Was time discografica

World War II, fought from 1939 to 1945, engulfed the globe in a shattering struggle over national sovereignty and individual rights. It was also the costliest battle in history in terms of human life, with millions perishing in combat. Time Incorporated Books. Usa. Año 2014. 1ª edición

A.C.Marias* ‎– Time Was - MAXI - UK-1988- Mute ‎– 12 MUTE 70- A.C.Marias* ‎– Time Was - MAXI - UK-1988- Mute ‎– 12 MUTE 70- A.C.Marias* ‎– Time Was - MAXI - UK-1988- Mute ‎– 12 MUTE 70-   

RAY CHARLES LP I was on Georgia Time Ed. Planeta SPAIN RAY CHARLES LP I was on Georgia Time Ed. Planeta SPAIN LP I was on Georgia Time (Spain) CBS LSP 9821811 (1989) COVER CONDITION: MINT RECORD CONDITION: MINT Editado en España en 1989 por Planeta-Agostini en una colección de fascículos y discos titulada ROCK - La Música - Los Intérpretes. Este es el nº 20 de la colección y es acompañado por el correspondientes fascículo dedicado a Elvis Presley

LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band   "Time Exposure"  LP (Capitol - Emi)  1981  made in Germany cat. num.  10C 064-400 042 #rock     The Night Owls   Man On Your Mind   Take It Easy On Me   Ballerina   Love Will Survive   Full Circle   Just Say That You Love Me   Suicide Boulevard   Orbit Zero   Don't Let The Needle Win   Guiding Light   When  Little River Band  formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer  Glenn Shorrock  had made his name in mid-'60s group  the Twilights, a  Beatles -sounding pop group that scored a national number one record with its version of  the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969,  Shorrock  became lead singer of  Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple.  LRB 's  Beeb Birtles  had been the bass player for a popular  Twilights -era pop group called  Zoot  (Rick Springfield was a later member). When that group broke up, in search of musical credibility,  Birtles  auditioned as the bass player, but was instantly elevated to a front-line position alongside  Graham Goble. Even  LRB 's manager was well-known.  Glenn Wheatley  had been the bassist with another of Australia's bands, and possibly its most legendary,  the Masters Apprentices. Given all that background, when  Shorrock  and  Birtles  revealed they were forming a group with  Goble, managed by  Wheatley, it was major event in Australian music.

Danish Radio Big Band And Thad Jones - A Good Time Was Had By All (LP, Album) Danish Radio Big Band And Thad Jones - A Good Time Was Had By All (LP, Album) Danish Radio Big Band And Thad Jones - A Good Time Was Had By All (LP, Album) Sello:Metronome Cat. n.º: MLP 15644 Estado del soporte: Near Mint (NM or M-)  Condición de la funda: Very Good (VG) Envíos Tarifa Plana para todo los envíos. Combina discos y paga solo por el primer envío. Explora nuestra colección de música clásica, la mayor de España, tanto CD como vinilo. Visita nuestra tienda física en A Coruña (7pulgadas) - Avenida de Oza 121 bajo. 15006 -, existe la posibilidad de recoger tus productos allí. Máxima seriedad.

RAY CHARLES - I WAS ON GEORGIA TIME (LP) 1989 PROMO !!!!! RAY CHARLES - I WAS ON GEORGIA TIME (LP) 1989 PROMO !!!!! 1989    Promocional. REF:  LSP 982181-1 CBS PRODUCTOS ESPECIALES

Cornershop - When I Was Born For The 7 th Time - CD Cornershop - When I Was Born For The 7 th Time - CD Nuestra tienda:   http://www.todocoleccion.net/killersdiscos_vendedorTC Por favor, consulte las ''formas de pago y envío'' antes de realizar su compra. Ahorre en los envíos agrupando pedidos o recogiendo su compra en nuestra tienda.

TOM JONES - NOT RESPONSABLE - ONCE THERE WAS A TIME / STOP BREAKING MY HEART-NEVER GIME AWAY LOVE TOM JONES - NOT RESPONSABLE - ONCE THERE WAS A TIME / STOP BREAKING MY HEART-NEVER GIME AWAY LOVE SEGUN FOTOS.  PORTADA VG DISCO VG Gastos de envio: 4,25 € paquete standard península o 1,95 euro correo ordinario (en este caso bajo responsabilidad del comprador en caso se pérdida).  

