One two three and i

Tommy James & Shondells. Mony, mony/ One, two three and I fell. Roulette, Germany 1968 single Tommy James & Shondells. Mony, mony/ One, two three and I fell. Roulette, Germany 1968 single Tommy James & Shondells. Mony, mony/ One, two three and I fell. Roulette, Germany 1968 single usado pero en buen estado de conservación (ver fotos)

Gloria Estefan and Miami sound machine. Epic 1988 -- Single Gloria Estefan and Miami sound machine. Epic 1988 -- Single The one, two, three mix / The pasadenas medley Envío por Correos (Ordinario o Certificado) o por mensajeria. Agrupa pedidos y ahorra en gastos de envío No enviamos contrareembolsos También se puede recoger el artículo en mano en Granada ciudad Lea las condiciones de envío LIBRERÍA MONDOVINILO == almacen caja single 6

DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” DENIECE WILLIAMS: I'VE GOT THE NEXT DANCE [ESP 1979] 7” Deniece Williams  "I've Got The Next Dance"  single 7" (CBS)  1979  made in Spain cat. num.  CBS 7399 #disco  #soul  #funk   a. I've got the next dance b. when love comes calling   One of the most distinctive vocalists who arrived during the soul era,  Deniece Williams  is known for soaring, four-octave soprano voice, late-'70s and early-'80s R&B classics such as "Free" and "Silly," and the 1984 number one pop hit "Let's Hear It for the Boy." Born  June Deniece Chandler  in Gary, Indiana, she grew up singing in a Pentecostal church, which forbid the congregation to listen to anything but gospel music. Outside of wanting a 1959 Thunderbird, she had no serious ambitions but was deeply interested in music. Her favorite singers were  Carmen McRae  (for her diction) and  Nancy Wilson, who, for  Williams, exemplified class and elegance. However, her she also looked up to her parents, both of whom sang. From 1968 through 1970,  Williams  recorded a handful of singles for the Chicago-based Lock and Toddlin' Town labels as  Deniece  (or Denise)  Chandler. None of them charted, but "I'm Walking Away" and "Mama, I Wish I Stayed Home" became Northern soul cult classics.  In need of employment and with college on the back burner, the fledgling singer was introduced to personal hero  Stevie Wonder  by John Harris, her cousin from Detroit, who happened to be on tour as a valet for  Wonder  (and was also his childhood friend). Her cousin arranged for  Williams  to meet  Wonder  backstage at a concert. Six months later,  Williams  was flown into Detroit by  Wonder  for an audition. Among the 26 who auditioned,  Williams, who sang "Teach Me Tonight," was one of three hired by  Wonder. The three became known as  Wonderlove. Her touring with  Wonder lasted for several years, a period in which she recorded background vocals for  Talking Book,  Fulfillingness' First Finale, and  Songs in the Key of Life,  Wonder -produced  Syreeta  and  Minnie Riperton  sessions, and other releases by the likes of  Esther Phillips  and  Roberta Flack.

There were six of them - three Katherines, two Annes, and a Jane. One of them was the King's wife for twenty-four years, another for only a year and a half. One died, two were divorced, and two were beheaded. It was a dangerous, uncertain life. After the King's death in 1547, his sixth wife finds a box of old letters - one from each of the first five wives. They are sad, angry, frightened letters. They tell the story of what it was like to be the wife of Henry VIII of England.. OUP Oxford. UK. Año 2007. 1ª edición

There were six of them - three Katherines, two Annes, and a Jane. One of them was the King's wife for twenty-four years, another for only a year and a half. One died, two were divorced, and two were beheaded.. OUP Oxford. UK. Año 2007. 1ª edición

Nat King Cole and His Trio* ?– After Midnight: The Complete Session, JV.102, temas en descripción. Nat King Cole and His Trio* ?– After Midnight: The Complete Session, JV.102, temas en descripción. 1 Just You, Just Me 3:00 2 Sweet Lorraine 4:34 3 Sometimes I'm Happy 4:08 4 Caravan 2:44 5 It's Only A Paper Moon 3:05 6 You're Looking At Me 4:13 7 The Lonely One 3:46 8 Don't Let It Go To Your Head 3:10 9 I Know That You Know 2:28 10 Blame It On My Youth 4:09 11 When I Grow Too Old To Dream 3:32 12 (Get Your Kicks On) Route 66 3:40 13 I Was A Little Too Lonely 2:59 14 You Can Depend On Me 3:52 15 What Is There To Say 3:34 16 Two Loves Have I 2:44 17 Candy 3:52 18 You're Looking At Me (Alt. Take) 4:12

CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 CANNONBALL ADDERLEY: CANNONBALL AND EIGHT GIANTS [ESP 1974] LPx2 Cannonball Adderley   "Cannonball And Eight Giants"  LPx2 (Milestone)   1974  made in Spain cat. num.  MM.40-068/69 S #jazz previously released as "Portait Of Cannonball" and "Things Are Getting Better" on Riverside label. A Little Taste 4:34 Straight Life 5:30 Minority (Take 2) 7:24 Minority (Take 3) 7:05 Nardis 5:30 Blue Funk 5:30 People Will Say We're In Love 9:38 Blues Oriental 4:55 A Few Previously Unissued Words From Cannonball And Then... 0:47 Things Are Getting Better 7:09 Serves Me Right 4:44 Groovin' High 5:17 The Sidewalks Of New York 6:56 Sounds For Sid 6:24 Just One Of Those Things 6:44   "Portait Of Cannonball"   This fine Riverside debut by  Adderley  was cut just a few months after the alto saxophonist had contributed to  Miles Davis ' stellar  Milestones  release. Joining  Adderley  for the six tracks here are fellow  Davis  alumni  Philly Joe Jones  on drums and  Bill Evans  on piano. These three are augmented by the wonderful and often-underrated  Blue Mitchell  on trumpet and the equally illustrious  Sam Jones  on bass. Everyone is in top form on a varied set that takes in two  Adderley  originals (the fine ballad "Straight Life" and "A Little Taste"), a classic  Gigi Gryce  number ("Minority"), and  Miles ' oft-covered "Nardis." Filling out the program, we have a rare  Sam Jones -penned cut, "Blue Funk," and a lone standard in the  Rogers & Hammerstein  chestnut from Oklahoma, "People Will Say We're in Love." One of the highlights from  Adderley 's hard bop prime. "Things Are Getting Better" This title provides ample evidence why alto  Cannonball Adderley  is considered one of the masters of his craft. Here he joins forces with  Modern Jazz Quartet  co-founder  Milt Jackson  on vibes to create a variety of sonic atmospheres. They are backed by the all-star ensemble of  Wynton Kelly  on piano,  Percy Heath  on bass, and the one and only  Art Blakey  on drums. The moody "Blues Oriental" opens the set with  Jackson  immediately diving in with his trademark fluid runs and shimmering intonation.  Adderley  counters with a light and lively line that weaves between the rhythm section. The optimistic "Things Are Getting Better" is a good-natured romp as the co-leads trade and cajole each other into some downright rollicking exchanges. This directly contrasts with the sultry "Serves Me Right," which allows the combo members to demonstrate their collective musical malleability. The interaction between  Adderley  and  Jackson  sparkles as they entwine their respective playing with an uncanny singularity of spirit. The cover of  Dizzy Gillespie 's "Groovin' High" contains another spirited performance with some thoroughly engaging improvisation, especially during  Adderley 's voracious solos. "Sidewalks of New York" bops freely as  Jackson  unleashes some sublime licks against a hearty and equally boisterous sax.  Adderley 's "Sounds for Sid" demonstrates his uncanny ability to swing with a strong R&B vibe. With drop-dead timing and profound instrumental chops, this cut is undoubtedly one of the best from  Adderley 's earliest canon. The album concludes with a jumping reading of  Cole Porter 's "Just One of Those Things." While  Wynton Kelly  has been uniformly solid, his interjections stand out here as he bridges and undergirds the two as they banter with flair and aplomb. This set can be recommended without hesitation to all manner of jazz enthusiast, as it quite literally offers something for every taste. [Some reissues include two bonus tracks supplementing the original seven-song running order, alternate takes of "Serves Me Right" and "Sidewalks of New York."]

STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT STANLEY CLARKE: I WANNA PLAY FOR YOU [UK 1979] LPx2/GAT (Epic - CBS)  1979  made in UK cat. num.  EPC 22133 #jazz rock  #jazz funk  #fusion   A1 Rock 'N' Roll Jelly 2:35 A2 All About 5:15 A3 Jamaican Boy 3:27 A4 Christopher Ivanhoe 3:22 A5 My Greatest Hits 6:28 B1 Strange Weather 1:45 B2 I Wanna Play For You 6:20 B3 Just A Feeling 6:02 B4 The Streets Of Philadelphia 5:55 C1 School Days 10:43 C2 Quiet Afternoon 9:00 D1 Together Again 5:40 D2 Blues For Mingus 2:18 D3 Off The Planet 3:10 D4 Hot Fun-Closing 7:50   Stanley Clarke  stretches his muscles and comes up with a mostly impressive, polystylistic, star-studded double album (now on one CD) that gravitates ever closer to the R&B mainstream.  Clarke 's writing remains strong and his tastes remain unpredictable, veering into rock, electronic music, acoustic jazz, even reggae in tandem with British rocker  Jeff Beck.  Clarke 's excursion into disco, "Just a Feeling," is surprisingly and infectiously successful, thanks to a good bridge and  George Duke 's galvanizingly funky work on the Yamaha electric grand piano (his finest moment with  Clarke  by far). The brief "Blues for Mingus," a wry salute from one master bassist to another (Mingus  died about six months before this album's release), is a cool acoustic breather for piano trio, and the eloquent  Stan Getz  can be detected, though nearly buried under the garish vocals and rock-style mix, on "The Streets of Philadelphia." Yet even the talented  Clarke  in full creative flower couldn't quite fill a double set with new material, so he has a tendency to reprise some of his old memorable riffs a lot, and there are several energetic snapshots of his live band in action. In its zeal to get this two-LP set onto one disc, Epic deleted three of the original 15 tracks -- including at least one gem, the sizzling hard rocker "All About" -- and scrambled the order of the remaining tunes. Which is dumb, because the missing tracks only take up a bit less than 12 minutes of playing time, not enough to overload a 65-minute disc. Hunt for the double-LP version if you can still play vinyl.

BLOOD, SWEAT & TEARS One Step Master MFSL 45RPM 2LP Box Set Out Of Print Precintado BLOOD, SWEAT & TEARS One Step Master MFSL 45RPM 2LP Box Set Out Of Print Precintado BLOOD, SWEAT & TEARS BLOOD, SWEAT & TEARS (Segundo Álbum) One Step Original Master Recording 180g 2LP 45rpm MFSL Edición Limitada y Numerada DESCATALOGADO Nuevo y Precintado     BLOOD, SWEAT & TEARS BLOOD, SWEAT & TEARS (Second Album) One Step Original Master Recording 180g 2LP 45rpm MFSL Numbered Limited Edition OUT OF PRINT New and Sealed     DESCRIPCIÓN: USA 2021 Mobile Fidelity Sound Lab UD1S 2-016        El segundo ábum de Blood, Sweat & Tears permaneció durante siete semanas  en cabeza de las listas y de él se sacaron cinco Top singles consecutivos. Vendió según la RIAA más de cuatro millones de copias solamente en Estados Unidos. En Canadá permaneció ocho semanas en el número 1 en la lista de álbums nacional RPM.        • Edición Limitada y Numerada Manualmente: estrictamente limitada a solo 6,000 copias. • El número de la copia que se muestra en la foto de la contraportada no necesariamente debe corresponder con el número de la copia actual en venta. • MoFi SuperVinyl Pressing. • UltraDisc One-Step. • Edición Speed de 45rpm. • Caja de 2LP. • Fiel a los gráficos originales. • Producción y masterización por Mobile Fidelity Sound Lab. • Nuevo y Precintado de Fábrica.  DESCATALOGADO        DESCRIPTION: US 2021 Mobile Fidelity Sound Lab UD1S 2-016     Rising to the top of the U.S. charts for seven weeks and yielding three successive Top 5 singles. It has been certified quadruple platinum by the RIAA with sales of more than four million copies in the U.S. In Canada, it stayed eight weeks at No. 1 on the RPM national album chart.       • Hand Numbered, Limited Edition – Strictly limited to only 6,000 Copies. • The copy number shown in the photo of the back cover does not necessarily have to correspond to the number of the current copy for sale. • MoFi SuperVinyl Pressing. • UltraDisc One-Step. • 45rpm Speed Edition. • 2LP Box Set. • Housed in an opulent box. • Faithful to original graphics. • Production and Mastering by Mobile Fidelity Sound Lab. • New and Factory sealed.   SOLD OUT!     Musicians:   Fred Lipsius, alto sax, piano Chuck Winfield, trumpet, flugelhorn Lew Soloff, trumpet, flugelhorn Jerry Hyman, trombone, recorder David Clayton-Thomas, lead vocals Dick Halligan, organ, piano, flute, trombone, vocals Steve Katz, guitar, harmonica, vocals Bobby Colomby, drums, percussion, vocals Jim Fielder, bass           Track Listing:   SIDE A   1. VARIATIONS ON A THEME BY ERIK SATIE   2. SMILING PHASES   3. SOMETIMES IN WINTER   SIDE B   1. MORE AND MORE   2. AND WHEN I DIE   3. GOD BLESS THE CHILD   SIDE C   1. SPINNING WHEEL   2. YOU'VE MADE ME SO VERY HAPPY   SIDE D   1. BLUES - PART II   2. VARIATIONS ON A THEME BY ERIK SATIE                ESTADO -   CONDITION: Vinilo /  Vinyl:   M     Cubierta /  Cover:  SS  (Precintado /Factory Sealed)        

