When was fab
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Madrid (Madrid)
Cornershop - When I Was Born For The 7 th Time - CD Cornershop - When I Was Born For The 7 th Time - CD Nuestra tienda: http://www.todocoleccion.net/killersdiscos_vendedorTC Por favor, consulte las ''formas de pago y envío'' antes de realizar su compra. Ahorre en los envíos agrupando pedidos o recogiendo su compra en nuestra tienda.
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Madrid (Madrid)
ELVIS COSTELLO - WHEN I WAS CRUEL - CD ELVIS COSTELLO - WHEN I WAS CRUEL - CD
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Las Palmas (Las Palmas)
The four tops - when she was my girl The four tops - when she was my girl
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Las Palmas (Las Palmas)
Roy Clark - yesterday, when I was young Roy Clark - yesterday, when I was young
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Murcia (Murcia)
single THE FOUR TOPS - WHEN SHE WAS MY GIRL / IDEM single THE FOUR TOPS - WHEN SHE WAS MY GIRL / IDEM SEGUN FOTO. Gastos de envío: 4,25 EUROS CERTIFICADO PENINSULA o 2,25 euros correo ordinario (en este caso bajo responsabilidad del comprador en caso de pérdida).
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Castejón-Navarra (Navarra)
the beatles, GEORGE HARRISON / Cloud Nine, completa 1ª edic org usa + encarte,NO CODIGO DE BARRA exc the beatles, GEORGE HARRISON / Cloud Nine, completa 1ª edic org usa + encarte,NO CODIGO DE BARRA exc MARAVILOSO ALBUN EN SU 1ª ORIG. EDIT. USA, MUY COMPLICADO DAR CON COPIAS QUE EN LA CARPETA NO PRESENTAN CODIGOS DE BARRA, carpeta presenta resto de pegatina, TAMBIEN CONTIENE EL ENCARTE INTERIOR CON FOTOGRAFIAS, VINILO EN IMPECABLE ESTADO george rodeado de grandes amigos y buenos musicos como jeff lynne (e.l.o.) elton john, ringo starr, etc.... jeff lynne el gran lider de la E.L.O. produce magistralmente este disco, es es un especialista en producir a su amigo george como sabeis todo en gran estado, vinilo alguna señal de uso superficial que no afecta a su buena escucha Cloud Nine es el noveno álbum de estudio de George Harrison grabado y publicado en 1987 tras cinco años alejado de su carrera musical. Con el éxito del sencillo "Got My Mind Set On You", Cloud Nine supone el regreso de Harrison como artista aclamado por la crítica y capaz de producir buenos discos. Asimismo, supone su último álbum de estudio publicado en vida. Junto a Jeff Lynne y George Harrison, compañeros de gremio y amigos de la talla de Jim Keltner, Ringo Starr, Eric Clapton, Gary Wright y Elton John se unieron a la grabación, demostrando que tras una ruptura con el mundo de la música que, según palabras de Harrison, realmente necesitaba, se volvía a sentir estimulado y actualizado: por primera vez, en cinco años, 'quería' grabar un álbum sin sentirse presionado por contratos o sellos discográficos. Su entusiasmo tendría un resultado importante en la calidad de la música de Cloud Nine. "Cloud 9" – 3:15 "That's What It Takes" (George Harrison/Jeff Lynne/Gary Wright) – 4:02 "Fish on the Sand" – 3:25 "Just for Today" – 4:06 "This is Love" (George Harrison/Jeff Lynne) – 3:50 "When We Was Fab" – (George Harrison/Jeff Lynne) - 4:00 Tributo a The Beatles y a los 60 "Devil's Radio" – 3:54 "Someplace Else" – 3:53 Una versión del tema apareció en la película de 1986 Shanghai Surprise "Wreck of the Hesperus" – 3:34 "Breath Away from Heaven" – 3:37 Una versión del tema apareció en la película de 1986 Shanghai Surprise. "Got My Mind Set on You" (Rudy Clark) – 3:51 "Shanghai Surprise" – 5:0 George Harrison: voz, guitarras y teclados. Jeff Lynne: guitarra eléctrica, bajo, teclados y coros. Eric Clapton: guitarra eléctrica Elton John: piano Gary Wright: piano Ringo Starr: batería en "When We Was Fab". Jim Keltner: batería Ray Cooper: batería y percusión. Andres Galdof: batería y guitarra eléctrica. Jim Horn: saxofón barítono y tenor Bobby Kok: violonchelo Vicki Brown: coros en "Shanghai Surprise".
