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All Them Chicks At the Hop! Vol.1 * LP 180g * LTD 500 Copias!' * Precintado All Them Chicks At the Hop! Vol.1 * LP 180g * LTD 500 Copias!' * Precintado All Them Chicks At the Hop! Vol.1 * LP 180g * LTD 500 Copias!' * Precintado All Female Late 50s / Early 60s Rockin' EDICIÓN EN VINILO DE 180G. LIMITADÍSIMA TIRADA DE SOLO 500 COPIAS. GRABACIONES REALIZADAS ENTRE 1958 Y 1963 POR AUTÉNTICAS PIONERAS DEL ROCK. ALGUNOS TEMAS INENCONTRABLES!! Una colección fabulosa!!!  PRECINTADO DE FÁBRICA!! CARA A 1. At The Hop - The Sherrys  2. Mommy And Daddy Were Twistin' - Susan Summers  3. Summer Days - Sherrel Townsend  4. Come On Over - Penny Candy  5. Breakin' Your Heart For Me - Jackie Forest  6. The USA - Pat Molittieri  7. Silly Dilly Willy - Terry & Peggy  CARA B 8. I'll Wait Forever - Bobbi Martin  9. Lucky Lips - Anita Lang  10. Take It Easy Baby - Jery Lynn Frazer  11. Buddy - Jackie Dee  12. Give Me A Break - Jodie Sands  13. Don'cha Shop Around - Laurie Davis  14. Voodoo Doll - Amelia  15. Robot Man - Jamie Horton  16. Superman - Joyce Davis  

Paperback, 471 pages Published 1996 by Orbit (first published April 23rd 1987) Edition Language: English Series: Culture #1 .. The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender.

This sensational slot car salute presents a wealth of information on beginning and advanced techniques for collecting, building, tuning, and duplicating the amazing little cars that were at the peak of their popularity in the 1960s and '70s. (castellano: autos a escala, o autos de ranura). MBI Publishing Company. Saint Paul, Minnesota. Año 2002. 1ª edición

Cactus (3) ‎– 'Ot 'N' Sweaty -LP- Cactus (3) ‎– 'Ot 'N' Sweaty -LP-   More images Cactus (3)  – 'Ot 'N' Sweaty Label: Atlantic  – ATC 50013,  ATCO Records  – 50 013 B,  ATCO Records  – 50 013 Format: Vinyl, LP, Album, Reissue, Stereo,  Gatefold Country: Europe Released: Genre: Rock Style: Hard Rock,  Rock & Roll Tracklist A1   Swim 4:40 A2   Bad Mother Boogie 4:55 A3   Our Lil Rock-N-Roll Thing 6:25 B1   Bad Stuff 3:08 B2   Bringing Me Down 5:27 B3   Bedroom Mazurka 4:33 B4   Telling You 5:10 B5   Underneath The Arches 0:30   Companies, etc. Phonographic Copyright ℗  –  Atlantic Recording Corporation Copyright ©  –  Atlantic Recording Corporation Record Company  –  Atco Record Company  –  Warner Communications Recorded At  –  Mar Y Sol Festival Recorded By  –  Wally Heider Recording Recorded At  –  Mediasound Recorded At  –  Electric Lady Studios Recorded At  –  Atlantic Studios Recorded At  –  Advantage Sound Remixed At  –  Electric Lady Studios Lacquer Cut at  –  Tonstudio Pfanz Made By  –  WEA Musik GmbH Distributed By  –  WEA Filipacchi Music Credits Arranged By  –  Cactus (3) Art Direction, Design  –  Richard Mantel Artwork [Cover Art]  –  David Willardson Bass, Backing Vocals [Background Vocals]  –  Tim Bogert Drums, Percussion, Backing Vocals [Background Vocals]  –  Carmine Appice Engineer [Assistant Engineers At Electric Lady Studios]  –  Bernie Kirsh,  Buzz Richmond,  Dick Shapiro Engineer [Recording Engineer At Advantage Sound]  –  Jim Vickers Engineer [Recording Engineer At Atlantic Recording Studios]  –  Joel Kerr Engineer [Recording Engineer At Electric Lady Studios]  –  Dave Palmer (2)  (tracks: B2 & B3) Engineer [Recording Engineer At Media Sound]  –  Michael DeLugg  (tracks: B1, B4 & B5) Engineer [Recording Engineers At The Mar Y Sol Festival]  –  Jimmy Douglass  (tracks: A1 to A3),  Ray Thompson  (tracks: A1 to A3),  Tom Scott (7)  (tracks: A1 to A3) Guitar  –  Werner Fritzschings Lacquer Cut By  –  PF * Lead Vocals  –  Peter French Organ, Piano, Electric Piano  –  Duane Hitchings Photography By [Back Cover Photos]  –  David Gahr Photography By [Inside Liner Photos]  –  David Gahr,  Jeffrey Mayer,  Wendy Lombardi * Producer  –  Geoffrey Haslam Recorded By  –  Wally Heider  (tracks: A1 to A3) Remix [Re-mixed At Electric Lady Studios]  –  Geoffrey Haslam Notes Glossy gatefold with white polylined inner sleeve. Similar to  Cactus (3) - 'Ot 'N' Sweaty  but right society is GEMA/BIEM. 1st cat. no. ATC 50013 on labels 2nd cat. no. 50 013 B on spine 3rd cat. no. 50 013 on sleeve Title variation on front cover: ON STAGE IN PUERTO RICO AND IN THE STUDIO 'OT 'N' SWEATY Side One was recorded live at the Mar Y Sol Festival in Puerto Rico on April 3, 1972. Recorded by Wally Heider Remote Unit Tracks B1, B4 and B5 were recorded at Media Sound, New York, N.Y. Tracks B2 and B3 were recorded at Electric Lady Studios, New York, N.Y. Additional recording at Atlantic Recording Studios, New York, N.Y. and at Advantage Sound, New York, N.Y. Re-mixed at Electric Lady Studios, New York, N.Y. Derived from Matrix / Runout code: On A-side lacquer processing was made at Tonstudio Pfanz [PF]. On sleeve: ATCO RECORDS 1841 BROADWAY, NEW YORK, NEW YORK 10023 DIVISION OF ATLANTIC RECORDING CORPORATION ℗ © 1972 Atlantic Recording Corporation Made in Germany by WEA Musik GmbH (//') A Warner Communications Company Barcode and Other Identifiers Matrix / Runout (Label A): (50013-A) Matrix / Runout (Label B): (50013-B) Matrix / Runout (Runout A, etched): WEA - 50013-A D PF 8 Λ4 "D" Matrix / Runout (Runout B, etched): ST-C -722578-B 5000Λ3-BXHTIGP GL PR Other (US cat. no.): (SD 7011) Rights Society (Labels, boxed): GEMA/ BIEM Rights Society (Sleeve inside, publishing): ASCAP Price Code (France, boxed): WE|3⑥1 Other (Cover back bottom right, debossed): //' logo

FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 FISCHER Z - GOING RED FOR A SALAD (THE UA YEARS) VINILO ORIGINAL PRIMERA EDICION EMI ENGLAND 1990 En una época en la que muchas bandas resultaban inclasificables, Fischer Z destaca por su particular estilo a medio camino entre el Punk, el Reggae y la New Wave. En Inglaterra se les comparó rápidamente con Talking Heads, pero fue en Alemania y Austria donde este grupo causó furor más que en su tierra natal. Hablar de Fischer Z es hablar, en cierto modo, de su líder y fundador John Watts, un músico intelectual y enigmático que supo combinar melodías pegadizas con letras de marcado carácter psicológico, social y político. El grupo lo forma en 1976 junto a su compañero de estudios Steve Skolnik. Completarían la banda el bajista David Graham y el batería Steve Liddle. Era una época en la que el punk arrasaba con todo en Inglaterra y sin embargo Fischer Z ofrecían algo más. Primero porque John Watts era un tipo muy culto y muy preocupado por los problemas sociales del momento. El estilo de Fischer Z fue rápidamente comparado como decíamos  con Talking Heads o The Police. En 1979 lanzaron su primer disco “Word Salad”, que incluía temas como el que acabamos de oír, y lograron una actuación en directo para el mítico programa musical británico “Top of the Pops”. Esta actuación resulta un desastre y perjudica a las ventas del disco. En 1980 llegará “ So Long ”, probablemente su canción más conocida gracias a la cual todavía conservan cierta fama. A mediados de ese mismo año Skolnik, el teclista, abandona el grupo y éste queda reducido a un trío en el Watts plasta definitivamente todas sus obsesiones. Aquí llegaría su disco más destacado “Red Skies Over Paradise”, un trabajo cuya inspiración reside en la guerra fría y la amenaza nuclear. Otro tema impresionante de este gran disco es “ Berlin ”. Llegados a 1990, su antigua compañía de discos la EMI Electrola Records lanza al mercado un disco recopilatorio bajo el titulo de Going red for a salad (The UA years). Este disco recopilatorio venia a recoger los mayores éxitos de la banda a lo largo de su paso por esta compañía de discos, destacando los mejores temas también de los primeros álbumes de John Watts. Dos años mas tarde de nuevo se vuelve a editar un nuevo disco de la banda bajo el titulo de Destination paradise. Con este trabajo la formación se consolido como una de las mejores de la época, ya que las temáticas de las letras hablaban de lo cotidiano, desde la guerra del golfo hasta canciones de amor en clave de humor. Tras este disco comienzan una nueva y extensa gira mundial, con la única intención de captar nuevo fans. Como mejores temas de estos discos vamos a destacar en primer lugar un tema antiguo llamado Wax dolls, y después los temas nuevos del otro disco titulados Destination paradise, y Will you be there?.   Pistas: 1 – So Long  5:01  2 – Acrobats  2:42  3 – The Worker  3:35  4 – Wax Dolls  2:46  5 – Remember Russia  3:38  6 – Going Deaf For A Living  3:32  7 – Room Service  3:44  8 – Pretty Paracetamol  3:59   9 – Marliese  3:52  10 – You'll Never Find Brian Here  2:10  11 – Berlin  4:34  12 – Battalions Of Strangers  5:06  13 – Bathroom Scenario  3:50  14 – Wristcutters Lullaby  2:49  15 – Crazy Girl  4:27  16 – Limbo  2:15 Fischer-Z were a British rock band formed in 1976 by John Watts and Steve Skolnik at Brunel University. The original line-up consisted of Watts (vocals, guitar), Skolnik (keyboards), David Graham (bass) and Steve Liddle (drums). The band's name is pronounced "fɪʃə zɛd" (fisher zed), a pun on "fish's head" with the "h" dropped, as is usual in many British regional accents. The pun also relies on leaving the "r" unpronounced as in common British non-rhotic accents. Fischer-Z's first hit was "The Worker" from the album Word Salad which firmly established Watts' ability to convey worldly political issues in narrative songs against a background of quirky pop and reggae-influenced music. In an interview in Record Mirror in 1981, Watts put this down to the remix of the song from the album version, which put the emphasis on the keyboards rather than his guitar. Skolnik departed after their second album Going Deaf for a Living, leaving Watts to take over keyboards. Watts' lyrics draw heavily on his experiences of studying clinical psychology and as a mental health care worker. Several songs on their third album Red Skies Over Paradise in 1981, such as "Berlin" and "Red Skies Over Paradise" were about the Cold War and the song "Cruise Missiles" was about the nuclear arms race and the mutual threat of the superpowers with nuclear war. Fischer-Z were more popular in mainland Europe than their native UK, especially in Germany, Belgium, The Netherlands, and Portugal (two top 10 hits and a No. 3 album). Fischer-Z were also successful in Australia, where they achieved two Top 20 hits with "So Long" from the album Going Deaf for a Living and "The Perfect Day" from Reveal.[2] After the album Red Skies over Paradise Watts dissolved the band in mid-1981, deciding his art could not evolve within a band context.

FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC FRANK ZAPPA / ZAPPED 1970 !! RARA 1ª EDIC ORIG USA, BIZARRE LABEL, TODO EXC ULTRA RARO albun..!!!.. SOLIDA EDICION ORIGINAL CON VINILO EN EXC ESTADO.. GRUESA CARPETA QUE CONTIENE EL ORG ENCARTE DEL SELLO REPRISE-BIZARRE EN GRAN ESTADO Y SIN CODIGOS DE BARRA, VINILO EN EXC CONDICION !! GRAN COPIA   A1 Alice Cooper - Titanic Overture Producer, Written-By - Alice Cooper 1:09   A2 Captain Beefheart And His Magic Band - The Blimp (Mousetrapreplica) Producer - Frank Zappa Written-By - Don Van Vliet 2:04   A3 Judy Henske And Jerry Yester - Horses On A Stick Producer - Jerry Yester, Zal Yanovsky 2:10   A4 Tim Buckley - I Must Have Been Blind Producer, Written-By - Tim Buckley 3:40   A5 Wild Man Fischer - Merry-Go-Round Producer - Frank Zappa Written-By - Larry Fischer* 1:56   A6 Alice Cooper - Reflected Producer - Alice Cooper 3:10   A7 Tim Dawe - Little Boy Blue Arranged By, Producer - Jerry Yester 2:15   A8 Lord Buckley - The Train Engineer, Producer - Lyle Griffin 2:24   B1 Jeff Simmons - Lucille Has Messed My Mind Up Engineer - Chris Huston Guitar, Written-By - Frank Zappa Producer - La Marr Bruister 3:14   B2 Captain Beefheart And His Magic Band - Old Fart At Play Producer - Frank Zappa Written-By - Don Van Vliet 1:54   B3 Mothers Of Invention, The* - Valarie Producer, Written-By - Frank Zappa 2:15   B4 GTO's - Do Me In Once And I'll Be Sad, Do Me In Twice And I'll Know Better (Circular Circulation) Composed By, Producer - Lowell George Lyrics By, Vocals - Miss Pamela* 2:19   B5 Frank Zappa - Willie The Pimp Producer - Frank Zappa Vocals - Captain Beefheart Written-By - Frank Zappa     Notes From early in 1969 to 1977 Reprise Records (and their parent label Warner Bros. Records) ran a USA & Canada only mail-order promotion on a number of the inner sleeves of their mainstream artist's releases. This was to promote a wide range of less popular artists on compilation albums known as the 'Loss Leader' PRO series, sold at a significantly reduced mail-order price. This Frank Zappa-oriented release is part of the series, although this particular compilation is also geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. These two labels were manufactured and distributed by Reprise Records. This Frank Zappa-oriented 'Zapped' release is the 6th issue in the series, a compilation geared to promoting both the artists 'signed' to Zappa and the two labels, Straight and Bizarre Records, which Zappa co-founded with Herb Cohen. (These two labels were manufactured and distributed for Reprise Records by Warner Bros. Records from mid 1969 [Previously 7Arts]). The black & white cover of this PRO 368 release has a portrait of Zappa and the title is "Zapped" without an accent over the 'e' (as on a subsequent/similar PRO 368 release with a 'collage' cover & Reprise label). This vinyl's label is pale blue with a dark blue 'Bizarre' text. Issues did occasionally appear later in retail outlets, particularly in Australia.

TANGERINE DREAM: EXIT [UK 1984] CD/RE TANGERINE DREAM: EXIT [UK 1984] CD/RE (Virgin)  1984  made in UK cat. num.  CDV 2212 #space rock  #progressive rock   1 Kiew Mission 9:18 2 Pilots Of Purple Twilight 4:19 3 Choronzon 4:07 4 Exit 5:33 5 Network 23 4:55 6 Remote Viewing 8:20   Exit marks the beginning of a new phase in Tangerine Dream's music: Gone were the side-long, sequencer-led journeys, replaced by topical pieces that were more self-contained in scope, more contemporary in sound. Johannes Schmoelling's influence is really felt for the first time here; Tangram, for all its crispness and melody, was simply a refinement of Force Majeure's principles, and the soundtrack to Thief not an album proper. On Exit, listeners are introduced to electronic music's next generation, notably on "Choronzon" and "Network 23," which brought the sound of the dancefloor into the mix (it hasn't left since). That's not to suggest that Tangerine Dream has stopped creating eerie, evocative music; both "Pilots of Purple Twilight" and the stately "Exit" will feel familiar to fans, and the opening "Kiew Mission" is a captivating commentary on nuclear war that includes vocals after a sort (a woman's voice reading locations in Russian). Exit ends on a surprisingly dark note, the alien and foreboding "Remote Viewing." It's on this track more than any other that Tangerine Dream returns to its past, invoking Phaedra and the sequencer-driven works that followed, as if to tell fans that Exit's changes weren't the result of a new band, just a new direction. With one foot in the excesses of the past and one clearly on the road to a more concise sound, Exit is a transitional work. As Schmoelling and, later, Paul Haslinger exerted their influence on Tangerine Dream's music, the emphasis shifted from dark and moody commentary to more positive subjects. It's worth noting that Edgar Froese's social conscience fuels much of Exit -- copies of the record were made available to a cross-section of Russian citizens free of charge to promote an open exchange of ideas at a time when nuclear annihilation was taken seriously. Future albums channeled Froese's activism to environmental concerns, which dovetailed with the band's by-then new age sensibilities. Both here and on White Eagle, Tangerine Dream ushers in the promise and the peril of a new world where reality has caught up with science fiction. Perhaps with such a message, the medium needed to be simpler and more direct.

ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA ABC - HOW TO BE A ZILLIONAIRE - VINILO ORIGINAL 1985 EDICION MERCURY POLYGRAM USA A finales de 1984, ABC, formados en ese momento solo por Fry y White, aumentados por varios músicos de sesión, publicaron (How to be a) Zillionaire,con otro marcado cambio de estilo, en este caso más orientado hacia los ritmos bailables y samples empleados a mediados de los 80. Tras la edición de este disco, el dúo se trasladó a Nueva York, donde se les añadieron David Yarritu y Eden (Fiona Russell-Powell) al grupo, sólo para los efectos visuales, sin tocar ningún instrumento ni cantar. A principios de 1985 se publicó el brillante y pegadizo single Be near me, que subió hasta el puesto 26 de las listas británicas. Debido al éxito del single, How to be a...millionaire! consiguió entrar en el Top 30 tanto en Reino Unido como en Estados Unidos. Be near me se publicó a finales de 1985 en Estados Unidos, convirtiéndose en el primer Top 10 del grupo en este país. A pesar de los éxitos regulares del grupo durante 1985, los siguientes singles, Vanity kills y Ocean blue, se estancaron en los charts. ABC fue una de las primeras bandas que utilizó la técnica del video scratching para algunos vídeos de How to be a... Zillionaire, como el de Be near me. Este hecho fue destacado en las noticias de la cadena musical MTV, aunque no hayan tenido excesiva repercusión popular por ello. Track listing: All songs written and composed by Martin Fry and Mark White. Side one 1. "Fear of the World"   3:50 2. "Be Near Me"   3:37 3. "Vanity Kills"   3:28 4. "Ocean Blue"   3:36 5. "15 Storey Halo"   5:36 Side two 1. "A to Z"   2:49 2. "(How to Be A) Millionaire"   3:34 3. "Tower of London"   3:36 4. "So Hip It Hurts"   4:17 5. "Between You and Me"   3:16 How to Be a...Zillionaire! is an album by the band ABC. It was released in the autumn of 1985. Four singles were released from this album, "(How to Be A) Millionaire " (UK: 49, US: 20), " Be Near Me " (UK singles chart: 26, US Billboard Hot 100: 9), " Vanity Kills " (UK: 74, US: 91), and the fourth was " Ocean Blue ", (UK: 54). The album peaked on the UK Albums Chart at 28 and on the Billboard 200 at 30. On the cover the album's title is in the foreground lit up like a spotlight against a tri-tone background on which various quotes of the album's lyrics can be seen. There is also a drop shadow behind the title. No dialogue at the start of the song " Vanity Kills ". Eden (see band line up in next section) does the harmony vocal on the song " Ocean Blue ". Guitars completely absent from Side Two/Tracks 6–10. No cursing from Eden in the song "A to Z". Four seconds of silence between "A to Z" and "(How to Be a) Millionaire". Eden performs the breakdown vocal and plays the instrumental solo in the song "(How to Be a) Millionaire".

THE MOODY BLUES: THE PRESENT [UK 1985] LP THE MOODY BLUES: THE PRESENT [UK 1985] LP The Moody Blues   "The Present"  LP (Threshold)  1985  made in UK cat. num.  810 119-1 #rock  #progressive rock   A1 Blue World 5:16 A2 Meet Me Halfway 4:09 A3 Sitting At The Wheel 5:35 A4 Going Nowhere 5:27 B1 Hole In The World 1:55 B2 Under My Feet 4:48 B3 It's Cold Outside Your Heart 4:23 B4 Running Water 3:20 B5 I Am 1:41 B6 Sorry 4:56   ELO  fans who found in  Long Distance Voyager  a new  Discovery  can be excused for thinking there's no  Time  like  The Present. Just as  ELO 's follow-up to the sweeping  Discovery  seemed tame by comparison, so  The Present  failed to match the grandiose arrangements of  the Moodies ' previous record. It's still a solid effort, bolstered by strong songwriting and pleasant melodies, but as good as the opening "Blue World" is, its downbeat message is no substitute for the clarion call of "The Voice."  The Present  seems to make a conscious effort to scale back the arena-size sound of their previous album, returning to the warmly rendered ballads of old.  Patrick Moraz, whose keyboards were a revelation on  Long Distance Voyager, plays a diminished role here, as  Justin Hayward 's guitar takes more of the lead, suggesting a poor man's  Phil Manzanera  or  David Gilmour. While it charted well and provided hit singles in "Blue World" and "Sitting at the Wheel" (again, it's  John Lodge  who provides the most invigorating track),  The Present  is a gift that listeners will need to warm up to over time. Only after several sittings do  Hayward 's lush ballads like "Meet Me Halfway" and "Running Water" sink in. Following the format of their last effort, the closing tracks are given to  Ray Thomas, who once more proves a compelling presence (he's also the only good thing about "Going Nowhere"). "I Am" and "Sorry" amount to little more than love songs, but  Thomas ' sense for dramatic arrangements manages to elevate the musical discussion. Given the now infrequent release of new albums by  the Moody Blues, more could have been expected from  The Present, but less could have been achieved (as the disappointing  Keys of the Kingdom  demonstrated). If it's merely average by  Moodies  standards, at least  The Present  didn't bode ill for the future.  

Carla Bruni - No Promises - Digipack Carla Bruni - No Promises - Digipack Nuestra tienda:   http://www.todocoleccion.net/killersdiscos_vendedorTC Por favor, consulte las ''formas de pago y envío'' antes de realizar su compra. Ahorre en los envíos agrupando pedidos o recogiendo su compra en nuestra tienda. Pistas 1 Those Dancing Days Are Gone 3:40 2 Before The World Was Made 3:47 3 Lady Weeping At The Crossroads 3:35 4 I Felt My Life With Both My Hands 2:54 5 Promises Like Pie-Crust 2:32 6 Autumn 3:24 7 If You Were Coming In The Fall 3:30 8 I Went To Heaven 2:47 9 Afternoon 2:06 10 Ballade At Thirty-Five 3:02 11 At Last The Secret Is Out 3:07

COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' COLOURBOX: THE OFFICIAL COLOURBOX WORLD CUP THEME [UK 1986] 7' Colourbox   "The Official Colourbox World Cup Theme"  single 7" (4AD)  1986  made in UK cat. num.  AD 605 #synth pop   A The Official Colourbox World Cup Theme 3:06 B Philip Glass 3:29   One of the legendary 4AD label's earliest and most under-recognized acts,  Colourbox  were among the first artists outside of the realm of hip-hop to rely heavily on sampling techniques; ultimately, their arty blue-eyed soul -- a fusion of far-ranging influences spanning from classic R&B to dub to industrial -- reached its commercial and creative apotheosis through their work on  M/A/R/R/S ' seminal "Pump Up the Volume" project, a reflection of the group's longstanding interest in the burgeoning underground dance music scene of the 1980s.  Colourbox  were primarily the work of London-based brothers Martyn and  Steven Young, who recruited vocalist  Debbion Currie  to sing on their 1982 4AD debut, "Breakdown."  Curry  was replaced by  Lorita Grahame  in time for the trio's 1983 re-recording of the same track, this time produced by  Mick Glossop.  Colourbox 's self-titled debut EP -- a collection of dub and scratching experiments heralding their first plunge into sampling technology, edited down from three hours of studio sessions -- appeared later that same year, with the single "Say You" following in 1984. After another 12", "Punch," the group issued 1985's "The Moon Is Blue," a teaser for its upcoming full-length LP, also a self-titled affair; "Baby I Love You So" and "The Official Colourbox World Cup Theme" both appeared the following year.  In 1987, at the behest of 4AD chief  Ivo Watts-Russell, the Young brothers teamed with labelmates  A.R. Kane  as  M/A/R/R/S  to record a single fusing the rhythms and beats from classic soul recordings with state of the art electronics and production. Complete with scratches by champion mixer  Chris "C.J." Mackintosh  and London  DJ Dave Dorrell, "Pump Up the Volume" -- a breakthrough effort heralding sampling's gradual absorption from hip-hop into dance music and ultimately the pop mainstream -- soon topped the British charts, the first 4AD release to accomplish that feat. Plans for a follow-up never materialized, however; stranger still, despite  M/A/R/R/S ' success, both the Youngs and  Colourbox seemed to vanish, with no future recordings forthcoming.  

"'It was the seventh day of the storm. We didn't know were we were. Everyone on the ship believed that death was very near.' The Robinson family do not die at sea; they find their way to a small island. But what can they do now? Where will they live? What will they eat? Luckily, the father and mother have useful skills and they teach their four young sons. But how long will they be there, on the island?". Pearson Education.. Año 2000. 1ª edición

BLAZE BAYLEY. The man who would not die (cd album 2008) BLAZE BAYLEY. The man who would not die (cd album 2008) CD ALBUM 2008          Ref...BBR001 BLAZE BAYLEY 1.The man who would not die 2.Blackmailer 3.Smile  back at death 4.While you were gone 5.Samurai 6.A crack in the sistem 7.Robot 8.At the end of the day 9.Waiting for my life to begin 10.Voices from the past 11.The thruth is one 12.Serpent hearted man                     Gastos de envio para:             ESPAÑA EUROPA RESTO DEL MUNDO Hasta 500grs.                            5,55€        10,70€        14,35€

Pink Floyd – Welcome to... Paris - LP Picture with cover- Pink Floyd – Welcome to... Paris - LP Picture with cover- Pink Floyd  – Welcome to... Paris Label: Not On Label (Pink Floyd)  – PF 1289 Format: Vinyl, LP, Picture Disc, Unofficial Release Country: Europe Released:   Genre: Rock Style: Psychedelic Rock,  Prog Rock Tracklist A1   Shine on you crazy diamond A2   Welcome to the machine B1   Have a cigar B2   Whish you were here B3   Money   Companies, etc. Recorded At  –  Tokyo Taiikukan   Notes Live At Paris - Pavillon in Paris - 25/02/1977 Special Limited edition for Pink Floyd Fan Club Japan        

Blackberry Smoke – Stoned -LP- Blackberry Smoke – Stoned -LP-   More images Blackberry Smoke  – Stoned Label: 3 Legged Records  – 3LG15LP Format: Vinyl, LP,  Transparent red w/black smoke Country: US Released: Nov 26, 2021 Genre: Rock Style: Classic Rock,  Southern Rock Tracklist Hide Credits A1   All Down The Line A2   Sway A3   Can’t You Hear Me Knockin’ B1   Tumbling Dice B2   Just My Imagination (Running Away With Me) Songwriter –  Barrett Strong,  Norman Whitfield Songwriter –  Barrett Strong,  Norman Whitfield B3   I Got The Blues B4   Street Fighting Man   Companies, etc. Marketed By  –  Thirty Tigers Marketed By  –  The Orchard Distributed By  –  Thirty Tigers Distributed By  –  The Orchard Recorded At  –  Welcome To 1979 Phonographic Copyright ℗  –  3 Legged Records Copyright ©  –  3 Legged Records Credits Cover [Front]  –  Phil Guy Engineer  –  Jeremy Bernstein (5) Engineer [Assistant]  –  Nick Molino Layout, Design  –  Perry Shall Mastered By  –  Margaret Luthar Songwriter  –  Keith Richards,  Mick Jagger Notes Record Store Day Black Friday release Limited to 2500 copies Pressed On Red Vinyl With Black Smoke "This album was recorded, mixed and mastered live to a vinyl master in one take on the evening of November 6, 2020 at Welcome to 1979. There were no overdubs, edits, punch-ins, remixes or remastering. This type of recording is very rare due to the technical and creative difficulty associated with recording live to a vinyl master. Once the recording has started it cannot stop until the end of the side. You are hearing one complete take per side of the record, which is no easy feat for all involved. Enjoy!" Barcode and Other Identifiers Barcode (Scanned): 793888432505 Barcode (Text): 7 93888 43250 5 Matrix / Runout (Label - Side A/B): 3LP15LP Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-A2 ML201106 Welcome to 1979 Matrix / Runout (Runout - Side A): 3LG15LP 1979 2020-B2 ML201106 Welcome to 1979      

PINK FLOYD: 4 LIVE IN OHIO - DOBLE CD *IMPECABLE* PINK FLOYD: 4 LIVE IN OHIO - DOBLE CD *IMPECABLE* Doble CD de Pink Floyd del concierto ofrecido en el "Live at Municipal Stadium Cleveland" en fecha 25 de Junio de 1.977 SONIDO MUY BUENO Listado de canciones: CD 1:  Sheep, Pigs on the wing  (parte 1),  Dogs, Pigs on the wing  (parte 2),  Pigs, Shine on you crazy diamond  (Parte 1-5) CD 2:  Welcome to the machine, Have a cigar, Wish you were here, Shine on you crazy diamond  (Parte 6-9),  Money, Us and them. IMPECABLE   Gastos de envio Certificado para este articulo: 5 Euros compres la cantidad de CDs que compres POR FAVOR, si algo no le convence NO COMPRE

