonus tracks. The music video for "Stripped" was the last Depeche Mode video to be directed by Peter Care and was filmed outside of Hansa Studios in Berlin. The music video for "But Not Tonight" was directed by Tamra Davis and is available in multiple versions. "Stripped" was featured in the film Say Anything....  

Sábado noche Ariola 1991 casete Sábado noche Ariola 1991 casete Pop top. Pedido mínimo 5 € añadiendo a este lote otro-s lote-s. Este lote unitario se envía con gasto de manipulación, entretenimiento y material embalaje de 2€. Consulte otros lotes en esta sección. Acumule compras para ahorrar en envíos y manipulación gratis. Consulte otros lotes en sección de música, frente a un " utópico " apagón de Internet hay que estar preparados, la música en soporte físico es de mejor calidad siempre.

TREN - CAMINANDO / ES ASI (SG 1972) PAPAGAYO (((ESCUCHA))) TREN - CAMINANDO / ES ASI (SG 1972) PAPAGAYO (((ESCUCHA))) TREN (ESP) SG - Sello Columbia ESP 1972 Canciones: caminando / es asi rare spanish sunshine pop soul a-la Papagayo compilation with bongos break. 'Es Asi' is a straight rocker number [Estado Disco/Portada] VG-/G plays very clean with light scuffs that click here and there. Also ultra light dish warp but not really noticeable when you play it, record lays totally flat on the slipmat. Moderate ringwear, top seam split and selo tape marks on borders [Escucha] ((LISTEN A&B)) Todos los discos son primeras ediciones originales, excepto los reseñados como reedición All records are original first pressings, except those noted as reissue Graduación EX.: sin ruido, sin marcas VG.: algo de ruido, poco o nada molesto, algunas marcas G.: ruido molesto y marcas profundas  

NILE RODGERS (CHIC): B-MOVIE MATINEE [ESP 1985] LP NILE RODGERS (CHIC): B-MOVIE MATINEE [ESP 1985] LP (Warner)  1985  made in Spain cat. num.   L 92 5290-1 #funk  #electro  #soul  #chic   A1 Plan-9 4:12 A2 State Your Mind 5:43 A3 The Face In The Window 4:14 A4 Doll Squad 3:50 B1 Let's Go Out Tonight 5:14 B2 Groove Master 4:38 B3 Wavelength 3:49 B4 Stay Out Of The Light   Released in 1985,  B-Movie Matinee  proved a stellar departure from  Nile Rodgers ' initial solo outing. Leaving behind the more traditional trappings of his R&B-inflected debut, he instead looked to the synthesized future, driving his organic bass and guitars into what amounted to a concept album of sorts, fueled by memories of lazy Saturday B-movie afternoons. Bright, punchy pop punctuates this set. From the quirky sci-fi of "Plan-9" and the contemporary urban groove on "State Your Mind," which is one of the album's better tracks,  Rodgers  fills the space with eminently danceable, if somewhat same-y, songs using synthesizer tricks to thrill. "Let's Go out Tonight," meanwhile, proved the album's hot prospect, dipping into the Top 100, giving  Rodgers  his only solo chart hit. Rounding things out are the ballad "Wavelength" and  Rodgers ' immaculate instrumentation -- most notably the guitar and bass, which bound through the funky "Groove Master" with glee. Perhaps a little too light on substance,  B-Movie Matinee  still manages to please. Being  Nile Rodgers  can't be easy, as the mere mention of his name conjures such strong sonic images from his  Chic  canon, and it's hard to ignore those predispositions when listening to his solo material. But that's no detriment to the fine set he's unleashed here.

CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago   "Hot Streets"  LP (CBS)  1990  made in Spain cat. num.  LSP 982369 1 #pop rock   Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18   Although  Chicago  tragically marked its decade anniversary with the bitter loss of lead guitarist  Terry Kath,  Hot Streets  (1978) was not only the first release without him, it was also the band's initial offering away from  James William Guercio  -- with whom the group had worked on every one of its previous dozen long-players.  Donnie Dacus  (guitar/vocals) was brought in to fill  Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with  Chicago  albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years.  Phil Ramone 's production gives the material an added and noticeable bite. The  Peter Cetera  (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other  Cetera contribution, also stands out for  Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by  George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on  Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon  Chicago  for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before  Chicago  would re-emerge in full form on its comeback,  Chicago 16  (1982).