simon & garfunkel / parsley,sage,rosemary and thyme 66, Scarborough FaiR, RARA ORIG. EDIT. USA !! EX simon & garfunkel / parsley,sage,rosemary and thyme 66, Scarborough FaiR, RARA ORIG. EDIT. USA !! EX ES UNO DE MIS ALBUNES PREFERIDOS DE TODOS LOS TIEMPOS..  ES COMPLICADO QUEDARSE CON UN SOLO TEMA DEL DUO QUE PLASMARON EN ESTE ALBUN DE 1966, TOCADOS POR ALGO SOBRENATURAL A LA HORA DE COMPONER Y DE UTILIZAR SUS VOCES. Y ARMONIAS EN AQUELLA MITAD DE LOS GLORIOSOS AÑOS 60. LA PRODUCION DE SUS DISCOS REALIZADAS EN SU MAYORIA POR EL GRAN BOB JOHNSON, UN ABSOLUTO GENIO QUE CONSIGUIO QUE ESTOS DISCOS SEAN ETERNOS Y QUE ESCUCGADOS 50 AÑOS DESPUES SIGAN EMOCIONANDO Y DESLUMBRANDONOS A TODOS POR SUS ARREGLOS Y SONIDO LIMPIO.. Parsley, Sage, Rosemary and Thyme es el tercer álbum de Simon & Garfunkel, que significa Perejil, salvia, romero, y tomillo, haciendo referencia a la segunda línea de la canción Scarborough Fair. Publicado el 10 de octubre de 1966, se convirtió en disco de oro y alcanzó el cuarto puesto en los listados de éxitos. El disco está compuesto en su mayoría por algunas temas grabados anteriormente por Simon.  UNA ABSOLUTA OBRA MAESTRA DE TODOS LOS TIEMPOS. sin duda uno de los albunes que mas he disfrutado, temas que ponen los pelos de punta y donde el duo es perfecto, sus voces son de terciopelo art y simon hacen que se les escuchen cada matiz y detalle de sus tonos, temas emblematicos como escarborough fair hoy en dia me sigue emocionando o el The 59th Street Bridge Song que maravilla casi cantado a pelo solo con sus voces y una acustica, el tema Flowers Never Bend With the Rainfall..autentico folk pero como ese algo diferente que ellos tenian...siempre delicados,sensibles..y asi es todo el albun una verdadera obra maestra que no tienes que perderte. Hermoso disco, como así son las apacibles melodías y la bella combinación de voces de sus autores e intérpretes, líricos declarantes de una generación reivindicativa en un escenario de decisivos cambios, como fue la incorporación de la protesta y demanda juvenil en el ámbito sociocultural y político, fruto, entre otros muchos factores, de la madurez aportada al rock y el pop por los músicos procedentes del folk, avezados poetas de cariz social. Este es un álbum con sonoridades acústicas de folk pop barroco con apoyos de clavicordios y alegóricas historias de matiz antibélico, exposiciones de angustia existencial en cálidas tonalidades, refugio interno en el hogar conocido, rítmicas piezas satíricas que se burlan del consumismo desaforado, delicados cánticos de apariencia optimista, simpáticos ejercicios dylanianos, entonaciones líricas con comentario social, recuerdos para la gran poetisa Emily Dickinson o el tradicional "Noche de Paz" arrullando apuntes sobre la guerra del Vietnam y la protección de los derechos civiles. El disco, producido por el gran Bruce Johnston, presenta unos fenomenales arreglos vocales de Art Garfunkel, siempre a la sombra compositiva del maestro Paul Simon, quien nos regala joyas, al margen de los grandes clásicos del álbum (entre ellos "Scarborough Fair" o "Homeward Bound"), como "The Dangling Conversation" o la maravillosa "Flowers never bend with the rainfall", todo un prodigio de sensibilidad y talento melódico. Flowers Never Bend With the RainfallThe 59th Street Bridge Song "Parsley, Sage, Rosemary and Thyme" (Columbia). Simon y Garfunkel habían dejado atrás su imagen de dúo adolescente fabricante de éxitos pegadizos para dar paso a personas más interesadas en buscar nuevas sonoridades para sus canciones cada vez más relacionadas con la sociedad convulsa que les tocó vivir. Esto ocurría con mayor vehemencia cuando grabaron su tercer elepé, un disco que llevaba en el título las palabras de una vieja canción de Inglaterra, arreglada por Simon y Garfunkel. Esta pieza, que abre el álbum, y la última, "O' Clock News/Silent Night", son las únicas de procedencia foránea, aunque el dúo superpusiera algunos versos propios de claro contenido social y antibelicista. El repertorio se completa en este disco con grandes composiciones de Paul Simon: "Patterns", "Cloudy", "Flowers Never Bend with the Rainfall" o "For Emily, Whenever I May Find Her", que convierten a "Parsley, Sage, Rosemary and Thyme" en uno de los mejores elepés de la década, en pleno reinado del folk-rock y del Dylan electrizado. La larga sombra de la influencia de este último se aprecia en "A Simple Desultory Philippic", pero el dúo ya adulto se convirtió en una referencia para muchos grupos y solistas que supieron apreciar sus cualidades melódicas y vigorosas composiciones, las cuales abundaban en su tercer elepé. La portada se realizó con una fotografía de Bob Cato con el título en letras góticas. En España se hizo una carátula diferente en la que se incluía un dibujo de los rostros de Simon y Garfunkel.   Músicos: Paul Simon (guitarra y voz), Art Garfunkel (teclado y voz), Bob Johnson (producción).   Side One: 1. Scarborough Fair / Canticle 2. Patterns 3. Cloudy 4. Homeward Bound 5. The Big Bright Green Pleasure Machine 6. The 59th Street Bridge Song (Feelin' Groovy) Side Two: 1. The Dangling Conversation 2. Flowers Never Bend With The Rainfall 3. A Simple Desultory Philippic (Or How I Was Robert McNamara'd Into Submission) 4. For Emily, Whenever I May Find Her 5. A Poem On The Underground Wall 6. 7 O'Clock News / Silent Night