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España (Todas las ciudades)
When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give, how could you not give it? If it was someone you truly loved?. Little, Brown. Uk. Año 2008.
15 €
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España (Todas las ciudades)
When the children dug a hole in the gravel-pit, they were very surprised at what they found. 'It' was a Psammead, a sand-fairy, thousands of years old. It was a strange little thing - fat and furry, and with eyes on long stalks. It was often very cross and unfriendly, but it could give wishes - one wish a day. 'How wonderful!' the children said. But wishes are difficult things. They can get you into trouble.... OUP Oxford.. Año 2007. 1ª edición
15 €
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España (Todas las ciudades)
When the first edition of Masterful Coaching was published, it quickly became the standard resource for anyone who was a coach. John Wiley b'&' Sons. Usa. Año 2008. 1ª edición
35 €
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España (Todas las ciudades)
When Ruby's big brother left for his first day at school, a new friend appeared. His name was Milo.. Penguin/Viking. España. Año 2009. 1ª edición
25 €
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Girona (Girona)
LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP LITTLE RIVER BAND: TIME EXPOSURE [DEU 1981] LP Little River Band "Time Exposure" LP (Capitol - Emi) 1981 made in Germany cat. num. 10C 064-400 042 #rock The Night Owls Man On Your Mind Take It Easy On Me Ballerina Love Will Survive Full Circle Just Say That You Love Me Suicide Boulevard Orbit Zero Don't Let The Needle Win Guiding Light When Little River Band formed in 1975, Australia immediately took notice. The key bandmembers were already well known to Australians. Lead singer Glenn Shorrock had made his name in mid-'60s group the Twilights, a Beatles -sounding pop group that scored a national number one record with its version of the Velvelettes ' "Needle in a Haystack." When the group broke up in 1969, Shorrock became lead singer of Axiom, whose "A Little Ray of Sunshine" is still an Australian classic rock staple. LRB 's Beeb Birtles had been the bass player for a popular Twilights -era pop group called Zoot (Rick Springfield was a later member). When that group broke up, in search of musical credibility, Birtles auditioned as the bass player, but was instantly elevated to a front-line position alongside Graham Goble. Even LRB 's manager was well-known. Glenn Wheatley had been the bassist with another of Australia's bands, and possibly its most legendary, the Masters Apprentices. Given all that background, when Shorrock and Birtles revealed they were forming a group with Goble, managed by Wheatley, it was major event in Australian music.
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Girona (Girona)
GARY SHEARSTON: DINGO [ESP 1974] LP GARY SHEARSTON: DINGO [ESP 1974] LP Gary Shearston "Dingo" LP (Charisma) 1974 made in Spain cat. num. 63 69 958 #folk rock #pop rock Dingo Back Of Beyond Witnessing I Get A Kick Out Of You The Lightkeeper Of America Seagull And Swan The Ballad Of Blasted Creek Lump In The Bed Aborigine Without A Song b. 9 January 1939, Inverell, New South Wales, Australia. This singer-songwriter was also proficient on guitar and harmonica. Shearston moved with his family to Sydney at the age of 12, after his father’s farm was destroyed by drought. By the time Shearston was 19 he was a professional singer performing traditional Australian music in pubs, clubs and on radio and television. In the late 50s he made his first recording, for the Festival label, and this was followed by a number of albums for CBS Records in the early to mid-60s. Two of these albums were described as ‘among the best records of traditional music ever made in Australia’. In 1965, Shearston received an award for the best composition of the year when ‘Sometime Lovin’’ was covered by a number of artists including Peter Paul And Mary. In the mid-60s, together with Martyn Wyndham-Read, he recorded a live album on the Australian Score record label, although CBS would not let Shearston appear on the album. In addition, he had his own folk music television programme. Shearston then travelled to the USA in 1968 and lived there for the next four years. During the mid-70s Shearston relocated to Britain, where he recorded two albums for Charisma Records. Shearston’s one major hit in the UK came in 1974, when ‘I Get A Kick Out Of You’ made the Top 10. This single made Shearston the first Australian artist to have a simultaneous hit in Britain and Australia. Despite the long gap between albums he carried on and worked the folk clubs of Europe. Returning to Australia from England in 1988, Shearston was made a Deacon of the Anglican Church in December 1991, and has served in the parishes of Narrandera, Deniliquin, Hay, and Bangalow. In 2001, he released his first new studio album in over a decade.