“CBS THE FIRST 50 YEARS” ////CD NUEVO PRECINTADO//// “CBS THE FIRST 50 YEARS” ////CD NUEVO PRECINTADO//// 1998 Lista de Títulos See It Now With Edward R. Murrow I Love Lucy The Jackie Gleason Show The Ed Sullivan Show (Toast Of The Town) The Red Skelton Show (Holiday For Strings) Captain Kangaroo (Puffin' Billy) Gunsmoke (The Old Trail) Rawhide Wild Wild West Alfred Hitchcock Presents Perry Mason Route 66 The Twilight Zone Leave It To Beaver (The Toy Parade) The Many Loves Of Dobie Gillis The Andy Griffith Show The Dick Van Dyke Show First Half-Hour News Broadcast Beverly Hillbillies (The Ballad Of Jed Clampet) Gilligan's Island Green Acres Hogan's Heroes My Three Sons Lost In Space Mission: Impossible Mannix Hawaii Five-O Barnaby Jones The First 60 Minutes Apollo 11 Coverage The Waltons The Carol Burnett Show (Carol's Theme) Dan Rather In Viet Nam Walter Cronkite's Editorial On Viet Nam M*A*S*H (Suicide Is Painless) All In The Family (Those Were The Days) Mary Tyler Moore Show (Love Is All Around) The Bob Newhart Show (Home To Emily) Good Times The Jeffersons (Movin' On Up) One Day At A Time WKRP In Cincinatti Alice (There's A New Girl In Town) The Dukes Of Hazzard (Good Ol' Boys) Dallas Knots Landing Walter Cronkite's Final Broadcast Cagney And Lacey Murder, She Wrote Murphy Brown (Closing Theme) Northern Exposure Chicago Hope 0:51 Promised Land 0:44 Walker, Texas Ranger 0:42 Everybody Loves Raymond 0:44 Cosby 0:42 Late Show With David Letterman 1:22 William Paley Speaks About His Enthusiasm

Barbra Streisand - 10 LPs - ediciones españolas - EN EXCELENTE ESTADO Barbra Streisand - 10 LPs - ediciones españolas - EN EXCELENTE ESTADO EN EXCELENTE ESTADO -  carpetas y vinilos NM mínimo Algunos llevan en la contraportada y un lado de la galleta la etiqueta A (ver fotos) ►CLASSICAL... BARBRA - CBS ‎– S-73484 / 1976 ►BARBRA STREISAND AND OTHER MUSICAL INSTRUMENTS (Barbra Y Otros Instrumentos Musicales) - CBS ‎– S 69052 gatefold  / 1973 ►BUTTERFLY -CBS ‎– S 69079 gatefold / 1974 ►LAZY AFTERNOON - CBS ‎– S 81038 / 1975 ►LIVE CONCERT AT THE FORUM - CBS ‎– S 65210 E gatefold / 1972 ►BARBRA STREISAND'S GREATEST HITS - CBS ‎– S 63921 / 1970 ►PEOPLE - CBS ‎– S 62464  / 1970 ►THE WAY WE WERE - CBS ‎– S 69057 / 1974 ►STONEY END - CBS ‎– S-64269 / 1971 ►BARBRA JOAN STREISAND - CBS ‎– S 64459 / 1971

RIVER CITY PEOPLE - THIS IS THE WORLD - VINILO ORIGINAL 1991 PRIMEA EDICION EMI RIVER CITY PEOPLE - THIS IS THE WORLD - VINILO ORIGINAL 1991 PRIMEA EDICION EMI River City People fue un grupo de folk-rock de vida y éxito efímeros. Con sus dos estupendos albumes, sonaron bastante en las emisoras del Reino Unido y otros países (España, entre ellos), y llegaron a actuar en varias ciudades europeas. Pero lo que condenó a la banda de Liverpool fue, probablemente, que llegaron tarde a la fiesta. La segunda mitad de los 80 fue un momento dulce para el pop-rock inglés e irlandés, que consolidó a grupos como U2, Simple Minds, Dire Straits o Simply Red. Pero los RCP se subieron al carro en 1989, cuando el movimiento languidecía, y a pocos meses de la explosión, al otro lado del Atlántico, del fenómeno grunge. La banda aguantó como pudo el desinterés por el folk-rock, y aunque llegó a lanzar en 1991 un segundo gran LP, acabó deshaciéndose pocos meses después. El primer disco es una maravilla y este   THIS IS THE WORLD esta muy bien. Tracklist: 01. River City People - Standing In The Need Of Love [3:30] 02. River City People - Special Way [3:14] 03. River City People - Act Like A Child [3:46] 04. River City People - Hurt You [3:57] 05. River City People - Driver [3:24] 06. River City People - Move A Mountain [4:41] 07. River City People - Mile High Cafe [4:31] 08. River City People - True Stories From The Revolution [3:42] 09. River City People - The Sea [3:40] 10. River City People - High Tide [3:28] 11. River City People - This Is The World [4:57] River City People were a folk rock quartet formed in Liverpool, England in 1986, by vocalist Siobhan Maher, guitarist Tim Speed, his drummer brother Paul Speed, and bassist Dave Snell. Siobhan, Tim and Dave had both been with Liverpool Band "Peep Show" until summer 1987 - at one point both bands co-existed. The group appeared on Channel 4's The Chart Show and soon afterward signed with EMI, releasing their debut single "(What's Wrong With) Dreaming?" in mid 1989. Their album Say Something Good followed a few months later, recorded in Los Angeles and produced by legendary producer Don Gehman. In the summer of 1990, the band scored their biggest hit with a cover of The Mamas & the Papas' "California Dreamin'". This was a double A-side with "Carry the Blame". " This is the World " followed in late 1991, but the group disbanded shortly after. Maher then teamed with ex-Bangle Debbi Peterson in the duo Kindred Spirit, releasing a self-titled 1995 album on Capitol Records. She released a solo album in 2002 called Immigrant Flower.