Them – Them Featuring Van Morrison Lead Singer, 2 Vinyls UK 1973 Deram Them – Them Featuring Van Morrison Lead Singer, 2 Vinyls UK 1973 Deram Lista de pistas A1 Gloria   A2 I Like It Like That   A3 One More Time   A4 My Lonely Sad Eyes   A5 Go On Home Baby   A6 Just A Little Bit   B1 Mystic Eyes   B2 If You And I Could Be As Two   B3 Little Girl   B4 My Little Baby   B5 Philosophy   B6 It's All Over Now, Baby Blue   C1 Baby Please Don't Go   C2 I Gave My Love A Diamond   C3 You Just Can't Win   C4 Could You Would You   C5 Richard Cory   C6 Bad Or Good   D1 Bring 'Em On In   D2 One Two Brown Eyes   D3 All For Myself   D4 (It Won't Hurt) Half As Much   D5 Hey Girl   D6 Here Comes The Night

LULU / new routes 1970 !! RARO ATCO !! ORG EDIT USA, DUANE ALLMAN - GUITAR ALLMAN BROTHERS BAND EXC LULU / new routes 1970 !! RARO ATCO !! ORG EDIT USA, DUANE ALLMAN - GUITAR ALLMAN BROTHERS BAND EXC MUY BUSCADO YA QUE HAY UNA DE LAS ULTIMAS SESIONES DEL GRAN DUANE ALLMAN (A.B.B.) EN LAS GUITARRAS !!!...produce TOM DOWN Y JERRY WEXLER...COLLECTORS !!! GRABADO EN LOS ESTUDIOS..  Muscle Shoals Sound Studio Y TODA LA PANDA DE MUSICOS QUE UNO NO PUEDE NI IMAGINAR..ABSOLUTOS MAESTROS Y GENIOS DE ESTE NEGOCIO.. TODOS LOS INGREDIENTES SERVIDOS PARA UN ALBUN MAGNIFICO !! TODO EN EXCELENTE ESTADO !!!!VINILO EN INCREIBLE ESTADO Y CARPETA MUY BIEN, CONTIENE EL BONITO ENCARTE DEL SELLO ATCO, PRESENTA TROQUELADO QUE INDICA ALBUN DESCATALOGADO. En 1969, grabó "New Routes", un álbum grabado en los famosos estudios Muscle Shoals.Un disco curioso y raro de encontrar, en el se incluía una buenísima versión de " Mr. Bojangles ", de Jerry Jeff Walker. Grabado entre el 10 de septiembre y el 2 de octubre de 1969, fue una de las primeras grabaciones de aquellos míticos estudios. Y claro lo mejor y lo que mas me entusiasma del asunto es que en el disco Lulu contó con Duane Allman en las guitarras. Mi entusiasmo por encontrarme este disco es evidente, ya que adquiero todo lo que toque de cerca o de lejos a los Allman. El disco contaba con temas como la canción " Oh Me Oh My (I'm a Fool For You Baby) " que obtuvo cierto éxito. Una buena versión de " Feelin' Alright " de Dave Mason. "Dirty Old Man" de Delaney Bramlett, etc... Por lo que se puede apreciar a simple vista; muy buen gusto tenia esta majisima señorita. El disco también contó con Barry Edward Beckett en los teclados, un hombre que que trabajó como músico de sesión con los artistas