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Zaragoza (Zaragoza)
SCOTT WALKER * 2 CD * Classics & Collectibles * PRECINTADO!! SCOTT WALKER * 2 CD * Classics & Collectibles * PRECINTADO!! Doble disco con 45 temas de la carrera de Scott Walker, tanto al frente de los Walker Brothers como en solitario. Incluye 20 canciones inéditas hasta la fecha en CD y una versión alternativa del clásico The Sun Ain't Gonna Shine Anymore (El sol no va a brillar nunca más), su tema más conocido y todo un presagio de lo oscuras que serían su música y su vida misma. Imprescindible. Precintado de fábrica. TRACKLIST: DISC 1 1-1 Scott Walker – If You Go Away Directed By [Accompaniment] – Wally Stott Written-By – Jacques Brel, Rod McKuen 4:56 1-2 Walker Brothers, The – I Will Wait For You (Theme From Les Parapluies Cherbourg) Directed By [Accompaniment] – Reg Guest Written-By – Jacques Demy, Michel Legrand, Norman Gimbel 3:38 1-3 Walker Brothers, The – In My Room Written-By – Joaquin Prieto, Lee Julien Pockriss*, Paul Vance 2:30 1-4 Walker Brothers, The – The Sun Ain't Gonna Shine Anymore (Mono - Alternative Vocal) Written-By – Bob Crew*, Bob Gaudio 2:22 1-5 Scott Walker – It's Over Written-By – Rodgers* 3:18 1-6 Scott Walker – Joanna Written-By – Jackie Trent, Tony Hatch3:50 1-7 Scott Walker – Angel Of Ashes Directed By [Accompaniment] – Peter Knight (5) Written-By – Scott Walker 4:22 1-8 Scott Walker – Mathilde Arranged By, Conductor – Wally Stott Written-By – Gerard Jouannest*, Jacques Brel, Shuman* 2:39 1-9 Scott Walker – Winter Night Directed By [Accompaniment] – Wally Stott Written-By – Scott Walker 1:44 1-10 Walker Brothers, The – Orpheus Directed By [Accompaniment] – Reg Guest Written-By – Scott Walker 3:27 1-11 Scott Walker – Jackie Arranged By, Conductor – Wally Stott Written-By – Gerard Jouannest*, Jacques Brel, Mort Shuman 3:22 1-12 Scott Walker – The Bridge Written-By – Scott Walker 2:50 1-13 Scott Walker – It's Raining Today Written-By – Scott Walker 4:01 1-14 Walker Brothers, The – Once Upon A Summertime Directed By [Accompaniment] – Reg Guest Written-By – Eddie Barclay, Eddy Marnay, Johnny Mercer, Michel Legrand 3:49 1-15 Scott Walker – Such A Small Love Arranged By, Conductor – Wally Stott Written-By – Scott Walker 4:54 1-16 Scott Walker – Rhymes Of Goodbye Directed By [Accompaniment] – Keith Roberts Written-By – Scott Walker 3:04 1-17 Scott Walker – Big Louise Directed By [Accompaniment] – Wally Stott Written-By – Scott Walker 3:11 1-18 Scott Walker – Next Written-By – Jacques Brel, Shuman* 2:51 1-19 Scott Walker – Til The Band Comes In Written-By – Ady Semel, Scott Walker 3:50 1-20 Scott Walker – Plastic Palace People Written-By – Scott Walker 6:08 1-21 Scott Walker – Butterfly Written-By – Scott Walker 1:43 1-22 Walker Brothers, The – Just Say Goodbye Directed By [Accompaniment] – Reg Guest Written-By – Petula Clark, Pierre Delanoë, Tony Hatch 3:34 DISC 2 2-1 Scott Walker – The Me I Never Knew Written-By – Don Black, John Barry 3:39 2-2 Scott Walker – We Could Be Flying Written-By – Michel Colombier, Paul H. Williams* 4:20 2-3 Scott Walker – I Have Dreamed Written-By – Oscar Hammerstein II, Richard Rogers* 2:37 2-4 Walker Brothers, The – The Gentle Rain Written-By – Luiz Bonfa*, Matt Dubey 2:41 2-5 Scott Walker – I Still See You Written-By – Hal Sharper, Michel Legrand 3:15 2-6 Scott Walker – Loss Of Love (Theme From 'Sunflower') Written-By – George Robert