NEW COOL COLLECTIVE ELECTRIC MONKEY SESSIONS Edición Ltd Vinilo Rojo y Dorado 300 copias NUEVO NEW COOL COLLECTIVE ELECTRIC MONKEY SESSIONS Edición Ltd Vinilo Rojo y Dorado 300 copias NUEVO NEW COOL COLLECTIVE ELECTRIC MONKEY SESSIONS Limited Edition 300 copies 180g Red & Gold Audiophile  Vinyl  LP Music On Vinyl New and Sealed     NEW COOL COLLECTIVE ELECTRIC MONKEY SESSIONS Edición Ltd 300 copias Vinilo Rojo y Dorado 180g  Audiófilo LP Music On Vinyl Nuevo y Precintado       DESCRIPTION: The Netherlands 2017 Music On Vinyl  Music On Vinyl  MOVLP1315      New Cool Collective's fifteenth album Electric Monkey Sessions refers to the sound studio in Amsterdam where the recordings were made. They have drawn inspiration from Senegalese Orchestra Baobab, as well as psychedelic cumbia, Cape Town, Italian cinema and many major jazz heroes. Electric Monkey Sessions also features two unique tracks recorded at a beach-side studio in Dakar with local musicians the band met on one of their many international adventures. Remastered. 180gram audiophile vinyl pressing LP. Limited Tour Edition of 300 individually numbered copies Red & Gold mixed vinyl. Includes download coupon feat bonus track "Frankie Conga". Contains insert. New and Factory sealed.     DESCRIPCIÓN: Países Bajos   2017 Music On Vinyl  MOVLP1315    New Cool Collective es una banda holandesa surgida en 1993 de la colaboración del saxofonista Benjamin Herman y el DJ Graham B. Si álbum nº 15. “Electric Monkey Sessions”, debe su título al nombre de los estudios Elewctric Monkey de Amsterdam donde el disco fue grabado. New Cool Collective tienen variadas influencias, desde la Senegalese Orchestra Baobab, pasando por la cumbia psicodélica, el cine italiano y muchos héroes importantes del jazz. “Electric Monkey Sessions” incluye también  dos temas exclusivos grabados en Dakar con músicos locales. Edición remasterizada. Edición Tour limitada a exclusivamente 300 copias prensadas en vinilo de 180 gramos en una mezcla de color Rojo y Dorado. Individualmente numerado. El número de copia que aparece en la fotografía de la contraportada no tiene por qué corresponder con el de la copia en venta. Incluye encarte y un cupón de descarga del tema "Frankie Conga". Sonido audiófilo.  Nuevo y Precintado de fábrica.     Track Listing: SIDE A 1. RANTANPLAN  2. CUMBIA YAYA  3. CINECITTÀ  4. CINQUILLO  5. PASILLO SIDE B 1. MONO ELÉCTRICO  2. RUMBÓN  3. THIERNO  4. SA JIKKO JII  5. CASA DI MANSA     ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)   

MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE MIKE OLDFIELD: THE KILLING FIELDS [ESP 1984] LP/RE Mike Oldfield   "The Killing Fields"  LP (Virgin)   1984   made in Spain cat. num.  E 206 707 #progressive rock  #pop rock  #soundtrack   Pran's Theme 0:45 Requiem For A City 1:45 Evacuation 5:10 Pran's Theme - 2 1:40 Capture 2:01 Execution 4:10 Bad News 1:10 Pran's Departure 2:03 Worksite 1:18 The Year Zero 0:27 Blood Sucking 1:18 The Year Zero - 2 0:36 Pran's Escape / The Killing Fields 3:11 The Trek 1:58 The Boy's Burial / Pran Sees The Red Cross 2:40 Good News 1:44 Etude 4:38   Crack all the jokes you want about  Mike Oldfield  and his Tubular Bells becoming the hit theme song for The Exorcist. While  Oldfield  is an amazing guitarist who could play with the best of them, with a lithe synth touch that became a trademark, the bottom line is that the man is a serious composer. All the proof one needs apart from his own records like  Incantations  and  Hergest Ridge  is this killer movie score. While  Oldfield  used a purely Western and neo-classical formal approach to write the music for  Roland Joffé 's dramatization of true events, his musical mates were among the best in the business at helping him to bring it off:  David Bedford  wrote arrangements and directed the choir, while  Eberhard Schoener  helped to conduct and direct another choir (!) and master percussionist  Morris Pert  lent his talents to the mix as well. While many scores written during the 1980s come off as laughable fluff in the 21st century,  Oldfield 's score for The Killing Fields is in many ways far more memorable than the film itself. The music here is full of drama, dynamic, textures, and unexpected twists and turns even in the smallest of the incidental pieces, and carries within it a certain majesty that lacks pomp and remains graceful throughout.

BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL BURT BACHARACH: BSO LOST HORIZON [UK 1973] LP/FOL Burt Bacharach   "BSO Lost Horizon"  LP (Bell - Columbia)  1973  made in UK cat. num.  SYBEL 8000 #soundtrack  #easy listening   Introduction 0:30 Lost Horizon 1:58 Share The Joy 2:42 The World Is A Circle 3:25 Living Together, Growing Together 3:21 I Might Frighten Her Away 2:38 The Things I Will Not Miss 3:13 If I Could Go Back 4:07 Where Knowledge Ends (Faith Begins) 3:43 Question Me An Answer 5:27 I Come To You 1:29 Reflections 1:50   When the motion picture musical Lost Horizon was unleashed upon the world in 1973, the reviews were unbelievably harsh and much of the criticism was aimed at composer  Burt Bacharach  and lyricist  Hal David. However, even though many of the songs on this soundtrack are not as memorable as their more popular collaborations, this album is not that bad. In fact, many of the songs are quite catchy, including "The World Is a Circle" and "Reflections." Some of the vocals are sung by the actors, including  Sally Kellerman  and the late  Bobby Van.  Burt Bacharach  has a certain knack for production of not-so-great singers (himself included) and, fortunately, it shows here with the actors. Other actors had their singing parts dubbed by more seasoned vocalists.  Shawn Phillips  is the singer on the title track.