mas grandes. James Luther "Jim" Dickinson al piano y las guitarras, un hombre que no necesita presentación,simplemente recordar que sus hijos, Luther y Cody han seguido sus pasos con éxito,tanto con North Mississippi All Stars, como como Hill Country Revue y The Black Crowes. Y que el piano en " Wild Horses" de los Stones es el! El gran Cornell Dupree tambien se ocupo de las guitarras, junto a Charlie Figueroa y Eddie Hinton este ultimo guitarra de Aretha Franklin, Solomon Burke, The Staple Singers y Elvis Presley entre muchos. Al bajo David Hood, otro con un curriculum que echa de espalda, y su hijo, Patterson Hood, es uno de Drive-By Truckers. Michael Utley con el organo, un hombre muy apegado a Rita Coolidge y Kris Kristofferson. Como se puede ver Lulu tuvo a la creme de la creme en su disco, y como productores tampoco se quedo corta: Jerry Wexler, Arif Mardin y Tom Dowd. Nada mas y nada menos! Como ven nuestra Lulu,se lo monto divinamente en este disco y un año más tarde, lanzo un álbum similar, "Melody Fair". Ambos se registraron en el sello Atco y son piezas muy buscadas Lulu siempre siguió en el negocio del espectáculo,consiguiendo éxitos nada desdeñables, aunque su estilo siempre ha derivado hacia un pop muy comercial, siempre quedaran estos discos que grabo en los Muscle Shoals. En septiembre de 2009, Lulu anunció una gira por el Reino Unido y en el 2010 realizo el tema "The Word Is Love" Side one "Marley Purt Drive" (Barry Gibb, Robin Gibb, Maurice Gibb) - 3:23 "In the Morning" (B. Gibb) - 3:30 "People in Love" (Eddie Hinton, Grady Smith) - 2:47 "After All (I Live My Life)" (Jim Doris, Frankie Miller) - 3:17 "Feelin' Alright" (Dave Mason) - 3:05 Side two "Dirty Old Man" (Delaney Bramlett, Mac Davis) - 2:22 "Oh Me Oh My (I'm a Fool for You Baby)" (Doris) - 2:46 "Is That You Love" (Jackie Avery, John Farris) - 2:44 "Mr. Bojangles" (Jerry Jeff Walker) - 3:10 "Where's Eddie" (Donnie Fritts, Hinton) - 3:08 "Sweep Around Your Own Back Door" (Fran Robins) - 2:41 Personnel Duane Allman - guitar on side one: 1, 4 and side two: 1, 6 Barry Beckett - keyboards Jim Dickinson - guitar, piano Tom Dowd - producer Cornell Dupree - guitar Charlie Freeman - guitar Martin Greene - engineer Eddie Hinton - guitar David Hood - bass Jimmy Johnson - engineer, guitar Lulu - vocals (There are no backing vocals on this album). Arif Mardin - producer Tommy McClure - bass Mike Utley - organ Jerry Wexler - producer