Merrill*, Henry Mancini 3:07 2-7 Scott Walker – Do I Love You Written-By – Alain Legovic, Maxime Jean Germa Piolot*, Michel Albert Louis PeLay*, Paul Anka, Y. Dessca* 2:53 2-8 Scott Walker – Country Girl Written-By – Robert Farnon 3:05 2-9 Scott Walker – Come Saturday Morning (Theme From 'Pookie') Written-By – Dory Previn, Fred Karlin 3:34 2-10 Scott Walker – When The World Was Young Written-By – Angele Vannier*, Johnny Mercer, Gerard Philippe* 4:00 2-11 Scott Walker – That Night (Theme From 'The Fox') Written-By – Lalo Schifrin, Norman Gimbel 2:50 2-12 Scott Walker – This Way Mary (Theme From 'Mary Queen Of Scots') Written-By – Don Black, John Barry 2:30 2-13 Scott Walker – Someone To Light Up My Life Written-By – Antonio Carlos Jobim, Gene Lees, Vinicius De Moraes 2:11 2-14 Scott Walker – The Impossible Dream Written-By – Joseph Darion*, Mitch Leigh 3:00 2-15 Scott Walker – Who (Will Take My Place) Written-By – Charles Aznavour, Herbert Kretzmer 3:17 2-16 Scott Walker – When You Get Right Down To It Written-By – Barry Mann 2:59 2-17 Scott Walker – A Face In The Crowd (Theme From 'Le Mans') Written-By – Alan Bergman, Marilyn Bergman, Michel Legrand 3:22 2-18 Scott Walker – Cowboy Written-By – Randy Newman 2:30 2-19 Scott Walker – If She Walked Into My Life Written-By – Jerry Herman 3:49 2-20 Scott Walker – All My Love's Laughter Written-By – Jimmy Webb 4:05 2-21 Scott Walker – Speak Softly Love (Theme From 'The Godfather') Written-By – Larry Kusik, Nino Rota 3:50 2-22 Scott Walker – Easy Come, Easy Go (Theme From 'They Shoot Horses Don't They?') Written-By – Edward Heyman, John W. Green* 3:00 2-23 Scott Walker – Lost In The Stars Written-By – Kurt Weill, Maxwell Anderson Notes Track: 1-3 from the Walker Brothers album 'Portrait' (1966). Track: 2-4 from the Scott side of the 'Solo John, Solo Scott' E.P. (1966). Track: 1-4 from the Walker Brothers single 'A' side sessions for 'The Sun Ain't Gonna Shine Anymore' (1966). This version with alternative vocal appears to be previously unreleased because it has a 2005 publishing credit and is not merely a mono version of the final single. Tracks: 1-2, 1-10, 1-14 & 1-22 from the Walker Brothers album 'Images' (1967). Tracks: 1-8 & 1-15 from the Scott Walker album 'Scott' (1967). Tracks: 1-11, 1-12, 1-18 & 1- 20 from the Scott Walker album 'Scott 2' (1968). Track: 1-6 'A' side of the Scott Walker single 'Joanna' (1968). Tracks: 1-1, 1-9, 1-13, 1-17 & 1-21 from the Scott Walker album 'Scott 3' (1969). Tracks: 2-3, 2-8, 2-10, 2-14, 2-15, 2-19 & 2-23 from the Scott Walker album 'Scott Sings Songs From His T.V. Series' (1969). Tracks: 1-7 & 1-16 from the Scott Walker album 'Scott 4' (1969). Tracks: 1-5 & 1-19 from the Scott Walker album 'Til The Band Comes In' (1970). Track: 2-5 'A' side of the Scott Walker single 'I Still See You' (Love-Theme from the film 'The Go Between') (1971). Tracks: 2-7, 2-9, 2-11, 2-12, 2-21 & 2-22 from the Scott Walker album 'The Moviegoer' (1972). Tracks: 2-1, 2-2, 2-16, 2-18, 2-20 from the Scott Walker album 'Any Day Now' (1973). 'Loss Of Love' was released in 1972, not 1969. Similarly, 'The Me I Never Knew' was released in 1973, not 1969. This single and album track also featured in the film 'Alice's Adventures In Wonderland'. 'Come Saturday Morning' & 'That Night' were released in 1972, not 1969. 'This Way Mary' & 'A Face In The Crowd' were released in 1972, not 1970. The incorrect dates appear in the notes.