LP. Greenberg. It Was A Lover And His Lass. Music From Shakespeare's Time LP. Greenberg. It Was A Lover And His Lass. Music From Shakespeare's Time

STARS, LP, THAT WAS YESTERDAY + 7, AÑO 1976 STARS, LP, THAT WAS YESTERDAY + 7, AÑO 1976 STARS, LP. THAT WAS YESTERDAY / NOTHING EVER COMES THAT EASY / GOING DOWN (FOR THE THIRD TIME) / HEART OF STONE /// PLATFORM SOUL / MR. PUSH - ME - PULL - YA / PUNISHMENT PARK / NOT FADE AWAY, AÑO 1976, BARCLAY S 32.796   Gastos de envío por correo ordinario para España: 1 disco LP: 3,00 euros De 2 a 5 discos LP: 5,00 euros - ENVIO CERTIFICADO -      

TEN YEARS AFTER - A SPACE IN TIME -, LP, ONE OF THESE DAYS + 9, AÑO 1972 TEN YEARS AFTER - A SPACE IN TIME -, LP, ONE OF THESE DAYS + 9, AÑO 1972 TEN YEARS AFTER,  LP, ONE OF THESE DAYS / HERE THEY COME / I´D LOVE TO CHANGE THE WORLD / OVER THE HILL / BABY WON´T YOU LET ME ROCK´N´ROLL YOU /// ONCE THERE WAS A TIME / LET THE SKY FALL / HARD MONKEYS / I´VE BEEN THERE TOO / UNCLE JAM.  AÑO 1972, CHRYSALIS 63 07 500 A SPACE IN TIME ordinario para España: 1 disco LP: 3,00 euros De 2 a 5 discos LP: 5,00 euros - ENVÍO POR CORREO CERTIFICADO -,       

CONNIE FRANCIS - 20 ALL TIME GREATS LP - ORIGINAL INGLES - POLYDOR RECORDS 1977 - MUY NUEVO (5) CONNIE FRANCIS - 20 ALL TIME GREATS LP - ORIGINAL INGLES - POLYDOR RECORDS 1977 - MUY NUEVO (5) DISCO DE CONNIE FRANCIS EDITADO POR LA POLYDOR  RECORDS EN EL AÑO 1977 CON NUMERO DE REF. 2391 290 POLYDOR SUPER EN STEREO. EN LA CONTRAPORTADA CON EL LOGO DE LA POLYDOR RECORDS. THIS SOUND RECORDING WAS COMPILED BY POLYDOR LTD. 17-19 STRAFORD PLACE, LONDON W1N 0BI. AND FIRST PUBLISHED IN UNITED KINGDOM IN (P  1977). RECORD MANUFACTURED AND DISTRIBUTED BY POLYDOR LTD. 17-19 STRAFORD PLACE, LONDON, W1N 0BI. SLEEVE PRINTED AND MADE IN ENGLAND. EN EL LABEL CON EL LOGO DE LA POLYDOR RECORDS, EL NUMERO DE REFERENCIA 2391 290. - ST 33. - MADE IN ENGLAND. DISCO EN PERFECTO ESTADO SIN SEÑALES DE USO, COMO NUEVO. VG+++ (VERY GOOD+++)(5). PORTADA EN PERFECTO ESTADO SIN SEÑALES DE USO, COMO NUEVA. VG+++ (VERY GOOD+++)(5) VER FOTOGRAFIAS ADICIONALES. LABELS NUEVAS (MINT)(5). VER FOTOGRAFIAS ADICIONALES.

It's About Blues Time - Dusko Goykovich It's About Blues Time - Dusko Goykovich Año:   1972 Discográfica:   Ensayo Formato:   LP, Album Nota:   ENY-48

INXS: This time - I´m over you INXS: This time - I´m over you Discográfica Mercury, año 1985. La funda tiene una pegatina con un nombre y está arreglada con celo en un lado.

THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable THE BYRDS, ROGER MCGUINN 73 !! 1º LP, B DYLAN, D CROSBY, COMPLETA 1ª EDIC USA + inserto !! impecable RARA 1ª EDIC. ORIG. CONTIENE EL ENCARTE INTERIOR... todo un musico legendario,,un superviviente, uno de los tipos con mas gusto musical de todos los tiempos..!! lider y fundador de los byrds, aqui lo tienes en solitario,acompañado por musicos increibles que consiguen redondear su lp debut en solitario. TODO EN IMPECABLE CONDICION. !!! NUESTRA MEJOR COPIA HASTA LA FECHA bonito debut en solitario de Roger McGuinn qué me fascina. The Byrds habían echado el cierre de una manera ya más bien lánguida, porque todo acaba estropeándose, y este jefe de operaciones enorme quiso refrendar su apabullante pedigrí haciendo lo que le dio la real gana. Impresiona la facilidad con la que, en aquellos aún iniciales años setenta, este hombre podía tirar de agenda. La armónica que abre la inaugural ‘I’m so restless’, sin ir más lejos, corresponde a un tal Dylan, mientras que el saxofonista que irrumpe para alborotar el canónico folk-rock de ‘My new woman’ es cortesía del mismísimo Charles Lloyd. No se detienen ahí las sorpresas: ‘Draggin’ no es solo un evidente tributo a los Beach Boys, sino que las armonías las aporta Bruce Johnston, uno de los Chicos de la Playa. ‘Time cube’ mira hacia la tradición más pura de estrofa repetida, aunque extrañamente coloreada con un sintetizador Moog. Pero es de autoría propia, a diferencia del epílogo del álbum, la célebre tonada tradicional ‘The water is wide’. El modo más campestre, con ‘slide’ de por medio, le sirve a ‘Bag full of money’ para abrir la cara B, donde a su vez se cuela el desmadre fronterizo de ‘Mi linda’ o el ‘blues’ a la vieja usanza de ‘Hanoi Hannah’. Y es toda esa mezcolanza, su permanente carácter híbrido, las decisiones extrañas (el coro infantil de ‘Stone’), lo que quizá no hiciese de este LP un referente de su década. Y eso, a pesar de que piezas como ‘Lost my drivin’ wheel’ revivieran todo el músculo y la chispa de los mejores Byrds. Aquellos que fueron, y siempre serán, puritita gloria. Bob Dylan - harmonica Gene Clark - vocals David Crosby - guitar,harmony vocals Chris Hillman - bass Leland Sklar - bass David Vaught - bass Chris Ethridge - bass Bruce Johnston - piano, harmony vocals Spanky McFarlane - vocals Mike Wofford - piano Charles Lloyd - sax Hal Blane - percussion John Guerin - drums Jim Gordon - drums Michael Clarke - drums Jerry Cole - guitar Buddy Emmons - steel guitar Spooner Oldham - keyboards Charles Lloyd - saxophone The Jimmy Joyce Children Chorus - vocals     I'm So Restless My New Woman Lost My Drivin' Wheel Draggin' Time Cube Bag Full of Money Hannoi Hannah Stone Heave Away M'Linda The Water Is Wide Roger McGuinn's 1973 self-titled solo debut was in most respects a breath of fresh air after the final days of the Byrds, in which the group was floundering in directionless mediocrity. In a sense, it's a back-to-basics album that emphasizes much of what McGuinn does so well: his forceful reedy vocals, his guitar playing, and his skills at both writing earnest folk-rock material (usually with future Bob Dylan collaborator Jacques Levy here) and interpreting unusual traditional and contemporary songs. Never was it folkier than on the acoustic "I'm So Restless," which benefited from harmonica by Dylan himself (about whom the song was partially about). All four of the other original Byrds play on "My New Woman," which is virtually a reunion of the original quintet, with the addition of saxophone by jazzman Charles Lloyd; David Crosby makes unobtrusive cameos on some other tracks. As likable as it is, however, the album isn't an unqualified triumph. Some of the songs aren't so hot, some of the Moog synthesizer (by McGuinn) is unnecessary, his vocals sometimes seem to have been recorded with too much brittleness, and none of this is as good as the best of the Byrds. Unexpected influences make themselves heard in the Beach Boys harmonies of "Draggin'" (with Bruce Johnston of the Beach Boys on piano and backup harmonies), the Vietnam blues of "Hanoi Hannah," and the gospel-rock of "Stone." The 2004 CD reissue adds two previously unissued bonus tracks: a solo acoustic cover of the traditional folk song "John, John" and a less pleasing cover of Jackson Browne 's "Jamaica, Say You Will." It also has historical liner notes with plenty of quotes on the sessions and songs from McGuinn himself. ~ Richie Unterberger, All Music Guide