THE BEATLES. Anthology 1 (cd sampler 1995) THE BEATLES. Anthology 1 (cd sampler 1995) CD ALBUM SAMPLER PROMOCIONAL 1995.  Ref...DPRO 10289. -- Tiene libreto  THE BEATLES 1. One After 909 2.Leave My Kitten Alone 3.And I Love Her 4.Three Cool Cats 5.I Wanna Be Your Man   Gastos de envio para:                     ESPAÑA  EUROPA   RESTO DEL MUNDO Hasta 500 grs.                                  5,95€        11,10€        14,75€

IRON MAIDEN. In profile (cd album 1997) IRON MAIDEN. In profile (cd album 1997) CD ALBUM 1997           Ref..7143 8 57580 2 7   IRON MAIDEN Part One: Early Maiden Days  Football To Iron Maiden And The Ruskin Arms 1.From Here To Eternity 2.Remember Tomorrow 3.Iron Maiden [excerpts] 4.Prowler 5.Strange World   Part Two: Groundwork  The Soundhouse Tapes, Eddie The 'Ead And Maiden Meet Neil Kay And Find Manager Rod Smallwood 6.Charlotte The Harlot 7.Transylvania 8.Running Free   Part Three: Ascendancy  Maiden's First Album And Their First Reading Festival, The Killers World Tour And Bruce Replaces Paul 9.Phantom Of The Opera 10.Sanctuary ("Metal For Muthas") 11.Purgatory 12.Wrathchild 13.Killers 14.Run To The Hills   Part Four: Supremacy  A Top Ten Single, A Number One Album, Massive Live Productions, World Tours And The Hits Keep On Coming 15.The Number Of The Beast 16.Hallowed Be Thy Name 17.Invaders 18.Where Eagles Dare 19.The Trooper 20.2 Minutes To Midnight 21.Aces High 22.Wasted Years 23.Heaven Can Wait 24.Can I Play With Madness   Part Five: Legends  Stadium Room Only, More Hits Albums And The Departure Of Dickinson. Blaze Joins And Iron Maiden Are Confirmed As One Of The Greatest Influences Of Heavy Rock 25.Holy Smoke 26.Bring Your Daughter... To The Slaughter 27.Be Quick Or Be Dead 28.Fear Of The Dark 29.Tailgunner 30. Man On The Edge 31. The Unbeliever                       Gastos de envio para:                                                 ESPAÑA EUROPA RESTO DEL MUNDO Hasta 500grs.                             4,45€       9€        12,57€