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Girona (Girona)
CHICAGO: HOT STREETS [CBS - ESP 1990] LP CHICAGO: HOT STREETS [CBS - ESP 1990] LP Chicago "Hot Streets" LP (CBS) 1990 made in Spain cat. num. LSP 982369 1 #pop rock Alive Again 4:17 The Greatest Love On Earth 3:43 Little Miss Lovin' 4:32 Hot Streets 5:12 Take A Chance 4:35 Gone Long Gone 3:55 Ain't It Time 4:08 Love Was New 3:32 No Tell Lover 4:15 Show Me The Way 3:18 Although Chicago tragically marked its decade anniversary with the bitter loss of lead guitarist Terry Kath, Hot Streets (1978) was not only the first release without him, it was also the band's initial offering away from James William Guercio -- with whom the group had worked on every one of its previous dozen long-players. Donnie Dacus (guitar/vocals) was brought in to fill Kath 's formidable shoes. His maiden voyage would likewise mark the beginning of a downward spiral in terms of the string of hits that was usually associated with Chicago albums. Both the upbeat and pumping opener "Alive Again" and the typical adult contemporary balladry of "No Tell Lover" became their last Top 40 hits for nearly four years. Phil Ramone 's production gives the material an added and noticeable bite. The Peter Cetera (bass/vocals) rocker "Little Miss Lovin" recalls the band's earliest sides by blending an aggressive backbeat with a funky and soulful rhythm. "Gone, Long, Gone," the disc's other Cetera contribution, also stands out for Dacus ' spot-on slide guitar intonation, which mimics a similar style used most notably by George Harrison. Although it failed to chart when extracted as a single, Robert Lamm's (keyboards/vocals) "Love Was New" is one of the more jazz-influenced tunes on Hot Streets. The laid-back groove effortlessly carries the melody behind a fusion of light rock and contemporary jazz. The rapidly changing pop music landscape, whose horizons would embrace disco and new wave, would all but abandon Chicago for the group's next few albums. Although the band attempted to adapt to the trends, it would be four LPs and four years before Chicago would re-emerge in full form on its comeback, Chicago 16 (1982).
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Girona (Girona)
DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams "I've Got The Next Dance" single 7" (CBS) 1979 made in Spain cat. num. CBS 7399 #disco #soul #funk a. I've got the next dance b. when love comes calling One of the most distinctive vocalists who arrived during the soul era, Deniece Williams is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born June Deniece Chandler in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were Carmen McRae (for her diction) and Nancy Wilson, who, for Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970, Williams recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as Deniece (or Denise) Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics. In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero Stevie Wonder by John Harris, her cousin from Detroit, who happened to be on tour as a valet for Wonder (and was also his childhood friend). Her cousin arranged for Williams to meet Wonder backstage at a concert. Six months later, Williams was flown into Detroit by Wonder for an audition. Among the 26 who auditioned, Williams, who sang "Teach Me Tonight," was one of three hired by Wonder. The three became known as Wonderlove. Her touring with Wonder lasted for several years, a period in which she recorded background vocals for Talking Book, Fulfillingness' First Finale, and Songs in the Key of Life, Wonder -produced Syreeta and Minnie Riperton sessions, and other releases by the likes of Esther Phillips and Roberta Flack.
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