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

GARY SHEARSTON: DINGO [ESP 1974] LP GARY SHEARSTON: DINGO [ESP 1974] LP Gary Shearston   "Dingo"  LP (Charisma)  1974  made in Spain cat. num.  63 69 958 #folk rock  #pop rock   Dingo   Back Of Beyond   Witnessing   I Get A Kick Out Of You   The Lightkeeper Of America   Seagull And Swan   The Ballad Of Blasted Creek   Lump In The Bed   Aborigine   Without A Song   b. 9 January 1939, Inverell, New South Wales, Australia. This singer-songwriter was also proficient on guitar and harmonica. Shearston moved with his family to Sydney at the age of 12, after his father’s farm was destroyed by drought. By the time Shearston was 19 he was a professional singer performing traditional Australian music in pubs, clubs and on radio and television. In the late 50s he made his first recording, for the Festival label, and this was followed by a number of albums for CBS Records in the early to mid-60s. Two of these albums were described as ‘among the best records of traditional music ever made in Australia’. In 1965, Shearston received an award for the best composition of the year when ‘Sometime Lovin’’ was covered by a number of artists including Peter Paul And Mary. In the mid-60s, together with Martyn Wyndham-Read, he recorded a live album on the Australian Score record label, although CBS would not let Shearston appear on the album. In addition, he had his own folk music television programme.  Shearston then travelled to the USA in 1968 and lived there for the next four years. During the mid-70s Shearston relocated to Britain, where he recorded two albums for Charisma Records. Shearston’s one major hit in the UK came in 1974, when ‘I Get A Kick Out Of You’ made the Top 10. This single made Shearston the first Australian artist to have a simultaneous hit in Britain and Australia. Despite the long gap between albums he carried on and worked the folk clubs of Europe. Returning to Australia from England in 1988, Shearston was made a Deacon of the Anglican Church in December 1991, and has served in the parishes of Narrandera, Deniliquin, Hay, and Bangalow. In 2001, he released his first new studio album in over a decade.

JACKIE WILSON: REET PETITE - 20 GREATEST HITS [NLD 1987] LP/COMP JACKIE WILSON: REET PETITE - 20 GREATEST HITS [NLD 1987] LP/COMP Jackie Wilson   "Reet Petite 20 Greatest Hits"  LP (Masters)  1987  made in Holland cat. num.  MA 18287 #soul   A1 Reet Petite   A2 Chain Gang   A3 This Guy's In Love With You   A4 Shake, Shake, Shake   A5 Just Be Sincere   A6 I Don't Want To Lose You   A7 It's All Part Of Love   A8 Lonely Teardrops   A9 Tears Will Tell It All   A10 Alone At Last   B1 Danny Boy   B2 We Have Love   B3 Satisfy My Soul   B4 My Heart Is Calling   B5 Only You, Only Me   B6 Soul Galore   B7 Say You Will   B8 Don't Burn No Bridges   B9 Working On My Woman's Heart   B10 Because Of You   Although one really had to see  Jackie Wilson  live to truly appreciate his considerable talents as a singer and entertainer, his legacy today rests with his recordings from the late 1950s and early '60s with Brunswick Records, the key tracks of which are collected here.  Wilson  in concert was sort of a cross between  Sam Cooke  and  James Brown, putting on a riveting and strenuous show, but in the studio that very energetic and physical connection he could make with an audience didn't come so much into play, and his records are sort of  Jackie Wilson  light as a consequence. That doesn't mean they aren't good, though, and tracks here like "Reet Petite" (written by a young  Berry Gordy  -- many of  Wilson 's songs during the Brunswick years were written or co-written by  Gordy), "Lonely Teardrops," the impressive and moving "Shake Shake Shake," "I Don't Want To Lose You" and "Satisfy My Soul" are all classics and show  Wilson 's considerable stylistic versatility.  

PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP PABLO CRUISE: PART OF THE GAME [A&M - CAN 1979] LP Pablo Cruise   "Part Of The Game"  LP (A&M)  1979  made in Canada cat. num.  SP-3712 #rock   Part Of The Game 3:36 I Want You Tonight 5:29 When Love Is At Your Door 4:35 Givin' It Away 5:16 Tell Me That You Love Me 4:50 Lonely Nights 5:09 How Many Tears? 6:05 For Another Town 4:25   Pablo Cruise  achieved some measure of success during the latter part of the '70s with their mellow, easygoing California pop. The band was formed in 1973 by former members of  Stoneground  and  It's a Beautiful Day: guitarist  Dave Jenkins, keyboardist  Cory Lerios, bassist  Bud Cockrell, and drummer  Steve Price. The group was praised for its compositional and instrumental skill on the albums  Pablo Cruise  and  Lifeline, and was rewarded with the Top Ten hit "Whatcha Gonna Do?" in 1977 from  A Place in the Sun.  Cockrell  left and was replaced by former  Santana  bassist  Bruce Day.  Worlds Away  went platinum, as did its predecessor, and produced three hit singles, including the Top Ten "Love Will Find a Way." By the time the '80s rolled around, the new wave movement was in full swing on the pop charts, and the group fell out of favor with the record-buying public. Several  Pablo Cruise  songs were used as soundtrack material for sports programs on ABC, CBS, and NBC, and the band's work also appeared in the films Free Ride, An Unmarried Woman, and Dreamer.

Horror fiction. The supernatural community in Bon Temps, Louisiana is reeling from two hard blows: the natural disaster of Hurricane Katrina and the manmade horror of the explosion at the vampire summit in the up north city of Rhodes. Sookie Stackhouse is safe but dazed and she's yearning for things to get back to normal. But that's just not happening. Too many vampires, some friends, some not, were killed or injured and her were-tiger boyfriend Quinn is among the missing. It's clear that things are changing, whether the weres and vamps like it or not. And Sookie, Friend to the Pack, blood-bon

It is winter, 1991. Inspector Kurt Wallander's team at the Ystad police station face a new challenge: two corpses, frozen together in a gruesome embrace, have been washed ashore on the remote Swedish coastline. The dead men were Eastern European criminals, but what looks like a gangland hit takes on a much more sinister aspect when Wallander travels across the Baltic Sea to Latvia, a nation in the throws of the massive upheaval that will lead to its independence from the Soviet Union. Wallander is thrown into an icy, alien world of police surveillance, veiled threats and lies, coming to unders

When the children dug a hole in the gravel-pit, they were very surprised at what they found.. OUP Oxford. España. Año 2007. 1ª edición

Carter and Sadie Kane have nothing in common but their parents and they barely know each other. When they were young their mother died under mysterious circumstances. One night their father brings them together at the British Museum promising a research experiment that will set things right for the family. His plans go horribly wrong.. Puffin. UK. Año 2010. 1ª edición