PINK FLOYD: TOTAL ECLIPSE A RETROSPECTIVE 1967-1993 - BOX SET 4 CD + LIBRETO *PERFECTO ESTADO* PINK FLOYD: TOTAL ECLIPSE A RETROSPECTIVE 1967-1993 - BOX SET 4 CD + LIBRETO *PERFECTO ESTADO* Estuche de 4 Cds con libreto integrado de 36 paginas repleto de imagenes en color y b&n del grupo. MUY BUEN ESTADO Gastos de envio Certificado para este articulo: 5 Euros compres la cantidad de CDs que compres POR FAVOR, si algo no le convence NO COMPRE Disc One: 01. Lucy Leave (Sound Techniques Studios, London, UK. 1966)* 02. King Bee (Sound Techniques Studios, London, UK. 1966)* 03. Astronomy Domine (BBC Look of The Week, 5-4-1967)* 04. Interstellar Overdrive (UFO Club, London, UK. Circa 1966)* 05. Scarecrow (BBC Top Gear 9-30-1967) 06. The Gnome (BBC Top Gear 9-30-1967) 07. Matilda Mother (BBC Top Gear 9-30-1967) 08. Vegetable Man (Studio Outtake 1967) 09. Scream Thy Last Scream (Studio Outtake 1967) 10. Reaction In G (London, UK. 9-25-1967)* 11. Pow R Toc H (BBC Top Gear 12-19-1967) 12. Jugband Blues (BBC Top Gear 12-19-1967) 13. Julia Dream (BBC Top Gear 6-25-1968) 14. Let There Be More Light (BBC Top Gear 6-25-1968) 15. Murderistic Women (BBC Top Gear 6-25-1968)* 16. The Massed Gadgets of Hercules Part One (BBC Top Gear 6-25-1968) 17. The Massed Gadgets of Hercules Part Two (BBC Top Gear 6-25-1968) 18. Point Me At The Sky (BBC Top Gear 6-25-1968) 19. Baby Blue Shuffle In D Minor (BBC Top Gear 1-14-1969) 20. Main Theme From More (Paris, France 1-23-1970)*   Disc Two: 01. The Embryo (BBC Top Gear 1-14-1969) 02. Green Is The Colour (Paris Theatre, London, UK. 9-16-1970) 03. Careful With That Axe, Eugene (Paris Theatre, London, UK. 9-16-1970) 04. The Narrow Way (BBC Top Gear 1-14-1969) 05. Biding My Time (Concertgebouw, Amsterdam, Netherlands 9-17-1969) 06. The Violence Sequence (Paris 1-23-1970) 07. If (Paris Theatre, London, UK. 9-16-1970) 08. Cymbaline (Pepperland, San rafael, Ca. USA 10-17-1970) 09. Atom Heart Mother (Pepperland, San rafael, Ca. USA 10-17-1970) 10. Fat Old Sun (Montreux, Switzerland 11-22-1970)*   Disc Three: 01. Blues (Paris Theatre, London, UK. 10-31-1971) 02. Breathe (Rainbow Theatre, London, UK. 2-17-1972) 03. On The Run (Rainbow Theatre, London, UK. 2-17-1972) 04. The Great Gig In The Sky (Hollywood Bowl, Los Angeles, Ca. USA 9-22-1972) 05. Childhood's End (Palais Des Sports, St. Ouen, France 12-2-1972)* 06. Shine On You Crazy Diamond Parts 1 - 5 (Empire Pool, Wembley, London, UK. 11-14-1974) 07. Raving and Drooling (Nassau Coliseum, New York, USA 6-16-1975) 08. You've Gotta Be Crazy (Nassau Coliseum, New York, USA 6-16-1975)   Disc Four: 01. Obscured By Clouds (Earls Court, London, UK. 5-19-1973)* 02. When You're In (Earls Court, London, UK. 5-19-1973)* 03. Echoes (Boston Gardens, Boston, Ma. USA 6-18-1975) 04. Pigs (Three Different Ones) (Oakland Coliseum, Oakland, Ca. USA 5-9-1977)* 05. Comfortably Numb (David Gilmour Home Demo 1978) 06. Money (Knebworth 6-30-1990)